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Review: Preston D Barnes – Add a Little You

The EP delivers a fresh take on contemporary country, blending traditional sounds with a modern twist. There’s something about the way that Barnes sings that speaks to influences from Britpop in a way, an Oasis twinge perhaps. The absolute standout track is the closer here; ‘Still Believe In Crazy Love’ captures Barnes’ ability to create a country anthem, mixed with a power ballad, the track is a tribute to remaining faithful to the idea of love. The guitar embellishments add the perfect amount of distance between the chorus and verses, the slow, steady drums create that anthemic feel and the harmonies (particularly in the bridge) are absolutely perfect, just before that classic guitar solo drops to bring us back to the pre-chorus, just in time for another air-grab.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Eric Devries – Traveler’s Heart

The Dutchman is back! With his blend of folk and bluegrass, Devries has always danced to his own tune. Kicking off the album is ‘Shadow Of A Man’, it’s a gentler prodding of the subject matter than an all-out critique of himself. That is, as ever with Devries, the music is still upbeat and dance-able, even when the topic is more morose. It’s a theme that continues throughout the work, Devries uses similar instrumentation, the banjo, ukulele, fiddle and acoustic guitar for every track. Overall, it gives the impression that Devries sounds exactly the same live as he does recorded. All through the record, Devries is audibly influenced by Bob Dylan’s earlier (and perhaps better) work. Standout tracks include the special ‘Angels In The Snow’ and the blues-rock ‘The Ballad Of Johnny and Ginny’.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Connor Daly – Colors Fade

This was an unexpected album. Daly absolutely shines on this record, the lyricism and high-tension delivery of the opener ‘Ain’t Got A Cape’ is the perfect sad country track. Clearly taking some inspiration from his Americana peers, Daly rests on his talent, it creates space between his vocal line and acoustic guitar throughout the album. His tone is truly remarkable, soft but clear. There is also the exact right amount of both instrumentation and production on this record, Daly has a beautiful voice and it’s right that it gets the spotlight it does. Tracks like ‘Roots’ and ‘One Fake Tear’ highlight just how good a songwriter Daly is too. Much more on the acoustic and Americana side than a country album, for us, this is exquisite.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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jenny james cats over men

Review: Jenny James – Cats Over Men

Mix some Sheryl Crow and Shania Twain together and you get this track. Unabashedly tongue-in-cheek, ‘Cats Over Men’ isn’t just funny, it’s aimed as a political takedown. By the time the pre-chorus comes, the downstrokes of guitar build the track to its titular line: ‘Sorry, but it’s cats over men’. Witty rhymes like ‘my calico says you’ve got to go’ only add to the cat-themed enjoyment of this track. The track could have rested in the territory of lyrically amusing songs, but the instrumentation provides admirable and accomplished backing. The electric guitar lines could be ripped from a 90s Shania Twain track and James’ singing style has just the right dose of country and rock. A must-listen track if you’re a cat lady.    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Amanda Anne Platt & The Honeycutters – Pocket Song

Sometimes a slower track comes by and makes you feel wistful for a time that never happened – that’s how this track came to us. Part Joni Mitchell, part Father John Misty and a sprinkling of country with Amanda Anne Platt’s familiar twang, this song is quieter, more acoustic and would be best enjoyed outdoors on a sunny day, surrounded by people you love lying in grass. It’s a dreamy track that benefits from being stripped back, just the gentle drums, stepping bass and acoustic guitar. The sound of steel guitar comes into play and it’s very nearly perfection. As the bridge introduces a tinkling piano, this song is calmness personified, with the correct amount of longing and heartfelt lyricism to make it summer playlist worthy.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: The Mavericks – The Years Will Not Be Kind

There’s a South American feel to this track. It’s not surprising from The Mavericks, their Latin influence often shines through, but it adds to the storytelling of this track in particular. Half a lament, half an unfilled, pessimistic dream of the future. The bands experience comes through immediately, it feels like you’re in a safe pair of hands. The added accordion in the second verse onwards gives the track an even more Latin feel. Combine that with the fiddle playing and ‘The Years Will Not Be Kind’ takes on the feel of an Argentinian tango – get your dancing shoes on, but make it melancholy. Always great to hear a new song from The Mavericks and this is no exception.    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Todd Hearon – Impossible Man

Don’t let the cover put you off, Hearon’s ‘Impossible Man’ isn’t a surrealist move. Starting off with ‘Dead Man’s Cove’, Hearon’s voice comes through as singular tone in country. The ability of Hearon to utilise his low, raspy voice to paint a picture is exceptional on this album. Accompanied by acoustic guitar – and a touch of pedal guitar – on ‘A Dark Place’, Hearon channels Nick Cave on his vocal line and skill in spinning a story. The album is a narrative, a series of vignettes that encapsulate perfectly every subject that Hearon approaches. It leans slightly into similarity of sound as the album progresses (that is to say, Hearon could switch it up a little more), but overall it’s a great piece to dip in and out of.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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Review: Everette – Keys To Kentucky EP

Duo Brent and Anthony are back and they’re making it truly country this time. The title track is a very sweet ode to love plays on Everette’s more acoustic side, in contrast to electric recordings that have come previously. The pair don’t suffer for it, though, just two men with their acoustic guitars still make an intimate connection with the listener. The spoken verses on ‘Another Man Down’ veer into the fear of spoken word songs, but it all comes together with the twanging guitar and soft vocal harmony in the bridge to make something that is very, very special. The rip-roaring ‘High And Lonesome’ provides a moment for the duo to show off their more fun side, with intricate and excellent guitar picking only adding to the moment. Back to acoustic for the pair on ‘No Vacancy’ feels nostalgic and homesick, drawing in the listener to pay attention to every word. Listen to this EP ASAP.    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Elles Bailey – Beneath The Neon Glow

It’s no secret that Bailey is talented. The UK Americana Award winner has returned with an album that is reflective of just how good she is. Upon reviewing this album, there wasn’t a single track that we were able to sit still for! From the dance-friendly introduction of ‘Enjoy The Ride’ (we should have taken Bailey’s advice and buckled up) to the last note of ‘Turn Off The News’ (more sage advice there), we were absolutely hooked. Representing UK Americana might be a tough job, but Bailey is perhaps the only one tough enough to do it. ‘1972’ is a funky addition to the album that adds a little Charlotte Church to Bailey’s work (if that’s too obscure, you don’t know good UK artists). It’s varied enough to keep the imagination – and our attention – for the entire listen through. That’s quite the compliment from us! Do give this a listen if you get the chance.       Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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ruththeodore

Review: Ruth Theodore – I Am I Am

Americana artist Ruth Theodore’s latest release comes in blue (literally). It’s a raw, lyrically intriguing, poetic album that plots Theodore’s love life. ‘Full Metal Jacket’ is a jazzy standout that is fast-paced and includes very interesting harmonies. It’s the kind of track that makes you want to bounce up and down, makes you want to go and see how Theodore performs it live. Other essential listening comes in the shape of ‘Captured’, which includes the apt line ‘not every protest has a banner’ and ‘every slot is a ballot box’. It’s about enjoying life in real time, the frustration of modern life and touches on social media and its effect on the psyche of everyone who uses it. Overall, Theodore’s offer is exciting, refreshing and political, all the things you want from an Americana album. 

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