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Event Review – Windy City Smokeout

Windy City Smokeout 2025 delivered unforgettable musical moments, legendary BBQ, sizzling surprise guests, and vibrant Chicago spirit for four days outside the United Center.

Chicago’s Windy City Smokeout returned July 10–13, 2025, transforming the United Center parking lot into a lively convergence of country music and barbecue culture. Over four days, the festival drew crowds of 20,000–25,000 daily, drawn by a curated mix of chart‑topping artists, rising talent, and a smoky swarm of pitmasters.

The 2025 lineup boasted heavy-hitters like Kane Brown, Jon Pardi, Bailey Zimmerman, Old Dominion, Megan Moroney, Riley Green, Koe Wetzel, and Dylan Gossett. Supporting acts such as Ella Langley, Sam Barber, Charles Wesley Godwin, Shane Smith & the Saints, Josh Meloy, Lauren Watkins, and Maggie Antone added depth and diversity to the roster.

The schedule was tightly packed but masterfully paced, offering a seamless blend of party anthems, emotional ballads, and crowd-pleasing singalongs. Between sets, festivalgoers lounged in shaded beer gardens, joined line-dancing circles, or cooled off with ice-cold lemonade while sampling regional BBQ specialties.

The atmosphere remained relaxed but electric, with a crowd that skewed younger this year—suggesting the genre’s evolving appeal among Gen Z and millennial fans.

Unexpected magic

Weather, BBQ, and unexpected performances defined this year’s magic. Despite intense heat and storm warnings, the mood stayed electric. The festival featured over 20 esteemed pitmasters—including local favourites like Bub City, Lexington Betty, Smoque BBQ, and Soul & Smoke—plus regional stars such as Pappy’s, Little Miss BBQ, Meat Mitch, and Hoodoo Brown Barbecue.

One memorable highlight featured Hoodoo Brown serving Italian sausage sandwiches and smoked beef cheese poutine fries while battling the elements after a grueling 13-hour drive.

One of the weekend’s most surreal moments occurred during Old Dominion’s Friday set when Dan Aykroyd and Jim Belushi appeared as the Blues Brothers. They jammed on “Everybody Needs Somebody to Love” and later joined the band for “Hotel Key,” igniting the crowd with a Chicago twist that will be remembered for years.

Stage highlights and rising stars

Friday and Saturday brought more unforgettable performances. Ella Langley’s energetic set earned her a career moment when she invited Riley Green onstage for two duets, sparking speculation with the crowd. Green’s own performance closed the festival with a raw, emotional solo rendition of “I Wish Grandpas Never Died,” following surprise Dueling renditions of Toby Keith hits that had fans singing along.

Headliner Jon Pardi closed out Smokeout with pyrotechnics, catwalk twirls, and singalong hits like “Beer Can’t Fix,” “Heartache Medication,” and “Head Over Boots” — capturing the heart of country fans with his trademark swagger and showmanship.

City vibes, country heart

What sets Windy City Smokeout apart is Chicago’s urban energy meeting festival soul. Whether tip‑toeing toward the next set with beer in hand or doing a line dance near the pits, the vibe remains an intoxicating blend of grit, community, and pure country joy.

From surprise celebrity cameos to smoky flavors and unforgettable sets, Smokeout 2025 is living proof that the best festivals never play it safe—they embrace the unexpected.

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Dan Ashley – Sing Me a Story, Tell Me the News

Veteran news anchor and rock singer-songwriter Dan Ashley shares how journalism, music, and philanthropy have intertwined in a truly remarkable career.

You’re known both as a respected ABC7 news anchor and as a rock-fronting singer-songwriter. Can you share how your childhood experiences shaped those dual passions?

I am so fortunate to be able to pursue lifelong passions professionally. As a journalist, I benefited enormously from growing up in an academic household as the son of a college professor of public health and as Dean of the school. In high school and college, I was on the debate team, which gave me invaluable experience in organising thoughts and speaking in public. That was a huge help as I began working on television and radio as a reporter.

As a songwriter, my decades as a journalist gave me a unique perspective as a lyricist that has allowed me to tell stories in song. Having been around music for my entire childhood, it gave me love and appreciation for that creative art form.

What inspired the pivot back to music after decades in journalism?

Music has always been a part of my life but, until the last twenty years or so, mostly as a fan. Once I started taking singing lessons, with no ambition to do it professionally, a spark turned into a flame and I was overtaken by the love of, not just enjoying music, but creating and performing it.

With singles like “Small Town Nights” and “What Really Matters,” you tap into nostalgia and perspective. What do these songs mean to you personally?

I grew up in a small college town, Chapel Hill, NC, so I know a lot about that kind of life. For me, it was wonderful- filled with climbing trees, playing kick-the-can in the street, and spending summer days outdoors. We didn’t have computers or video games, and I am so grateful that we didn’t. “Small Town Nights” reflects that experience but, more than nostalgic, it’s aspirational.

In a very complicated and distracting age that we live in, I wanted to write a song about the joy of simple pleasures absent all the technology. “What Really Matters” is chronical in many respects of my experiences as a journalist for all these years. The things I’ve seen as a reporter and an observation that, in so many instances, good people come forward to help in bad situations.

You’ve opened for legends like REO Speedwagon, Melissa Etheridge, Patti LaBelle, Joan Jett, and more. Which of these experiences had the most lasting impact?

I have been so fortunate to share the stage with some incredible acts over the years- it’s a privilege and a whole lot of fun. They are all memorable in their own way, but I have to say that opening for REO Speedwagon was particularly special because all the guys in the band were so nice, gracious, and supportive. I’ve never had a bad experience supporting headliners, but they were especially delightful.

How does your background in journalism inform your songwriting?

Great question! The parallels are truly striking. As a journalist, I am a story-teller in many respects and that is exactly my approach with songwriting. Legendary 60-Minutes creator and producer, Don Hewitt, used to always remind reporter to “tell me a story”. That is always my key focus when I am reporting on television and it’s the same core idea in my songs. Tell me, or in the case of music, sing me a story!

Your band includes musicians like James Henry and Didier (Francois Bouvet). How did forming this ensemble enrich your musical vision, and what do they bring to your sound?

I have the privilege of performing with some phenomenal musicians- players and singers who elevate everything we do. Whether it’s the amazing Bill Bentley- lead guitarist and my song co-writer, Billy “Shoe’s” Johnson on drums who toured with Santana, James Henry on percussion of Pablo Cruise, among others.

My bandmates are amazing musicians and fantastic people. Angeline Saris on bass- she’s played with so many artists. Nate’ Soulsanger is an incredible singer in her own right, and I am so proud to have her on background along with my wonderful wife, Angela.

Your music profits fund charities close to your heart. Why is philanthropy such an important part of your music career?

As a television news anchor, I have been very fortunate to have a unique place in the community which give me a unique opportunity to be involved in different ways. Philanthropy has been a deeply meaningful and important part of the position I am so grateful to hold at ABC7. It was just a natural extension to use the band to support worthy causes whenever possible.

What’s your songwriting process like and how do you balance honesty with narrative structure?

Songwriting is such an interesting and challenging process. Sometimes a song will just hit me, and it flows out. “Lucky Stars”, for example, I wrote in maybe half an hour when I woke up in the middle of the night thinking about how lucky I am to have found my wife, Angela. Sometimes, it’s a lot more work. But it’s a really rewarding process.

How it works with me varies, sometimes a subject matter comes to mind, and I work with that. Often, just the title of a song hits me and then I begin to build the story around what it’s about. Other times, it might be a riff I hear in my head that sparks an idea. One key is to try to keep the lyrical content as authentic as possible- not to do backflips trying to force a rhyme or idea into the song. Keep it as real as you can- what you really think and feel.

What milestones or creative goals are you still chasing—whether it’s an album, specific venue, collaboration, or personal evolution?

As a journalist and a musician, I’m always ready for the next challenge or adventure. I’ll have a second album out soon- the first called “Out There” has some nice songs. We’ll keep releasing singles along the way with a new album out by next summer.

As for performance, I hope to keep playing our music for audiences big and small. Festivals and some touring in the future is my goal along with some more great collaborations. I have a duet out called “You’re a Friend of Mine” with the incredible multi-Grammy winner and very dear friend Narada Michael Walden. We are in the middle of working on another duet right now that I think people will really like. Stay tuned!

What drives you at your core? Is there a common purpose—like connection, storytelling, or resilience?

Sharing what we create is such a joy. I am driven by the desire to be as good as I possibly can at anything I do. There is great joy in that for me—making the journey count. A critical part of the fulfilment of that journey is making contributions whenever you can in ways big and small and forming meaningful connections and relationship along the way.

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Event Review – Country Thunder Wisconsin

Country Thunder Wisconsin returned with a record-breaking edition in July, drawing over 100,000 fans for four days of music, mud, and standout performances.

From July 17 to 20, Country Thunder Wisconsin once again turned Shadow Hill Ranch in Twin Lakes into a buzzing hub of boots, beer, and big-name acts.

The 2025 edition welcomed more than 100,000 fans across the four-day event, many of whom braved thick mud and unpredictable weather to catch a blockbuster lineup of country music stars.

The atmosphere was electric despite the rain, with spirits high and cowboy hats barely staying on as storms rolled through. Instead of deterring the crowd, the weather added a wild charm to the proceedings—giving the whole festival a gritty, homegrown vibe that felt unmistakably country.

Among the many memorable moments was Friday’s set by rising artist Braxton Keith, whose throwback honky-tonk style delivered one of the most talked-about performances of the weekend.

On Saturday night, Jelly Roll’s headline slot was a thunderous highlight. His genre-blending sound and heartfelt delivery resonated deeply with the soaked crowd, who sang along under clearing skies.

Legends and new voices

This year’s headliners—Cole Swindell, HARDY, Jelly Roll, and Dierks Bentley—each brought their own flavour to the main stage. From Swindell’s easygoing Southern charm to HARDY’s hard-hitting rock-country fusion, fans were treated to a genre-spanning showcase that spoke to country’s evolution. Bentley closed out the festival on Sunday with a high-energy set full of fan favourites and heartfelt moments.

The supporting cast was just as strong. Ashley McBryde, Chayce Beckham, Tyler Hubbard, and Sara Evans delivered solid sets that proved why they continue to be among the most respected voices in modern country. Meanwhile, classic acts like Shenandoah reminded attendees of the genre’s enduring roots, offering a satisfying balance of nostalgia and innovation.

A milestone moment

This year marked a symbolic milestone for the festival: its one-millionth attendee. After nearly three decades of camping, tailgating, and two-stepping in Wisconsin, the milestone was a reminder of Country Thunder’s status as a cultural cornerstone in the country music world.

Beyond the headliners, Country Thunder’s success rests on the strength of its community. Whether gathered around a campfire, dancing at Electric Thunder’s afterparties, or singing along to a songwriter showcase, the festival offered a space for connection, tradition, and new discoveries.

Campgrounds and community

The campgrounds, as ever, were where the real festival magic happened. With impromptu acoustic jams, BBQ smoke curling into the summer air, and groups of friends bonding over shared playlists and plastic cups, the weekend reminded fans that country music is as much about people as it is about sound.

Country Thunder Wisconsin 2025 proved once again that the heart of the festival lies in its blend of world-class performances and small-town spirit. With each year, the mud gets deeper, the crowd gets louder, and the memories grow stronger. If this edition is anything to go by, Country Thunder isn’t slowing down any time soon.

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Cowboy Junkies Set October Reissue Date

Cowboy Junkies have announced a new expanded reissue titled More Acoustic Junk, due for release on 24 October via Cooking Vinyl.

The album builds upon their earlier Acoustic Junk collection and features five new acoustic recordings alongside five tracks from the original release—three of which have been newly remixed.

The result is a stripped-back celebration of the band’s signature sound, showcasing their haunting melodies and introspective lyricism in a raw, intimate format.

A newly mixed 2025 version of album opener In My Time of Need is already available on streaming platforms.

The lineup includes Margo Timmins on vocals, Michael Timmins on guitar, Jeff Bird on mandolin, harmonica and percussion, Andy Maize on backing vocals, Josh Finlayson on banjo and Jaro Czerwinec on accordion.

More Acoustic Junk was produced, partially recorded and mixed by Michael Timmins, and mastered by Philip Shaw Bova.

Songwriting is largely credited to Michael Timmins, with a few select covers, including Ryan Adams’ In My Time of Need and Neil Young’s Tired Eyes.

Also on 24 October, the band’s 2004 studio album One Soul Now will be reissued by Cooking Vinyl, appearing on vinyl for the first time.

It will be available in limited edition yellow marble vinyl, a gatefold CD edition, and digital formats.

To read more exclusive articles and latest news, see our last issue here.

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Thomas Rhett to Release ‘About a Woman’ Deluxe Album

Multi-platinum country star Thomas Rhett will close out the summer with the release of About A Woman (Deluxe) on 26th September, available across all streaming platforms.

The expanded edition adds three new tracks—”Water”, “Chapter 10” and “On a River”—each revealing fresh dimensions of devotion, sensuality and emotional growth. With a mix of feel-good charm and heartfelt balladry, the deluxe album marks one of Rhett’s most ambitious efforts to date, extending the original project into a 25-track collection.

Featuring collaborations with Blake Shelton, Jordan Davis, Teddy Swims, Lanie Gardner and Tucker Wetmore, About A Woman (Deluxe) spans moods and melodies, from sun-soaked anthems to soul-searching love songs. Rhett’s charisma and vocal warmth shine throughout, showcasing why he remains one of Nashville’s most versatile hitmakers.

Reflecting on the release, Rhett shared his gratitude for fan support this summer, noting how deeply the music has resonated both on tour and across playlists. The Better in Boots Tour has been a high point, including a milestone debut at Fenway Park in July.

Among the highlights of the deluxe edition are “Ain’t a Bad Life” with Jordan Davis, “Old Tricks” with Blake Shelton, and the breezy “Small Town Girls” featuring Tucker Wetmore. The emotional duet “Somethin’ ‘Bout A Woman” with Teddy Swims and the chart-topping “After All The Bars Are Closed” have also made a major impact, with the latter becoming Rhett’s 24th No. 1 hit and spending three weeks atop Billboard’s Country Airplay chart.

With 16 billion streams and more than a decade of hits, Thomas Rhett continues to evolve without losing the emotional core that made him a fan favourite. His Better in Boots Tour continues across North America through the autumn, with additional dates including two nights in Las Vegas.

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