Top Picks

Review: Vic Allen – Some Place I’d Rather Be

Vic Allen is one of our brightest homegrown talents and I truly believe 2023 will be her year! The tone of her voice is quite simply beautiful, she exhibits such control and delivers each line with perfectly weighted emotion. ‘Pictures of Us’ is the standout track for me, the lyrics are so cleverly written, the harmonies add a depth to the song and the melody tugs on the heartstrings. Inspired by her travels and those she met whilst exploring the world, the album very much feels like it takes you on a journey with songs such as ‘Drive’ and ‘Barcelona’ the perfect soundtrack for a road trip. The dreamy soundscapes she creates in the arrangement and production further solidify the themes of the record. New single ‘Suitcase’ with an accompanying video shot in California with the help of her brother is a flagship song for the record which showcases her strong songwriting ability alongside her brilliant voice. I can’t wait to see Allen go from strength to strength over the next year! 

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Review: Ben Walker – Banish Air From Air

The musicianship on this record is outstanding. Walker is famed for his award-winning finger style guitar picking brings to life tales of ghost stories, philosophy, alchemy and science on this record which showcases him at his very best as he presents a collection of instrumentals, traditional material and reimagined poems as well as his first attempts at songwriting. Opening the record with the title track we hear a simple stripped back production build with orchestral strings framing Sophie Jamieson’s vocals and harmonies. A haunting synth adds to the atmospheric soundscape Walker has created. Instrumental ‘Starlings’ paints the picture of birds in flight, capturing their elegance in his classical guitar style and delicate arrangement. Meanwhile, ‘King Storm’ shows a whole new side Walker particularly with the slightly heavier production. It’s a far cry from the country music that I usually listen to and write about, but good music is good music and Walker’s album deserves to be heard by the masses.  

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Review: Jessie G – Martyr

With Jessie G working under the guidance of her idol Gretchen Wilson at Redneck Records, it is no surprise that this latest single packs a punch. Leaning heavily towards rock opposed to her usual country sound, ‘Martyr’ showcases Jessie G’s epic vocal ability as she belts out that chorus. The production is tight and complements the song perfectly with its heavy drums and distorted guitars. I like the heavily EQ’d guitars as the production drops between sections in the song. It is the next single taken from the record that Jessie G has been working on for the past five years and which is set to be released later this year. Jessie said it would draw influence from across genres and this song certainly shows us the feisty, rock edge that can be injected into her music. 

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Review: Arielle Eden – Signs and Signals

New York based singer-songwriter, Arielle Eden, has drawn comparisons to Taylor Swift and LeAnn Rimes with her mix of country-pop songwriting. The debut EP has seen her work with the likes of hit songwriter Forest Glen Whitehead who has worked with Kelsey Ballerini and Brandy Clark and you can see why he’d want to work with someone like Eden. As she explores the typical themes of an ill-fated love on this record, she does so in an unusual way with quirky and clever lyrics telling the stories. Her vocals are unique – soothing with a lovely tone to them. The EP opens with the title track which has a lovely melody and dreamy backing vocals. ‘One Way’ starts with the warm sound of a pedal steel, it’s an insightful track touching on the theme of self-discovery. It’s a really well written EP, I’m excited to hear more from Arielle Eden and see how her career blossoms. 

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Review: MaRynn Taylor – Something I Would Do

The 21-year-old has had a whirlwind couple of years, impressing Black River Entertainment and being surprised with a recording and publishing contract live on air during a radio interview. She released her debut EP with them in the summer of last year and it’s a belter. Her blend of country-pop is upbeat and relatable, and her voice is both powerful and sweet. The production blends traditional country instrumentation like the banjo and fiddle with a drum machine whilst lyrically she refers to typical country themes, referencing Johnny Cash in EP opener ‘Sounds Like Something’. Melodically the whole record is riddled with catchy hooks that get stuck in your head. My favourite track on the record is ‘Slow Dance in Headlights’, it’s a beautifully written tune and her vocals really shine. I expect 2023 to be even bigger for this fast-rising star! 

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Review: Thomas Deed – New Star Rising

This is the first time Thomas Deed’s music is crossing my desk but I’m glad it has now. His charismatic voice on this bluesy, rock track is what really captures my attention. It’s backed by a really unique and quirky production, there are some small additions to the instrumentation and little effects that really bring character to the song. It is delivered with a passionate and emotive vocal from Deed who sings with a sense of freedom as he talks of taking a road trip in his Mustang. With humour also prevalent throughout the lyrics, this is a great start for Thomas Deed who will no doubt be on my radar from now on.  

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Review: Wolf Moon – How Do You See Yourself

Drawing influence from the likes of John Mayer, Carole King and Prince, Wolf Moon’s second record is full of carefully crafted songs that were mainly written in lockdown. It’s not an album that would appeal to a typical country fan but the songwriting and vocal harmonies can be appreciated by all music lovers. The production, built upon the acoustic foundations of the tracks, is purposeful and effective. The album opens with ‘Variations On A Feeling’, the chorus, with those dreamy vocals intertwining and blending so beautifully to create a lovely soundscape, really adds character to the song. The standout track for me is ‘Tell Me What I Don’t Know’ with its skillful finger style guitar, the foundation of the song and it’s eerie vocal melodies is a unique addition to the collection. 

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lazy afternoon

Review – Just As Poor As Before – Lazy Afternoon

The 7-piece outfit from Gotland, a Swedish island, blend Americana, country, folk and rock together. Their latest album, ‘Just As Poor As Before’ is the tightest the band has ever sounded with lively fiddle and country guitar solos adding a new dimension to the record. On the opening track, ‘Who Am I To Say’, the vocals are gorgeous, so clear, bright and well controlled, a classical sounding voice set to banjo and other country instrumentation – it gives the band a unique identity. There is a nice mix of upbeat tracks and ballads throughout the 13 song collection. The highlight for me is the melancholy ‘Song For You’. The vocals quiver in this track which adds to the weight of the emotion of the lyrics, and the harmonies are good in the chorus. ’Wild’ is a toe-tappingly good track to end the record on. It’s a strong record and I can only see the band going from strength to strength over the coming years. As a side note, the album artwork is lush! 

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Ziggy Alberts

Spotlight: Ziggy Alberts

Ziggy Alberts returns with new album, ‘DANCING IN THE DARK’ and will embark on a UK tour next year, kicking off in Brighton at the end of May  Can you tell me about some of the people you worked with on this latest album, ‘DANCING IN THE DARK’?  I’m glad you’ve asked this; I worked with Paulie Bromley, my long-time producer, who I’ve recorded and produced with on and off for nine years. Steve Summers assisted on both searching for freedom & this new record and has become a wonderful cornerstone of these projects. I also worked with Angela Newcomb from The Dawn Light – she did our lady vocals. And of course, the one and only Donavan Woods, a singer-songwriter from Canada, who’s an absolute legend featuring on THE SUN & THE SEA. The mastering we do with Paul Blakey, who is a wizard.    You refer to the album as being ‘Future Folk’ can you tell me what that description means to you?  In short, it’s about time codes, antidotes to dissonance, new soundscapes & topics, tuned backing vocals and synth bass, all intertwined in a folk foundation. I didn’t expect the added Latin influence in some tracks, which is the beauty of letting an album grow and change along the way. I’ve never looked to recreate records, so I add this new one to a growing collection that has already spanned nearly 10 years. The title of the album largely describes endeavouring to continue towards peace and hope even in the darkest of days.  READ THE FULL INTERVIEW IN THE LATEST ISSUE OF MAVERICK AVAILABLE HERE! Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com

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Scott Hayley

Spotlight: Scott Hayley

When did you first know that you wanted to be a musician?  I knew I first wanted to be a musician around the age of eight. The radio was filled with the new sounds of 90’s country hitmakers Garth Brooks, Brooks and Dunn, Clay Walker, Doug Supernaw, Billy Ray Cyrus and many others. I knew one day I would want to be a part in making that type of music. I would constantly sing into the mirror, sing on the playground, or in the car.   When it comes to your songwriting where do you draw inspiration from?  I draw my inspiration from the good and bad that has happened in my life. The pain from those I’ve lost, or a love that went wrong, to a love that will never die. If something makes me mad, I write about it. If something makes me happy, I also write about it. I write about the emotion that comes to heart.   Music is god’s language to the heart. I take the emotions I’m feeling or the things I’m dealing with in my life, and I write a song about it. I think that’s what helps people connect to music. When a singer is writing music from the heart, other people hear it and feel the same emotions. Some of my favorite songs in my life really captured something I was feeling at the time. The singer spoke to me through their music, and that’s what I’m doing when I sit down to write my own music.   READ THE FULL INTERVIEW IN THE LATEST ISSUE OF MAVERICK AVAILABLE HERE! Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com

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