News

Stu Larsen

Stu Larsen's playful new video depicts misfits & vagabonds

Stu Larsen’s new video depicts misfits & vagabonds… Australian singer/songwriter Stu Larsen’s latest video shows misfits and vagabonds.  Taken from ‘Resolute’,  Larsen’s latest album, ‘Chicago song’ illustrates a number of different personalities. Pulled from the song’s lyrics “I’ve been waiting for a partner in crime, to split every dollar and share every dime,” the playful video is chock full of colourful misfits and vagabonds. Watch The song details a different kind of love for Larsen that happened in the city. The song is about a love affair with a 1973 Martin D-35 guitar he purchased a few years back. “She was beautiful. While touring with Nashville’s Adam Burrows, we spent an entire afternoon checking out guitars at Chicago Music Exchange.” Larsen adds, “I started to write the song in the store before I bought the guitar! I’ve never been able to find names that felt right for my guitars. Eventually, I decided to name them after the cities they were purchased in, therefore, she will be known forevermore as ‘Chicago.’”  He also has guitars named Hamburg, St. Paul and Melbourne. Larsen recorded Resolute with impromptu voice memos on his phone, creating a primitive framework for the songs. As Larsen combed through hundreds of files, he tucked himself away in different locations to write the demos – a cottage in Scotland, an apartment in Spain and an army bunker in Australia. Long-time friend, producer and songwriter Luke Thompson eventually joined him at Mike Rosenberg’s (aka Passenger) studio in Brighton to finish up the demos. Stu Larsen will be touring the UK later this year in support of Resolute;  see www.stularsen.com/tour for a list of European & US dates.

Stu Larsen's playful new video depicts misfits & vagabonds Read More »

Glen Campbell

Legendary Country icon Glen Campbell dies aged 81

Glen Campbell a legendary Country icon dies aged 81 Glen Campbell, the legendary Country artist behind hits including ‘Rhinestone Cowboy’ and “Country Boy”, has died following a lengthy battle with Alzheimer’s disease. A man of astonishing talent and persona, the singer and musician is well known for his extraordinary musical abilities, which one year saw him outsell the Beetles in record numbers. In a statement issued today, the family of the iconic singer/musician, said: “It is with the heaviest of hearts that we announce the passing of our beloved husband, father, grandfather, and legendary singer and guitarist, Glen Travis Campbell, at the age of 81, following his long and courageous battle with Alzheimer’s disease.” Campbell’s first epic hit was in 1967 with “By the Time I Get to Phoenix,” which was written by Jimmy Webb. The slow, smooth and sentimental song proved perfect for Campbell’s vocal range, drawing wide attention from audiences. Not long afterwards, ballads such as Galveston came into fruition, reverberating with imagery of war and the memory of a soldier leaving behind his sweetheart. Wichita Lineman – another major hit for Cambell and his first Top 10 – was also the result of the musical match-made in heaven between Campbell and Webb, with Campbell utilising his distinctive vocals. In 1968, Campbell won Grammy Awards in both the Country and Pop music categories, including Best Country & Western Solo Vocal Performance, Male, Best Country & Western Song and Best Vocal Performance, Male. It marked a clear distinction for Campbell’s musical skill: his unique ability to merge aspects of Pop and Country, blending characteristics of the two genres into a seamless blend, with each melody complimenting the two categories. It is one of the factors that led to the  extraordinary success of ‘Wichita Lineman’, considered a benchmark in Country music history.   In the middle of 1968, Campbell guest hosted the Smothers Brothers Comedy Hour, which was met with such  an eager response from audiences that between 1969 and 1972, a show designed for the start came into existence in the form of theGlen Campbell Goodtime Hour variety show. Artists and musicians from Ray Charles and Johnny Cash to Linda Ronstadt came to perform on the show, which presented a platform for a number of other ascending County singers such as Willie Nelson. Campbell first began playing guitar as a school boy and is reported to have been obsessed with jazz guitarist Django Reinhardt. At 14 years old, the aspiring musician dropped out of school and set off for Wyoming, where he and an uncle began playing gigs in remote bars. By 1962, he had already earned a place in the Wrecking Crew, formed of a group of session pros. In 1963 he appeared on 586 cuts, including Elvis Presley’s “Viva Las Vegas,” and the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling.” Amongst Campbell’s other major accomplishments was replacing Brian Wilson on bass in the Beach Boys in 1964. A year afterwards, Wilson famously stated that “The people who are advocating burning draft cards should be hung.” Five years later, Campbell co-starred in True Grit at the recommendation of John Wayne. Campbell’s career was rich in highs but was not without low points; his first feature film, 1970’s Norwood proved to be a disaster, whilst his show was also cancelled. But Campbell proved his commitment to doing what he was best at and emerged undefeated when in 1975 Rhinestone Cowboy emerged. It was followed by other Country hits, such as “Country Boy (You Got Your Feet in L.A.”) and “Southern Nights” and in the Nineties he opened the Glen Campbell Goodtime Theatre in Missouri. Campbell was married four times, and has eight children, including five sons and three daughters. In the early 1980s Campbell made headlines when it was revealed that the artist was in a  relationship with country singer Tanya Tucker – 22 years his junior. Battling alcohol and cocaine addiction at the time, in 1982, Campbell instead married Kimberly Woollen who had helped the star get his life back on track. Nonetheless, a run-in with the law came in 2003 when Campbell was jailed for 10 days for extreme drunken driving and leaving the scene of an accident. Glen Campbell’s career spanned more than  sixty years, during which time he sold more than 45 million records worldwide. Diagnosed in 2011 with Alzheimer’s, the singer went onto play 151 shows with the care and support of his devoted family, before retiring from music as a direct result of the disease. A film-crew documented his final 2014 tour, resulting in the award winning ‘I’ll Be Me’. It was a decision that made President Clinton claim that it would be his role in bringing awareness to the condition that would keep him enshrined in peoples’ memories, even more so than his music. The much-loved artist spent his final years in an assisted living facility, where friends and relatives would play him his own songs. Campbell’s final original music album Ghost on the Canvas  consisted of guest stars Billy Corgan, Paul Westerberg and Jakob Dylan. Early this year, Adiós – his final studio album –  was released, made up predominantly of cover songs by Bob Dylan, Harry Nilsson and others, all recorded after his Goodbye Tour. Writing on Twitter, Cheryl  Crowe, said of Cambell’s death:  “Huge loss in the world of music today. Rest In Peace, Glen Campbell. Speaking to Fox News, Rock ‘n’ Roll star Alice Cooper named Campbell one of the “Most unique Guys” and a “premier guitar player in Rock and Country”. Campbell will forever be remembered in Country music as a man of talent, dedication and intrigue – a gifted individual who not only helped shape the genre, but brought to audiences’ attention the talents of multiple other noteworthy Country musicians. His music and legacy will live on.

Legendary Country icon Glen Campbell dies aged 81 Read More »

First country music hit traced to Atlanta, Georgia

The first-ever country music hit may have been traced back to a building in Atlanta, Georgia, according to reports. Local architect, Kyle Kessler is said to have made the discovery at 152 Nassau Street when he found an article from the 1920s in the Atlanta Independent. Speaking to wabe.org, Kesseler said: “They had a front-page article saying that Okeh Records was coming to town and going to set up a recording laboratory at this particular address on Nassau Street.” According to the website, the sessions included black blues singers like Fannie May Goosby and Lucille Bogan. And also a white fiddler, Fiddlin’ John Carson, who recorded the “Little Old Cabin In The Lane.” The Atlanta City Council still has to approve the building’s designation, reports said. At a recent public hearing, the company buying the property said it had other plans for the land.

First country music hit traced to Atlanta, Georgia Read More »

Country act Cactus Blossoms make Twin Peaks appearance

Minneapolis country-rockabilly act Cactus Blossoms have been featured in David Lynch’s surreal drama, Twin Peaks. The episode which aired on May 28 in the US ended with the smartly-attired and stony looking brothers performing their song Mississippi at the Bang Bang Bar. It also is reported that Twin Peaks’ music director Angelo Badalamenti is a fan of the band’s material. The band is headed up by Page Burkum and his younger brother Jack Torrey (last name a stage name) Speaking to The Calgary Herald about how Lynch and Badlamenti came to discover the band, Burkham says: “I need to ask them about that more. I’m curious myself about how they discovered us. “For us, it was mostly just real exciting to be a part of something that we were fans of and something that will probably be around and watched for a while,” he added. “Just on a personal level, we were really excited about it. The one impact I can see is that we have had some folks at every show we’ve played since then and I know that there are some people who found us that way and came out to our shows. It’s cool to see that happening.” “A lot of people are surprised by the type of music we play, being from Minneapolis,” Burkum said. “I don’t really know what kind of music we should play if we’re from Minneapolis. What would be Minneapolis music? I guess if we could make some weird amalgam of Prince and the Replacements and Bob Dylan, maybe that would be Minneapolis music.” The Cactus Blossoms play the Calgary Folk Music Festival on Friday, Saturday and Sunday at Prince’s Island Park, Calgary, Alberta, Canada. Visit calgaryfolkfest.com.

Country act Cactus Blossoms make Twin Peaks appearance Read More »

Billy Ray Cyrus

Billy Ray Cyrus Celebrates '25 Achy Breaky Years'

Billy Ray Cyrus Celebrates ’25 Achy Breaky Years’ Internationally renowned superstar Billy Ray Cyrus is celebrating ‘25 Achy Breaky Years’ this weekend on SiriusXM’s Prime Country Ch. 58. Hosted by Billy Ray Cyrus’ longtime friend Storme Warren, Cyrus opens up about his journey from Flatwoods, Kentucky to achieving worldwide success as a singer, songwriter, actor and producer. The ‘25 Achy Breaky Years’ special also includes an exclusive acoustic performance.   SiriusXM’s Prime Country Ch. 58 July 28 – 6 pm EST July 29 – 11 am EST July 30 – 12 am (midnight) EST July 30 – 9 pm EST Aug. 01 – 12 pm EST Aug. 03 – 3 pm EST In celebration of the 25th anniversary of “Achy Breaky Heart,” which hit No. 1 on Hot Country Songs and peaked at No. 4 on the Billboard Hot 100, Cyrus re-recorded and released a Muscle Shoals edition on iTunes. “When the song was released 25 years ago, the world was very divided. Perhaps 25 years later it might be even more divided so through the magic of a little song, people can come together for just a moment to dance and sing and celebrate life, that’s all that matters,” Cyrus said. Recently, Cyrus has been all over television, including appearances on “LIVE with Kelly and Ryan,” “The Wendy Williams Show,” and many more to promote CMT’s hit comedy “Still The King,” airing Tuesdays at 10/9c. “Still The King” averaged 3 million weekly viewers during season one and in season two, Vernon (Cyrus) is fresh out of jail and determined to reclaim his position as a country music superstar while being present in the lives of his daughter Charlotte (Madison Iseman) and her mother Debbie (Joey Lauren Adams). Faced with the possibility of being a father to Debbie’s unborn child, Vernon must balance his desires for fame and family. BILLY RAY CYRUS ON TOUR: July 28 North Star Casino Resort – Bowler, Wis. July 29 St. Croix Casino – Turtle Lake, Wis. Aug. 03 Knoxville Civic Auditorium – Knoxville, Tenn. Aug. 04 The Brown Theatre – Louisville, Ky. Aug. 05 Victory Theater – Evansville, Ind. Aug. 12 Edgewater Hotel Casino Resort – Laughlin, Nev. Aug. 19 Mill Town Music Hall – Bremen, Ga. Sept. 09 Hard Rock Live – Northfield, Ohio Sept. 22 Lancaster Performing Arts Center – Lancaster, Calif.  Oct. 21 Crystal Grand Theatre – Wisconsin Dells, Wis.

Billy Ray Cyrus Celebrates '25 Achy Breaky Years' Read More »

Casey James

Not heard Casey James' 'Strip It Down'?

 Casey James returns to his Texas Blues Roots on his latest album Strip It Down… The Singer/Guitarist Casey James has only recently released his latest album, Strip It Dow, which was produced by Grammy-Winner Tom Hambridge & Features Guest Duet with Delbert McClinton.  “All I want to do is play music,” says singer/guitarist, Casey James. “Stripping it back to just me making a record of music that I love was a huge stepping stone in my life.” It’s titled Strip It Down because it’s exactly what Casey James did – shed off the layers of stylised artistic clothing that he’d been given in those other public ventures to find the real artist underneath, a guy with a convincing, smokey vocal quality and a burning, lyrical skill with a guitar. Recorded at Sound Stage Studio and The Switchyard in Nashville, Strip It Down is a glorious return to the blues and roots music Casey James grew up on in his native Texas, and was a major influence in both his singing and guitar playing. “This music has been a lifetime in the making for me,” Casey says. “If you listen close enough, you can hear my heartbeat; the thing that keeps me alive. It’s all here. This album has been a healing process for me. To truly share my heart and passion with the world in an honest way is the best feeling I’ve ever felt.” Released June 9, Strip It Down sees a return by James who is familiar to many as a finalist on season 9 of “American Idol,” – and identifiable still more as a country artist who notched a Top 15 single with “Crying on a Suitcase.” In Strip It Down, James collected 13 songs he’d written or co-written (plus a soulful take on Little Willie’s John’s “Need Your Love So Bad”), holed up in a Nashville studio with a trim, crackerjack band and hammered out the bulk of the album in a scant four days.  “There are no tricks here; no auto-tune, no grid, no Midi adjustments,” he proclaims proudly.  Strip It Down folds-in a variety of styles, all connected directly to that blues base. Casey announces his roots entry with the dramatic blues/rock of the opening track, “All I Need.” Then, Grammy-winner Delbert McClinton joins him on a raucous bit of Texas roadhouse swagger titled “Bulletproof.” From there, the album courses through the light country swing of “Stupid Crazy” (joined by Bonnie Bishop on vocals), the spacious old-school R&B of “Different Kind of Love,” and the gutbucket closer “Fight You for the Blues.” Growing up in Cool, Texas, a dusty town 45 miles west of Fort Worth, his destiny was laid out for James at the age of 13, when he got his first guitar. It became a constant companion, a channel for his emotions, as the six strings lay easy in his hands. “I got pretty proficient fairly quickly, but mostly because I couldn’t put it down,” James remembers. “I don’t ever remember a time where practice felt like practice.” It was that natural. James formed a band and hit the Texas club circuit, a collection of venues just big enough that it can keep a musician going for years. The band was in such high demand that one year he played a staggering 364 days. Clearly, he was talented – and more than ready to work. He mixed a few originals in with cover songs, played a mean guitar and sang with conviction. But he was persuaded by a family member that a run on “American Idol” might put him on better financial ground.  “I was at the best place in my life,” he recalls. “I was gigging every day. But I was struggling to try and make enough money to make a real record. Had I not done ‘Idol,’ I probably would be still struggling, so I consider it a blessing.” The next four years were a whirlwind, as James threw himself into promotion, meeting radio programmers, writing with some of Nashville’s best composers and opening for the likes of Taylor Swift, Alan Jackson and Sugarland. He experienced surreal stardom, but that came with music that merely hinted at the real Casey James. When he got off the ride, he found himself in a different place than he’d started.  The soulful “Supernatural,” the breezy ballad “Stupid Crazy” and the honking “I Got to Go” all came early in the process. He wrote them on his own, and he realized the time he’d invested in Music City had brought him to another level in his craft. James subsequently booked a series of writing appointments with some of Nashville’s finest, including one with Brice Long and Terry McBride, co-writers of James’ first single, “Let’s Don’t Call It a Night.” At the end of their session, they recommended he do some writing with another friend who had a strong affinity for the blues, somebody named “Tom.”  James funded it all through a one-month Kickstarter campaign, asking his fans to invest in the next step on his musical journey. They came through in a big way, delivering more than double his original goal. It served as a reminder that even when his path had taken down difficult roads, he’d made a strong connection with an audience that understood his creative ambitions. “For the longest time, I always played with my eyes closed because music is so personal to me that I felt like I was naked – I’m putting all of everything that I am in every note,” James reflects. “I don’t close my eyes so much anymore because I’ve become more comfortable with being naked, so to speak, in front of people. I became OK with opening my eyes and engaging with people and really experiencing that moment with them.”  To read more on what’s going on in the country music scene, head to https://staging.maverick-country.com/industry-news/ 

Not heard Casey James' 'Strip It Down'? Read More »

Margo price

Margo Price shows us what she's made of on new EP

Margo Price, the acclaimed US singer/songwriter has officially released her new EP ‘Weakness,’ via Third Man Records. Recorded at Sam Phillips Recording in Memphis, ‘Weakness’ was produced by Grammy-winner Matt Ross-Spang (Jason Isbell, Zac Brown), Alex Munoz, Jeremy Ivey, and Margo herself.   The collection features four new tracks including recent live show juggernaut “Paper Cowboy,” as well as the hard-drinking, country-rock title track, which Zane Lowe premiered yesterday on his Beats1 radio show. ‘Weakness’ is available everywhere now both digitally and physically as two 2-song 45’s. Following the release of her 2016 critically acclaimed debut ‘Midwest Farmer’s Daughter’, Margo has performed on SNL, Fallon, Colbert, Seth Meyers, Conan, Charlie Rose, CBS This Morning, Austin City Limits, and Jools Holland, collaborated with some of her heroes including Jack White, Willie Nelson, Loretta Lynn, and Kris Kristofferson. She has also won the Americana Music Association’s ‘Emerging Artist’ Award, the American Music Prize, and was even given her own display at The Country Music Hall of Fame. Later this year Margo will play dates with Willie Nelson, Chris Stapleton, Eric Church, John Prine, Tim McGraw and Faith Hill and others. For full dates visit http://www.margoprice.com/  To read about more of our news, head to https://staging.maverick-country.com/industry-news/ 

Margo Price shows us what she's made of on new EP Read More »

Josh McGovern

*NEW RELEASE* Check out the brooding tones of Josh McGovern on new Americana track The Devil Below Me

Josh McGovern releases a promising new single The brooding Brighton singer/songwriter Josh McGovern has released his new single The Devil Below Me, a song that spells enchantment and dreaminess – and perhaps even a touch of eeriness!  McGovern has an achingly beautiful voice with deep tones that could even be reminiscent of Nick Cave, Tom Waits and Leonard Cohen – the folk sensibilities are prominent and give way to a feeling of foreboding.  McGovern says, “I was first inspired to write ‘The Devil Below Me’ as a response to change in my life. The song itself is a tale of past conflicts and a study of myself. It is very personal to me, it reflects on my family tree and past mistakes. I wanted to create something that represented the contrast in people’s lives, something people could relate to on a deeper level. The recording process was very special for me, I had the honour of recording at Retreat Studios where Nick Cave recently recorded a large portion of ‘Skeleton Tree’.”  McGovern has received early support from BBC Introducing. His raw energy spells another hit for the UK singer/songwriter, delivering a feel of intimacy. Watch this space! To find out more on what’s going on in the industry, go to https://staging.maverick-country.com/industry-news/

*NEW RELEASE* Check out the brooding tones of Josh McGovern on new Americana track The Devil Below Me Read More »

marty stuart

Interview: Marty Stuart & His Fabulous Superlatives

As he prepares to take to the stage at C2C, Marty Stuart looks back on his career touring with fellow icons Lester Flatt and Johnny Cash, and tells Ed Mitchell about his groundbreaking surf/psychedelia/country road trip record Way Out West. It’s early February when we finally hook up with Marty Stuart. The four-week countdown to his appearance at Country 2 Country has begun and it won’t be long until his new album Way Out West bursts into life. The new record – a love letter to the American West, cut with his loyal band the Fabulous Superlatives – has already set the standard for the best record we’ll cherish this year. Yet, as this interview was taking place, the album was in limbo, recorded and mixed and out of Marty’s hands but still frustratingly far from delivery for the faithful who knew it was in the post. “It’s like flirting with your favourite girl,” laughs Marty. We finish his sentence: ‘Yeah, you know you’re gonna get something good, eventually, and it’ll be worth the wait…’ We have to confess to a tingle of excitement when Marty Stuart picks up the phone. This is the man who toured with Lester Flatt and Johnny Cash and counted the likes of Merle Haggard and Porter Wagoner among his personal friends and collaborators. He’s the keeper of the flame of true country music, a scholar and archivist and formidable singer, musician and writer. He even got to marry country royalty, the singer Connie Smith. If you want to know where country music has been or where it’s going, no one is better qualified to guide you than Marty Stuart. While his new album testifies to his fascination with the West Coast, as he explains, his resolve to remain in Nashville was only tested once. “In the late 1970s when Lester Flatt died, I considered going out West to live,” Marty recalls. “I was thinking about getting a job with Bob Dylan. At that time of my life, I saw the fast paced world of Hollywood. I thought, ‘you’ll probably go out there and kill yourself. You’re a knucklehead, Marty Stuart!’” In the end, however, Nashville prevailed: “I got a job with Johnny Cash. That made an easy decision even easier.” Q. Where does your fascination with the American West come from? A. I was raised in the South of the United States, down in Mississippi. The first record I ever owned was a Johnny Cash record, it had Don’t Take Your Guns To Town on it. There was another song on there called One More Ride, it was about going out West. Then, of course, I heard the Marty Robbins Gunfighter record. I was enchanted. Those songs took me on a journey in my bedroom when I was a little kid down in the South. To this day when I travel to the American West, I’m still awed by it. Q. Do you remember the first time you made it to the West Coast? A. It was 1974. I was in Lester Flatt’s band. He played a series of concerts; and the California show was in a town called Norco. It was a bluegrass festival. I woke up and we were coming into California and all of a sudden there were palm trees, there was a blue sky, and a ‘sandiness’ that I’d never experienced before. I’d only read about it or seen it on the silver screen or on television. So, I finally got to see it in person. I fell in love with it the very first time. Q. Way Out West feels like a soundtrack to a lost road movie… A. I tried very hard to take the listener on a journey. I like themes. I like having a bullseye, a destination. It’s wonderful to know what the project is about. Therefore you can write to the subject matter. Q. The title track is a powerful piece of work. When did the inspiration strike for the song? A. I was riding in the front of my bus with a guitar in my lap and a piece of paper. These words just kinda started coming out of the sky. I thought it was comedy… like, this is crazy. I kept writing silly words. I actually wrote to sleep and when I woke up, I looked at the words again and thought, ‘well, that ain’t half bad.’ Q. You cut a couple of covers for the new record… A. The second Johnny Cash record I owned was called The Sound Of Johnny Cash, on Columbia Records. Lost On The Desert was in there. I remember going down the street to my friend’s house and The Beatles were really popular at that moment in time. They were blowing up, lighting up the planet. He said, ‘Come here man, listen to this’ and it was a Beatles track. And I said, ‘Well, listen to this!’ and I played him Lost On The Desert. I was just taken by that line in it: ‘black wings circle the sky’. Those images just captivated my mind when I was a kid. I thought Johnny Cash wrote that song but I found out it was Dallas Frazier and a guy named Buddy Mize. Dallas Frazier is one of my friends – my wife Connie Smith has recorded like 73 of his songs. I called him up one day and asked if he remembered writing the song and he said, ‘Yeah, I think I was in high school when I wrote it.’ So it was one of those songs from my childhood that fit this project. Q. You’ve got Airmail Special in there, too… A. I love that line in it about ‘carrying mail to California.’ It was an old bluegrass record that I heard Jim and Jesse and The Virginia Boys do and I just thought it was a great song. Q. Were the original songs plucked from the archives or written specifically for the record? A. A

Interview: Marty Stuart & His Fabulous Superlatives Read More »

darius rucker

Interview: Darius Rucker – True Believer

The rocker turned country crooner tells Teri Saccone how he’s straddled the divide. With a rich baritone smooth like ‘Tupelo honey,’ singer-songwriter Darius Rucker has tapped into the mainstream twice: initially via 90s platinum pop rockers Hootie & The Blowfish and then in country in 2008, with debut single Don’t Think I Don’t Think About It off his hit album Learn To Live. CMAs followed as have more Grammys, industry accolades and touring. Although the music press hailed it as a major move, on closer inspection the crossover was fairly organic as South Carolinian Darius was raised on Hee-Haw, has listened to country since childhood and Hootie & The Blowfish extolled flavoursome rootsy folk rock. Since his country foray, Rucker’s career has flourished again. He’s collaborated with Brad Paisley, Alison Krauss, Lady Antebellum’s Charles Kelley, Carrie Underwood and Vince Gill among other country elite. And his four albums and ensuing tours have been both commercially and critically embraced. During his 2012 induction into the Grand Ole Opry, Gill described him as someone “everyone adores”. With all the adulation and adoration, CM’s expectations were high when we spoke to Darius on the eve of the C2C 2017 tour. Fortunately, the man with the golden pipes does not disappoint. He is both gracious and humble. Cognisant of his good fortunes, he offers: “I’m so lucky. I wasn’t expecting any of it,” with no mention of the absurdly hard graft involved. As Rucker is about to grace our stages, he is palpably enthused. “I’m more excited about this than I can say. Touring the UK is fantastic, because the fans there are so rabid and they really do love country music. There is a grassroots loyalty with country that does not exist in pop or rock. It’s a different beast.” Rucker grew up venerating soul, rock and the kaleidoscopic musical menu of USA’s once-diverse AM radio. But one of the first country stars he was enamoured with was Kenny Rogers. “Kenny’s music is so real, his songs are great stories, so vivid and cinematic and he drew me in as a young kid. I loved growing up in the 70s because you could hear Kenny, Cheap Trick, Al Green, The Beatles and Buck Owens all on the same channel.” When he appeared on Radney Foster’s 1999 album See What You Want To See it was a watershed moment for him. “I knew then I really wanted to go in that direction. I told the guys in the band (Hootie) that I was gonna make a country album even back then.” When Hootie went on hiatus in 2008 the timing couldn’t have been sweeter and Rucker began forging a country path. “I got lucky going to Nashville and I didn’t think it was necessarily going to work, and neither did my representation. We were not presuming it was gonna explode for me. But luckily we made such a great first record (Learn To Live). We then literally drove around the country,” he adds, “and we did a national country-radio tour to support it. Some people thought I was nuts, but I wanted to prove myself to Nashville. On that radio tour, I had programmers tell me they were unsure if their audience would accept me. But I knew that I had to start with country that way. Having country music accept me made me so happy I do what I do. Okay, it’s not curing cancer, but it made me feel like I am on the right track.” This modest assessment comes despite the fact that H&TB sold in excess of 26 million copies of Cracked Rear View, making it among the most successful US-made albums in history. Yet Rucker is not one who tends to sing his own praises. Given that Nashville can be quite unforgiving to crossover artists, why does he think he was accepted as authentically country? “I think the main reason is because people knew this was not about money or being a superstar. I would have done this in the basement of my house with my friends if that was as far as we got. I was making this music for me.” One of the recurring themes in Rucker’s lyrics is also a country staple: family. The poignant It Won’t Be Like This For Long bears this out. “The personal songs are best for me as a writer. I could try fictional songwriting, but it wouldn’t be honest. I write about what I live both now plus from my past experiences, so the real-life topics are my trademark.” He says his songwriting is unpredictable and ideas often transpire without plotting or provocation. “Melodies and lyrics come to me in a variety of ways. But they often appear simultaneously. One thing he won’t ever do, however, is write a song and then simply ‘countrify’ it in the studio. “I won’t take a pop song, stick fiddles or a banjo on it and call it ‘country’,” he explains emphatically. Since we already know what he is, I probe him about who he is. He takes a few seconds to ponder the question before replying: “Who I really am is a father. That is my number-one purpose. To have contented, healthy children is a privilege for anyone. And I never forget it.” The answer is poignant, because his mother raised him and his siblings pretty much singlehandedly, with their dad absent and only visible to them on Sundays right before church services. “For a time, we lived with cousins and aunts and we were a very close family and we still are now.” Perhaps his familial ties keep him living in his hometown of Charleston, when he could choose to reside anywhere. “Home is truly here, in every way imaginable,” he explains. Not only do his roots in the historic city run deep, he also is a hands-on philanthropist, having set up two charities. His golfing charity (he’s an avid player and a close pal of Tiger Woods) raises funds for

Interview: Darius Rucker – True Believer Read More »

Scroll to Top