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We take a look behind the music at Miranda Lambert’s other passion: rescuing, fostering and ensuring that pooches paws are kept looking prim across America.  Miranda Lambert, a celebrated name in country music, has built an impressive career based on her passion for storytelling and her commitment to her fans. However, beyond her chart-topping hits and captivating performances, she has a deep love for animals, which led her to create the MuttNation Foundation in 2009. The foundation’s mission is simple yet powerful: to rescue, rehome, and improve the lives of homeless animals. Since its inception, MuttNation has made a remarkable impact on animal welfare by working tirelessly to reduce the number of abandoned pets and promote the importance of adopting from shelters rather than purchasing from breeders. Through this foundation, Miranda has found a way to channel her fame into a cause close to her heart, ensuring that animals in need are not forgotten. Her efforts have been monumental in advocating for animal rights and welfare, and MuttNation’s success speaks to the profound influence of celebrity-driven activism when it is rooted in genuine passion. The charity’s work spans a wide array of initiatives, including funding shelters, providing medical care for animals, and promoting the message that adoption is the best choice for those looking to add a pet to their family. As the foundation grows, its reach extends across the United States, benefiting shelters, rescue groups, and pets who might otherwise be overlooked. Miranda Lambert’s commitment to MuttNation has resulted in countless lives being saved and transformed, both for the animals and their new families. Mutts Across America and Disaster Relief At the core of MuttNation’s operations is the Mutts Across America programme, which stands as one of the foundation’s most important initiatives. Through this programme, MuttNation honours shelters and foster-based rescues across the country with a surprise $5,000 grant. Each year, MuttNation recognises one shelter in every state, Washington D.C., and a “Wildcard” shelter, helping to ensure that no corner of the country is overlooked. This programme highlights the incredible work of these organisations and provides them with vital funds to continue their life-saving efforts. In collaboration with Tractor Supply Company, a company that shares MuttNation’s passion for animal welfare, Mutts Across America has awarded over $2 million in grants since its inception. With these funds, MuttNation has been able to support more than 500 shelters, particularly those that work with the most difficult-to-adopt pets. These include senior dogs, large dogs, dogs with special needs, and pit mixes – often referred to as the “Love Harder” dogs. These animals are frequently the last to be adopted, despite their loving nature, and MuttNation’s commitment to supporting them helps to highlight their value as companions… To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Luke Combs’ latest album, ‘Fathers and Sons’, delivers an intimate portrayal of fatherhood, blending heartfelt lyricism with his signature warmth, but does its singular focus limit its reach.  Oftentimes, people listen to an album and don’t stop to think “who is this for?”, but with his latest full-length release, ‘Fathers and Sons’, Luke Combs makes sure no secret of who the tracks are directed at. Beautifully written though it may be, it’s perhaps the discussion of fatherhood as a concept that keeps this album at arm’s length from enjoyment. In the US, 10.9 million families are headed up by single mothers, 25% of the US population are now living in single parent households and even in the UK, that figure sits at 2.7 million and 84% of single parents are women. It can be hard to see where exactly Combs’ point lies in releasing this album now, penning a concept album about fatherhood when the role of fathers is more a question now than ever before. Where Combs excels, as ever, is with his heartfelt lyricism and powerful vocals. It’s clear that Combs wrote this album more for his own family than to serve as a relatable, universal experience – and it benefits from that. Intensely personal and diving deeply into the worries, joys and even nostalgia of fatherhood, Combs loses none of his sensitivity in this album, in fact, he doubles down on it, wearing his emotions as a badge of pride and masculinity intertwined. In an era where the toxic elements of masculinity are becoming ever more troubling, Combs sets out his manifesto for the place of fathers. It’s one of understanding, loving your child, to quote the track from Combs himself, ‘Whoever You Turn Out To Be’. It’s a soothing balm compared to the crisis of masculinity that seems to be all anyone talks about nowadays. Combs offers an alternate route to those who are questioning a man’s place in the world: to love unconditionally, to speak about your anxieties, fears and truths without judgement. A nostalgic look at childhood and familial traditions, ‘Little Country Boys’ captures the innocence and joy of growing up under a father’s guidance. The track is rich with imagery, depicting fishing trips and muddy boots, but the lyrical themes feel overly familiar. It’s a pleasant listen, yet it struggles to stand out from similar offerings in Combs’ catalogue. Perhaps the most emotionally raw song on the album, ‘All I Ever Do Is Leave’ explores the conflict between career aspirations and family responsibilities. The track’s vulnerability is its greatest strength, with Combs delivering a poignant performance that resonates with working parents everywhere. The stripped-back instrumentation allows the lyrics to take centre stage, making it a standout moment. ‘Whoever You Turn Out to Be’ serves as the emotional core of the album, offering an open-hearted pledge of unconditional love and acceptance. Combs’ delivery is tender and full of conviction, but the song’s restrained production prevents it from reaching its full emotional potential. While touching, it feels like a missed opportunity for greater dynamic range. A tribute to generational wisdom and the values passed down through families, ‘Roots and Wings’ balances sentimentality with sincerity. Combs’ storytelling is effective, yet the song follows a predictable pattern that feels like well-trodden territory. The track would have benefitted from a fresher approach to its instrumentation. ‘Like My Daddy Did’ delves into the pressure of carrying on family traditions, with Combs reflecting on the desire to live up to the example set by his own father. It’s an earnest and relatable exploration of legacy, though the melody feels overly familiar. While the lyrics hold emotional weight, the song struggles to break new ground. A poignant exploration of the emotional tug-of-war that comes with balancing personal dreams and parental duties, ‘Between a Rock and a Hard Place’ is a highlight of the album. The track’s stripped-down production allows Combs’ heartfelt vocals to shine, offering an intimate listening experience that feels deeply personal…   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

In celebration of National Bell Bottoms Day on Saturday, April 5th, GRAMMY, CMA and ACM Award-winning artist Lainey Wilson released her brand new song “Bell Bottoms Up” on Friday. A homage to her trademark style, “Bell Bottoms Up” is a high-energy anthem and was recorded at London’s historic Abbey Road Studios. Sharing a name with her Nashville bar, the song was written by Wilson and her band and is already a fan favourite from her extensive Whirlwind World Tour. The release adds to yet another triumphant year for Wilson, who is nominated for seven awards at the upcoming 60th Annual ACM Awards: Entertainer of the Year, Female Artist of the Year, Album of the Year (Whirlwind), Song of the Year (“4x4xU,” as an artist and songwriter), Visual Media of the Year (“4x4xU”) and Artist-Songwriter of the Year. About Lainey Wilson: Country music trailblazer Lainey Wilson continues to take over the world, capturing the hearts of music fans, the excitement of the industry and the recognition of her peers, while keeping her boots firmly planted on the ground. Her monumental rise continues with major milestones, including her induction into the Grand Ole Opry, co-hosting the 58th Annual CMA Awards alongside Luke Bryan and Peyton Manning, headlining the Dallas Cowboys’ Thanksgiving Halftime Show as part of The Salvation Army’s 134th Red Kettle Campaign and her upcoming, nearly sold out Whirlwind World Tour, which will span across Europe and North America. Wilson’s latest studio album, Whirlwind, earned a Grammy nomination for Best Country Album at the 67th Annual Grammy Awards and was hailed by The Tennessean as “the best release of her career.” Whirlwind debuted at #8 on the all-genre Billboard 200 chart and #13 on the UK Official Albums Chart, marking Wilson’s first top 10 and top 15 entries, respectively. The album earned spots on several “Best Albums of 2024” lists, including Rolling Stone, Billboard and The Boston Globe. Produced by Jay Joyce, Whirlwind provides a daringly honest exploration of Wilson’s life and journey around the globe. It reveals a diverse yet sonically cohesive collection of songs, bending genres while remaining true to her Western roots. The Grammy-winning, CMA and ACM Entertainer of the Year is a prolific, sought-after songwriter who has scored seven No. 1 hits including “Watermelon Moonshine,” and the 2x Platinum Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Wilson has also become a triple threat within entertainment as a singer, songwriter and actor. She made her acting debut in season 5 of Paramount’s hit series Yellowstone and wrote and recorded “Out of Oklahoma,” an original song for Universal’s blockbuster Twisters. Beyond her artistry, Wilson’s on-stage performances triumph from sold-out tours across America, Australia and Europe to highly coveted music festivals such as Stagecoach, Lollapalooza and Watershed.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

2025 has already become another banner year for country music. Looking ahead, we examine the upcoming artists and trends set to make country music great again this year. The country music landscape is buzzing with fresh talent and exciting new trends. The genre, known for its heartfelt storytelling and deep-rooted traditions, is undergoing a transformation driven by rising stars and evolving musical styles. From blending genres to embracing digital platforms, country music is set to captivate audiences in innovative ways. Here, we explore some of the most promising artists to watch and the key trends shaping the future of country music this year. Artists to Watch this year Tanner Adell: A Trailblazer in Genre Fusion Tanner Adell is redefining country music with her unique blend of pop, hip-hop, and traditional country storytelling. Her debut mixtape, ‘Buckle Bunny’, has garnered critical acclaim from The New York Times and Billboard, solidifying her status as a rising star. Adell’s fresh approach to country music appeals to a wide audience, making her one to watch in 2025. Her ability to seamlessly weave together different musical influences while staying true to country roots is a testament to her artistry. Gavin Adcock: From Football to Country Stardom Transitioning from a collegiate football career to the country music scene, Gavin Adcock has made a significant impact with his authentic blend of country and southern rock. His debut album, ‘Actin’ Up Again’, has racked up over 600 million streams, and his recent sold-out tours underscore his rising prominence. Adcock’s music resonates with fans due to its relatable lyrics and down-to-earth charm, positioning him as a standout artist in the genre. Mackenzie Carpenter: A Songwriting Powerhouse Mackenzie Carpenter first gained recognition for co-writing Lily Rose’s hit ‘Villain’, and she has since established herself as a compelling solo artist. Her singles ‘Can’t Nobody’ and ‘Huntin’ Season’ showcase her knack for storytelling and engaging melodies. Carpenter’s rise in the industry highlights the growing influence of female artists in country music, and her relatable themes make her music resonate deeply with audiences. Carter Faith: Emotive Storytelling with a Modern Twist With hits such as ‘Wild’ and ‘Already Crazy’, Carter Faith has captivated listeners with her emotive vocals and heartfelt narratives. Faith’s performances alongside industry legends and her inclusion in CMT’s Next Women of Country initiative demonstrate her growing influence. Her ability to craft songs that speak to universal emotions while maintaining a modern edge makes her a promising artist for 2025. Ty Myers: A Young Talent on the Rise At just 17 years old, Ty Myers is proving to be a formidable force in country music. His songs ‘Tie That Binds’ and ‘Drinkin’ Alone’ have struck a chord with audiences, amassing millions of streams and a strong social media following. Myers’ rapid rise in the industry is a testament to his storytelling prowess and his ability to connect with listeners of all ages. His fresh perspective and youthful energy are sure to make waves in the coming year. Emerging Trends in Country Music for 2025 The Rise of Genre Fusion One of the most prominent trends in country music is the blending of genres. Artists are increasingly incorporating elements of pop, hip-hop, rock, and even electronic music into their sound, creating fresh and exciting musical experiences. This trend is helping country music reach a broader audience while maintaining its core storytelling essence. Artists like CJ Wiley are leading the charge, as they blend together slacker rock and Americana seamlessly, proving that genre boundaries are becoming more fluid than ever…   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Lainey Wilson’s album, ‘Whirlwind’, captures the beauty of growth, resilience, and staying grounded. The rising country behemoth reflects on change, collaboration, and staying true to her roots.  Lainey Wilson has never been one to shy away from the winds of change. Her latest album, ‘Whirlwind’, encapsulates the very essence of transformation and resilience, weaving together heartfelt storytelling, personal reflection, and the unrelenting pursuit of dreams. As one of country music’s fastest-rising stars, Wilson’s journey to success is a testament to the hard work, determination, and authenticity that define her artistry. “I’ve always known I would do this, from when I was 9 years old and I wrote my first song and my parents took me to Nashville,” Wilson recalls. Her passion for music was clear from the start, and she has spent years honing her craft, staying true to her roots while embracing the ever-evolving landscape of the country music industry. That combination of ambition and groundedness has helped her find her voice and build a body of work that resonates deeply with audiences around the world. ‘Whirlwind’ is not just an album; it is a reflection of Wilson’s life over the past two years—a period marked by rapid change and growth. “The past two years of my life have been constantly changing, and we need to rise to the occasion,” she says. The album serves as both a personal diary and an inspirational guide, offering listeners a glimpse into Wilson’s experiences and emotions as she navigates the highs and lows of her career. Writing ‘Whirlwind’ provided Wilson with a sense of grounding amid the chaos. “Writing the record bought me a lot of comfort in a time in my life when everything was changing… It just kind of like, took my head out of the clouds for a minute,” she shares. The creative process became a refuge, allowing her to channel uncertainty into something meaningful and lasting. Each song feels like a conversation—intimate, honest, and profoundly relatable. Wilson’s journey has been filled with moments of self-discovery, learning, and adaptation. She recognises the need to evolve with the changing times while staying true to her core values. In an industry that often demands reinvention, Wilson’s ability to stay grounded while embracing change has been one of her greatest strengths. Her music speaks to those who find themselves caught in the whirlwind of life, reminding them that they are not alone in their struggles and triumphs. Wilson’s journey has never been a solo endeavour. “Chasing something together with somebody” is how she describes the collective pursuit of dreams within Nashville’s vibrant music scene. Collaboration, mentorship, and shared aspirations have played an integral role in shaping her career. The city has long been a beacon for aspiring musicians, and Wilson has embraced the camaraderie that comes with it. Nashville is more than just a location—it’s a melting pot of creativity where dreams are nurtured and brought to life. The importance of community cannot be overstated in Wilson’s journey. She has worked alongside some of the industry’s finest songwriters, producers, and musicians, each contributing to her growth as an artist. Their collective wisdom and support have helped her navigate the complexities of the music business while maintaining her artistic integrity…   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

The Country Music Association, the premier trade organization supporting professionals within the Country Music industry, announced recipients of the 2025 CMA Triple Play Awards, which honor the songwriters behind some of the genre’s most notable No. 1 hits. This year’s 16 CMA Triple Play Award recipients are Rocky Block, John Byron, Zach Crowell, Jessie Jo Dillon, Ashley Gorley (two-time recipient), Charlie Handsome (two-time recipient), Jelly Roll, Ben Johnson, Chase McGill, Jordan Minton, Randy Montana, Hunter Phelps, Taylor Phillips, Ernest Keith Smith, Josh Thompson and Morgan Wallen. In addition, legendary music publisher David Conrad will receive the CMA Songwriter Advocate Award. This year, CMA will also proudly honor 73 songwriters who have achieved their first No.1 Country hit since the previous ceremony. The CMA Triple Play Awards ceremony will be hosted by composer and CMA Board member, Jim Beavers, on Tuesday, April 29 in Nashville. “Songwriters are the heartbeat of Country Music, and the CMA Triple Play Awards allow us to recognize the incredible talent and dedication it takes to write not just one, but three No. 1 songs in a year,” says Sarah Trahern, CMA Chief Executive Officer. “We’re also proud to celebrate those reaching their first No. 1—a milestone that marks the beginning of many great stories. We look forward to uniting our songwriting community later this month to honor these achievements and the creative contributions that continue to shape the genre.” “Some of my favorite folks in the Nashville song business have been recognized before me so it’s twice the honor,” says Conrad. “This is as good as it gets, and I am privileged to be included.” The CMA Songwriter Advocate Award honors individuals who have significantly supported and advanced the art and careers of songwriters, leaving a lasting impact on Country Music and the songwriting community. Conrad, a music publishing veteran with over 35 years of experience, is a pioneer in establishing Nashville as a leading songwriting hub. Starting as general manager for Charley Pride’s PiGem/Chess Music in 1973, he nurtured award-winning songwriters and influenced the careers of artists such as Ronnie Milsap, Barbara Mandrell and Steve Wariner. Later, as head of Almo/Irving Music’s Nashville office, Conrad broadened the company’s influence across multiple genres, working with renowned artists and songwriters such as Jimmy Buffett, Bruce Springsteen, Emmylou Harris and Gillian Welch. His contributions have had a profound and enduring impact on the music industry. The CMA Triple Play Award is presented to songwriters who pen three No. 1 songs within a 12-month period based on the Country Aircheck, Billboard Country Airplay and Billboard Hot Country Songs charts. As part of CMA’s broader mission to honor excellence across the industry, the award underscores the vital role songwriters play in shaping the sound and success of Country Music. Through the Triple Play Awards and other awards and industry honors, CMA celebrates the individuals whose creativity and commitment continue to drive the genre forward. Celebrating their first CMA Triple Play Award this year are Block, Byron, Dillon, Minton and Phillips. Gorley remains the most decorated recipient and is set to receive his 25th and 26th CMA Triple Play Awards at this year’s ceremony…   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Kameron Marlowe’s rise from small-town North Carolina to country music stardom is a testament to resilience, authenticity, and passion. His heartfelt storytelling and soulful voice continue to captivate audiences. Kameron Marlowe’s journey to becoming a rising star in country music is as compelling as the heartfelt lyrics of his songs. Born on 20th June 1997 in the unassuming town of Kannapolis, North Carolina, Marlowe’s life seemed destined for the everyday rather than the extraordinary. Growing up, he was surrounded by the close-knit community and values that typify small-town life, where music often served as a backdrop rather than a central focus. For Marlowe, however, music wasn’t just background noise. While he might not have grown up envisioning a life on stage, the melodies and stories inherent to country music resonated deeply with him. Still, his path to the spotlight was far from straightforward. By 2018, he was working as a car salesman, an occupation that paid the bills but offered little in the way of creative fulfilment. Yet, as fate would have it, Marlowe’s life was about to change in ways he could never have anticipated. It all began with an unexpected phone call from a recruiter for Series 15 of The Voice. The call came out of the blue, offering Marlowe a chance to audition for the popular television talent show. Initially hesitant, he eventually decided to take the leap, trading the showroom floor for the glitz and glamour of reality television. In September 2018, Marlowe stepped onto the stage for his blind audition, choosing to join Blake Shelton’s team, a fitting choice given Shelton’s own country roots. Marlowe quickly became a standout contestant, with his rich, soulful voice capturing the hearts of both the judges and the audience. His performances were marked by a blend of vulnerability and grit, qualities that would later define his music. Yet, The Voice is as much a game of strategy as it is talent, and Marlowe found himself at the centre of a dramatic twist when he was ‘stolen’ by Adam Levine. This unexpected switch added an extra layer of intrigue to his journey on the show. Unfortunately, Marlowe’s time on The Voice came to an end in November 2018 when he was eliminated from the competition. For many aspiring artists, such a public setback might have spelled the end of their musical aspirations. But for Marlowe, it was merely a stepping stone on a much larger journey. Determined to chart his own course, Marlowe returned home and began to focus on creating music that was authentic to him. In June 2019, he independently released his debut single, ‘Giving You Up’, a song that would come to define the early stages of his career. Drawing from personal heartbreak, the track was a raw and emotional exploration of love lost and lessons learned. Its stripped-down production and heartfelt lyrics resonated with listeners, marking Marlowe as a promising new voice in country music. Just a few months later, in October 2019, Marlowe followed up with ‘Take You Up On It’, a track that showcased his ability to blend traditional country themes with a fresh, modern sound. While his initial releases were modest in scope, they began to gain traction, particularly ‘Giving You Up’, which found a growing audience online…   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

HunterGirl, a rising star in country music, blends traditional storytelling with a modern edge. From small-town roots to Nashville stardom, her journey is one of passion, perseverance, and authenticity. HunterGirl, born Hunter Wolkonowski in the charming town of Winchester, Tennessee, has become one of country music’s most exciting rising stars. Her story is one of grit, determination, and unrelenting passion for her craft. From her small-town roots to the bustling stages of Nashville and the global spotlight of American Idol, HunterGirl has built her career step by step, earning her place in the competitive world of country music. Her unique blend of “blue jean country” and “leather jacket country” has carved out a distinct space for her in the industry, making her an artist to watch in the years to come. HunterGirl’s connection to music began early. Growing up in a family that valued storytelling and creativity, she discovered her passion for songwriting at the tender age of nine. It didn’t take long for her to realise that music was more than just a hobby—it was her calling. The act of writing songs allowed her to explore her emotions and express herself in ways that resonated deeply, even as a child. By the time she reached her late teens, her talent was undeniable, and she made the life-changing decision to move to Nashville at the age of 18. Once in Nashville, HunterGirl set about making her dreams a reality. She enrolled at Middle Tennessee State University to study songwriting, surrounding herself with peers and mentors who understood the intricacies of creating music that connects with audiences. Her time at university was not just a period of academic growth but also an opportunity to immerse herself in a culture that celebrated creativity and individuality. Her studies sharpened her skills, helping her refine the raw talent she had nurtured since childhood. While many artists take years to find their voice, HunterGirl wasted no time in diving headfirst into the world of live performance. For six years, she performed nightly at some of Nashville’s most iconic honky-tonks, including Tootsie’s Orchid Lounge, Rippy’s Honky Tonk, and Honkytonk Central. These venues, steeped in the history of country music, became her training ground. Performing seven nights a week was no small feat, but it was in these high-pressure environments that she cultivated her stage presence and learned the nuances of entertaining an audience. HunterGirl’s relentless schedule during these years was a testament to her work ethic and determination. It also shaped her sound, a unique blend of “blue jean country”—rooted in traditional Southern storytelling—and “leather jacket country,” which added a modern, edgy twist. This duality in her music reflects her ability to honour the legacy of country music while confidently pushing its boundaries. In 2022, HunterGirl’s career took a monumental leap forward when she auditioned for Season 20 of American Idol. Performing Rascal Flatts’ “Riot,” HunterGirl delivered a rendition that captivated the judges and audience alike. Her powerful vocals, emotional depth, and undeniable stage presence earned her the coveted Platinum Ticket. This accolade, awarded to only a select few contestants, signified her potential to become a star and allowed her to bypass the first round of Hollywood Week. Throughout the season, HunterGirl proved herself to be more than just a contestant; she was a genuine artist. Her performances consistently wowed the judges, with Luke Bryan emerging as one of her biggest advocates. Bryan described her as his “favourite female country voice,” a high compliment from someone deeply ingrained in the country music scene. Under his mentorship, HunterGirl thrived, showcasing her ability to connect with audiences through authentic, emotionally charged performances. Though she ultimately finished as the season’s runner-up, her time on American Idol was far from a consolation prize. The exposure she gained on the show introduced her to a national—and even international—audience, earning her a loyal fanbase and the attention of industry insiders. For HunterGirl, American Idol was not the end of the road but the beginning of a new chapter. Her performance on the show caught the attention of Jon Loba, president of BBR Music Group, who was captivated by her talent. Loba, recognising her potential, made the decisive move to sign her to a record deal with BBR Music Group in partnership with 19 Recordings and BMG Nashville. This partnership marked a turning point in HunterGirl’s career, providing her with the resources and platform to share her artistry with a much wider audience. The next significant milestone in her career came in June 2024 with the release of her debut EP, Tennessee Girl. This six-track project, produced by the acclaimed Lindsay Rimes, showcased her growth as an artist and songwriter. Each track on the EP told a story, reflecting her experiences, values, and emotions. From introspective ballads to energetic anthems, Tennessee Girl was a testament to HunterGirl’s versatility and her ability to craft songs that resonate on a deeply personal level. Among the standout tracks was the single “Bad Boy,” a high-energy song that quickly became a fan favourite. With its infectious melody and sharp, relatable lyrics, the track captured HunterGirl’s essence as an artist—someone unafraid to speak her truth and connect with listeners on an emotional level. Other tracks, such as the reflective “Weather in Tennessee” and the empowering “Ain’t About You,” added depth to the EP, highlighting her range and ability to navigate different themes with authenticity. HunterGirl’s unique style is one of her most compelling attributes. Describing her music as a blend of “blue jean country” and “leather jacket country,” she seamlessly combines the traditional storytelling roots of country music with a modern, edgy sensibility. This fusion allows her to appeal to a broad audience, bridging generational gaps and introducing younger listeners to the rich heritage of country music. Her authenticity extends beyond her music. Despite her rising fame, HunterGirl remains deeply connected to her roots. Her small-town upbringing in Winchester and her years of hard work in Nashville honky-tonks are not just footnotes in her story—they are the

Maverick talks to Midnight Sky about their latest album release White HEat, available to listen to now! Your new single, “White Heat” presents a fiery and intense energy, a departure from the reflective tone of your previous work. What inspired this shift in musical direction?  I try to make my creative output somewhat eclectic. One day the phrase “Nero fiddled while Rome burned down” popped into my head, and I knew I wouldn’t be writing a waltz.  The phrase “Nero fiddled while Rome burned down” sparked the creation of “White Heat.” How did this imagery influence the song’s narrative and composition?   As soon as I had that line, I tried to include as many “fire” and “heat” references as I could. The title came from my understanding that white heat is the hottest heat there is.  The remix of “A Few Good Years” adds a new dimension to an already poignant track. What motivated you to revisit and reinterpret this song?  Of all the songs I’ve produced, that one has gotten the most praise. I loved the original version, which has only a grand piano and a string section as instrumentation. But my publicist, Mike Stover, suggested that I punch it up a little bit and add some more instrumentation. He was the one who suggested ramping it up after the first chorus. He was right.  How do “White Heat” and “A Few Good Years (Remix)” reflect the band’s versatility and ability to explore contrasting themes and emotions?   I never set out to write a song in a particular genre. Generally, the lyrics tend to push me in one direction or another. One of my favorite compliments is “That doesn’t sound like something you would write.”  “Last Hope for the Modern World” has been described as a collection of original songs combining emotionally charged songwriting with impressive musicianship. Can you share the overarching themes of this album and what you hope listeners take away from it?   I’m not sure that the album has a theme. But I think that, more than the first two albums, almost all the tracks are very personal. When I decided the order of the tracks, I found myself alternating upbeat songs with downbeat songs. (I’m not sure this matters since people tend not to listen to albums in sequence anymore.) If there’s a theme, I think it’s that life is sometimes happy and sometimes sad and a lot of in between.   The title track, “Last Hope for the Modern World,” was the first single sent to radio. What message does this song convey, and why was it chosen to represent the album?  Well, first, I love the title. It came out of nowhere when we were recording the album. And it was the last track written. I think the title is ambiguous: The song could be positive, or it could be dismal. It actually turned out to be a bit of both. I think it was released first because the performances are great, and it clearly crosses genres.  How did the creative process for this album differ from your previous releases, and were there any new influences or experiences that shaped its sound?   I don’t think the creative process changed, but I’ve lived four more years since the last album. Four more years of life experiences are bound to change the way you look at the world.  Midnight Sky’s music blends country and Americana with various other influences. How have your musical inspirations evolved over time, and how do they manifest in your recent work?   My response to the previous question also applies here. “Dark Stretch” was released in 2014, and “Last Hope” was released in 2023. It’s easy to list my creative influences, at least the obvious ones: Hank Sr., Guthrie, Berry, Dylan, McGuinn, Petty, Dave Alvin. But, in reality, I think most artistic inspiration is more subtle. It’s like the title card in a movie that says, “inspired by a true story.” In this case, the true story is my life.  Reflecting on your journey from your debut album “Dark Stretch of Road” to “Last Hope for the Modern World,” how has the band’s sound and artistic vision evolved?   I know the sound and vision have evolved, but it was organic rather than calculated. While Midnight Sky has a core of regulars, we use a lot of “one off” musicians who really influence the sound.  Your background includes a long career as a lawyer alongside your musical endeavors. How has this duality influenced your songwriting and perspective as an artist?  There is one thing that is critical to both legal writing and songwriting: Every word matters. For example, there might be a line in a song that could begin with “but” or “and” or “yet.” Each one works, but one works best. It should be the goal of every writer to make that choice correctly.  What can fans expect from Midnight Sky in the future? Are there any new projects or directions you’re excited to explore?  Over the past few months, we released “442,” a Beach Boys-style car song. We’ve also recorded “Dockside Jump,” which is a big band/swing number. That should be coming out soon. As long as I keep writing, we’ll keep recording!    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Ringo Starr’s ‘Look Up’ blends heartfelt country with rich collaborations, marking his first full-length country album in over 50 years, produced by T Bone Burnett.  On January 10, 2025, Ringo Starr unveils ‘Look Up’, a country album that marks his first full-length venture into the genre in over five decades. With a stunning collaboration between the legendary Beatle and the iconic T Bone Burnett, this record isn’t just another star-studded country album – it’s a tribute to Ringo’s deep roots in the genre that have long been part of his musical identity. For fans of Ringo’s work with The Beatles, where country elements were always subtly present, ‘Look Up’ feels like a natural evolution. Country music has always been part of Starr’s musical DNA, with early songs like ‘Act Naturally’ and ‘Don’t Pass Me By’ standing as proof of his affection for the genre. Yet, with ‘Look Up’, Starr takes that passion to new heights, exploring modern country while paying homage to its classic roots. The 11-track album, recorded in both Nashville and Los Angeles, is a carefully crafted collection, co-written and co-produced by Burnett, with nine of the songs penned or co-penned by him. The album opens with ‘Breathless’, featuring the renowned Billy Strings, setting the tone for an album that moves with ease between traditional country, bluegrass, and even a touch of rockabilly. It’s a beautiful example of the seamless fusion that Ringo and Burnett create, where Starr’s vocals and drumming form a perfect foundation for the rich instrumental tapestry. Each track on ‘Look Up’ carries its own story. ‘Look Up’, the title track, features the unmistakable sound of Molly Tuttle, and its melancholy but uplifting lyrics resonate deeply. Written by Daniel Tashian and Burnett, it’s a stirring reminder of the power of music to transcend the moments that shape us. Then, there’s ‘Time On My Hands’, the album’s debut single, which serves as a perfect introduction to the record’s mood. Co-written by Paul Kennerly, Tashian, and Burnett, the song is a reflective piece that speaks to the passage of time, a theme that becomes a quiet motif throughout the album. Perhaps one of the standout moments of the record is ‘Never Let Me Go’, which features Billy Strings again. The track feels like a timeless classic, evoking memories of the heartfelt ballads that country music is known for. ‘Can You Hear Me Call’, another Burnett-penned track featuring Tuttle, brings the album back to its more intimate moments, with subtle arrangements that focus on Starr’s seasoned vocals and Tuttle’s angelic harmonies. However, it is on ‘Thankful’ – the closing track – that Ringo’s full emotional range comes through. This song, which he co-wrote with Bruce Sugar, features the legendary Alison Krauss. The lyrics are an expression of gratitude, with Krauss’s ethereal voice lending the track an almost celestial quality. ‘Thankful’ feels like a perfect way to close an album that balances nostalgia with fresh perspectives. In a way, it also reflects Starr’s personal journey, full of thanks for the life and career he’s had, and for the friends who have shaped it, like Burnett. Starr’s partnership with Burnett is, undoubtedly, one of the driving forces of the album’s success. In an interview, Starr himself reflected on the moment when Burnett brought him nine country tracks instead of just the one he had requested. This serendipitous shift pushed Starr to create a full album instead of just an EP, and in doing so, he found himself on a new musical path. Starr’s enthusiasm for the project is palpable. “It was a joy making it and I hope it is a joy to listen to,” he said, and as listeners press play, it’s clear that joy was at the heart of this record…   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com