Exclusives

Cory Marks website

Spotlight: Cory Marks

Your music blends country with rock elements seamlessly. What inspired you to merge these two genres?  Whichever comes first, and it depends on how and what I’m feeling when I’m writing or coming up with a melody. I was very lucky to grow up around great music, be it country or rock, from Merle Haggard, Vince Gill, Shania, to Rush, Bryan Adams and Ozzy!     What have been the biggest lessons you’ve learned from sharing the stage with artists like Five Finger Death Punch and Brantley Gilbert?  That real success doesn’t happen overnight, especially if you want to have more than a 5-year career. It takes time and a great team who are all on the same mission to make the dream come true!     ‘Outlaws & Outsiders’ became a massive hit and even featured Mick Mars of Mötley Crüe. How did that collaboration come about, and what was it like working with such legendary musicians?   We were all on the same label at one point, and when the label showed Mick, Kevin Churko (Five Finger Death Punch producer) showed Ivan Moody, and my manager at the time got it to Travis Tritt… I was lucky they all loved the song and message but, most of all, could relate. I’m even more lucky that I’m able to call them friends!     Your lyrics often touch on themes of rebellion, freedom and resilience. How do your personal experiences influence the stories you tell through your music?   The music industry was never easy for me, especially here in Canada, trying to chart on Canadian country radio, and it’s still a challenge. I mean, I even failed music in grade 10—the only thing I failed in high school. I wasn’t the ‘cool kid’ growing up and still feel that way sometimes. I’ve always done things differently and my own way, I guess, and I’ve always felt like an outsider, even when I tried to fit in. You get to a point where you say, ‘F**k it! Do what makes you happy and write stuff that makes a legit connection with people, their lives, and stories.’ That’s all that really matters, and it’s my job to tell my story too because we all have them, but someone’s got to speak out and speak up. We’re not alone. I’m a lot like you, and you’re a lot like me.     Country music often celebrates tradition, but you bring a fresh, edgy sound to the genre. How do you see the evolution of country music, and where do you think your style fits within it?  I mean, we’ve all got to celebrate something, in some way, whether that’s a hard week’s work, a goal achieved, or simply the fact that we’re here. I’m country, I’m rock, but most of all, I just try to do great and make great music that people can relate to, listen to, reflect on, and sing along to!     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Spotlight: Cory Marks Read More »

Post Malone WEBSITE

Post Malone’s ‘F-1 Trillion’: A modern country album?

Post Malone’s fifth studio album, ‘F-1 Trillion’, is perhaps one of the most ambitious projects to come out of 2024, representing an artist at the height of his creative powers and his growing ability to transcend genre boundaries. Known for effortlessly blending hip-hop, pop and rock, Post Malone’s latest album makes a striking foray into modern country music. It’s an unexpected yet natural progression in his career, as the rapper-singer has often cited his affinity for country music. With ‘F-1 Trillion’, he doesn’t just dip a toe into the genre – he jumps in headfirst, creating a genre-fluid album that speaks to the evolving landscape of contemporary country while staying true to his artistic identity.     The Album’s Themes and Concept   At its core, ‘F-1 Trillion’ is an album about identity, self-reflection and the personal toll of fame. The title itself hints at the enormity of the themes it grapples with – excessive wealth, the pursuit of success and the emotional emptiness that often accompanies it. The concept of the ‘trillion’ serves as a metaphor for something unreachable and unattainable, reflecting the never-ending chase for fulfilment in a world driven by material gain. As Post Malone navigates this terrain, he explores the inherent contradictions between fame and happiness, wealth and contentment and ultimately, country music’s themes of home, heartache and redemption.  The album seamlessly transitions from reflective ballads to more upbeat anthems, marrying country’s traditional storytelling with Malone’s signature melancholic tone. Songs such as ‘Highway to Loneliness’ and ‘Whiskey Nights’ showcase his ability to draw on the hallmarks of country – nostalgia, longing and heartbreak – while still delivering his characteristic fusion of modern beats and melodies. Post’s gruff yet melodic vocals glide effortlessly over guitar-driven instrumentals, rooted in the twangy, stripped-back style associated with classic country, yet layered with the kind of polished production that is synonymous with today’s pop music.  One of the most captivating aspects of ‘F-1 Trillion’ is the selection of high-profile features that Post Malone brings on board. Country music has always been collaborative, with duets and joint efforts often forming some of the genre’s most iconic moments. Here, Malone taps into that tradition, but with his own twist. From both country veterans and up-and-coming stars, each collaboration adds depth and richness to the album’s overall narrative. Perhaps the most talked-about track is ‘Cowboy Dreams’, featuring country legend Willie Nelson. At 91 years old, Nelson’s raspy voice is a testament to his enduring presence in the genre and his duet with Post Malone provides a beautiful contrast between the old and new. ‘Cowboy Dreams’ is a slow-burning anthem, reflecting on the mythical and fading figure of the cowboy, symbolising freedom, rebellion and solitude. The melancholic guitar riffs and soft percussion allow both artists’ voices to shine, weaving a touching narrative about the cost of living freely. Another standout track, ‘Southern Comfort’, features Kacey Musgraves, an artist whose progressive take on country aligns well with Post Malone’s genre-blending ethos. The song is a melodic ode to the simple pleasures of life – the warmth of home, the smell of fresh-cut grass and the solace of a glass of whiskey after a hard day’s work. Musgraves’ ethereal voice complements Post’s more gravelly tone and together they create a nostalgic yet modern take on the Southern ballad, a love letter to the comforts of the American South.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Post Malone’s ‘F-1 Trillion’: A modern country album? Read More »

Chayce Beckham website

Chayce Beckham: Unfiltered country

Chayce Beckham’s rise in the country music scene isn’t just about winning the nineteenth season of ‘American Idol’. It’s about how his voice, lyrics and personality have brought a refreshing authenticity to the genre. The California native has carved a niche for himself, blending raw honesty with relatable storytelling, reaching out to listeners who may have never considered themselves country music fans before. Beckham’s music speaks to a broader audience, tapping into universal themes of struggle, resilience and self-discovery, making his work a unique and inclusive form of country music.     The Power of Vulnerability   What makes Beckham stand out is his ability to connect with listeners on a deeply personal level. His gravelly voice carries a sense of lived-in experience, each note laced with a hint of heartache, redemption and a touch of rebellious spirit. But it’s not just his voice that sets him apart—it’s the way he writes about the complexities of life without shying away from the less glamorous parts. His songs, often reflective and unvarnished, are windows into his journey from blue-collar worker to overnight sensation, capturing a reality that feels genuine and relatable.   Beckham’s debut single ‘23’ is perhaps the best example of his ability to craft songs that resonate across boundaries. The song, an autobiographical narrative of his struggles with alcohol and self-doubt, paints a raw picture of a young man grappling with his demons. With lyrics like “Now I’m 23 and there ain’t nobody who can drink like me” Beckham doesn’t romanticise his past; instead, he lays it bare, allowing listeners to see their own flaws and vulnerabilities mirrored in his words. This level of candour is rare and it’s this willingness to be vulnerable that makes Beckham’s work feel so inclusive. He’s not just singing about a personal experience; he’s singing about the collective human experience—about falling down, getting back up and trying to make sense of it all.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Chayce Beckham: Unfiltered country Read More »

Connor Daly website

Connor Daly’s gentle revolution

There’s a striking similarity in the circle of Gen Z artists: they—yes, even the men—are more willing to be open, vulnerable, even emotional. It used to be a dirty word; emotional. Take the idea of hysteria, the so-called ‘over emotion’ of women, taken out of context and more often than not, criticised by the very men whose behaviour incited the incident. Recently, there’s been a shift in the dynamics of the music industry. During the Don McLean set at The Long Road, a woman in the crowd heckled the 78-year-old with a taunt usually reserved for young women, the familiar “shut up and sing!” Something has changed in music. As the world becomes more accessible and the ability to listen to whatever you want, wherever you want, whenever you want expands, audiences expect more from their artists. More music, more authenticity. The parasocial relationship between artist and fan is undergoing a revolution.  This shift is perhaps best embodied by artists like Connor Daly, who have embraced a more introspective and emotionally honest style of music. The young Virginia-born singer-songwriter has not only captured the attention of listeners with his delicate acoustic-driven sound but also with his vulnerability and willingness to reveal a deeper part of himself through his work. This emerging openness isn’t just a passing trend; it’s a reflection of how the digital age has transformed not only the consumption of music but also the relationship between artist and fan.     The Parasocial Revolution  In the digital era, the boundary between artist and audience is blurrier than ever. Social media platforms, streaming services, and direct communication channels have allowed fans to feel closer to their favourite musicians, creating parasocial relationships that have redefined the traditional artist-fan dynamic. Parasocial relationships, which were once one-sided and limited to viewing artists through mass media, have become more interactive and reciprocal, even though they still maintain a sense of distance. The blurred line between personal and professional creates a space where fans feel connected to artists on a more personal level, often creating a sense of friendship or kinship, even though the relationship remains largely one-sided.   For musicians like Connor Daly, this connection is intensified by the intimate nature of their work. Artists who perform acoustic, stripped-back songs are often seen as more accessible and genuine because their music feels raw and unfiltered. “People want more and more from their artists,” Daly explains. “I want anyone listening to my music to feel emotions, whether it be happy, sad, or nostalgic.” This direct engagement with listeners makes it easy for fans to feel like they know him, that they understand his personal struggles and joys. His acoustic style seems designed to foster this connection, giving the impression that each song is a personal letter or conversation meant for the listener alone.   This phenomenon is not exclusive to Daly. Artists across genres are finding that their audiences expect them to be more than just performers. Fans want insight into their personal lives, thoughts, and creative processes. Taylor Swift’s social media interactions, for example, have helped cultivate a highly engaged fanbase, the “Swifties”, who feel as if they are part of her journey. The intimacy conveyed through platforms like Instagram and TikTok has allowed artists to engage directly with fans, but this also creates an environment where fans may feel entitled to continuous access, often blurring the lines between personal space and public persona.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Connor Daly’s gentle revolution Read More »

The shires

A Journey Back to Their Roots: The Shires

The Shires have ventured into new territory with their latest album, ‘Undone Vol. 1’. This album marks their first foray into acoustic music, featuring 10 reimagined versions of their greatest hits, along with a heartfelt cover of Zane Williams’ ‘While I Was Away’. The release is not just a nostalgic trip down memory lane but a profound exploration of their musical journey and personal growth. Recorded in Ben Earle’s garden shed in Hertfordshire, the album has an intimate, raw quality that sets it apart from their previous polished productions. The stripped-back arrangements allow the emotional core of each song to shine through, highlighting the duo’s exceptional vocal harmonies and Ben’s skillful songwriting. Crissie Rhodes noted that revisiting these songs was an emotional rollercoaster, influenced by their current life stages as parents.  The live performances of these acoustic tracks have also been a highlight for fans. The ‘Two of Us’ tour, which featured intimate acoustic sets, allowed The Shires to connect with their audience on a much more personal level. The stripped-down arrangements made their concerts feel like a shared experience, where every song became a conversation between the duo and their fans. This connection was palpable at venues like the Union Chapel, where the acoustic setup brought out the best in their harmonies and musicianship, creating an unforgettable experience for everyone in attendance. The simplicity of the acoustic instruments allowed Ben and Crissie’s vocals to shine, emphasising the raw emotion in each lyric. Fans could feel the stories behind the songs, as if they were being told directly to them. This intimacy was further enhanced by the duo’s candid interactions with the audience, sharing personal anecdotes and the inspirations behind their music. It was a reminder of the power of live music to bring people together, creating a sense of community and shared experience that is truly special.  ‘Daddy’s Little Girl’  The emotional depth of ‘Undone Vol. 1’ is truly remarkable. Each track, when stripped down to its acoustic core, reveals layers of vulnerability and intimacy that were previously hidden under polished production. For instance, ‘Daddy’s Little Girl’ transforms from a touching ballad into an even more poignant tribute to paternal love. The simple arrangement of guitar and piano makes the heartfelt lyrics stand out, bringing a tear to the eye of even the most stoic listener. This song’s acoustic rendition adds a layer of tenderness and nostalgia, making it even more poignant than the original. The dream of bringing country music to the UK feels more intimate and achievable in its acoustic form. The original of their track ‘Nashville Grey Skies’ upbeat tempo and full-band sound are stripped down to a melodic acoustic guitar and soft piano, highlighting the optimism in the lyrics about creating a country music haven in the UK.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

A Journey Back to Their Roots: The Shires Read More »

Josh Ross

Beyond Nashville: Josh Ross

Josh Ross brings a unique Canadian touch to country music. With roots in Ontario, Ross has made significant strides in Nashville, showcasing how Canadian artists can seamlessly integrate into and influence the traditionally American genre.  Growing up, Josh Ross was surrounded by diverse musical influences. From a young age, he was drawn to country music, inspired by artists like Steve Earle. Reflecting on his early inspirations, Ross said, “Steve Earle was one of my inspirations as a kid, so it kind of just came naturally for me.” Ross’s journey into music was not straightforward. He was an avid sports enthusiast, playing hockey and soccer before transitioning to football and motocross racing. His athletic pursuits were cut short by injuries, which ultimately led him to pick up a guitar and start songwriting. “I started playing guitar, started songwriting more, and I honestly just realised my songs weren’t great,” Ross candidly shared. This realisation propelled him to move to Nashville, a decision driven by the city’s reputation as a songwriting hub.     The Nashville Move  Moving from Canada to Nashville marked a significant turning point in Ross’s career. He embraced the city’s vibrant music scene, aiming to hone his songwriting skills. “I knew that songwriting is really, really popular in Nashville. It’s kind of the hub for, I would say, most of the world in regards to songwriting,” Ross noted. His move to Nashville wasn’t just about improving his craft; it was about finding a community where he felt he belonged. Despite the geographical shift, Ross found many similarities between his Canadian roots and the Southern culture of Nashville. “North America is really interesting… there’s actually more country north, but it’s just a different type of country,” he observed.  Ross’s career began to gain traction with his authentic storytelling and relatable lyrics. His recent release, ‘Single Again,’ has garnered significant attention, marking a pivotal moment in his rise to fame. “Single Again is… the focus song right now, which is really awesome,” Ross said. The song, inspired by real-life events, showcases his ability to connect with listeners through his personal experiences. Another notable track, ‘Truck Girl,’ resonates with fans for its unexpected twist on a common theme. “I just love the concept… when you see the title, you think it’s like a girl that’s typically into trucks, but then it means this whole other thing,” Ross explained. His knack for turning everyday stories into compelling songs is a testament to his songwriting prowess.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Beyond Nashville: Josh Ross Read More »

Megan Moroney PLT

From Honky-Tonks to High Fashion

When it comes to blending the heart of country music with the vibrant world of mainstream fashion, Megan Moroney stands out as an icon. This country music star has not only captured the hearts of fans with her soul-stirring melodies but has also made significant strides in the fashion industry. Her recent collaboration with PrettyLittleThing has brought the traditional summer country aesthetic into the limelight, melding rustic charm with contemporary style.  Megan Moroney’s rise in the country music scene is nothing short of meteoric. Her distinctive voice, genuine and often tongue-in-cheek lyrics and undeniable wit and charisma have cemented her place as a modern-day icon in the genre. But Megan isn’t just stopping at music; she’s making waves in the fashion world too. Her partnership with PrettyLittleThing is evidence of her versatility and her ability to transcend traditional boundaries.  Born in Savannah and raised in Douglasville, Georgia, Megan grew up singing covers with her dad and brother. Her musical journey took a more serious turn when a heartbreak at 16 led her father to buy her a Taylor guitar. After an unfortunate knee surgery ended her cheerleading dreams, Megan found solace in music, honing her guitar skills during recovery. At the University of Georgia, her talent shone when she won the Miss Sorority Row pageant and later performed at a campus event that caught the attention of country star Chase Rice. This pivotal moment led her to pursue music full-time, eventually moving to Nashville and diving headfirst into the country music scene.  Classic vs. modern country  Megan’s PrettyLittleThing collection is a delightful fusion of old and new. The pieces are inspired by classic country fashion but are designed to appeal to a modern audience. Imagine rocking a floral sundress at a summer barbecue or a pair of high-waisted denim shorts at a music festival. These outfits are not only stylish but also practical, perfect for the laid-back yet fashionable country lifestyle.  The collection also includes accessories that are quintessentially country but with a chic twist. Think ruffle bardot and chiffon maxi skirts, and, of course, the iconic cowboy boots. Each item reflects Megan’s personal style—bold, fun and effortlessly cool. Whether you’re a die-hard country fan or someone looking to add a touch of rustic charm to your wardrobe, this collection has something for everyone.  Megan Moroney’s influence extends beyond the stage and the runway. Her ability to blend country music and fashion has played a significant role in bringing country culture into the mainstream. By collaborating with a popular fashion brand, Megan has made country fashion accessible to a broader audience. This not only highlights the versatility of country style but also showcases its relevance in today’s fashion landscape.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

From Honky-Tonks to High Fashion Read More »

Nathanoreganheadshot

Spotlight: Nathan O’Regan

Nathan, your debut studio EP ‘Uncovered Vol. 1’ features a collection of covers that pay homage to Northern Irish songwriting. What drew you to focus on reinterpretations rather than original compositions for this debut?    I ran a night in Belfast called Songbook for 6 years that showcased local songwriters with the backing of an incredible house band. It was an amazing experience, and I was always blown away by the talent on show. Songbook was a big part of my life for a long time, and the Cover EP felt like a fitting way to celebrate that chapter before I fully focus on my own music. I’m really excited about my debut album, which is in the final stages of mixing and will be out next year.      ‘Follow You Down’ from Ciaran Lavery’s album ‘Not Nearly Dark’ seems to hold a special place in your heart. What was your approach to transforming this slow acoustic folk track into a soulful single? ‘Not Nearly Dark’ had just come out around the same time I first came to Northern Ireland and it was a hot topic of conversation with everyone on the Northern Irish music scene – for good reason. It was incredible to witness the success that the record had for Ciaran. There are so many tracks that stand out on that album, but I always loved ‘Follow You Down’ – it’s just great writing, plain and simple. I’ve always loved a song that has a catchy chorus but has a darker undertone – Ciaran does that really well. Turning it on its head happened quite organically in the studio with the boys. It’s a sign of a great song that it can be interpreted so many ways and I think ‘Follow You Down’ is a great example of that.       You’ve described ‘Is That What You Wanted?’ as an earworm with meticulously crafted lyrics. How did your experience of seeing MCVEIGH perform this song live influence your decision to cover it? It’s funny – when you’re friends with so many people in music, and especially when you’re all sort of starting from the ground up together – you can forget that some folks just have ‘it’. Whatever ‘it’ is, MCVEIGH has it in spades. Socially, he’s just a normal, down-to-earth, lovely fella but I remember seeing him up on stage at Songbook years ago, singing ‘Is That What You Wanted?’ and he completely blew me away. The swagger and the effortless and flawless vocal. It’s one of those tunes I remember hearing and thinking I’ll be telling people in years to come that I heard him sing that to 100 people upstairs in a bar in Belfast and they’ll never believe me. I’ve been a huge fan of him since I became aware of him and I think his star will only continue to rise.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Spotlight: Nathan O’Regan Read More »

Elles Bailey Spotlight

Spotlight: Elles Bailey

‘Leave the Light On’ has a compelling blend of roots and Americana. What was the core inspiration behind this track, and how did the creative process unfold?   The song was inspired by a specific occasion when I missed my train home from London and had a huge wave of guilt as I had been away so much, I was expecting a frosty reception but instead the light outside our house was on and that small gesture just felt so welcoming and supportive. I went out for a run the next day and the first two verses just came to me. I had a song write with long term collaborator Will Edmunds that day and we penned half the song. It took quite a lot of rewriting, but we got it down just before going into the studio and I’m so glad we did – it’s my favourite on the record and I love playing it live! It’s autobiographical, and brutally honest but uplifting and celebrates those around you that help you support you to realise your dreams!    Your new album, ‘Beneath the Neon Glow,’ is set to release soon. Can you share any stories or themes that particularly stand out in this collection?   This album is my “love album” celebrating all different kinds of love in all its forms. It’s lyrically vulnerable, with very honest songwriting and there’s a large slice of heartbreak however it’s juxtaposed with beautifully uplifting melodies and instrumentation!     Your music often touches on personal and profound themes. What life experiences or moments have had the most significant impact on your songwriting for this upcoming album?    Despite there being no songs specifically about becoming a parent, this is the first album I’ve fully written since having Jasper. So, I don’t find it surprising that the album has a theme of love, as once you become a parent you heart tears open a way you can never imagine, and you begin to know a love like no other!     Collaboration is a key part of the music industry. Are there any unique collaborations on ‘Beneath the Neon Glow’ that fans should be excited about?   Oh, my goodness so many! I’m very excited to finally share ‘Let It Burn’ written with Katey Brooks… it’s a stunning number and shows me in a slightly different light to the rest of the tracks. And speaking of Katey – it was a pleasure to have her lend her vocal talents to three of the songs – ‘Let It Burn’, ‘If This Is Love’ and ‘Love Yourself’. I also have the incredible Demi Marriner and Liam Cromby who sing on the rest of the album! All three are amazing artists in their own right (go check them out)  – so to collaborate with them is this way has been wonderful! I feel very blessed!     You’ve received various awards for your contributions to the roots and Americana genres. How do these accolades influence your creative direction and motivation?   I feel very blessed to have been supported by these beautiful scenes and to win awards in them is incredible. I wouldn’t say these awards influence my creative direction but it’s definitely nice to see the hard work that I have been put in get noticed and rewarded in this way.  I love being a part of these communities, of celebrating our music together! It’s a beautiful thing.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Spotlight: Elles Bailey Read More »

Eric Devries Spotlight

Spotlight: Eric Devries

Eric, your newest single ‘Shadow of a Man’ is an upbeat track that lyrically delves into the struggles of losing yourself. Can you share the inspiration behind this track and any particular experiences that shaped its creation?  To my shame, I must confess I got into a fight with my best friend at the time, our drummer, because I had an argument with our bass player, my girlfriend at the time, and he, my best mate, jumped in. The next thing I knew, we were almost at it. I remember thinking: “Whoa, this ain’t me!” That was when I was in my teens, and I’m glad to say I learned a thing or two along the way. Or at least I hope I did. But I imagine it happens in all variations in relationships as well, where we find ourselves saying things we don’t mean to say. The chorus is kind of tongue-in-cheek, saying I usually remember faces, it’s names I can’t recall. But this shadow of a man I’m facing, I don’t recognise at all. Bob Dylan sang ‘I Threw It All Away,’ so I guess we’ve all been there, right? (I was a fool, I treated her so cruel, I threw it all away. Get it?)   It seems to be important for you to properly credit your band and collaborators. Why do you feel that this is an important thing to do as an artist?  It’s been years since I have played with the same band doing my own songs. In the nineties, I had my own band, but since I started as a recording artist (in 2004), I’ve hardly had the opportunity to tour with a band. My 2021 release ‘Song & Dance Man’ got us so much attention that I was able to properly tour and hold a band together.   Producer and multi-instrumentalist Janos Koolen brought in Lucas Beukers on upright bass, and we both knew and played with violinist Joost van Es before, and the whole thing fell together. The new album ‘Traveler’s Heart’ is a direct result of the joy of playing live together as a band. It inspired me to write a whole new batch of songs. I think it’s only fair to give credit where it’s due.    Collaboration is a big part of music today. Are there any artists you’ve recently worked with or plan to work with on future projects?  When I first went solo in 2004, it wasn’t long before a friend suggested we work together as four singer-songwriters and take turns singing lead and playing any instrument we’d like or would fit the song. We called ourselves Songwriters United. That was a lot of fun, especially because we all wanted to play the drums.   Iain Matthews asked me to be a part of Matthews Southern Comfort in 2017. He wanted to record new material, so we all wrote and made some pretty good albums too. We toured in the UK a few times. I remember listening to the radio as a kid and hearing the song ‘Woodstock’. Now I got to sing it with him and the new stuff as well, and that was pretty inspiring. I am honoured to have him sing on the new album. For the time being, we’re all involved in new solo projects. I am obviously busy with the ‘Traveler’s Heart’ release, and we have a tour lined up starting in September. And we’re hitting the theatres in ’25.      Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Spotlight: Eric Devries Read More »

Scroll to Top