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In a music industry often dominated by fleeting trends, Caylee Hammack stands out as a beacon of authenticity and resilience. From her humble beginnings in Ellaville, Georgia, to the release of her sophomore album, Bed of Roses, Caylee Hammack’s journey is a testament to the power of perseverance and self-discovery.  Born on March 17, 1994, in the small town of Ellaville, Georgia, Hammack’s early life was steeped in a rich tapestry of musical influences. Her brother introduced her to Southern rock, her sister to pop icons like Britney Spears, but it was Hammack’s own discovery of classic country legends such as Dolly Parton and Johnny Cash that ignited her passion for storytelling through music. By the age of 13, she was performing in local venues, honing her craft and dreaming of a future in Nashville.  At 16, a health scare – a benign tumor initially misdiagnosed as cancer – became a pivotal moment in her life. The experience deepened her commitment to music, leading her to write her first song, “Addictive,” about the painkillers she was prescribed during recovery.  The Nashville leap  Despite earning a full scholarship to Belmont University, Hammack chose to stay in Ellaville, influenced by a romantic relationship. When that relationship ended, she packed her belongings into trash bags, saved up $1,000, and drove to Nashville with her dog and a copy of Kacey Musgraves’ Same Trailer Different Park.  In Nashville, Hammack faced the harsh realities of the music industry. She slept in her car, used a fake ID to perform in bars, and eventually secured a weekly gig at Honky Tonk Central on Broadway. Her persistence paid off when she was introduced to Universal Music Publishing Group, leading to a staff writing position.  Hammack has since talked about how those early Nashville years shaped her voice and values. The grit it took to survive – sleeping in her car, playing four-hour cover sets, and fighting for a place in writing rooms – imbued her songs with a lived-in realism. She credits this period with sharpening her musical instincts, but also teaching her how to navigate an industry that often undervalues originality and vulnerability.  A deeply personal debut  Hammack’s debut album, If It Wasn’t for You, released in August 2020, is a deeply personal collection of songs that chronicle her life’s trials and triumphs. The album features collaborations with Reba McEntire, Ashley McBryde, and Tenille Townes.  The lead single, “Family Tree,” is an autobiographical track that showcases Hammack’s storytelling prowess. Another standout, “Small Town Hypocrite,” co-written with Jared Scott, delves into the heartbreak of a failed relationship that once kept her from pursuing her dreams. The song resonated with audiences and critics alike, with Chris Stapleton later joining her for a reimagined version.  Critics noted how Hammack’s debut felt unusually mature for a new artist. She’s described the record as a kind of emotional archive – tracking moments of pain, hope, defiance, and release. Drawing on her lived experience, she brought to each track a raw vocal delivery and lyrical directness that set her apart from more polished debuts. For Hammack, it was an attempt to tell the truth as she knew it, however complicated or unrefined that truth might be.  To read the full article, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com