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Review: Mickey Jupp – Hallelujah to Amen LP

Mickey Jupp is a legend in the R&B Pub Rock ‘N’ Roll circuit in the UK. Unlike many other musicians, he has been executing his genius for almost 50 years without the need to court fame. With his new album, ‘Hallelujah to Amen’, Jupp brings together references to rock ‘n’ roll, blues and hints of psychedelia. The rip-roaring starter ‘I Should Be Loving This’ kicks the LP off with a heavy guitar rock ‘n’ roll sentiment, but by the time of ‘Out On The Edge’, Jupp has slid easily into blues and basslines. Produced in his cottage using vintage recording equipment, the sound feels true bluegrass – to the point you can imagine a smoke-filled bar with only Jupp’s blues and mysterious strangers for company. The wit, emotion and exceptional quality of Jupp’s musical abilities makes you wish you’d discovered his work earlier if you hadn’t and want to see him perform live only to get a dusting of his energetic talent.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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Review: Randall King – Hang of Hangin’ On EP

King’s new EP comes a few months before he drops his third album in January 2024. The Texas native utilises his mother tongue in this latest batch of songs, with a heavy emphasis on a sound that grows as his audiences do. This is good stadium country music, emotional songs to draw the listener into his internal world and conflicts sit comfortably alongside the rougher, rockier tracks on the EP. Due notice was taken on the slower tracks of King’s impressive use of harmony that creates some not-so-run-of-the-mill country ballads. Taking notes from 80s country twang style – think George Strait and Keith Whitley – if this is King’s taster for the upcoming album, then he’s onto a winner.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Steve Jinski – Muscle Memory Double LP

Steve Jinski comes back with his fourth album, a double LP that revisits and remasters his debut ‘Eventually’ on the second disk. The inspiration of Giles Martin’s work remixing Beatles records is tangible throughout, with songs based around chords and refined guitar work, but also some sonic similarity to David Bowie’s early work – especially on the track ‘Putting The Boat Out’. It’s undeniable that Jinski is at his best when storytelling through his lyrics. Meandering and romantic narratives pepper the smartly-curated EP and the variance between each track ensures that the listener stays on the path Jinski has trod down for them. An album for a more reflective type of audience, there are moments to breathe and pauses that make the audience lean into the all-important lyricism. A must-listen track has to be ‘Picture Post’, which is a lush and intricate song and reaches the peak of Jinski’s storytelling through songwriting.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Little Lore – Seven Stories Part One EP

London-based Little Lore (AKA Tricia Duffy) releases her second solo EP, Seven Stories Part One. Well-renowned in the Americana scene for her partnership, Duffy & Bird, Lore stepped out of the duo two years ago and now into this second raucous, but still well-crafted EP. Her songwriting hasn’t gone astray, with catchy lines coming thick and fast, alongside the wistful observational writing. The musicality sways in with reverberating, almost shoegaze guitar embellishments and constantly strumming acoustic guitar to ground each song with the brushed drums and light piano accompaniment. Altogether, Lore’s vocals and the instrumentation come together to make a pleasant, if often melancholy, sound. We can’t wait for Seven Stories Part Two!    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Lainey Wilson – Watermelon Moonshine

When Lainey Wilson released her fourth album ‘Bell Bottom Country’ in 2022, it was clear ‘Watermelon Moonshine’ was destined to be a hit single. With the perfected country music tropes: young love, reckless (and underage) drinking, ‘first times’, summer. The arrangement of the track echoes the lyrics almost like a mirror, there’s twanging guitar married to an acoustic guitar that gives the track that dreamy, reminiscent sound and Wilson’s voice goes from soft and gentle to powerful in seconds – just at the right time, too. Comparisons to Deana Carter’s slightly controversial 1996 anthem ‘Strawberry Wine’ are well founded, but Wilson avoided any finger wagging by making her protagonist 18 years old, making the song unblemished.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Jessica Lynn – Not Your Woman (The Sweetwater Sessions)

The bass drum might be the first thing you notice about this track. With a heavy beat and guitar embellishments that grow into chords driving the track towards its chorus. Lynn’s vocals have been frequently compared to Shania Twain and it’s easy to draw that parallel on this track. A reimagining of her popular 2016 song, the Sweetwater Sessions version of ‘Not Your Woman’ adds something special, a strength and grit that Lynn has curated over the years, becoming a more confident and believable performer as she hones her craft. The country/rock heart of Lynn’s hit remains, although there are points where her voice – as great as her vocals are – could have been prioritised over the instrumentation of the track. Taking the shine off the track by adding in more leading guitar and the growth in her growling makes this song even better, somehow both more country and more rock than the original.    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Gareth Dunlop – Tonight Is The Night LP

Dunlop’s latest release genre-bends and defies expectation. With elements of gospel music smattered with organ playing and a chorus of backing vocals, Dunlop never loses sight of his folk, rock and blues roots with his deep and rich singing tone. The brass section plays a starring role throughout the album, weaving together a full-band feel with the soulful and heartfelt tracks that stay fresh thanks to the instrumentation and remain steadfast in their ability to evoke nostalgia and vulnerability. The more Latin feel to ‘Devil Mocks Me’ is a highlight that incorporates the right amount of religious zeal for the message whilst the Northern Irish singers more growling vocal performance only adds to.    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Alex McEwan – In A World We Don’t Know LP

One of the most notable aspects of McEwan’s new album is the production. His album is self-produced, created sitting around the kitchen table, a remarkable feat considering the sonic depth of every song. The Glaswegian pulls focus in to his lyricism, acoustic guitar but adds in the right dosage of harmonised backing vocals that make ‘In A World We Don’t Know’ audibly pleasing and makes an album that centres on lost loves, longing and everlasting truths musically travel through the genres of Americana and folk. Slightly ballad-heavy at times – particularly the heartfelt ‘Take It Back To Zero’ is a gentle, swaying anthem to not miss – McEwan’s ‘What Is Love’ provides relief, with just an acoustic guitar and piano for the first verse, it’s a surprise amongst the ballads as a positive, but certainly still reflective track.       To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Edie Carey – The Veil

The first thing that strikes me about Edie Carey’s eighth studio album is the lovely tone of Carey’s voice which has never sounded better. The opening track is hauntingly beautiful, boasting a high end production and lyrics that captivate. ‘I’ve been traveling all this time like I had a force field around me/Then for a moment we were flying and the floor became the ceiling’. Another highlight is the song ‘Rise’ which sees Carey team up with Rose Cousins. It has a really good arrangement and a kick to it in the chorus, it also shows Carey’s powerful side to her vocals. The album ends with ‘You’re Free’, a stripped back, acoustic number and though it is filled with sadness, it seeks to find solace in moving on. It is a soothing end to a brilliant record. Life and all it’s trials and tribulations permeate from this album but in the most beautiful and delicate way.  

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Review: Dean M Collins – Land Where The Wishes Come True

The record has an explosive start with as it opens with the title track. The Hammond B3 Organ and Steel Guitar really give that big production some country flair. It’s an upbeat start to Collins’ brilliant 5th studio album which features some of the finest country musicians on the planet, who together have amassed 60 Grammy awards. The former Navy Pilot’s voice is soft and smooth, easy to listen to, though it lacks power, he plays to his strengths with these song choices. The theme of the record is life; love, opportunity, family bonds. A highlight of the record is “It Could Have Been Me” which reflects upon a past love, it has a sadness to it that he captures well in the delivery. His birthplace of Bardstown, Kentucky, where his family once sold their distillery to James and Joseph Beam, is the setting for a lot of these songs as he draws from life’s experiences. To summarise, it’s a great country record, from the heart, with a solid production. 

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