may 2016 Archives - STAGING Maverick

Loretta Lynn

Dolly. Tammy. Willie. Hank. Waylon. Merle. Country superstars instantly recognisable just from their first name. Here’s another one: Loretta. The only female artist to chart in six decades, The Coal Miner’s Daughter, Loretta Lynn is still going strong as a pioneering and formidable singer, songwriter and performer, turning 84 years old on April 14. ‘Loretta Lynn: Still a Mountain Girl’, a documentary about her life and career, was screened on BBC 4 in March, after premiering on national US TV. A Broadway musical based on her memoir, ‘Coal Miner’s Daughter’, is also on its way. In 1980, Sissy Spacek starred in the Oscar winning film treatment of Loretta’s auto-biography. Loretta published a second memoir, ‘Still Woman Enough’, in 2002. A listen to her sparkling brand new record, FULL CIRCLE, messes with your head somewhat; hearing that distinctive voice and a tone more like a woman of less than half her age, from a woman born when Herbert Hoover was US president, and George V. was on the throne here. FULL CIRCLE takes listeners on a journey through Loretta’s musical story, from the Appalachian folk songs and gospel music she learned as a child, to new interpretations of her classic hits and country standards, to songs newly-written for the project. Everything It Takes, is a sweet duet with Elvis Costello, and Lay Me Down, a tune written by her son-in-law, a blissful duet with her old friend Willie Nelson. I caught up with Loretta on the phone at her Hurricane Mills home in Tennessee, a 1,600 acre ranch she and her husband bought many years ago, part of which is now a major tourist attraction with museums, a live music venue and major events regularly staged there. But the space and splendour of her beautiful home is a far cry from her childhood. Born Loretta Webb, named after film star Loretta Young, the second of eight children and the daughter of a coal miner, she was raised in poverty in remote Appalachian Kentucky hamlet, Butcher Hollow, Van Lear, in a one room mountain cabin with her parents and seven brothers and sisters. The family had little, but they always had music and all of them sang. Her part Cherokee mother used to stand Loretta on her Singer sewing machine and make paper dresses for her, while teaching her how to sing. One of those songs, In The Pines, is one of the highlights of the new album. Loretta married Oliver ‘Dolittle’ Lynn when she was 15 years old – many sources wrongly state she married at 13, but a check of official records confirms she was two years older – and it was he who bought her first guitar, a $17 Harmony in 1953. It was Oliver who urged her to get up on stage and perform after hearing her sing around the house. She admits that she never wanted to be a singer, cried with nerves when she first went on stage, but after three years of teaching herself the guitar, she decided on a game plan to focus on singing for just two years to buy the couple a house, and then retire! Theirs was a turbulent marriage, fuelled by his heavy drinking as an alcoholic, his violence and constant womanising. It is on record that he left her once while she was giving birth. As Loretta reveals, they often came to blows, with her giving back as good as she got! Pouring a hot pan of corn over his head in one incident. She used their behind-closed-doors life stories in the songs she wrote, with regular topics centred around boozing and philandering men, and rival mistresses. Her hit song Fist City, was a perfect and forthright example of Ms Lynn warning off the many persistent females she encountered. But Loretta and Oliver, who she called ‘Doo’, stayed together for 48 years, had six children and she was devastated when he died in 1998, unable to continue working for a while, stricken with grief. Until her comeback with the album STILL COUNTRY in 2000. That preceded the surprise double Grammy-winning smash hit album VAN LEAR ROSE, produced by Jack White. She formed her own band, Loretta and the Trailblazers, featuring her brother Jay Lee on guitar, in 1956. Loretta signed her first recording contract in 1960, for her first record HONKY TONK GIRL. She arrived in Nashville 55 years ago, became a big part of the Nashville country scene and charted her first of 16 number one hits in 1967. To read the full interview, purchase the May 2016 issue here

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Cyndi Lauper

Actress, singer, songwriter and musical icon, Cyndi Lauper, has reached over 50 million global record sales thanks to her much-loved and critically acclaimed writing and performances. Her career has spanned 30 years, she has been inducted into both the Hollywood and Songwriters Hall of Fame, creating Hey Now (Girls Just Wanna Have Fun), True Colours, All Through The Night, Time After Time and Change Of Heart, to name just a few of her smash hits. Cyndi can be credited as a musical revolutionary, bringing punk elements of style and attitude into the mainstream, thanks to her signature fashion, vocals and liberal lyrics. Cyndi Lauper was the first woman to have four top five hits from a debut album, the first woman to win the composing category solo during the 2013 Tony Awards and one of a select list women to have won competitive Grammy, Emmy and Tony awards. Most reccently, she has wowed with her unique, cross-genre albums. Lauper has also become a powerful LGBT advocate (she is both a gay and feminist icon) campaigning for equality through charities and Gay Pride events around the world. She co-founded the True Colors Tour for Human Rights throughout the United States and Canada in 2007. In 2010, Lauper’s True Colors Fund launched the Give a Damn campaign, to help get straight people more involved in LGBT rights. Cyndi Lauper is a woman who, after years of gaining respect and admiration in the music industry and now 62 years old, can pretty much do what she wants – and what she’s chosen to do now is a country album! DETOUR, released on May 6, is an 11-track cover album, featuring some of country music’s very best artists and session players. It’s also her first solo album in six years. I spoke with Cyndi Lauper to find out why, and it seemed that her motives and outlook on the album were just as charming and colourful as her New York accent and bright pink hair… We managed to fit in time to speak in between Cyndi’s busy schedule promoting this album; she tells me it’s important to her to “meet all the people that are gonna be selling the record. These are the people who will be rolling their sleeves up with you, so it’s good that you meet everybody and say ‘thank you’, for the work we’re about to embark on.” It’s refreshing to hear that the singer still appreciates each and every process of a new album – but before we talk more about her role and vision in its creation, I can’t wait and I have to ask – why a country album and why now? “Well, because I could,” she responds with bright bluntness that shapes the rest of our interview. “And because I wanted to work with Seymour Stein.” It was a career-long ambition to work with Seymour Stein. “I always wanted to work with him,” she tells me. “He was the one who signed the Talking Heads, signed the Ramones. You gotta understand what that was in New York, at that time. It was like oh my god, he had everybody!” Stein is a top dog in the music industry: Vice President of Warner Bros and Records and a co-founder of Sire Records. Sire Records was a central part of the 80’s new wave movement; Stein signed ground-breaking artists under the label such as the Ramones, Talking Heads, The Pretenders, Madonna, Depeche Mode, The Cure and The Undertones. Perhaps surprisingly, DETOUR is Cyndi’s first release with Stein. Equally surprising, the two of them planned to create a “kind of Americana [album, from] the time period of country when [it] walked hand-in-hand with R&B,” says Cyndi. “I felt like that was a perfect complement to the MEMPHIS BLUES record that I did – which [covered music from] around the same time period.” Lauper has spent this most recent stage in her career looking to the past for inspiration. 2010’s MEMPHIS BLUES became Billboard’s most successful blues album of the year, remaining at number one on the Billboard Blues Albums chart for 14 consecutive weeks and featuring the late blues legend, B.B. King. Prior to that, in 2003, Cyndi put together a successful collection of jazz standards, AT LAST. To read more, purchase that May 2016 issue of Maverick here