Top Picks

Review: Wish You Were Here – Terry Emm

Following on from his 2018 EP ‘Ornate’ Terry Emm revisits a track called ‘Here’ originally released in 2012. Lukas Drinkwater takes over the production, enriching it by adding new instrumentation to the track which explores love and loss. It is given an Americana identity and the addition of the double bass helps to bring the song to life. The new version gives it more of a vintage 70s vibe whilst maintaining his non-conformist approach to song structure and form. The lyrics are particularly strong on this track. After going so long without releasing new music you may wonder why Emm hasn’t released something new and original that we haven’t heard before but his reimagining of this track was right on time and he has made it new. Now firmly back in the saddle, I’m keen to hear more from Emm and hope he continues to collaborate with Drinkwater as it appears to be the perfect combination. 

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Dan Britton

Review: The Bear – Dan Britton

One thing is for sure, Britton knows how to record in style! Does it get much more idyllic than a studio on a narrowboat? Well, that’s where his latest offering ‘The Bear’ was recorded in Leicester. Britton is a seasoned pro having played guitar for Jackie Leven, Bob Cheevers and Cathy Lesurf and released music solo, with his band and with duet partner Chris Conway. The new album features some of Britton’s most heartfelt and honest lyrics, all passionately delivered by his gritty vocals. The title track is set to a familiar tune, and addresses the loss of important figures in Britton’s life like his father and dear friend. My favourite track on the album comes in the form of ‘Come Back To Us Friend’, it begins tugging on the heart strings from the moment that organ starts playing this long sustained notes. The harmonies add to the feeling at the end of the verses. It is well produced, the producer has brought the best out of Britton’s acoustic guitar playing which is of course a strong point on the record. To summarise, Britton delivers the full package, strong production, strong musicianship and a great collection of songs.   

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Chloe Jones

Review: Crocodile – Chloe Jones

Well, if the album cover is anything to go by, I wouldn’t like to get on the wrong side of Chloe! With a gun in her hand and one by her side, Chloe strikes me as an artist who stands for no messing, who’s fierce in her delivery. The first thing I notice upon first listen is the beautiful tone of her voice, how she manages to bend words and switch so eloquently from her head voice to her chest voice. Secondly, I notice the power in which she delivers her lines and the control she exhibits, you really can’t fault her. Backed by what appears to be a pedal steel their is an authenticity in the production to accompany the lyrics which perfectly paint a picture. The Mancunian is another graduate of The Voice UK and has garnered lots of attention online during lockdown with her live streams proving a big hit. S ince live performances resumed Chloe has impressed UK country fans at Buckle and Boots and Country on the Clyde and this latest single is bound to captivate fans both old and new. 

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Jim Patton and Sherry Brokus

Review: Going The Distance – Jim Patton and Sherry Brokus

Jim Patton and Sherry Brokus met in a bar in Arnold, Maryland. Brokus approached Patton on a break and asked if she could sing a song with his band. He asked her to sing Neil Young’s “Cow-girl in the Sand” with them and they have sung together ever since. The album opens with the title track, ‘Going The Distance’. Though it starts off vulnerable, Patton’s vocals find their strength in the second chorus and add a bit more power to the song when Brokus joins too. ‘We had friends that were waiting and songs left to play’ resonates after the last two years where life has been on the pause button. The record ends with a slight reprise of this track, the harmonies shine on these heavily effected vocals which linger in the air over the lack of instrumentation to distract from it. My favourite track is ‘That’s What I Do’, it’s got a simple lyric which is set to a simple tune but it’s catchy and memorable with a traditional country instrumentation. I think this album has a lot to offer and Patton has written some very relatable lyrics on this record. 

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Juna n Joey

Review: More Than a Maybe – Juna n Joey

Sibling duo Juna n Joey featured in our Spotlight section not too long ago. They spoke of how they had a big year ahead of them this year as they gear up to release an EP this summer. They broke onto the scene over here after touring with Twinnie and appearing at The British Country Music Festival in 2021 and have since returned to the UK for a school tour. Their song, ’Til Your Heart Breaks’ gained widespread praise and now, they are keeping up momentum with the release of their new single ‘More Than a Maybe’. The track, which they wrote with Bill DiLuigi and Kayliann Lowe, captures the excitement of falling for a new love. It’s upbeat with a catchy melody and the duo’s signature vocal harmonies help it to reach new heights. It’s a radio ready single that should perform well on the US charts given half a chance. The guitar solo adds another layer to the song and Juna’s vocals in particular are the best I’ve heard them. To summarise, I think this is the best song they’ve released so far and should do well commercially. 

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Credit: Tamography

Review: Preston D Barnes – Way Back When

Preston first came into the public eye as he competed on The Voice UK but he was far from a wide eyed new kid on the block, he had been a professional, highly qualified musician in the Army. For 16 years he travelled the world, visiting 38 different countries, performing with The Band of the Corps of Royal Engineers before becoming an instructor at the Royal Military School of Music.  ‘Way Back When’ was written by Canadian singer/songwriter Victoria Dykes, Produced by Mark Wickenden at Sonic Boom Music and co-produced by Ben Newton. The song boasts a slick production and a catchy chorus that will reel you in and, in a live setting, have you up on your feet dancing. Meanwhile, Preston’s vocals are strong but smooth, he reminded me of Brett Young or Russell Dickerson on his last release but channels someone like Mitchell Tenpenny when delivering this song. It’s hard to find fault with this track, the perfect song for the perfect voice. This is such a strong release from Preston which makes me eager to hear what’s to come! 

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Durham County Poets

Review: Durham County Poets – Out of the Woods

After their last album ‘Hand Me Down Blues’ was nominated for a Juno award and stayed on the Canadian charts for more than a year, Durham County Poets are keen to capitalise on that success with their latest album ‘Out Of The Woods’. Their laid back, clear vocal style shines on this album with every word delivered with clarity as the production makes use of horns in parts. From the rock n roll vibe of ‘Mean Old Dog’ to the sultry undertones of ‘Love’s Got a Hold on Me’, there is something for everyone on this record which is eclectic in nature. My personal favourite track is ‘That’s What Makes Me Smile’, the song that closes the record, a country brush shuffle on the drums and a harmonica set the tone for this simple yet grateful tune. In conclusion, this could be their best album to date as they push the boundaries of their capabilities and excel both with the song content and delivery. I hope this record gets the recognition it deserves and look forward to watching the band bring these songs to life on their UK tour later this year. 

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Review: Barry Oreck – Leap Year

Oreck’s fourth studio album, ‘Leap Year’ incorporates a range of genres from folk to bluegrass and country. With the support of his band, Jesse Miller (guitar, mandolin, and vocals), Rima Fand (violin and vocals), and Adam Armstrong (bass), Oreck creates some beautiful vocal harmonies which helps to bring the thought-provoking lyrics to life. He began exploring these songs as the world shut down for two years due to Covid and this is the end result. The record opens with the compelling ‘Each Song is a Seed’ which touches upon the power of a song to flatten your defences and capture the heart. Producer/Engineer, Bob Harris has done a brilliant job with the production which shouldn’t be overlooked. The stand out track comes in the form of the closing track, ‘Life in the Bubble’ which directly addresses the struggle of the pandemic, documenting this moment in history the way Oreck saw it. It’s simple and stripped back but the lyrics are strong and relatable and the producton allows them the space they need to land with the listener. 

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Review: Laura Evans – State of Mind

Originally from the Welsh valleys where singing is just a way of life for everyone, Laura Evans and her powerhouse vocals take you on a journey with her new album ‘State of Mind’. After first bursting onto the scene in 2020, with her single ‘Running Back To You’, Evans really hones in on her own unique sound on her latest record. Her storytelling lyrics shine through Josiah J Manning’s arrangement and production, which perfectly frames her sweet vocals. Manning played every instrument on the record which is something to be admired and applauded. One of the stand out tracks is the single ‘I’m Alright’. Slightly more blues-rock than country, there is a swagger to it’s delivery whilst the chorus is uplifting and anthemic. Known for her love of ballads, Evans packs a punch with ballads she has on this record. From the raw and vulnerable single-take of ‘Fool’ to the classic country feel of ‘Let You Down Easy’, they tug on the heartstrings and you find yourself holding your breath as you hang on every lyric. ‘State of Mind’ excites us, it’s a record that pulls together all of those blues, rock and country influences and delivers some spellbinding storytelling lyrics with a powerful vocal performance. The future looks bright for Evans.  

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Spotlight: Tyler Joe Miller

I wondered if you could tell me when you first knew that you wanted to be a musician.  I first knew I wanted to be a musician when I was in high school. I didn’t really grow up playing music at all but then, my dad got me a guitar and I learned some Zeppelin songs. Then I started going to a church when I was in high school, because there were girls there, it wasn’t for Jesus, I don’t think! They had a bunch of people from their band leaving and they were like, you’re very extroverted, we think you’d be good up on stage. Next I was the new band leader, here’s some CDs, learn it. Once I started getting into the music in that way, I really enjoyed it and loved it. I was probably in my 20s when I decided I wanted to really pursue it.   What sort of music did your family make you listen to on long car journeys, and what are you choosing to listen to now?   That’s why I do country music because of my family. My dad was a bit more rock n roll but we have a couple of cabins up in northern British Columbia here. We’d be up there in the summers, and it was always country music playing; Dixie Chicks and Brad Paisley, Garth Brooks, Alan Jackson and 90s country legends that I grew up singing to. In the truck drive, on the boat, it was always country music playing.   Can you tell me about your experiences with the Canadian country scene?   I started releasing music, and it was just before the pandemic hit, so I didn’t really get to experience a lot of the industry yet. I’ve been to the Canadian Country Music Awards, and I got to play this last year on the awards, but I didn’t really have much experience of the whole industry. Country music is massive over here but the family is small. We’re a pretty tight knit community and everyone’s been so supportive – we want to see each other succeed. Nashville is very similar, people are super supportive there as well, it’s just the pool’s way bigger. I think there’s like 30,000 songwriters or something like that down in Nashville.   So when it comes to your own songwriting, where do you draw inspiration from? And is the process for you always the same? Do you have a sort of a secret to how you go about writing?   If I have a secret, I don’t even know it yet! I think a lot of my content is pulled from my breakups. It’s about pulling things out of life experiences, there’s a lot of songs that aren’t really about much and I think country music is supposed to be about telling stories. I have a song called ‘Sometimes I Do’ and when we released it to radio, we’re having interviews and everyone asked what’s the song about, I was like, nothing. And that’s okay. It came out right after a song of mine called ‘Fighting’ that was super deep and about mental health. You can have the songs that mean a whole lot and the songs that don’t really mean much, but you still got to tell a story with it.   I wonder if you could tell me a little bit about the story behind ‘Pillow Talkin’ because that was your debut and you made a little bit of history with that track, didn’t you?  That song changed my life. I was in Nashville, just writing every single day. We were actually writing a song called ‘I Would Be Over Me To’. Myself, Mitch Merrett and Kelly Archer. I know that she’s just this phenomenal writer. At the end of that write, she pitched me ‘Pillow Talkin’. She’s like, I got this other song that I think you should listen to. She plays it and I’m just like, damn, that’s a great tune. I just knew the song was a hit no matter who’s gonna sing it. That one was going to be my foot in the door song. Then we kicked the whole damn thing down. I remember hearing that song for the first time on radio, when I was on a construction site, working, and we just had the radio going on. They’re like, alright, we got this new artist from Surrey, BC, Tyler Joe Miller with his debut single ‘Pillow Talkin’, I’m like, What the hell? So that song was the start of everything. It was the first song by an independent label, to go to number one in Canada. So that was pretty damn cool.  Tell me about your latest single ‘Wild As Her’?  Kelly had sent the song over, because she’s a writer on it as well. I’m listening to the demo, and I’m like, sounds pretty cool, I like this. I wasn’t thinking about who’s singing this song. My manager calls me and he goes, what do you think about that Morgan Wallen song? I was like, What do you mean? He says, the ‘Wild As Her’ song that we sent over. That’s Morgan Wallen singing it, he’s a writer on the song. I was just like, I don’t know if I can do that song justice! I haven’t done a love song, I’m like, notorious for not really doing them. But this song is sort of halfway there.   Can you tell me about the charity work you’ve been doing?  I’ve got a nonprofit called The Climb outreach society. I actually was working for a church at the time, they were doing this trip down to Guatemala. I just had some vacation time I had to use and I’d never left North America before. I just fell in love with the place and the work that they were doing down there is unreal they will build homes, schools, get clean water into villages that don’t have it. We do baby rescues for kids that are malnourished,

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