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Podge Lane Releases Follow-Up Single “Let Me Ask You”

The Irish-born, New York-based alt-country troubadour Podge Lane has released his newest single, “Let Me Ask You”. Following the release of his roots-rocking summer single “Heatwave”, which amassed widespread acclaim, Lane pivots with a fragile, slow-burning ballad about the final moments of a relationship, and the questions that remain. Blending the intimate harmonies of The Civil Wars with the emotional honesty of Damien Rice, “Let Me Ask You” is biled as a raw ballad of love slipping away. Built sonically on sparse guitar, piano and soft backing vocals, the track builds to a desperate swell as drums, cello, and organ aid the singer’s plea before falling back into whispered resignation; A stark contrast to the summer sun in “Heatwave”, “Let Me Ask You” hones in on Lane’s astute lyrical insights and poses a new writing challenge for the songwriter. “I actually wrote this song without any notion of putting it out on a record. The week I moved to New York I was contacted to submit a song for a small film. “It was about a breakup where one of the characters still has a lot of unresolved issues. And that’s not something I usually get to write about. So I threw myself head first into the world of breakup songs. Lots of indie films, tons of old records, and lots of Grey’s Anatomy. “But when I sent it back for submission for the film, I was told they had already picked someone else, and just forgot to tell me! Selfishly I was kind of glad, because I had built a whole life for these characters, and gotten so attached to this song, I wanted it for myself!” Etching out his space in the alt-country landscape, Lane has played over 60 shows in just 3 months. Exciting announcements ensue with further tour dates to be announced, including headlining New York’s Big City Folk and Brookyln’s Gallery 198. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Liam Price Reaches Long Road Final

Rising UK country singer Liam Price has been named one of just six finalists in this weekend’s The Long Road Festival’s prestigious Home Grown Talent competition, selected from hundreds of entries across the UK and Ireland. The contest highlights emerging voices in British country and Americana, with the winner earning a career-changing package including a slot at CMA Fest 2026 in Nashville, a studio session with Snakefarm Records, tickets to Midland’s 2025 UK tour, and a return performance at The Long Road 2026. Price, praised for his soulful vocals and heartfelt storytelling, will now perform live in the competition’s final stage, where judges and the festival audience will decide the winner. “To be chosen from so many talented artists is a real honour,” Price said. “The Long Road Festival has always been a dream stage for me — and the chance to represent UK country music in Nashville is beyond exciting.” Fans will be able to catch his finalist performance at this year’s festival, which takes place from 22nd to 24th August. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Janet Devlin's Houston - Maverick-country.com

Janet Devlin: “Houston, I got so many problems”

Janet Devlin embraces solitude in empowering new single ‘Houston’ Out July 18th, Ahead of highly-anticipated Deluxe Album ‘Not My First Emotional Rodeo’. Irish singer-songwriter Janet Devlin is making a powerful return with her explosive new single, ‘Houston’, out July 18th, igniting excitement for the upcoming deluxe edition of her critically acclaimed album, ‘Emotional Rodeo’. Now reimagined as ‘Not My First Emotional Rodeo,’ Janet unveils the first bonus track from the expanded release originally launched last November. ‘Houston’ blends Janet’s signature Nashville twang with an upbeat, sing-along anthem for people who enjoy their own company, showcasing that solitude isn’t loneliness, but liberation. “I wanted to write a song that would sum up the freedom I feel when I’m on my own.  Be it solo horseback riding around the countryside or just anywhere far away from where the people are. As someone who has too many feelings and they used to bleed into most avenues of my life – emotional detachment, in this way, is actually a great and freeing thing. For some the concept of being in the vast unknown, away from civilisation is scary. The old me would’ve probably agreed. Now, for me it feels peaceful. I enjoy my own company, some may say a little too much.  “I feel like super-rural living in a lot of ways is like being in outer-space. Both are on the fringes of civilisation and reality.  ‘“Houston, I got so many problems” references the famous “Houston, we have a problem,” but it’s ironic. There is no mission control. Just me, alone. No panic. Just embracing relying on myself. “I wrote that line down after a therapy session. Something pretty awful had happened so I booked a one off slot with my therapist who I used to go see weekly. I went not because I felt like I needed it, more so because I felt like it was what I should do. After explaining what happened and how I was dealing with it, we both came to the conclusion that I was managing it all just fine on my own. I mean after how much money I’ve spent on getting better over the years, I’m glad it’s all paid off. It’s not that I’m hiding away from sharing things with others, it’s just that I don’t have to. “In the single version, I’ve opted for high octane, singalong fun. I wanted to hammer home the message that I’m having a good time out here on my own! I wanted something that I could hum along to when I’m out on my walks or riding around the countryside.  “This song is for the people who enjoy their own space. Especially in this world where we’re connected 24/7.  It’s a party song for those of us at our own solo parties. Yes, we may be a little bonkers – but who isn’t? We’re not lost, unless we’re trying to be. It’s not loneliness if we’re liberated. I promise you, we’re doing just fine!”

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Picture of Kylie Frey - Photo by Rachael Mason - Maverickl

Kylie Frey – Rodeo Roots and Country Roads

From Louisiana rodeo arenas to Nashville stages, Kylie Frey blends her equestrian heritage with heartfelt country music, crafting songs that resonate with emotional depth. Born on March 3, 1995, in Opelousas, Louisiana, Kylie Frey grew up immersed in the rodeo lifestyle. A third-generation rodeo participant, she was named Louisiana High School Rodeo Queen at 15 and won the state championship for goat-tying at 16. Music was always present, with family road trips soundtracked by artists like Lee Ann Womack, Wynonna Judd, and Shania Twain. Despite a childhood lisp and limited vocal range, Frey was drawn to songwriting. At 16, attending the Pensacola Beach Songwriters Festival, she was inspired by Lisa Carver’s storytelling prowess, prompting her to pursue music more seriously. Frey’s initial foray into music involved writing songs as an emotional outlet. Her early compositions were, by her own admission, rudimentary, but they laid the foundation for her evolving artistry. She began performing at local venues, gradually building a following with her authentic country sound. In 2014, she released her debut album, Cinderella Dreams, marking her official entry into the music industry. The album showcased her storytelling abilities and deep connection to traditional country themes. Frey gained national attention as a finalist on USA Network’s Real Country in 2018, where she was mentored by Shania Twain. Her performance of “Wide Open Spaces” by the Dixie Chicks earned her 4.5 stars from the studio audience, a $10,000 prize, and a spot at the Stagecoach Festival. This exposure led to increased opportunities, including opening for established artists and expanding her fan base. Her time on Real Country solidified her reputation as a rising star with genuine country roots. Frey’s single “Spur of the Moment” became her fourth No. 1 on the Texas Regional Radio Report, setting a record as the fastest-rising No. 1 by a female in chart history. The song, co-written with Leslie Satcher, reflects her rodeo background and personal experiences. Collaborations have been a significant part of Frey’s career. She teamed up with Bri Bagwell for a country rendition of Cyndi Lauper’s “Girls Just Wanna Have Fun,” which topped the Texas charts. Additionally, she contributed background vocals to Cody Johnson’s Human: The Double Album, further cementing her place in the country music community. In 2022, she released her EP Rodeo Queen, which included a reimagined version of her early single “One Night in Tulsa” and the fan-favourite track “I Do Thing.” The project was praised for its honesty and modern-traditional fusion. Critics noted that Frey had found a balance between honouring her country roots and expanding her stylistic range. Frey has often credited her songwriting influences to the strong female voices of 90s country. Artists like Reba McEntire and Patty Loveless were formative in shaping her lyrical perspective—resilient, emotive, and steeped in realism. She has said that her goal is to tell the truth, even if it’s hard, and that principle underpins much of her catalogue. To read the full article, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Brandon Wayne Unleashes Bold New Sound with “It’s Me Again”

Alternative country rock artist Brandon Wayne dives headfirst into a darker, more intense, rock-centric sonic territory with the release of his latest single, “It’s Me Again.” A gritty fusion of pounding drums, eerie synth textures, and searing guitars, the track represents an expansion in Wayne’s sound, born from deep introspection and the personal transformation of newfound sobriety. Opening with brooding vocals and a slow-burning arrangement, “It’s Me Again” pulls listeners into a space of self-reflection and inner turmoil. Brandon Wayne explores themes of regret, identity, and accountability through lyrics like, “Lately I’ve been in my head, thinking what I should have said.” It’s a vulnerable meditation on the ripple effects of addiction and the long road to healing. “I wanted to sit in it,” Wayne explains. “To reflect on the choices that brought me here. What good have I done for others, my family, and myself? How much pain have I caused? Did the bad outweigh the good?” Co-written and produced with Andres Alzate, the track was recorded at Alzate Records, where Wayne provided vocals, guitar, and synth, while Alzate handled bass and drums, layering the track with tension and weight. Together, they crafted a sound that is both cathartic and cinematic, standing as Wayne’s most personal work to date. Brandon Wayne’s connection to music began at age eight when a neighbor gifted him his first acoustic guitar. Inspired by his mother’s eclectic music taste, he formed a band in high school and later joined The Redmoon Band, performing at legendary venues like The Viper Room, The Troubadour, and The Whisky a Go Go. Since launching his solo career in 2024, he’s released singles like “Bad Habits” and a rebellious, in-your-face reinterpretation of Johnny Cash in “Folsom Prison (Fuck You Brandon Wayne).” With roots in alternative rock and country grit, Brandon Wayne crafts a thunderous and emotionally charged sound that’s entirely his own. “It’s Me Again” channels that intensity into a fearlessly honest, soul-baring anthem that marks a powerful new chapter in his artistic evolution. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Picture of Little Big Town summer tour opening weekend - Photo by Becky Fluke - Maverick

Little Big Town Kicks Off Summer Tour with Opening Weeekend

Multi-GRAMMY winners and country music superstars Little Big Town launched their nationwide Summer Tour ‘25 with a scorching opening weekend of shows in Rogers, AR and St. Louis, MO, last week, kicking off their first full summer headline amphitheater tour since 2019 with packed houses and career-spanning performances. Produced by Live Nation, the 19-city North American tour features a powerhouse mix of special guests throughout the run. Carly Pearce and Carter Faith helped open the tour with standout sets, each bringing their own dynamic energy and fan-favorite songs to the stage. Across the weekend, Little Big Town delivered signature harmonies and an electrifying setlist that included chart-topping hits like “Pontoon,” “Girl Crush,” “Boondocks,” and “Better Man,” as well as selections from their 25-year career Greatest Hits album and 2022’s Mr. Sun. The Summer Tour ‘25 continues with upcoming stops in Saratoga Springs, Toronto, Tampa, Salt Lake City and the iconic Red Rocks Amphitheater in Morrison, Colorado and more before wrapping September 13 in Charlotte, NC. Select dates will feature support from Wynonna Judd, Ashley McBryde and Shelby Lynne, with Carly Pearce and Carter Faith returning throughout as openers. The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium tickets, Meet & Greet and photo op with Little Big Town, guided backstage tour, limited edition autographed tour poster & more. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Picture of Clayton Mullen new EP - Photo by Clayton Mullen - Maverick

Clayton Mullen Releases New EP ‘Varsity Blues’

Quickly emerging as one of Country music’s most exciting new voices, Clayton Mullen has cemented his status as one to watch with his brand new EP Varsity Blues. Praised for his tone, poise, and vocal chops of a seasoned country pro, Mullen’s new project is a nostalgic time capsule of the moments that shape us from young love and heartbreak to small town dreams and everything in between. Blending smooth melodies, honest lyrics and a sound built for the open road, Mullen penned four of the collection’s five tracks. Featuring standout songs like “Love On The Radio,” “Blue” and the Ryan Hurd-penned title track, Varsity Blues is full of heart and hard-hitting hooks. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Picture of Grand Ole Opry team - Photo by Chris Hollo - Maverick

Grand Ole Opry Releases 100th Year Anniversary Album

The Grand Ole Opry, the longest-running radio program in history, has partnered with Virgin Music Group, the world’s leading partner to independent artists, labels and entrepreneurs, to release OPRY 100: Country’s Greatest Songs. The exclusive one-of-a-kind album commemorates 100 years of the Opry, featuring 20 never-before-released live recordings from its iconic stage. OPRY 100: Country’s Greatest Songs is set for worldwide release on November 7th, just weeks before the institution’s 100th anniversary on November 28th. “For me, this collection of great songs truly captures the spirit of the Opry and our centennial celebration,” said Dan Rogers, Executive Vice President and Executive Producer of the Grand Ole Opry. “These songs, voted on by Opry fans, come to life through remarkable live performances pulled from our rich archives. From debuts of songs that went on to become classics, to covers of past Opry members’ standards by current members of the cast, to vocal collaborations so perfect it’s hard to believe they were recorded live just one time, I believe the project is truly historic.” The first single from the star-studded collection is “Your Cheatin’ Heart,” performed by Ashley McBryde and originally recorded by Hank Williams in 1952. “The Grand Ole Opry is the pinnacle of success and greatness in country music,” said Jacqueline Saturn, President of North America and EVP, Global Artist Relations Virgin Music Group. “To be working with the team at the Opry to put out this commemorative album is really a huge career milestone for so many of us at Virgin Music Group. We can’t wait for fans all over the world to hear this incredible collection.” The album is the latest in a series of special releases and events celebrating the Opry’s 100th year. Other highlights include Grand Ole Opry: Live in London, a highly anticipated performance at London’s Royal Albert Hall on September 26. The Opry also released 100 Years of the Grand Ole Opry, offering an intimate, behind-the-scenes look at the iconic American institution. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Picture of Verna Margaret - Photo Elizabeth Littlefield - Maverick

Verna Margaret Breaks the Mold with ‘Fair Weather Wife’ EP

Rising country artist Verna Margaret is set to release her new EP Fair Weather Wife. With two singles already out—“White Shutters, Red Door” and “Paper Cut”—the project offers a sharp, soulful look at relationships, self-awareness, and emotional independence. The third and final single, “Lookin Back,” arrives alongside the EP and flips the traditional love song on its head: it’s a tribute to lifelong love built on trust, confidence, and freedom. On Fair Weather Wife, Verna Margaret fuses traditional country instrumentation with wry, poignant storytelling, touching everything from missed connections and delusional barflies to bittersweet breakups and self-secure devotion. “Lookin Back” draws on the timeless sounds of Patsy Cline and Tom Petty to celebrate love as liberation rather than sacrifice, while “Paper Cut” and “White Shutters, Red Door” highlight the singer’s range for dry humor and heartache alike. Originally from Virginia Beach and now based in Los Angeles, Verna Margaret draws inspiration from legends like John Prine, Lucinda Williams, and Emmylou Harris while bringing a fierce, original voice to today’s Americana landscape. Tracks from her upcoming EP, Fair Weather Wife, have been featured by Rainbow Rodeo, Holler, Wide Open Country, and Americana Highways, and her writing embraces both classic country tradition and indie experimentalism. Verna is also a passionate advocate for LGBTQ+ rights and social justice, which often shapes the stories she tells in her music. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Picture of Drew Baldridge and Emoly Ann Roberts - Photo by Jamie Wendt - Maverick

Drew Baldridge Duets with Emily Ann Roberts on “Get Me Gone”

Chart-topping singer-songwriter Drew Baldridge will release his latest single, “Get Me Gone,” a stirring duet featuring rising star Emily Ann Roberts. The emotionally charged track is available on Friday, July 25 on all streaming platforms via Lyric Ridge Records/BBR Music Group/BMG Nashville. Written by Baldridge alongside acclaimed songwriters Josh Jenkins, Allison Veltz Cruz, and Trannie Anderson, and produced by Nick Schwarz, “Get Me Gone” tells the story of magnetic attraction. The pair trade verses with raw vulnerability and fiery tension in a moment that feels both fleeting and unforgettable. “As soon as I wrote this song, I knew it’d be a powerful duet,” says Baldridge. “It took me a while to find the perfect voice for it, but one day I came across Emily Ann on social media and I loved her sound. So I just hopped in her DMs and asked if she’d collab with me! It’s been amazing to work with her on this song.” Adds Roberts, “When Drew sent me the song I knew he had something special. I was honoured he wanted to include me on it. ‘Get Me Gone’ immediately makes you think of the person you love and how you don’t need anything but them to have a good time.” “Get Me Gone” showcases Baldridge’s signature heartfelt storytelling while highlighting the undeniable vocal chemistry between him and Roberts, whose breakout solo career continues to earn widespread acclaim. The duet follows Baldridge’s second consecutive Top 10 country radio hit, “Tough People” (Lyric Ridge Records/Stoney Creek Records), further building on his momentum and his partnership with BBR Music Group/BMG Nashville. In addition to a run of summer tour dates supporting Bailey Zimmerman, Baldridge was recently announced as a performer at the NSAI Songwriter Awards, taking place at the Ryman Auditorium on September 23. “Get Me Gone” also serves as the first preview of more new music from Baldridge, expected later this year. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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