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Phillip Sanders

Review: Phillip Sanders – ‘If I Didn’t Love You Girl’

Phillip Sanders is a new artist to me but having listened back to some of his previous work, I am pleasantly surprised. He has a distinct style to his country music, not too dissimilar to Jason Aldean or Mitchell Tenpenny, it leans slightly to the rock side. He is a craftsman of catchy melodies and lyrics that connect to his audience. This is all set to a slick and polished production and delivered by Sanders whose voice has a unique tone to it. This latest single ‘If I Didn’t Love you Girl’ is no different in the sense that it is a well written song that sticks in your mind long after the last note has played. It has an energetic feel to the production and it’s no wonder it has reached number one on the iTunes country chart in the UK, Netherlands, France and Belgium.  Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com

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Tyler Bryant and the Shakedown

Review: Tyler Bryant and the Shakedown – ‘Shake the Roots’

Formerly signed to the Snakefarm label, Tyler Bryant and the Shakedown follow the successful release of 2020 album ‘Pressure’ with the release of ‘Shake the Roots’ on their own label. They return to their roots with this album as blues and rock n roll heavily influence it sonically and it is an energetic record. The production has an edge to it, capturing the essence of the band whilst lyrically it is their strongest collection to date. From the single ‘Ain’t None Watered Down’ which has a southern rock feel to it and has your toe, tapping along. The vocals are full of grit throughout. The standout track for me is ‘Tennessee’ which really captures the heart and soul of the State, it has a shuffle groove to it and the melody is really strong as it transports your mind to a honky tonk. In summary, this record feels like Tyler Bryant and the Shakedown have found themselves again, returning to their true identity.  Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com

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The Mystix

Review: The Mystix – ‘TruVine’

Following the release of their 2020 album ‘Can’t Change It’, The Mystix returns with the infectious ‘TruVine’. You can’t help but find yourself tapping along to record opener ‘Satisfy You 22’ as it introduces you to the rock leaning album. The raspy, distorted vocals of Jo Lily really give this album an edge on songs like ‘Up Jumped The Devil’ whilst immediately we are then introduced to the band’s more delicate side on ‘I Guess I Lose’, the pain of defeat audible in his voice as he delivers a clear vocal with space in the production for the feelings to hit home. This is the strongest song on the album which as a whole is my favourite to date of The Mystix. They have a clear identity which may not appeal to all country fans but there’s some strong songwriting on this album, the vocalist has character and the producer has done a great job on the production.  Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com

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Diane Patterson

Review: Diane Patterson – ‘Satchel of Songs’

Patterson has come a long way since she first began playing her guitar in church, she has travelled the world drawing influence and taking inspiration from her adventures and channeling them into her songs. The ten track album would not necessarily appeal to the average country fan. It begins with the reggae fuelled ‘Roots Heart Rhythm’ which boasts an interesting production. Patterson’s vocals are unique, melodic and slightly mystic in their delivery. The title track uses vocal effects to really bring the track to life and increase the intensity throughout the song. In general there’s less emphasis on the stories the lyrics are trying to convey and more emphasis on the musical journey the album tries to take you on. A highlight for me though is the more traditional sounding ‘Turn Toward the Sun’ which relies heavily on an acoustic guitar and lyrics that make you think. In conclusion it’s a strong album from Patterson that offers something unique for the listener. Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com

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Sarah Louise

Review: Sarah Louise – ‘My Grandparents and Me’

UK country artist Sarah Louise has had a string of successful single releases as of late including ‘My Beating Heart’ which secured top spot in the UK iTunes Country Chart. Her latest release ‘My Grandparents and Me’ is a nostalgic track in which Sarah revisits some of her earliest childhood memories and pays tribute to her grandparents. It’s the little details within the storytelling lyrics like salad sandwiches which really make this song, as it perfectly paints the picture of Sarah’s childhood and despite the very personal account, people can relate easily with their own relationships with their grandparents. Sarah’s sweet vocals and melancholy acoustic guitar have a warm and comforting nature to them, whilst the sad undertone of not appreciating what we have until it’s gone is prevalent. It’s a well written country song with a simple yet universal theme. The track precedes an EP which will hopefully be available later this year and if this song is anything to go by, it is sure to be one of the strongest EPs we hear from a UK act this year! I’m looking forward to hearing more from Sarah-Louise. Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com

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Courtney Hale Revia

Review: Courtney Hale Revia – ‘Growing Pains’

After the success of her previous two albums ‘Simple Things’ and ‘Tattered’, Hale-Revia is back with her third record ‘Growing Pains’. The new album takes a more personal approach to the lyrics whilst the production is simple yet effective – sparse, giving the vocals room to deliver their tale. The Texas native draws upon typical country themes of small town life on opening track ‘One Way Out’. There’s an eeriness to the instrumentation and arrangement of the song. My favourite track on the record is ‘Rainbows At Night’. It’s an upbeat track on the surface with a great fiddle in the introduction. My only criticism is I’d like to hear Hale-Revia’s vocals a little higher in the mix as she has a strong voice and her wonderful lyrics get a little lost. To summarise though, it’s a brilliant record which showcases Courtney Hale-Revia’s ability to write a good thought-provoking song, her father was a songwriter and it sounds as if she had the best tutor. It’s all set to a traditional instrumentation that stays true to her roots. Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com

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Thomas Rhett

Review: Thomas Rhett – Merry Christmas, Y’all

Thomas Rhett Merry Christmas, Y’all Big Machine Label Group 21/10/22 Thomas Rhett has had an impressive couple of years; he made the most of being forced off the road by the pandemic as he focused on his family and knuckled down on the songwriting front. Since the world opened up again, he’s been regularly sharing these self-penned songs and pushing the boundaries of his sound by adding new dimensions to the arrangements such as string sections. With this Christmas collection though, Rhett keeps it simple with four classic christmas tunes and a big band arrangement. The thing that makes it uniquely Thomas is the smile audible in his voice. The smooth strings and punchy brass instrumentation coupled with Rhett’s voice and harmonies in ‘It’s The Most Wonderful Time Of The Year’ are uplifting and have you believing every word. The delicate piano intertwining with the strings in ‘Have Yourself A Merry Little Christmas’ are beautiful whilst Rhett’s vocals sitting on top bring the strength and reassurance to the track, it’s a fantastic rendition of this classic. The whole EP is full of the joy and traditions of Christmas and should be included on every country fans christmas playlist this year.

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Taylor Swift

Review: ‘Midnights’ – Taylor Swift

Swift has come a long way since her debut country album, sonically she has evolved year on year exploring new genres with every new record and yet her lyricism to me has always stayed true to her country sensibilities of storytelling songwriting. Midnights is no different, on the surface there is very little linking her back to country music yet with each track – inspired by a sleepless night – she is crafting the story of the things that keep her up at night. It opens with ‘Lavender Haze’ with it’s catchy chorus melody and gorgeous use of her controlled falsetto voice, Swift makes a statement from the very first song. Co-produced by Jack Antonoff, Swift reverts back to a more mainstream sound than her previous two albums with songs like ‘Maroon’ not sounding too different from something you’d find on her ‘1989’ record. ‘Snow On the Beach’ which features Lana Del Ray is a particular highlight, the way Swift addresses and explores love in this track is beautiful and again makes the most of her vocal range. My personal favourite though, is ‘You’re On Your Own, Kid’ which has excellent lyrics and a relatability about it. The soundscapes created after the chorus are intriguing as well. Meanwhile, ’Karma’ is catchy, it has you instantly nodding and tapping along, it could be an anthem in her live show. Though critics have pulled her up on the lack of radio-friendly, chart topping hits, I don’t think the criticism will trouble Swift who, with each record, flexes her songwriting muscles and shows us there’s yet another string to her musical bow. I saw online someone say, Taylor Swift IS the music industry, well I think they have a point. Every record there is to break she does. The most high profile musician of our generation, who is constantly in the spotlight manages to keep secrets and wow her fanbase with every new release. At the time of writing this, ‘Midnights’ is #1 on iTunes in 70 different countries… This is Taylor’s world, we’re all just living in it and it’s breathtakingly beautiful to witness!

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Kristian Bush

Kristian Bush releases 52 – New Blue

Kristian Bush has today released a new album ’52 – New Blue’. 52 – New Blue is where Bush’s history meets his present. When creating the third collection of his four-album series, Kristian set out to create an assembly of love songs but soon realized his quest led him to the re-discovery of another love—his love of the ‘90s. Bush, who found success as one half of Sugarland is also part of Folk-Rock duo Billy Pilgrim which was formed in the ‘90. The album name is derived from scientist Mas’ accidental discovery of a new shade of blue in 2009 while attempting to create something else. Inspired by Mas’ philosophy that “accidents are essential in discovery” and his reference to scientist Louis Pasteur’s belief that “luck favors the prepared mind.” “While looking for a way to group my songs for this next release, I stumbled on a truth. I found a New Blue. I found that the music and attitude, lyrics and chords, and the foundation of me walking out onto rock stages in the ‘90s, was woven into every Sugarland song, every solo song, every production and every co-write since. Many of the songs on this project feel like songs I would have put out in 1995.” Kristian was a writer on each of the 12 songs on 52 – New Blue, and many of his co-writers fit naturally into the vibe of the project, having written popular hits in or around the decade. He teamed with talents like Billy Steinberg (“Like a Virgin,” “True Colors”), Matraca Berg (“Strawberry Wine,” “You and Tequila”), Billy Montana (“Bring on the Rain” and “More Than a Memory”) and Chris Barron of the Spin Doctors. “It requires only a few things,” he said. “You need a great drummer, a big song idea, and honesty. From rollercoasters to confessions, motels to regrets, and road trips to broken promises, these songs live in my present but are direct descendants of every song, every show and every album I touched in my past.” Leaning into his rich experience as a true artist who has thrived in multiple formats, Kristian embraces his diverse musical legacy with 52 with the final volume set to be released in early 2023. The four-installment album series is named for not only his 52nd year on this planet, but the idea of a year—split into four seasons and 52 weeks—with all four albums released within a year’s time. Kristian also co-hosts “52 – The Podcast” weekly with acclaimed Country music journalist Cindy Watts. The pair discuss the connections between his most popular songs and the new tracks on 52. LISTEN HERE.

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Kelsea Ballerini

Review: Kelsea Ballerini – Subject To Change

Kelsea Ballerini SUBJECT TO CHANGE Black River Entertainment 23/09/22 Ballerini’s fourth studio album is her best to date. She once again takes her pop songwriting sensibilities and blends them perfectly with her country roots and the end product is an album littered with catchy melodies and well crafted lyrics. The album begins with the title track, the chorus, riddled with hooks will stay with you for far longer than the 2 minutes 59 seconds that the song plays for. ‘If You Go Down (I’m Going Down Too)’ is a simple concept but Ballerina injects humour into the lyrics and the country instrumentation helps to set the scene and the feel of the song. The production is slick and perfectly complements Ballerini’s style throughout the record as it adapts from the big polished pop leaning tracks to the stripped back country ballads. ‘Love Is A Cowboy’ boasts strong lyrics ‘It makes your heart feel like wild horses in your chest/Trying to catch, it’s like tryna tame a wild, wild west/And when I’m with him, it’s like ropin’ the wind/Love is a cowboy’. She also shows off her ability to collaborate as she teams up with Kelly Clarkson and Carly Pearce to form a sisterhood on the song ‘You’re Drunk, Go Home’ – a fun, upbeat number that has a lot of sass in it. Overall it is hard to find fault with ‘SUBJECT TO CHANGE’ as it showcases Ballerina as an all round singer, songwriter and entertainer. It’s a strong contender for album of the year.

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