News

Jaywalkers - maverick-country.com

Jaywalkers Announce Autumn UK Tour

Following the release of their album Move On earlier this year, Americana powerhouse trio Jaywalkers have announced a UK tour this autumn. With singles getting picked up across national radio, including support from BBC 2 Folk Show, BBC Radio 2 Blues show, as well as BBC 6 Music Cerys Matthews show, alongside 5 Star reviews in the music press, their latest record delivers the band’s virtuosic brand of Americana with a sound that feels both fresh and familiar, with the three outstanding musicians’ tight bond and well-crafted, tasteful arrangements on full display. Jaywalkers are an English Americana trio featuring Jay Bradberry (lead vocals, violin), Mike Giverin (mandolin) and Lucille Williams (double bass). Drawing from a melting pot of influences from Country heartbreak to Bluegrass dynamism, the combination of powerhouse bass, flame-fingered mandolin, blistering fiddle and three-part harmonies pack a punch as fiery as Jay’s lead vocals. There’s no better way to experience Jaywalkers than in person. Their live shows are fun, intimate, and full of the kind of energy that can only come from a band completely immersed in the music they create. For more than 10 years, Jaywalkers have toured regularly across the UK and Europe, honing their craft and releasing their fifth album Move On this year. Mandolin maestro Mike Giverin is also the chief songwriter, and the band’s originals cover themes including the travails of the travelling musician, saving the planet and even tales of being stranded halfway up a mountain. All of these stand proudly alongside their clever covers, foot-stomping bluegrass tunes, and superb interpretations of old country classics. With a passion for storytelling and a dedication to their craft, Jaywalkers latest album cemented their place in the roots music community, and the autumn tour is a chance to see them at the top of their game. Jaywalkers received support from Arts Council England for this tour, after being selected for growth support as an upcoming, local band from England. Tour Dates https://www.jaywalkers.co.uk/tour   20th Sept Potteries Folk Day HERE 27th Sept Manley Village Hall HERE 3rd Oct Norwegian Church Arts HERE 4th Oct St Jerome’s Llangwm HERE 11th Oct Catwick Live  23rd Oct Court House Bangor HERE 24th Oct Sligo Live HERE 25th Oct Moynihan’s Back Room HERE 26th Oct Colfer’s Bar Wexford HERE 7th Nov Crediton Arts Devon HERE 8th Nov The Prince Albert Stroud HERE  13th Nov The Cluny, Newcastle HERE 14th Nov The Pit, Newstead HERE 15th Nov Blue Sky Café, Bangor HERE 21st Nov Green Note, London HERE 23rd Nov Kitchen Garden Cafe HERE 28th Nov Kilbarchan, Scotland HERE

Jaywalkers Announce Autumn UK Tour Read More »

The Dreaming Spires New Album ‘Normal Town’

Acclaimed Oxfordshire five-piece The Dreaming Spires are set to mark their eagerly awaited return with the release of their new album, ‘Normal Town’, on November 7th through Clubhouse Records. This will be the band’s third album and their first new music in nearly a decade. ‘Normal Town’ was self-produced at various locations in their hometown of Didcot, with some overdubs contributed by keyboard player Tom at his home in the Scottish Borders. The album was mastered by Tony Poole, known for his work with Starry Eyed & Laughing and Bennett Wilson Poole. The Dreaming Spires are a British band known for their distinctive harmonies, roots-infused sound, and Americana-tinged indie rock. Their music has drawn comparisons to artists such as Big Star, Gram Parsons, Teenage Fanclub, and The Byrds, incorporating elements of Americana, country, folk/rock, and classic 60s pop. Exploring themes of home, nostalgia, alienation and the beauty of the everyday, the record blends 60s rock ‘n’ roll influences, nodding to the Who, Jeff Lynne and the Everly Brothers, and chamber pop accents underpinned by a subtle layer of political commentary, with tracks like ‘Normalisation’, ‘21st Century Light Industrial’ and the title track ‘Normal Town’, which pays homage to their hometown of Didcot, once dubbed “the most normal town in England.” Brothers Robin and Joe Bennett previously formed the Oxfordshire indie band Goldrush in the early 2000s, which signed to Virgin Records. Over the last decade, they have toured the world as part of Saint Etienne’s live band and the award-winning group Bennett Wilson Poole. Jamie Dawson drums for touring US artists such as Annie Keating and Carter Sampson, while Tom Collison also plays keys in Danny & the Champions of the World. Nick Fowler is band member of choice for the likes of Gaz Coombes and Peter Buck. “The Dreaming Spires have a familiar sound, one that seems to sit at the fringes of recollection. Perhaps it’s the cast involved. The band are an offshoot of Goldrush and Danny & The Champions Of The World, with their sound reflecting the shimmering, acoustic side of those projects.” – CLASH MAGAZINE In addition to their standout live performances, the band have been busy immersing themselves in various creative projects. This year, The Dreaming Spires celebrate their return with an impressive new record and UK tour in November, marking the next chapter in their illustrious journey. Normal Town UK Tour https://thedreamingspires.co.uk/ 6th November, The Water Rats, London – Album Launch 7th November, Cornerstone Arts Centre, Didcot 8th November, Great Easton Village Hall, Great Easton 12th November, The Eagle Inn, Salford, Manchester  13th November, The Rum Shack, Glasgow 15th November, Music in the Hall,  Bewdley

The Dreaming Spires New Album ‘Normal Town’ Read More »

Lee Brice - maverick-country.com

Lee Brice celebrates releases ‘Killed the Man’

Curb Records hitmaker, Lee Brice, takes a reflective look back at his life and how far he’s come in his latest release, ‘Killed the Man‘, out now. The track, written by Michael Whitworth, Troy Cartwright and Jared Conrad; and produced by Brice, Ben Glover and Jerrod Niemann, is the story of a man who takes stock of his life and reflects on the changes from who he was to who he is now with the help from the woman who made him a better man. The song’s themes also extend to anyone whose been faced with a call to change their lives and the evolution that comes alongside that change. Also out today via YouTube Premiere, is the cinematic official music video for ‘Killed the Man’ directed by Chase Lauer. Be sure to tune in on November 7th at 10am CT / 4pm GMT to Lee Brice’s YouTube channel, where he will host a special “behind the video” afterparty for fans to ask questions and get behind the scenes stories of recording ‘Killed the Man’ and its music video. “When I first heard this song, it made me look back at my own life – the man who I was, isn’t the man I am today. I think the message is something anyone can relate to as we all strive to grow through life and its challenges. For me, “Killed The Man” feels like an evolution -becoming who God intended me to be, leaning into family, faith, and something bigger than myself.” – Lee Brice LISTEN: ‘Killed the Man‘ WATCH: ‘Killed the Man’ Official Music Video  This year, Lee has been releasing new tracks kicking off 2025 with the ode to vulnerable masculinity, ‘Cry’. The heartbreak anthem was then followed by ‘Said No Country Boy Ever’ where Brice calls on some of his famous friends (Jamey Johnson, Randy Houser, Jerrod Niemann, Dallas Davidson and Rob Hatch; aka The Traler Park) for a song that raises a glass to mama’s fried chicken, honest hard work and hunting season. Stay tuned for even more new music coming from Brice. For additional information on Lee Brice, including upcoming show dates and tickets, please visit LeeBrice.com.

Lee Brice celebrates releases ‘Killed the Man’ Read More »

Atlus new album - maverick-country.com

Platinum artist Atlus releases ‘Secondhand Smoke’

Platinum recording artist Atlus releases his BBR Music Group/BMG Nashville debut EP, Secondhand Smoke, today. The six-song collection marks the next chapter for the viral hitmaker whose career has grown from underground phenom to a billion-plus on-demand streams, four independent studio albums, a Platinum single, national touring, and millions of fans across social platforms. “The songs on Secondhand Smoke are more than just individual tracks; they are chapters from my life,” says Atlus. ”Each one tells a story that I’ve lived through and it’s my hope that they push somebody out there to keep fighting, dreaming, and that there is something in one of those chapters that helps them keep showing up.” Pulling back the curtain on his past to forge a new path forward, Secondhand Smoke sees Atlus writing on each track, confronting deeply personal themes, from a turbulent home life and his mother’s resilience, to his sister’s battle with addiction and his own journey with mental health. Listen to Secondhand Smoke HERE. His mother remains his biggest supporter, and much of the Secondhand Smoke EP pays tribute to her and hardworking women like her. The title track recalls how she never let circumstances define her, working long hours to make trailer and car payments, with cigarettes providing her one small comfort. “I didn’t care about secondhand smoke because I saw what she was going through. It was like therapy, and the glue that kept her held together.” Even listeners who have not had the same experience can relate to a parent leaning on something to make it through. “Baby Momma” continues that homage. The song flips its title into a triple entendre, a nod to the rap wordplay that shaped his style alongside country, pop, and rock. It even features a voice note from his mom singing a melody his grandfather wrote about him. “It’s a song my grandpa used to sing to me. My new music is really a tribute to them.” Family has always been his priority. His success has allowed him to retire his mom, but before music took off, the now 33-year-old juggled two truck-driving jobs, UPS shifts, and Uber rides to cover studio time. He wrote his first two albums behind the wheel, practicing vocals and uploading a new track or video to YouTube each week. His debut radio single, “Devil Ain’t Done,” impacts country radio this Monday, October 13.  An instant fan favorite, infectious grooves and melodies highlight the former truck driver’s lyrics in “Devil Ain’t Done” as it reflects themes of self-doubt & perseverance. Grappling with relatable struggles that so many empathize with, this track expands on the singer-songwriter’s mission to make music that is both universal and uniquely him. Listen HERE / Watch Video HERE Atlus marked the release of Secondhand Smoke with a special Nashville preview performance at Cannery Hall last night to a capacity crowd.

Platinum artist Atlus releases ‘Secondhand Smoke’ Read More »

Pictue of Bootleggers Bonfire promo - Maverick

Event Preview – Bootleggers Bonfire

Sun, salt air and stadium-sized sound come together at Bootleggers Bonfire — the ultimate country escape on Florida’s Emerald Coast. Pack your sunscreen and your favourite flannel — because Luke Combs’ Bootleggers Bonfire returns to Miramar Beach, Florida, this 23–25 October for three days of music, waves and southern soul. Tucked into the shoreline of Seascape Resort, this boutique beach festival turns the traditional country weekender on its head, trading crowded arenas for a curated, intimate fan experience. At Bootleggers Bonfire, the stage is metres from the sea, the crowd is capped at just 5,500, and every set feels personal. It’s part-concert, part-vacation — an immersive three-day retreat for die-hard country fans ready to ditch the dust and dip their boots in the Gulf. Headliner on Holiday Leading the bill is Luke Combs himself — but this isn’t your standard tour stop. Combs will deliver two unique headline sets: a Deep Cuts night on Thursday, followed by a Stadium Hits set on Saturday. It’s a rare chance to hear the full spectrum of his songbook, from crowd favourites like “Fast Car” and “Beer Never Broke My Heart” to fan treasures that don’t always make the arena setlist. He’s joined by a tight, hand-picked line-up reflecting both Combs’ roots and his future vision for the genre. The Castellows — known for their blend of Appalachian harmonies and Gen Z grit — open Thursday. David Lee Murphy, a veteran hitmaker with a honky-tonk heart, shares Friday’s bill with rising Georgia native Dylan Marlowe, while Saturday’s stage welcomes alt-country powerhouse Ella Langley, fresh off a breakthrough year. Your Cove, Your Crowd Unlike big-box festivals, Bootleggers Bonfire is designed for comfort and connection. Fans can book reserved Coves for two to six people — roped-off spaces on the beach that come with seating, direct stage views, and the option for food, drinks and merch to be delivered right to your spot. For those after a front-row thrill, Bootleggers Beach offers standing room just steps from the stage — with numbers limited to preserve the intimate atmosphere. It’s the best of both worlds: up-close access with laid-back, toes-in-the-sand vibes. Campfire Country Culture But the experience goes far beyond the main stage. Each day unfolds like a coastal carnival of country culture — from sunrise yoga sessions and fishing tournaments, to drum circles, bonfire jam nights, and a raucous Luke‑I‑Oke karaoke session where fans can perform onstage with the house band. Evenings bring golden-hour performances and spontaneous singalongs, while daytime is built for beach hangs and slow living. Whether you’re grabbing cocktails from a tiki pop-up, swapping stories at the Songwriters Bonfire, or dancing through the Wildcards 90’s Night, every detail has been crafted for connection. Close-Up and All In In an era of mega-fests and oversold arenas, Bootleggers Bonfire feels like a breath of warm, coastal air — proving that country music doesn’t need grandstands to be grand. It’s a celebration of songwriters, a treat for superfans, and a reminder that sometimes the best way to feel music… is barefoot. Whether you’re there for the setlists or the sunsets, Bootleggers Bonfire ‘25 delivers the rarest of combinations: a headliner at the top of his game, in a setting built to bring fans closer than ever before. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0)20 7139 8641 Email: editor@maverick-country.com

Event Preview – Bootleggers Bonfire Read More »

Picture of Ridin'Hearts Festival - Photo by PR - Maverick

Event Preview – Ridin’ Hearts

City rooftops meet country roads as Ridin’ Hearts returns to Sydney and Melbourne in October—serving up boot-stomping music, rising stars, and all-out festival fun. Get ready to dust off your boots and feel the pulse of country magic—because Ridin’ Hearts Festival is back for its third year, bigger, louder and bolder than ever. On Saturday 25 October at Sydney Showground and Sunday 26 October at Melbourne’s Caribbean Gardens, this unique city-centre festival is ready to once again bring the heart of Nashville to Australia’s east coast. Unlike any other event on the calendar, Ridin’ Hearts blends high-energy performances with streetwear cool, cowboy boot glamour, and boutique vibes. It’s where fans come to celebrate the modern face of country music—genre-fluid, emotionally rich, and undeniably fun. A Headline Act with Heart Topping the bill this year is none other than Megan Moroney. Nicknamed the “emo cowgirl” for her blend of vulnerability and sass, Moroney has fast become a country superstar. With over 2.8 billion global streams, viral tracks like “No Caller ID” and “Tennessee Orange,” and a second studio album Am I Okay? hot off the press, Moroney’s set promises to be a singalong celebration and an emotional gut-punch rolled into one. She’ll be joined by Nate Smith, whose powerhouse vocals and emotionally direct songwriting have earned him massive crossover appeal. Known for anthems like “Whiskey on You” and “Bulletproof,” Smith was crowned Billboard’s Rookie of the Year and recently took home ACM’s New Male Artist of the Year. Rising Stars and Local Favourites As ever, Ridin’ Hearts isn’t just about the biggest names—it’s a platform for tomorrow’s headliners. Avery Anna returns to Australian shores after winning over fans at CMC Rocks earlier this year. The 20-year-old viral sensation has already proven she’s more than a TikTok success story—her ballads hit with the emotional weight of someone twice her age. Then there’s Waylon Wyatt, a fresh Nashville face who’s balancing graduation with festival tours. Armed with heartland grit and youthful optimism, he’s quickly building buzz as a new voice to watch. From closer to home, Golden Guitar nominee Lane Pittman represents Australia’s own country resurgence, having recently supported Luke Combs on his national stadium tour. His blend of raw vocals and relatable lyrics are bound to resonate with hometown crowds. Additional highlights include Blake Whiten, Sara Berki, Karley Scott Collins, and Lewis Love—all artists who blur the lines between country, folk, and Americana in exciting ways. A True Country Experience But Ridin’ Hearts isn’t just about the music. This is a festival designed to delight the senses. Visitors can browse curated market stalls, grab bites from local food trucks (everything from Southern BBQ to vegan options), and sip craft cocktails at pop-up bars throughout the site. There’s also a strong fashion and lifestyle element: from glitter cowboy hats to custom denim, festivalgoers come dressed to impress. In fact, it’s not unusual to see a full runway of Western-meets-streetwear looks unfold right there on the grass. Saddle Up With both Sydney and Melbourne shows offering stacked line-ups and good vibes from morning to sundown, Ridin’ Hearts continues to carve out a unique space in the global festival calendar. It’s equal parts concert, community, and country celebration—proof that this genre is no longer confined to the American South. Whether you’re new to country or a die-hard fan, Ridin’ Hearts offers something rare: the chance to experience the sound, style, and soul of modern country music in the beating heart of Australia’s biggest cities. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Event Preview – Ridin’ Hearts Read More »

Event Review – Windy City Smokeout

Windy City Smokeout 2025 delivered unforgettable musical moments, legendary BBQ, sizzling surprise guests, and vibrant Chicago spirit for four days outside the United Center. Chicago’s Windy City Smokeout returned July 10–13, 2025, transforming the United Center parking lot into a lively convergence of country music and barbecue culture. Over four days, the festival drew crowds of 20,000–25,000 daily, drawn by a curated mix of chart‑topping artists, rising talent, and a smoky swarm of pitmasters. The 2025 lineup boasted heavy-hitters like Kane Brown, Jon Pardi, Bailey Zimmerman, Old Dominion, Megan Moroney, Riley Green, Koe Wetzel, and Dylan Gossett. Supporting acts such as Ella Langley, Sam Barber, Charles Wesley Godwin, Shane Smith & the Saints, Josh Meloy, Lauren Watkins, and Maggie Antone added depth and diversity to the roster. The schedule was tightly packed but masterfully paced, offering a seamless blend of party anthems, emotional ballads, and crowd-pleasing singalongs. Between sets, festivalgoers lounged in shaded beer gardens, joined line-dancing circles, or cooled off with ice-cold lemonade while sampling regional BBQ specialties. The atmosphere remained relaxed but electric, with a crowd that skewed younger this year—suggesting the genre’s evolving appeal among Gen Z and millennial fans. Unexpected magic Weather, BBQ, and unexpected performances defined this year’s magic. Despite intense heat and storm warnings, the mood stayed electric. The festival featured over 20 esteemed pitmasters—including local favourites like Bub City, Lexington Betty, Smoque BBQ, and Soul & Smoke—plus regional stars such as Pappy’s, Little Miss BBQ, Meat Mitch, and Hoodoo Brown Barbecue. One memorable highlight featured Hoodoo Brown serving Italian sausage sandwiches and smoked beef cheese poutine fries while battling the elements after a grueling 13-hour drive. One of the weekend’s most surreal moments occurred during Old Dominion’s Friday set when Dan Aykroyd and Jim Belushi appeared as the Blues Brothers. They jammed on “Everybody Needs Somebody to Love” and later joined the band for “Hotel Key,” igniting the crowd with a Chicago twist that will be remembered for years. Stage highlights and rising stars Friday and Saturday brought more unforgettable performances. Ella Langley’s energetic set earned her a career moment when she invited Riley Green onstage for two duets, sparking speculation with the crowd. Green’s own performance closed the festival with a raw, emotional solo rendition of “I Wish Grandpas Never Died,” following surprise Dueling renditions of Toby Keith hits that had fans singing along. Headliner Jon Pardi closed out Smokeout with pyrotechnics, catwalk twirls, and singalong hits like “Beer Can’t Fix,” “Heartache Medication,” and “Head Over Boots” — capturing the heart of country fans with his trademark swagger and showmanship. City vibes, country heart What sets Windy City Smokeout apart is Chicago’s urban energy meeting festival soul. Whether tip‑toeing toward the next set with beer in hand or doing a line dance near the pits, the vibe remains an intoxicating blend of grit, community, and pure country joy. From surprise celebrity cameos to smoky flavors and unforgettable sets, Smokeout 2025 is living proof that the best festivals never play it safe—they embrace the unexpected. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Event Review – Windy City Smokeout Read More »

Picture of Dan Ashley - Photo by Jessamyn Photography - Maverick

Dan Ashley – Sing Me a Story, Tell Me the News

Veteran news anchor and rock singer-songwriter Dan Ashley shares how journalism, music, and philanthropy have intertwined in a truly remarkable career. You’re known both as a respected ABC7 news anchor and as a rock-fronting singer-songwriter. Can you share how your childhood experiences shaped those dual passions? I am so fortunate to be able to pursue lifelong passions professionally. As a journalist, I benefited enormously from growing up in an academic household as the son of a college professor of public health and as Dean of the school. In high school and college, I was on the debate team, which gave me invaluable experience in organising thoughts and speaking in public. That was a huge help as I began working on television and radio as a reporter. As a songwriter, my decades as a journalist gave me a unique perspective as a lyricist that has allowed me to tell stories in song. Having been around music for my entire childhood, it gave me love and appreciation for that creative art form. What inspired the pivot back to music after decades in journalism? Music has always been a part of my life but, until the last twenty years or so, mostly as a fan. Once I started taking singing lessons, with no ambition to do it professionally, a spark turned into a flame and I was overtaken by the love of, not just enjoying music, but creating and performing it. With singles like “Small Town Nights” and “What Really Matters,” you tap into nostalgia and perspective. What do these songs mean to you personally? I grew up in a small college town, Chapel Hill, NC, so I know a lot about that kind of life. For me, it was wonderful- filled with climbing trees, playing kick-the-can in the street, and spending summer days outdoors. We didn’t have computers or video games, and I am so grateful that we didn’t. “Small Town Nights” reflects that experience but, more than nostalgic, it’s aspirational. In a very complicated and distracting age that we live in, I wanted to write a song about the joy of simple pleasures absent all the technology. “What Really Matters” is chronical in many respects of my experiences as a journalist for all these years. The things I’ve seen as a reporter and an observation that, in so many instances, good people come forward to help in bad situations. You’ve opened for legends like REO Speedwagon, Melissa Etheridge, Patti LaBelle, Joan Jett, and more. Which of these experiences had the most lasting impact? I have been so fortunate to share the stage with some incredible acts over the years- it’s a privilege and a whole lot of fun. They are all memorable in their own way, but I have to say that opening for REO Speedwagon was particularly special because all the guys in the band were so nice, gracious, and supportive. I’ve never had a bad experience supporting headliners, but they were especially delightful. How does your background in journalism inform your songwriting? Great question! The parallels are truly striking. As a journalist, I am a story-teller in many respects and that is exactly my approach with songwriting. Legendary 60-Minutes creator and producer, Don Hewitt, used to always remind reporter to “tell me a story”. That is always my key focus when I am reporting on television and it’s the same core idea in my songs. Tell me, or in the case of music, sing me a story! Your band includes musicians like James Henry and Didier (Francois Bouvet). How did forming this ensemble enrich your musical vision, and what do they bring to your sound? I have the privilege of performing with some phenomenal musicians- players and singers who elevate everything we do. Whether it’s the amazing Bill Bentley- lead guitarist and my song co-writer, Billy “Shoe’s” Johnson on drums who toured with Santana, James Henry on percussion of Pablo Cruise, among others. My bandmates are amazing musicians and fantastic people. Angeline Saris on bass- she’s played with so many artists. Nate’ Soulsanger is an incredible singer in her own right, and I am so proud to have her on background along with my wonderful wife, Angela. Your music profits fund charities close to your heart. Why is philanthropy such an important part of your music career? As a television news anchor, I have been very fortunate to have a unique place in the community which give me a unique opportunity to be involved in different ways. Philanthropy has been a deeply meaningful and important part of the position I am so grateful to hold at ABC7. It was just a natural extension to use the band to support worthy causes whenever possible. What’s your songwriting process like and how do you balance honesty with narrative structure? Songwriting is such an interesting and challenging process. Sometimes a song will just hit me, and it flows out. “Lucky Stars”, for example, I wrote in maybe half an hour when I woke up in the middle of the night thinking about how lucky I am to have found my wife, Angela. Sometimes, it’s a lot more work. But it’s a really rewarding process. How it works with me varies, sometimes a subject matter comes to mind, and I work with that. Often, just the title of a song hits me and then I begin to build the story around what it’s about. Other times, it might be a riff I hear in my head that sparks an idea. One key is to try to keep the lyrical content as authentic as possible- not to do backflips trying to force a rhyme or idea into the song. Keep it as real as you can- what you really think and feel. What milestones or creative goals are you still chasing—whether it’s an album, specific venue, collaboration, or personal evolution? As a journalist and a musician, I’m always ready for the next challenge or adventure. I’ll have a second album out soon- the

Dan Ashley – Sing Me a Story, Tell Me the News Read More »

Picture of Country Thunder Wisconsin - Photo by - Country Thunder Wisconsin - Maverick

Event Review – Country Thunder Wisconsin

Country Thunder Wisconsin returned with a record-breaking edition in July, drawing over 100,000 fans for four days of music, mud, and standout performances. From July 17 to 20, Country Thunder Wisconsin once again turned Shadow Hill Ranch in Twin Lakes into a buzzing hub of boots, beer, and big-name acts. The 2025 edition welcomed more than 100,000 fans across the four-day event, many of whom braved thick mud and unpredictable weather to catch a blockbuster lineup of country music stars. The atmosphere was electric despite the rain, with spirits high and cowboy hats barely staying on as storms rolled through. Instead of deterring the crowd, the weather added a wild charm to the proceedings—giving the whole festival a gritty, homegrown vibe that felt unmistakably country. Among the many memorable moments was Friday’s set by rising artist Braxton Keith, whose throwback honky-tonk style delivered one of the most talked-about performances of the weekend. On Saturday night, Jelly Roll’s headline slot was a thunderous highlight. His genre-blending sound and heartfelt delivery resonated deeply with the soaked crowd, who sang along under clearing skies. Legends and new voices This year’s headliners—Cole Swindell, HARDY, Jelly Roll, and Dierks Bentley—each brought their own flavour to the main stage. From Swindell’s easygoing Southern charm to HARDY’s hard-hitting rock-country fusion, fans were treated to a genre-spanning showcase that spoke to country’s evolution. Bentley closed out the festival on Sunday with a high-energy set full of fan favourites and heartfelt moments. The supporting cast was just as strong. Ashley McBryde, Chayce Beckham, Tyler Hubbard, and Sara Evans delivered solid sets that proved why they continue to be among the most respected voices in modern country. Meanwhile, classic acts like Shenandoah reminded attendees of the genre’s enduring roots, offering a satisfying balance of nostalgia and innovation. A milestone moment This year marked a symbolic milestone for the festival: its one-millionth attendee. After nearly three decades of camping, tailgating, and two-stepping in Wisconsin, the milestone was a reminder of Country Thunder’s status as a cultural cornerstone in the country music world. Beyond the headliners, Country Thunder’s success rests on the strength of its community. Whether gathered around a campfire, dancing at Electric Thunder’s afterparties, or singing along to a songwriter showcase, the festival offered a space for connection, tradition, and new discoveries. Campgrounds and community The campgrounds, as ever, were where the real festival magic happened. With impromptu acoustic jams, BBQ smoke curling into the summer air, and groups of friends bonding over shared playlists and plastic cups, the weekend reminded fans that country music is as much about people as it is about sound. Country Thunder Wisconsin 2025 proved once again that the heart of the festival lies in its blend of world-class performances and small-town spirit. With each year, the mud gets deeper, the crowd gets louder, and the memories grow stronger. If this edition is anything to go by, Country Thunder isn’t slowing down any time soon. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Event Review – Country Thunder Wisconsin Read More »

Picture of Cowboy Junkies cover art - Photo by PR - Maverick

Cowboy Junkies Set October Reissue Date

Cowboy Junkies have announced a new expanded reissue titled More Acoustic Junk, due for release on 24 October via Cooking Vinyl. The album builds upon their earlier Acoustic Junk collection and features five new acoustic recordings alongside five tracks from the original release—three of which have been newly remixed. The result is a stripped-back celebration of the band’s signature sound, showcasing their haunting melodies and introspective lyricism in a raw, intimate format. A newly mixed 2025 version of album opener In My Time of Need is already available on streaming platforms. The lineup includes Margo Timmins on vocals, Michael Timmins on guitar, Jeff Bird on mandolin, harmonica and percussion, Andy Maize on backing vocals, Josh Finlayson on banjo and Jaro Czerwinec on accordion. More Acoustic Junk was produced, partially recorded and mixed by Michael Timmins, and mastered by Philip Shaw Bova. Songwriting is largely credited to Michael Timmins, with a few select covers, including Ryan Adams’ In My Time of Need and Neil Young’s Tired Eyes. Also on 24 October, the band’s 2004 studio album One Soul Now will be reissued by Cooking Vinyl, appearing on vinyl for the first time. It will be available in limited edition yellow marble vinyl, a gatefold CD edition, and digital formats. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0)20 7139 8641 Email: editor@maverick-country.com

Cowboy Junkies Set October Reissue Date Read More »

Scroll to Top