Home - STAGING Maverick

Latest News

Just Jayne Share Heartbreak Anthem “1+1”

Country-pop trio Just Jayne return today with their latest single “1+1,” a gorgeously melancholic track that turns emotional pain into shimmering harmony.

The Nashville-based trio—Taylor Edwards, Jillian Steele, and Rachel Wiggins—lean into the sorrow of love gone wrong with their signature soft-touch vocals and evocative storytelling.

“We wrote this song about a relationship that just doesn’t add up,” the group shared. “A love that could’ve been simple and easy, but instead it’s messy and complicated.”

Produced by GRAMMY-winner Jordan Reynolds, known for work with Carrie Underwood and Dan + Shay, “1+1” wraps heartbreak in a warm, melodic glow. Subtle pedal steel and banjo tones add emotional weight to lyrics that balance poetic clarity with personal ache.

Co-written by Just Jayne with Reynolds and Ines Dunn, the song traces the arc of a doomed romance—from heady beginnings to bitter conclusions. Lines like “It don’t add up when it’s said and done / Me plus you ain’t 1+1” and “It’s you plus somebody else” cut deep while floating on breezy instrumentation.

“1+1” follows August’s “Breathe,” which earned a spot on Holler’s “Best New Country Songs” playlist, and continues a steady string of buzzed-about singles, including “The Way We Were,” “New Boots,” “All Backroads,” and their TikTok-powered breakout “This Morning”—a clever female counterpoint to Morgan Wallen’s “Last Night.”

The trio first bonded as songwriting students at Belmont University and exploded onto the scene in 2023 with viral online traction and early support from stars like Kelsea Ballerini and Bailey Zimmerman.

After debuting with “This Morning” in early 2025, they hit the road as openers for Maddie & Tae’s Love & Light Tour and performed in major markets across the US. Summer brought even more momentum, with support slots for Billy Currington and Tyler Hubbard.

Known for stunning harmonies and confessional songwriting, Just Jayne continue to stake their claim as one of country’s most promising new acts. With more music in the works, “1+1” feels like yet another powerful step forward.

Never miss a story… Follow us on:
Instagram: @Maverick.mag
Twitter: @Maverick_mag
Facebook: Maverick Magazine

Media Contact
Editor, Maverick Magazine
Tel: +44 (0)20 7139 8641
Email: editor@maverick-country.com

Deltona Drop Free-Spirited Breakup Anthem

Up-and-coming country trio Deltona are back with their second single, the raucous, heart-on-sleeve “Love Don’t Love Me,” accompanied by a high-energy music video filmed at Lucky’s 3 Star Bar in Nashville.

The song marks a fiery follow-up to the band’s debut “Heartbreak Fix,” ramping up the grit and swagger in what Deltona call “a season of writing breakup songs.”

Produced by Jason Massey (Bailey Zimmerman, Kelsea Ballerini), the track showcases the band’s arena-ready blend of country and rock, with banjo licks and piano lines stitched between guitar-heavy riffs and frontman Ned Abernathy’s southern-drenched vocals.

Co-written with Massey and Allison Veltz-Cruz (Dierks Bentley, Jason Aldean), “Love Don’t Love Me” opens with biting self-deprecation: “Meet the girl, meet the momma, and I let ‘em both down.” The chorus lands with both humour and hurt, a bittersweet nod to romantic wreckage that’s as catchy as it is cathartic.

In the video, directed by Kate Bowling, Deltona capture the single’s rebellious spirit with a carefree night out—shotgunning beers, slinging pool cues and slamming whiskey between laughs. It’s a portrait of a band that doesn’t take themselves too seriously but takes their music seriously enough to mean it.

Vocalist Abernathy (Georgia), guitarist Caleb Miller (Ohio), and drummer Chris Deaton (Tennessee) first met at a writers’ round at Nashville’s famed Bluebird Café and immediately recognised a creative spark. After bonding over country traditions and a mutual need to crank the volume, Deltona formed and began sharing cover songs online—earning nearly 14K TikTok followers in just six months.

Their grassroots rise has already seen them open for artists like George Birge and Cooper Alan. This week, they’re on the road again with performances at The Green at Harrisons in Mississippi and a stripped-back acoustic set at Harding University in Arkansas supporting Avery Anna. Later this autumn, they’ll join Rodney Atkins at the Benton Civic Center in Illinois.

With “Love Don’t Love Me,” Deltona prove they’re not just another Nashville act—they’re a band with something to say and a wild-hearted way of saying it. More new music is promised soon.

Never miss a story… Follow us on:
Instagram: @Maverick.mag
Twitter: @Maverick_mag
Facebook: Maverick Magazine

Media Contact
Editor, Maverick Magazine
Tel: +44 (0)20 7139 8641
Email: editor@maverick-country.com

Opry to Air Live from London

The Grand Ole Opry has announced its landmark “Grand Ole Opry: Live in London” show will be broadcast exclusively across the UK by BBC Two and BBC Radio 2, bringing the heart of country music to millions of British homes.

Taking place on Friday 26th September 2025 at the iconic Royal Albert Hall, the historic event will mark the Opry’s first ever international live broadcast, and feature a dynamic blend of American country stars and acclaimed UK acts.

Set to appear are Opry members Luke Combs, Ashley McBryde, Carly Pearce, Darius Rucker and Marty Stuart, alongside special UK guest artists Mumford & Sons and Scottish folk-fusion group Breabach.

The lineup promises to showcase a wide spectrum of country and roots music, paying tribute to the genre’s rich heritage while celebrating its evolution.

The radio broadcast will air on BBC Radio 2 and BBC Sounds on Thursday 2nd October from 7 p.m., followed later in the month by a TV highlights special on BBC Two, with both available on catch-up for 30 days. The event will be co-hosted by BBC Radio 2’s Vernon Kay and Nashville’s Kelly Sutton.

The BBC collaboration represents a major milestone in the Opry’s centennial celebrations and underlines the growing global appeal of country music—particularly in the UK, where the genre has seen a significant rise in popularity in recent years.

Colin Reed, Executive Chairman of Opry Entertainment Group parent company Ryman Hospitality Properties, called it a “landmark year” for the Opry, saying: “With the support of beloved Opry members and these incredible UK artists, we aim to give fans a glimpse of the magic that happens each week in Nashville.”

Dan Rogers, SVP and Executive Producer of the Grand Ole Opry, added: “The Opry is so much more than a show; it’s a community formed by artists and fans deeply connected through music.”

The show will follow the traditional Opry format, known for its rotating cast of performers and unique mix of generations and styles. Exclusive collaborations and cross-genre performances are expected, honouring the traditions of country while embracing its ever-widening sonic palette.

A limited supply of additional tickets will be made available for purchase at 10 a.m. on 12th September through the Royal Albert Hall box office.

To further mark the occasion, the Opry has teamed up with Julien’s Auctions to offer a special fan experience, with proceeds benefiting the Opry Trust Fund. The package includes premium tickets, access to a pre-show rehearsal, and signed memorabilia, including an event poster and a copy of 100 Years of the Grand Ole Opry. Bidding closes on 19th September at 6 p.m.

Grand Ole Opry: Live in London forms part of a wider year-long celebration marking the Opry’s 100th anniversary, which includes special performances, exhibits, releases, and more across the globe.

To read more exclusive articles and latest news, see our last issue here.

Never miss a story… Follow us on:
Instagram: @Maverick.mag
Twitter: @Maverick_mag
Facebook: Maverick Magazine

Media Contact
Editor, Maverick Magazine
Tel: +44 (0)20 7139 8641
Email: editor@maverick-country.com

Riley Green Delivers Unforgettable Night in London

Last week, multi‑Platinum, ACM and CMA Award‑winning singer‑songwriter Riley Green delivered a stirring headline performance at London’s O2 Forum Kentish Town.

The show marked a sold‑out stop on his Damn Country Music Tour and brought a dose of authentic Southern charm to a packed UK crowd.

Green’s setlist was a deft blend of fan favourites and new material from his recently released deluxe album, Don’t Mind If I Do. Highlights included the sultry swagger of “Worst Way,” the radio‑friendly “Change My Mind,” and the warm introspection of “Don’t Mind If I Do.” Green’s vocals soared with heartfelt clarity, especially on the slower tracks, while upbeat numbers like “There Was This Girl” and “I Wish Grandpas Never Died” had the audience singing along in full voice.

The London show kicked off a highly anticipated UK run, with additional sold‑out dates lined up in Birmingham, Manchester, Glasgow, Belfast, and Dublin. It marks Green’s most expansive UK tour to date and signals a growing international appetite for his brand of no‑gimmick, emotionally grounded country music.

Since his breakthrough with a self‑titled EP in 2018, Riley Green has emerged as one of Nashville’s most compelling voices. Tracks like the 2×‑Platinum “There Was This Girl,” the 3×‑Platinum “I Wish Grandpas Never Died,” and the Thomas Rhett collaboration “Half Of Me” have solidified his reputation for relatable songwriting rooted in place, memory, and honesty.

His latest album, Don’t Mind If I Do, arrived on October 18, 2024 — his birthday — via Nashville Harbor Records & Entertainment. Produced by Dann Huff, the project is a confident, 18‑track showcase of Green’s evolution as both writer and performer. Five of the songs were written solely by Green, including standout cuts like “Jesus Saves,” “Worst Way,” and the title track duet with Ella Langley.

The album’s deluxe edition adds fresh collaborations, expanded textures, and an even more personal tone. Green has said that this release captures the fullest picture yet of who he is as an artist — blending feel‑good anthems with moments of vulnerability and spiritual reflection. The duet with Langley, in particular, has struck a chord with fans, reviving the chemistry they established on their earlier hit “You Look Like You Love Me.”

Beyond the recording booth, Green’s career has been marked by a steady climb. A former quarterback at Jacksonville State University and an avid outdoorsman, he brings grit and groundedness to his music — traits that resonate with listeners across age groups and borders.

He’s racked up multiple accolades, including four Academy of Country Music awards, a MusicRow Breakout Artist of the Year honour, and recognition as a CMT “Listen Up Artist.” In 2020, he was named one of the Country Radio Seminar’s New Faces of Country Music — a nod to his staying power in a fast‑moving genre.

“Different ‘Round Here,” originally released in 2019, found new life when Green re‑recorded the track with Luke Combs. The updated version became a Platinum‑certified No. 1 single, confirming Green’s ability to connect deeply with country audiences through lyrics that reflect pride in place, tradition, and authenticity.

That same spirit was on full display in London, where the crowd’s enthusiasm mirrored the fervour Green is seeing stateside. With hundreds of millions of global streams and a rapidly expanding fan base, his influence is no longer limited to Southern barrooms or Nashville airwaves.

Tracks like “Worst Way” — which has gone Platinum — continue to climb streaming charts, bolstered by a sleek music video and heavy rotation on country radio. The song’s romantic themes and sing‑along chorus have made it a standout in his live sets, including this UK run.

Green’s Damn Country Music Tour will continue across major North American cities including New York, Nashville, Chicago, and Boston. But for now, his UK leg has reminded fans and critics alike that Riley Green is more than a Nashville export — he’s a global ambassador for a grounded, heartfelt style of country music that refuses to lose its soul.

From the O2 Forum Kentish Town to the streets of Dublin, the message is clear: country is alive and well — and Riley Green is leading the charge with a six‑string in hand and stories that still matter.

To read more exclusive articles and latest news, see our last issue here.

Never miss a story… Follow us on:
Instagram: @Maverick.mag
Twitter: @Maverick_mag
Facebook: Maverick Magazine

Media Contact
Editor, Maverick Magazine
Tel: +44 (0)20 7139 8641
Email: editor@maverick-country.com

TracieLynn Returns with Bold New EP ‘Doing Fine’

Country artist TracieLynn has released her brand-new EP Doing Fine, a six-track collection that blends grit, grace and Southern storytelling into one of her most confident statements to date.

Produced by Grady Saxman, Doing Fine offers a rich mix of raw honesty and musical polish, with a sound that nods to Miranda Lambert and Ashley McBryde while remaining distinctly her own.

The EP takes listeners on a journey through heartbreak, healing and hard-won clarity—anchored by the powerful title track, a defiant anthem about standing tall when others expect you to fall apart.

“This is one of those projects where I wanted everyone to feel seen,” said TracieLynn. “Each song comes from a real place in my life, but the emotions—heartbreak, resilience, family, chasing dreams—are things most people can relate to.”

Opening with the punchy “Good and Gone” and closing with the no-holds-barred “To Hell,” the record showcases both vulnerability and strength.

The production is rooted in traditional country but layered with a modern edge—steel guitar, aching melodies and choruses built to stick.

TracieLynn hails from Virginia’s Hampton Roads region and has been making her mark since moving to Nashville in late 2019. With over 10 million all-time streams across platforms and a string of standout singles—including “Broadway Cowboy” and “All Goes South”—she’s quickly become one of country music’s emerging voices.

Her live résumé is equally impressive, having opened for big-name acts like Jon Pardi, Morgan Wallen, Brooks & Dunn, and Lainey Wilson. She’s also graced major festival stages, including the Carolina Country Music Fest, NashFest 757 and Nashville’s Taco and Margarita Festival at Nissan Stadium.