Live events

Radio City Sessions return for Autumn/Winter 2022

TAE Live and The Jackson Line are delighted to announce the return of their highly anticipated Radio City Sessions songwriter rounds. Having enjoyed a hugely successful debut in autumn 2021, the Radio City Sessions have hosted some of the hottest songwriting talent in the UK country scene. The third season of the sessions will, for the first time, be welcoming some of the most exciting writers from the USA, as well as homegrown, UK based artists. These intimate sessions lift a curtain on behind-the-scenes secrets from some of the most popular hits. Writers rounds and country music have gone hand in hand for decades, with The Bluebird Café in Nashville their spiritual home. Now, with a limited audience only, people are able to enjoy this ‘listening room’ experience in the birthplace of radio. Often only with a guitar or keyboard and their voice, these stripped back performances leave no place to hide, and often show the deepest emotions of the writers themselves. “Keith (lead vocals for The Jackson Line) and I got together last year to work out how we could continue to expand the reach of country music in Essex. Having had such a great response to Tennessee Fields, we were sure there was a market for more country events in the county and songwriters sessions are such a fantastic way of engaging an audience and immersing them in the sparkle of country music. The team at Hot Box are equally as committed to supporting all genres of music, and it’s fantastic to be able to bring these evenings back for a third season!” Georgie Thorogood, TAE Live Hot Box Live is the primary venue for live music in Chelmsford. With a bar stocking over 600 spirits, retro decor and a top-class sound system, this quirky location adds authenticity and a sprinkle of magic to any live performance. Hosted by local country band The Jackson Line, the Radio City Sessions frequently bring laughter, tears and audience participation to Chelmsford, leaving every guest with a smile on their face at the end of the evening. They will be joined in October by an international trio of ladies – American artist Erin Bowman, Canadian born Tara Henton and UK artist Emilia Quinn will bring a sprinkle of glamour, award winning songwriting and emotive vocals to Hot Box for the first event of autumn 2022. TAE Live is a new promotions company, founded by the team behind Tennessee Fields Festival, who are dedicated to bringing top class country music to Essex, as well as supporting local and emerging artists and songwriters. Tickets from £11 at www.hotboxlive.co.uk/whats-on

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Amy Wadge

Live Review: The British Country Music Festival

It’s been a long festival season here at Maverick and we’ve seen some of the finest country stars from around the world over the course of six festivals. The British Country Music Festival saw some of the best artists from across the UK come together and showcase the stories of their roots through the genre that we’ve all come to know and love. Thursday began with a social event and a preview of the Blackpool illuminations from one of the famous heritage trams. There was music onboard and it offered festival goers a chance to meet like-minded people before the main festivities began on the Friday. As people sung along to ‘Jolene’ and ‘Country Roads’ they got in the mood for the weekend ahead. With three different stages dotted around the Winter Gardens, there was plenty of choice for attendees but it was Rosey Cale who started things off on the acoustic Arena stage. A large audience had already gathered when she kicked things off and she drew them in with her voice and storytelling lyrics. Next, it was the turn of Shellyann and her fabulous band to ramp up the energy with an upbeat set. Her powerhouse vocals demanded the attention of the room as she entertained the crowd. Following her set, Gasoline and Matches performed an extended full band show, Steven enjoying every guitar solo as Sally, with a smile on her face the whole time, confidently belted out each note. Attention turned to the Empress Ballroom where Matt Spracklen was hosting all weekend. It was Noble Jacks who opened the show with their toe-tappingly good brand of country followed by Harleymoon Kemp. Kemp broke onto the scene in lockdown and she has been entertaining crowds ever since. Dressed to the nines in a sassy, country themed red outfit, complete with cowboy hat and hooped earrings she had the audience in uproar as she told the stories, mostly about boys who have done her wrong, behind her songs. Headliner Amy Wadge couldn’t have been more different with her stripped back stage set-up, but both worked well. Wadge played an array of songs she’d written for other people including ‘Thinking Out Loud’ and a track that featured on Michael Ball’s record as well as playing songs from her own EPs and solo records including ‘Older’ and songs from the hit TV show ‘Keeping Faith’. All the while she told the stories behind each track whilst the audience listened attentively – you could hear a pin drop! She concluded on her rendition of ‘Spaceman’ the song she co-wrote for the UK’s entry to Eurovision song contest. It was a more delicate version, her voice was pure as she hit that top note. Saturday began with some jogging to and from venues as Katie O’Malley opened the Arena stage with a full band set whilst in the Horseshoe Pavillion, Celine Ellis held the audience with an endearing acoustic set. The Rising and The County Affair were standouts on the Arena stage in the early afternoon whereas it was a packed house for Kezia Gill on the Horseshoe Pavillion stage. She had the crowd laughing along as she forgot her own words and improvised a solution! She also played a couple of songs that had never been heard before, the audience obliged as she kindly requested they didn’t film and put it on the internet. Brooke Law captivated the room on the acoustic Arena stage. She was an unknown name to many before she bugged but they queued to meet her afterwards as her powerful voice reeled them in and her exemplary songwriting held them there. In the Empress Ballroom at night, people crowded the dance floor as The Wandering Hearts, with their beautiful harmonies ringing round the room took to the stage. They played a range of songs from their most recent release to their earliest singles with the audience stomping along to the likes of ‘Devil’. A surprising name followed who took the scene by surprise upon her announcement – Lucy Spraggan. But she would surprise those in attendance even further as she told the stories behind her funny and quirky songs which were performed by her very well rehearsed band. She was the talking point and the highlight for most at the festival as they began to see and hear the crossover into country that sits, deep rooted within her songwriting approach. She talked of her time on the X-Factor and played songs from that era as well as her latest album. She shared stories of the impact visiting the US has had on her craft. Headliner Tom Odell came on next, his voice was incredible and the moody lighting complemented his stripped back set full of piano ballads. Laura Evans couldn’t have been more different as she brought a lot of energy to the Blackpool stage as she closed the evening out. Her stage presence you couldn’t fault. The final day of the festival was much more relaxed. It began with a wonderful songwriters carousel hosted by Laura Oakes. It was a chance for the artists to dive into more detail about the songs they had written, how they had written them, and why. They each took it in turns and the crowd listened attentively as they went down the line three times. The rest of the day was full of energy as Robert J Hunter Band and Sunbirds played upbeat sets, the latter was a tight knit outfit with sublime harmonies and they went down a treat with the Blackpool audience. Jess Moskaluke, who was the only international act on the line up continued to ramp things up as she strutted around the stage with her powerhouse vocals echoing around the room. The Canadian has some stellar songs on her record ‘The Demos’ which she played some songs from. Everything was well thought out, from the staging, lighting, to the sound, it was such a brilliant weekend, packed full of the best country talent, Britain has

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The Long Road Returns!

We’ve spent three years waiting for the return of The Long Road but boy was it worth the wait! Of course the music, was superb – we knew it would be pretty good when we saw that line up announced by it exceeded our expectations. As for the atmosphere, you couldn’t have felt more at home, there was a real family vibe about the whole event. Baylen Leonard and his team had thought about everything and everyone, making it as inclusive as possible for all ages with fun and games happening in a kids section throughout the weekend, including a welly throwing contest that I was itching to try my hand at! There were American classic cars on display too and you could have cleared out your bank account on the stalls selling western wear. The quirky and unique Front Porch stage was where I discovered artists I hadn’t been overly familiar with before. Artists like Valerie Ponzio who was a part of the Colour Me Country line up, curated by Rissi Palmer. Her voice held The Long Road crowd and her songs were well written. Everette and Sam Williams also impressed on this stage on Saturday while The People Versus were endearing. The headliners did a phenomenal job, Drake White, Marty Stuart and his Fabulous Superlatives and The Cadillac Three all brought something different to Stanford Hall but were all greatly appreciated by the British crowd. Marty Stuart, dressed to the nines, stepping up in the place of Chris Young with an extended set, brought a flavour of traditional country. The Fabulous Superlatives of course are some of the best musicians around and Marty let them each take centre stage to perform a song or two as the front man. He played songs such as ‘Tempted’ which the crowd all joined in with. He also invited a number of special guests out to play alongside him. First was the fantastic Andrew Combs followed by British star Kezia Gill who did a brilliant rendition of ‘These Boots Are Made For Walking’ before Sunny Sweeney sang the Willie Nelson classic, ‘Good Hearted Woman’. Stuart, who I often refer to as ‘Mr Country Music’ showed why he’s such a revered musician in Nashville. So wise and knowledgeable, an entertainer who keeps real country music alive whilst helping the next one in line rise through the ranks. The Long Road crowd loved his fabulous set. The headliners weren’t the only talking point though as the large crowd spilled out of the Interstate stage for Priscilla Block’s set on the first day and as she played again later on in the weekend, her new found fans, along with her faithful followers kept on gathering. Meanwhile, Brandy Clark, having been moved onto the Rhinestone stage was given a warm welcome as she played the fan favourites from her previous record as well as a new tune. Her storytelling songs resonated out across the Leicestershire fields, reeling everyone in. She got the tempo just right as the crowd bounced along to the likes of ‘Love Can Go To Hell’, ‘Girl Next Door’, ‘You’re Drunk’ and ‘Stripes’. Cellist and backing singer Vanessa did a superb job of Brandi Carlile’s part in ‘Same Devil’ as well. Of course, Brandy talked us through some of the stories behind the songs, complete with the odd funny anecdote as her personality shone through. Also catching the eye (or the ear) of many fans was Shy Carter. His set was fun and upbeat, energetic in every way. He posed for the cameras and lapped up the audiences applause when he freestyled a funny song on stage. A bottle of Whiskey in his hand he toasted the crowd, happy to be back once again. He played through a lot of the songs he’d written for other people such as ‘Stuck Like Glue’ made famous by Sugarland and ‘God Whispered Your Name’ by Keith Urban. Alison Russell was also a talking point of the event after her set on the Interstate stage. A real highlight on the Sunday was the return of the incredible Sara Evans after twenty years away from the UK! Everybody was blown away by her voice as she walked up and down the stage, belting out some of her well known tracks along with a few covers. A real entertainer, I had to take a minute to stand in awe of her incredible performance. Lindsay Ell with her mesmerising guitar skills kept the energy levels high as she entertained the audience with guitar solos, beautiful songwriting and powerful voice. The crowd reaction to LOCASH later on was a sight to behold too as all around the field people were up out of their camping chairs and on their feet singing along, waving their arms in the air and clapping along to songs such as ‘Chillionaire’ and ‘I Love This Life’. They too had an energy about them that was infectious. Gangstagrass offered something different to The Long Road crowd with their brilliant musicianship and blend of country rap they reeled the crowd in and brought the party atmosphere to the Interstate stage on Sunday. Gretchen Peters was worlds apart from Gangstagrass yet she too drew in a crowd which she held in the palm of her hand with her emotive songwriting, her lyrics resonating with the audience as you could feel every word. A true songwriting legend, Peters is beginning to wind down her live performances as she finishes touring next year, so it was a real treat to hear her in such a lovely setting. There was also a songwriters session opening the show on Sunday morning featuring Sunny Sweeney, Sarah Darling and Whitney Rose at Buddy’s Good Time Bar and despite the late end to Saturday’s festivities, the place was packed! All in all, it was a fantastic weekend which showcased each end of the spectrum of country and Americana music and offered something for everyone. We’re counting down the days until the next one!

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Millport Country Music Festival

The magic of Millport Country Music Festival!

Taking place on the Island of Cumbrae, off the coast of Scotland, Millport Festival is truly a unique experience. This year it boasted a fantastic line up that both shone a spotlight on homegrown talent whilst bridging the gap between Nashville and the UK by bringing over some of country music’s finest. Friday began with UK duo, Gasoline and Matches opening the festival in emphatic style in Cactus Jack’s. Steven was full of energy as he jumped around the stage and onto the backline, really feeling those guitar riffs. Meanwhile, next door on the Maverick Acoustic Stage Scottish musician Sandy McLelland played his first show in Scotland for over thirty years and performed songs from his award winning, chart topping album. The energy levels were stepped up by Oregon native Jessie G who is signed to Gretchen Wilson’s Redneck Records. With an indescribably powerful voice, Jessie stunned the audience as she belted out country classics such as ‘Fancy’. She built a rapport with the crowd as she came down off the stage and mingled with the audience whilst performing. Coming from a long line of fishermen, being a military wife and a mother to her baby daughter as well as being a working musician, Jessie knows about hard work and juggling tasks and in her final song she took her daughter in her arms as she showed off her vocal range once more. Cactus Jack’s began to fill up even more as Alyssa Bonagura and her band took to the stage. A phenomenally talented songwriter, Bonagura won over the Millport crowd with her storytelling before the Honky Tonk Roadhouse brought the party atmosphere to close out that stage. Meanwhile, on the Maverick Acoustic stage, Candi Carpenter geared up for their set. First seeing Carpenter last year at The British Country Music Festival I was delighted that they were coming back to the UK. Carpenter has an endearing charm and humour to their stage presence and a way with words and this set didn’t disappoint. A slightly darker edge to the subject matter of the new record is intriguing but Carpenter whet the appetites of the Scottish fans. Day two was set to be even better with music starting earlier and finishing later and more stage added into the mix. The countdown was on for most to the headline slot on the Nashfield main stage where Drake White was due to perform but before then there was an array of homegrown talent and US fan favourites entertaining us throughout the day. Two Ways Home opened the show on the Nashfield Spotlight stage where a healthy crowd had already gathered. They were cohesive and upbeat in the delivery of their set and got people swaying along even at this early stage. Kenny Foster was one of the highlights of the whole weekend, another talent who has a way with words. His songs grip you and he is energetic and passionate about his craft. Smiling from the stage, those who didn’t know his music before fell in love with it in that moment. It was Chris Mossop who opened the Maverick acoustic stage as fans began to fill up the hay bales and he told his story. He was due to become a dad anyway now and that in itself caused his face to light up as he shared his music with the crowd. Most was another homegrown talent that Millport helped to shine a spotlight on. Emma Moore, you could hear a pin drop as she serenaded the crowd with songs like, ‘Waiting For You’ – another talent who has been plugging away on the scene for years and is now getting the recognition she deserves. Chase Stapleton, who followed Emma’s set, brought a little more of the traditional country sound to the stage. It was toe-tappingly good country, with well crafted songs and after just moving to London days before, I’m sure we’ll be seeing more of Stapleton in the coming months on the UK scene. Having known AC Jones and Michael Boris from their previous artist projects I couldn’t wait to hear them come together as Arbor North. The duo’s harmonies were excellent, as if they were always meant to sing together. Their latest single ‘You, Me and Jesus’ proved to be a moving moment within their set as the heat ramped up in the tent with people cramming in to watch the sparks fly between the pair. They really have the potential to go all the way with their brand of country. Stevie O’Connor has been a favourite of mine for a while now and the bit of his set that I caught on the Nashfield spotlight stage, he was doing his usual trick of holding the crowd in the palm of his hand. He’s a seasoned pro who really knows how to speak to a crowd. A surprise star rose from the Maverick Acoustic tent though, 17 year old Robyn Red looking slightly nervous and shy, stood on stage and blew everyone away with her powerful voice and coordination as she played guitar to the beat of her stomp box whilst playing the melody on her harmonica. No one could quite believe how this youngster lit up the stage and came alive during her set, she was destined to be on the stage it seems. The tent began to fill up more as Kezia Gill’s set drew closer. One of the brightest shining stars of the UK scene, Kezia Gill has gone from strength to strength since that breakthrough performance at FSA Fest. She is a true entertainer with a band or in an acoustic setting like this and she didn’t disappoint. That powerful, gritty voice gripped the audience as she sang fan favourites as well as sharing some new material which fans gushed about afterwards. At the conclusion of her set many fans hurried across to the Nashfield main stage as Drake White made his dramatic entrance. So many were looking forward to his set and

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Millport Country Music Festival

Millport Festival – stage by stage: Nashfield Spotlight

Millport country music festival returns this year and with a truly fabulous line-up! 37 artists will appear on five stages at this year’s festival, of which 11 will be from the US, 11 Scottish and the remainder from the rest of the UK and Ireland, representing a huge range of the country, Americana and roots genres. The focal point of the Saturday will be the Nashfield main stage which is headlined by the one and only Drake White and the Big Fire but there are lots of exciting artists across the other stages too including on the Nashfield Spotlight stage. Two Ways Home Isabella MaK, originally from Vienna, Austria and Lewis Fowler, who grew up in Gloucestershire, UK make up the duo Two Ways Home. The pair fuse catchy melodies with luscious harmonies and rocky guitars, often referring to their style as folk/rock with a country twist. Since they began in 2014, they have released three successful EPs, a debut album and a handful of stand alone singles. They put on a great live show and have made several big festival appearances including The Long Road and Nashville Meets London. Tim Prottey-Jones Former West End star and founding member of The Wandering Hearts, Tim Prottey-Jones has had a fantastic career and continues to go from strength to strength as a solo artist and producer. He is a real entertainer on the UK scene with a high energy vibe to every show he puts on. He has played such legendary venues as The Grand Ole Opry, The Ryman Auditorium, Bluebird Cafe, Graceland and Hyde Park and shared stages with the likes of Chris Stapleton, Marty Stuart, Stevie Nicks, Robert Plant, Mumford and Sons. He will certainly be one of the highlights of Millport. Alyssa Bonagura The only American on this stage, Bonagura has captured the Brits hearts once before and will surely do it again. The daughter of singers Michael Bonagura and Kathie Baillie of Baillie & the Boys. She grew up on a tour bus and was invited at an early age to sing with country legend Kenny Rogers. She often produces her own music in her parents home studio and to facilitate this, learnt how to play several instruments including guitar, mandolin, bass and drums. She has spent a lot of time in the UK having studied at LIPA earning a diploma in sound technology. Stevie O’Connor Stevie is having a lot of deserved success right now in the UK scene. He will open for American starlet Sunny Sweeney when she tours the UK this summer and has released a series of fantastic country-blues singles recently. He has previously been named Entertainer of the Year at the British Country Music Awards and it’s not hard to see why; he is a versatile performer who can hold a room in the palm of his hand acoustically or bring an energetic set that gets the room rocking with his full band in toe.

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Welcome to the Hotel California… sorry, Hyde Park!

It was The Eagles turn to fly through the London park, capturing hearts and minds as they played, but it was an inspiring day even before they took to the stage with a large country contingent dominating proceedings. Patrick Droney, who had never played London before today, opened the main stage with an already sizeable crowd present. He told me how he was just happy to be here, his excitement noticeable as he spoke. He won over some new fans with his performance whilst The Wandering Hearts, over on the Rainbow stage, with their sublime harmonies held the audience in the palm of their hand. Following Droney on the main stage was the powerhouse vocalist Cam. Her country storytelling went down a treat with the Hyde Park crowd. She mainly played songs from her last record ‘The Otherside’, her voice effortlessly belting the words out and connecting with those present as she sung through ‘Diane’ and ‘Forgetting You’. She interacted with the crowd as she spoke about the connection between her song ‘Changes’ and Harry Styles before launching in to the rendition which features on that album. You couldn’t fault her voice in ‘Til There’s Nothing Left’ whilst the audience adored singing along to ‘Burning House’. It was the turn of Little Big Town next who had prepared a slightly more mainstream set to what was anticipated. Their energy levels were off the scale as they performed their new single ‘Hell Yeah’, Jimi’s vocals in particular were phenomenal, the best I’ve ever heard from him as he belted out some tunes. They primarily let the music do the talking as they played song after song. ‘Better Man’ went down well with the London audience as it connected with their hearts after Karen’s heartfelt delivery as lead. They generated a party atmosphere with clever drinking song ‘Wine, Beer, Whisky’ whilst the whole park passionately sang along to ‘Girl Crush’. They concluded on the signature anthem ‘Boondocks’ as the crowd erupted into rapturous applause. The headliners, The Eagles, left everyone speechless with their energy and ambition to put on a great show. A gasp echoed round as Vince Gill took the lead on ‘New Kid in Town’, the excitement building throughout. Gill performed well and was received warmly by the London crowd. Joe Walsh’s guitar solos were mesmerising whilst special guests, Deacon Frey and John McEnroe really connected with the audience as they joined the Eagles. As they celebrated 50 years of success, they reflected by going back in time and playing their earliest hits such as ‘Best of my Love’ – their first number one. Humour punctuated the set which included ‘Tequila Sunrise’ and ‘Take it East’. But it was ‘Hotel California’ which really got the crowd going, singing at the top of their lungs. They concluded with ‘Already Gone’, the fans singing and dancing to the final note. They may be ageing but they are legends within their own right. They still have so much energy, love and passion for the music they create and it was a show that had it all!

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Jimmy Webb

Jimmy Webb delivers a masterclass in Manchester!

Before the show began, a fellow audience member remarked that he didn’t think a Jimmy Webb show would attract many young people like myself, and though my presence probably did lower the average age of the crowd, Webb put on a performance that every music fan would enjoy and any musician could learn from. The night began with Ashley Campbell and Thor Jensen. I know Ashley’s music well and have always enjoyed her performances but Thor was a new artist to me and the pair have just begun performing as a duo. Tentatively, they performed a selection of covers and each others past solo work, their voices gelled well together and they built up a relaxed rapport with the audience. I must add the audience was the politest crowd I’ve ever had the pleasure of being a part of. Having loved Ashley’s music and her dad’s before her, I am keen to see what she can do as part of this duo. Speaking with the pair after, it seems they have big plans for records and subsequent tours (which include the UK) and with their individual talents uniting as one, I think they will go a long way! Sat at his grand piano, Webb had a relaxed demeanor as he opened his set with ‘The Highwayman’. Upon it’s conclusion, he turned to face the audience slightly. What ensued was two hours of Jimmy Webb telling us the stories behind some of his biggest hits, he went off on more than a few tangents as his tales were punctuated by the songs. He played ‘Galveston’ the way he had written it and compared it to the way Glen Campbell had interpreted it, laughing and joking as he retold the story. There were political moments too and the crowd appreciated his honesty and values. He spoke of his childhood too and how he learnt to arrange before performing an arrangement of Billy Joel’s ‘Lullabye (Goodnight, My Angel)’. He also gave an insight into the music industry as he told of his dismay that Kanye West had used ‘Do What You Gotta Do’ in his song ‘Famous’ without asking for Webb’s permission. Concluding with ‘Wichita Lineman’ followed by ‘MacArthur Park’, Jimmy Webb put on a truly magical evening which featured hit after hit and some of the funniest stories of how his life and career panned out. For any music fan, particularly those keen to make music, no matter what age or what genre, that show was a real masterclass!  

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Midland

Midland impress in Manchester

The gig started with a briefing from the head steward: “It is going to get very hot tonight”. He was not wrong. Not only was the crowd nice and sweaty, the stage was on fire with musicianship, dance moves and personalities of Midland. Opening the night was Jonathan Terrell with a mix of original songs and crowd-pleasing covers, he successfully warmed the crowd up before reappearing with Midland as a stand-in member (which he did a brilliant job of). One of the most stand out things for me was how spatially aware of each other were as they grooved around the stage. To me this is a testament of how well the band gels together and their spot-on harmonies confirm this. They ooze suave, connecting with the crowd and met with audible swooning. As for the music, they played a mixture of the hits and new tunes from their latest album, ‘The Last Resort: Greetings From’ all met with a tangible buzz from the audience. An audience who were also very polite! No surges, no shoving, just a sense of shared giddiness, especially when Midland closed the show on Champagne Supernova, in Manchester no less, to celebrate their favourite band. They clearly had much respect for the city they were playing. All in all if you attend a Midland gig you will come away with a happy heart and a satisfied soul. Written by Tammy Barker Images by Tamography www.tamography.co.uk

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Brett Eldredge

Brett Eldredge returns to Manchester in style!

Supported by Luca Fogale, Brett Eldredge embarked on his UK tour last week. He was the last show I saw before the pandemic hit in 2020 and is one of the first to return to the UK since. Fogale did an acoustic set to open the show, his songs, mainly ballads, were well written and he had a lovely tone to his voice. He was grateful for every minute that he was on stage. He’s certainly one to watch out for in future. On to Eldredge’s set and it was clear from the first note that it was going to be an energetic performance, the lighting adding to the mood. A big grin on his face he seemed fired up for the Manchester crowd that wasn’t quite full but was loud nonetheless. During his second song the room got louder still as they sang their hearts out to the early chart topper, ‘Don’t Ya’ as Eldredge paraded up and down the stage. He took it down a notch for ‘Gabrielle’ another fan favourite before playing some songs off his new record which he announced just over a week ago. His new single, the title track of his upcoming album ‘Songs About You’ was already on the lips of many Mancunians as Eldredge’s face lit up as they sung it with him. It wasn’t the only new music he played as live renditions of ‘Good Day’ and ‘Holy Water’ were mixed in amongst his more established hits. He also shared the story behind ‘Want That Back’ speaking honestly about how he struggled during lockdown. Much of his set was kept upbeat and energetic but it was refreshing when his band exited and he played an acoustic song, his 2017 hit ‘The Long Way’. Here, you could hear his voice, flawless in it’s delivery. From that point on, he invited his band back on stage and turned up the heat. Manchester was bouncing and so was Eldredge. The lights turned out as he sung ‘Mean To Me’, the crowd lighting him up with the flashlights on their phones, to great effect. He seamlessly flowed into a rendition of ‘My Girl’ from his hit song ‘The Reason’ which fans appreciated and thumped his chest at the end of ‘Lose My Mind’ as the noise rose inside the O2 Ritz. He found his second wind as he jumped around the stage, the lights increasing in intensity too. He closed on ‘Wanna Be That Song’ but the Manchester crowd didn’t want him to go just yet, for all it’s intensity, it felt too short! He returned to the stage with his band for a cover of ‘I Can’t Make You Love Me’ before concluding on fan favourite ‘Beat of the Music’. It was a fantastic night, one we wish we could have all over again!

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Keith Urban brings the house down in Manchester!

Keith Urban showed everyone why he’s been crowned Entertainer of the Year so many times as he put on a show at Manchester’s O2 Apollo. Since I’ve been going to gigs, I cannot remember seeing a show quite like that; the guitar skills, the energy, the humour – the night had everything! He opened proceedings with ‘Days Go By’ and it was immediately clear that it was going to be an energetic night and the crowd was loud as they sang their hearts out from the get-go. Three songs in and Keith addressed the crowd, he was reading the signs his fans had made for him and chatting with those he could. Summer, who was attending her first gig with her mum and dad was asked to join him on stage. As they took photos together, Keith joking told the crowd to chat amongst themselves, “I’ll give you a topic” he said, “Do penguins have knees?” Throughout, he had a strong rapport with the sell-out crowd. Later on he would involve them again to sing their guilty pleasure song, ‘In The Jungle’. Keith warned of a long night as he took us on a journey, playing hit after hit from different points in his career, from ‘Never Coming Down’ and ‘Parallel Line’ from ‘Graffiti U’ to ‘Ripcords’ ‘John Cougar, John Deer, John 3:16’ the crowd, even those still seated were dancing along. Keith’s vocals never faltered as he danced along with them. During ‘God Whispered Your Name’ Keith showed off his impressive guitar skills as he took time for a solo and to improvise. He also introduced some of the band at this point though the rest would be introduced towards the end of the night when Jerry Flowers and Nathan Barlow showcased both their playing abilities and their singing which was outstanding. The special effects and lighting added to the spectacle, particularly the scene where it looked like a girl behind a shower screen or curtain, it was 3D and very realistic. It was instrumental in the delivery of the duets, ‘One Too Many’ and ‘The Fighter’ as the screens projected P!nk and Carrie Underwood up there whilst the crowd imitated them, with big smiles upon their faces. There were a couple of special and unique moments that occurred in the show, firstly was the introduction of a group of buskers that Keith and his drummer had watched just the day before in the centre of Manchester. The Reggae outfit, named Rough Trade, were delighted to have been given the opportunity and on their second song, a cover of ‘Red, Red Wine’ Keith sang along with them. Later in the show, Keith played acoustically, just by himself and an acoustic guitar. They had had to adapt their usual set-up for the venue but it didn’t phase Keith as he still executed it perfectly. He began by paying tribute to Naomi Judd and singing ‘Love Can Build A Bridge’. He ended this short segment by going back in time to 2002 and ‘You’ll Think Of Me’. He ended the show with the upbeat, party anthem ‘Wasted Time’ with confetti cannons firing but the fans didn’t want him to go just yet. So, after briefly exiting the stage he returned for a couple more including a stripped down version of another early hit, ‘Stupid Boy’. From start to finish, Keith Urban brought a party to Manchester. Keith along with his whole band showed some of the greatest level of musicianship that I’ve ever seen, his connection with the audience was unrivalled and his vocals were on point. Moreover, it was a set full of the highest quality tunes you’ve heard this century and there were moments that made you laugh, moments that made you cry and moments that saw you up on your feet dancing along. It’s one of the best gigs I’ve ever been to!

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