Top Picks

Chris Norman

Spotlight: Chris Norman

Chris Norman may be a familiar face to many of you. He first found fame as the original lead singer of English rock band Smokie. From 1964-86, Norman toured the world with the soft-rock group but, in 1986, Norman found success as a solo artist with the song ‘Midnight Lady’ which charted all around Europe, nestling at the top of the German charts for six weeks. After an illustrious career, with 20 solo records under his belt, Norman returns with a new album made up of some of the most beloved ‘Rediscovered Love Songs’ such as ‘Always On My Mind’. The record features songs originally made famous by the likes of Roy Orbison and The Temptations and comes out on October 21. The record was recorded and produced out in Nashville, Tennessee with some of the finest musicians in attendance. Norman joins me to talk me through the record and how he selected the songs which have been so perfectly reimagined.   When did you first know that you wanted to be a musician?  When I was about 15 years old when we formed our first band. We played at a school dance and I remember thinking I’d like to do this as a profession.  Who were your main inspirations when you were growing up?  In music, we used to listen to old time songs when I was a little kid, like from the 30s onwards. So people like Judy Garland, Frank Sinatra were interesting to me. When I was about 5 or 6 years old, rock ‘n’ roll burst onto the scene and I was inspired by Elvis Presley, Lonnie Donegan, Buddy Holly etc. Then later on the 60s music especially the Beatles were my biggest inspiration.  How did you decide which songs to put on this record?  I made a list of my favourite love song recordings and then asked friends and family to come up with some ideas of their favourites. Then I decided which were the ones that would suit my voice best and came up with the songs which are now on the album.  The classic ‘Always On My Mind’ is the lead single, what does that track mean to you?  I remember hearing Willie Nelson‘s version of this song after I was already familiar with Elvis Presley’s version and just thought that the lyrics really were timeless.  Tell me about the song ‘Stumblin In’ and it’s placement in Licorice Pizza?  Suzy Quatro and I recorded the song back in 1978 after we’d been singing together at an after show party at an award ceremony, we decided it might be cool to record something together. I didn’t know it was in licorice pizza until after the film came out so I don’t really know how it got placed in the film.  When you’re on stage and you’re performing are you completely focused or do you let your mind wander, we call it your mid-gig thoughts?  Sometimes it can happen that your mind wanders a little bit. But it’s not often for me that it’s happens as I’m concentrating and focused on the playing and  the sound and the audience reaction.  What’s next for you?  I’ll be doing some promotion for the new album next and touring in different countries and then back to writing and recording, pretty much the same as I always do.  ‘Rediscovered Love Songs’ will be out on October 21st  

Spotlight: Chris Norman Read More »

Review: Long Overdue – Steve Yanek

Steve Yanek is back with a new album aptly titled ‘Long Overdue’. I criticised Yanek’s last album as whilst he could write in a variety of styles, I felt he hadn’t quite decided what he wished to do. However this record is much more cohesive and polished and has a clear sense of direction. The production is strong, his vocals shine and from the opening track – the title track – he has a brand of country-rock that sees your foot tapping along from the off. Melodically, this is a stand out collection as those choruses will get stuck in your head. ‘Like Now’ is a favourite of mine, I think that build up to the chorus is executed well and really helps the message to land with the listener. Meanwhile, the harmonies and backing vocals in ‘On Your Side’ are brilliant and effective. This is my favourite album from Steve Yanek and as he promises there’s more songs waiting in the wings, I’m excited to see him progress with this style! 

Review: Long Overdue – Steve Yanek Read More »

Review: Auf Wiedersehen, Me Duck – Paul Walker & Karen Pfeiffer

Auf Wiedersehen, Me Duck is the eagerly awaited new album from Anglo-German duo Paul Walker & Karen Pfeiffer. The arrangements throughout complement Walker and Pfeiffer’s style and the sound that fans have come to know and love from the pair. The album opens with ‘Our Golden Age’ which transports us back to the industrial age complete with a sing-along chorus. Meanwhile, Paul gets to show off his finger-picking guitar skills on ‘Where I Live’ whilst ‘The Answer’ has a lovely Irish Flute in the mix. The record concludes with the title track taken from a live performance. It shows the humour the pair can inject into their writing and the engagement they have with their audience. All in all, it’s another great album from the duo who go from strength to strength. Producer Ed Bersey has done a fantastic job of the subtle yet effective arrangements whilst Paul Hutchinson (accordion) and Ciaran Algar (fiddle) really help bring the music to life with their contributions.   

Review: Auf Wiedersehen, Me Duck – Paul Walker & Karen Pfeiffer Read More »

Review: Beyond The Reservoir – Julian Taylor

‘Beyond The Reservoir’ is the exciting new album from Toronto based singer-songwriter Julian Taylor. The album opens with the melancholy ‘Moonlight’ with it’s beautiful backing vocals and Hammond B3 laying the foundations. The swooning pedal steel making you feel at home, this track is a strong opening to a well written record. The single ‘Seeds’ with it’s upbeat folksy feel to it, dives into the themes of loss and rising from the the ashes of that. Taylor’s conversational style vocals are stronger than they’ve ever been, the melodies on this track are catchy and could help it cross over into the mainstream. The record is one of his most personal to date and you can hear the vulnerability in his voice in certain tracks where he perfectly balances the emotion. In the closing track, ‘Opening the Sky’ he sends a message to his daughter, “What I’m saying to her here is, it’s ok to keep going”. The whole record boasts a polished production which is credit to Taylor and Saam Hashemi. This is Taylor’s best work to date and a strong contender for one of the records of the year! 

Review: Beyond The Reservoir – Julian Taylor Read More »

Review: Spellbound – Judy Collins

After 82 years, most of which she has spent entertaining people across the globe, Judy Collins is back with her first all original record, ‘Spellbound’. The album details the highs and lows of her life and career. The record takes you on a journey and lyrically was inspired by her journal entries she keeps. A stand out track is ‘Hell on Wheels’ in which Collins revisits her reckless teenage years. Though much of the record was written in the pandemic, Collins goes back to the late 80s with ‘The Blizzard’ which is another brilliant track that has become a fan favourite in her live shows. What strikes me as I listen to the title track ‘Spellbound’ is just how wonderful her melodies are and how, after all these years, her voice is still pure and strong as she captivates you with those melodies. It’s a fantastic record from Collins who, after a busy summer of festivals, is still touring round the world with this fabulous collection of songs. 

Review: Spellbound – Judy Collins Read More »

Review: The Broken Road Back Home – Jennifer Crook

Jennifer Crook’s vocals shine on the melancholy record, The Broken Road Back Home. The album has been ten years in the making and her beautifully crafted lyrics are perfectly framed by multi-platinum award-winning engineer Stuart Bruce who is on production duties for this one. Previously released song ‘Battle Scars’ is a stand out track as Crooks injects emotion into her vocal performance. Meanwhile, ‘Build A Shelter’ is a very well written track, the lyrics really stand out. Whilst, the final track ‘Lay Your Weary Head Down To Rest’ is a fitting end to a wonderful album. It feels familiar and soothing. This record is some of Crooks finest work to date and it will be good to hear them in a live setting. If you appreciate great songwriting then it’s well worth a listen!

Review: The Broken Road Back Home – Jennifer Crook Read More »

Review: Forever – FoxPalmer

‘Forever’ is the new single from Fox Palmer, taken off their upcoming EP ‘Dark Tides’. The track fuses rock, indie and folk influences while her soulful voice provides an emotive listen. Exploring themes of anger, love, heartbreak and denial, ‘Forever’ really takes you on a journey. Production wise, it’s upbeat and has quite a big sound. Recorded with producer and sound engineer Greg Chandler at The Priory Recording Studios in Canwell, Midlands, it brings out the best in lead singer, Fern’s voice. The track won’t appeal to the traditional country music fan but all music lovers can appreciate the slick production and songwriting exhibited on the single and it perfectly whet’s our appetites ahead of the EP release later in the year. 

Review: Forever – FoxPalmer Read More »

Review: Twenty 22 – Annie Keating

Keating is touring the UK throughout September and October and is bringing out an exclusive EP to accompany the tour. I love Keating’s gritty, gravelly vocals, they pack a punch and this EP announces her return to live music with the opening track ‘Twenty 22’. It’s got an energetic production that leans slighter towards the rockier side. The previously released ‘Sunshine Parade’, riddled with Keith Richards inspired guitar licks was inspired by the heatwave in New York last year as Keating longed to get away. My favourite track is the ending, ‘Feels Like Home’ where we hear a slightly more vulnerable side to Keating’s vocals in this stripped back ballad. This album is the UK’s reward for their commitment and support for Keating throughout her career and it’s a real treat to get to hear these collection of songs. Some of Keating’s finest work is on this record and it’s worth going to the show, if only to pick up one of these exclusive records. 

Review: Twenty 22 – Annie Keating Read More »

lazy afternoon

Review: Lazy Afternoon

The 7-piece outfit from Gotland, a Swedish island, blend Americana, country, folk and rock together. Their latest album, ‘Just As Poor As Before’ is the tightest the band has ever sounded with lively fiddle and country guitar solos adding a new dimension to the record. On the opening track, ‘Who Am I To Say’, the vocals are gorgeous, so clear, bright and well controlled, a classical sounding voice set to banjo and other country instrumentation – it gives the band a unique identity. There is a nice mix of upbeat tracks and ballads throughout the 13 song collection. The highlight for me is the melancholy ‘Song For You’. The vocals quiver in this track which adds to the weight of the emotion of the lyrics, and the harmonies are good in the chorus. ’Wild’ is a toe-tappingly good track to end the record on. It’s a strong record and I can only see the band going from strength to strength over the coming years. As a side note, the album artwork is lush!  Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com

Review: Lazy Afternoon Read More »

Miriam

Review: Miriam Jones – Reach For The Morning

Jones, hailing from British Columbia, delivers an interesting record which opens with a take on ‘Who Will Buy’ from the musical Oliver! Jones’ interpretation of the classic track is sombre with a jazz feel to it. Her vocals cutting through that electric guitar based track. The single ‘Room In My House’ is a particular highlight on the record, her vocal control is great as a simple production frames that unique sound. She also includes a cover of Bob Dylan’s ‘Lord Protect My Child’ which again she interprets and delivers in her own way, putting her own stamp on the track. It’s a record full of faith and hope with the lyrics in her original track as vibrant as the cover art to the record. The simple production though effective was probably in part due to the lockdown restrictions at the time that she was recording the album in her home studio. She played all the instruments herself and has done a stellar job on the production front. This is a really strong record from Jones and I look forward to hearing more from her in future. 

Review: Miriam Jones – Reach For The Morning Read More »

Scroll to Top