Rochelle Mills

Rochelle Mills
Ronnie Milsap

Review: ‘A Better Word For Love’ – Ronnie Milsap

Ronnie Milsap A Better Word For Love Black River Entertainment The album opens with the foot-tappingly good Honky Tonk tune Big Bertha which sees Milsap team up with Vince Gill for the song written by Carl Perkins, DJ Perkins and Randy Moore. Milsap received the special package from Carl Perkins’ widow, containing the last song the Rock & Roll Hall of Famer ever wrote. She knew Milsap would do it justice and Milsap knew Vince Gill was the man to collaborate with on the song about a Golf Club. The stand out track for me on this record is the Brent Maher, Allen Shamblin, Mike Reid penned This Side Of Heaven. The love song is beautifully executed by Milsap and the backing vocals in the chorus give it a slightly different dimension. The live rendition of Civil War which was actually recorded in 1993 is a real treat and has never been so timely. The song which begins with the light hearted theme of young siblings arguing and likening it to a civil war has a deeper message as it dives into political divides. The grit, power and passion in Milsap’s vocals is truly inspiring and its a welcome addition to the record. The production and again Milspa’s vocals, which have never been better, match the theme of the explosive Fireworks as the instrumental break down allows an unusual relationship to form between a horn section and pedal steel. To summarise Milsap brings the party with this upbeat, rocking record which feels like it’s come straight out of the honky tonk. The all-star line-up of songwriters coupled with Milsap’s fiery delivery brings this record to life. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Lady Nade

Review: ‘Willing’ – Lady Nade

Lady Nade Willing Independent Fresh from her recent UK Americana Award nomination, singer-songwriter, Lady Nade releases her third album. She has always been the kind of writer who has drawn influence from the things she has experienced and has taken solace in the therapeutic creative process. Upon listening to ‘Willing’ it is clear that once again Lady Nade has tapped into those experiences and emotions. As well as exploring the topics of loneliness and solitude, Lady Nade continues to explore themes of love, friendship and family on a record that boasts a simple production. Peace and Calm tells the story of her Grandad, she takes on a slightly theatrical tone to her voice when she wishes to emphasise an aspect of the story as she paints a clear picture in the listeners mind. Rock Bottom has a much more upbeat feel to it albeit with an accusatory tone to the lyrics though it is a welcome change on the 11-tack record and a stand-out track. Lady Nade’s soulful voice and use of expression is what makes this record special. Whilst her ability to tell a detailed yet relatable story is a gift. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Review: ‘Long Black River’ – J R Harbidge

J R Harbidge Long Black River Mob Acoustic Recordings J R Harbidge’s sophomore album delivers memorable melodies and heartfelt lyrics. The country/americana artist hailing from the UK stays true to himself whilst packing the record with plenty of nods to the roots of the country genre. The highly produced record starts with Wrong Side of the Fight, the lead single off the album. The stubborn song focuses on the them of believing you’re in the right just for it to turn out you were wrong all along. JR’s vocals are soft, they have a wispiness to them but still have a strength about them in the opening number. You Saved Me Twice is a real highlight on the album, this is a prime example of Harbidge’s ear for a melodic hook and his ability to take a song somewhere unexpected, giving his songwriting a unique flavour. Meanwhile, the title track which brings the record to a conclusion demonstrates the multi-instrumentalist’s attention to detail when it comes to production and arrangement. The differentiation between each of the sections is so well thought out, allowing each verse and chorus to feel fresh whilst maintaining fairly smooth transitions. JR Harbidge has certainly arrived with his second album, cementing himself as one of the finest musicians and songwriters to come out of the UK country/americana scene in a very long time. If he wasn’t already on your radar, he certainly should be now. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Dulcie Taylor

Review: ‘Rediscovered’ – Dulcie Taylor

Dulcie Taylor Rediscovered Mesa/Bluemoon Recordings The record which revisits songs from the past twenty years is a real showcase EP which demonstrates an array of different styles of music that Taylor has tried her hand at. The sparse production of ‘Rediscovered’ gives Taylor’s raw vocals and songwriting room to take centre stage. The arrangement of the opening track Woman I Used To Be helps to build tension. The fan favourite has a touch of the blues as the angst of the song bubbles under the surface. First Kiss has a jazz element to it. Taylor’s smooth vocals are brought up in the mix and the addition of a solo saxophone in the chorus gives me goosebumps. The backing vocal harmonies take it to the next level. The acoustic country twang of Watch Me Hurt deals with heartbreak whilst Maybe concludes the album on a more positive country-pop vibe. It’s an eclectic collection of songs, some of which were first released back in 2004. Loyal fans will be delighted to hear some of these songs again as Dulcie Taylor rediscovers the stories behind them. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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for KING & COUNTRY Dolly Parton

Video: ‘God Only Knows’ by for KING & COUNTRY and Dolly Parton gets UK radio release

Four-time GRAMMY award winning duo for KING & COUNTRY announced the UK radio release of its unprecedented collaboration with the world-renowned entertainer Dolly Parton on the group’s award winning, RIAA Platinum single “God Only Knows,” as well as a powerful music video. The iconic Country Music Hall of Famer’s presence on the track takes the song to new heights, with shimmering acoustic guitars complementing the song’s message of hope. “God Only Knows” hit Top 30 on Mediabase and Billboard’s Hot AC charts in the U.S., while garnering 677 million radio impressions and over 200 million on-demand streams across all digital platforms. The Dolly Parton version, along with seven other versions of the song featuring various collaborators including Echosmith, Timbland, etc. are available now to all UK regional radio stations. “Hearing Dolly sing that chorus and those words was an out of body experience for us as writers and artists,” says Joel Smallbone, one half of for KING & COUNTRY. “As soon as we heard her vocals on the track, we immediately realized that this song was meant for her voice.” Dolly reflects, “When I first heard ‘God Only Knows’ I thought it was one of the best songs I’d ever heard. I came from a very spiritual background, and I love anything to do with inspirational songs that lift people up. I feel that this is a good song for right now, and it’s so well written. I know that it touched me at a time when I needed to be lifted up.” Additionally, Dolly is featured in the powerful music video for “God Only Knows.” The full-length video was shot in Nashville, produced by Patrick Tohill and directed by Benjamin Smallbone. The music video featuring Dolly has been viewed over 10 million times, while all versions of the song’s videos have been viewed nearly a combined 80 million times. Check out the interview Maverick did with Joel Smallbone HERE! To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Freddie Steady

Review: ‘Tex Pop’ and ‘Tucson’ – Freddie Steady

Two re-releases from Freddie Steady, a legend from Austin to London. He was a long-time member of Jerry Jeff Walker’s Gonzo Campadres, his band the Explosives backed psychedelic rebel Roky Erickson, he lived here in in the 80s (recording the splendid Lucky 7 album way down south, in Croydon) and his own psychedelic country bands the Shakin’ Apostles and Freddie Steady 5 have made a posse of wild and wonderful albums. TEX POP, from 2007, is just that, the sort of music that Doug Sahm used to create, delicious tunes with an eclectic country edge, embellished with those sun-drenched keyboards. Lead guitarist is the elegant Cam King, also an Explosive (who didn’t do at all badly by getting a song on Garth Brooks’ second Christmas album) and there’s even Mark Andes, bassist from Quicksilver Messenger Service. Songs like What’s So Hard About Love scream ‘hit single’ while (I’m An) Armadillo has a playful edge. TUCSON, from 1995, is a concept album, a ‘horse opera’, that’s since been transformed into a touring musical theatre event. There’s the title track with its string quartet, the rip-roaring Devil’s Hand (blistering guitar from Apostle and Jerry Jeff sideman John Inmon) and the delicate jangle of Treasure Of The Orient. Guests include former Joe Ely band members Lloyd Maines (pedal steel) and Ponty Bone (accordion) with Brit virtuoso Wes McGhee on Spanish guitar, embellishing the moody desert soundscape. A lasting classic. By Nick Dalton To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Sheryl Crow

Sheryl Crow announces global live stream!

Sheryl Crow has announced her first full length, solo and multi-instrumental streaming concert performance. The show, filmed by UK company Driift, will be broadcast on June 18th. Driift also made Nick Cave’s ‘Idiot Prayer’ at Alexandra Palace and Laura Marling’s Live at Union Chapel, as well as the Glastonbury’s virtual ‘Live at Worthy Farm’, streaming this weekend. The performance takes place at Crow’s “little church”, a private meditative space on her Nashville property, Crow moving between instruments to present her songs in a new way. “Doing a solo show like this is challenging and exhilarating,” says Crow. “Presenting these songs in a new way is exciting for me – this is not a typical acoustic show, those can be great, but this is something different.”  “I feel the beginnings of a renewal after the painful separation we’ve been through,” she adds of missing audiences, “I have tremendous gratitude for it. I can’t wait for fans to hear and see this very special show.” Crow has been feted by a new generation of singer songwriters who have covered her work and talked about her influence in recent times including Phoebe Bridgers, Haim, Maren Morris and Best Coast. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Taylor Swift

Review: Fearless (Taylor’s Version) – Taylor Swift

Taylor Swift Fearless (Taylor’s Version) Republic Taylor Swift’s Fearless is like waking up and suddenly seeing the world in beautiful technicolour. At a glance we’ve heard this record before, a classic almost, that we’ve come to know and love yet even familiar hits such as Love Story and You Belong With Me seemingly come to life in the new production. Swift has stayed true to the original recordings so much as they’re still country and it’s the same arrangement yet each instrument is enhanced within the mix as if it’s sitting comfortably in its own space under a spotlight. We hear a more mature vocal from Taylor as 13 years have passed since she recorded the original ‘Fearless’. I always loved her youthful voice on the original but we hear a new found strength in her voice. Perhaps this has come with age or perhaps it’s the sound of a fiercely independent woman reclaiming her life’s work! Forever And Always is particularly enhanced by the strength of Swift’s voice when she belts out that final chorus. Songs such as White Horse, the beautiful ballad about the realisation that not all love stories have a happy ending, has so much more depth to it. From the delicate piano accompaniment provided by Paul Sidoti to the backing vocals from Mike Meadows, every aspect helps to evoke emotion, as if the events that lead to this story being written happened just yesterday! It’s great to see the likes of Paul Sidoti and Mike Meadows so heavily involved on this record as they have been touring with Taylor from the very beginning. They are two incredible musicians who know these songs inside out. Some of Taylor’s finest songwriting was on the original Fearless album, it’s nice as fans to revisit and remember the sublime lyrics Swift crafted – back then she was just a teenager. Songs such as Tell Me Why which she wrote with Liz Rose and The Best Day, which she penned completely alone about her relationship with her mum. Lines such as ‘I know you’re not scared of anything at all’ carry more weight after everything the pair have been through together as a family since the care-free days when Swift first penned the beautiful tribute. In addition to the original songs we heard on the deluxe edition of fearless, Swift has added six songs ‘From The Vault’ which she penned at the time of the original record release but they didn’t quite make the cut first time around. With Swift now owning her own masters she has a lot more freedom and independence and this time, they made the cut! Fans of Swift are sure glad they did. She teams up with famous faces within the country world in the form of Maren Morris and Keith Urban who both add their own stamp to these songs. The stand out track from the set is one she penned 16 years ago with Liz Rose called Don’t You, Swifts falsetto in the chorus is beautiful and demonstrates two things, firstly the emotion she conveys in the song and secondly Taylor’s excellent vocal control as she sings the song flawlessly. The six songs ‘From the Vault’ are, to fans, like missing pieces from a jigsaw puzzle and for the first time we can stand back and view the whole picture in glorious technicolour. Fearless (Taylor’s Version) is a beautiful snapshot of where Taylor’s been and where she’s going. It’s a record that has the power to change the music industry for the better. The world really is her Oyster and she’s going to dominate it for years to come. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Nineteen Hand Horse

Review: Revel – Nineteen Hand Horse

Nineteen Hand Horse Revel Independent Nineteen Hand Horse’s debut album draws influence from classic country but have a hint of the blues and a dash of rock amongst the 10-track record. Just Another Honky Tonk Night introduces us to Nathalie Archangel’s gritty vocals, the references to classic country artists such as Patsy Cline and Johnny and June Carter Cash are a good indication of where this band sits within the country music landscape. Having said that the melodies in the chorus feel somewhat familiar and, as crazy as it sounds, reminds me more of Abba! The Withering Romance of Trains is a song that’s sure to take you by surprise not least because of the language which is far from family friendly but also the differences in the production between the verses and chorus which brings in modern themes set to a classic instrumentation. It’s an intriguing record which certainly has a sense of humour! Though the group may be newly formed all of its members have worked in the music industry as platinum-selling songwriters, producers or instrumentalists and you can certainly tell as the record is riddled with clever lyrics, impressive guitar riffs and it’s pulled together with a phenomenal production. Nineteen Hand Horse are a modern outlaw outfit and they are certainly ones to watch. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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The John Williams Syndicate

Review: Out of Darkness – The John Williams Syndicate

The John Williams Syndicate Out Of Darkness Wulfun Records John Williams’ career spans an incredible seven decades as a record plugger, producer, songwriter, journalist and recording artist and he is well known for his spell as the head of A&R. Having collaborated with just about anyone who is anyone on the music scene, he’s now come up with an excellent offering utilising the vocal talents of some of those who he’s worked with. Ten numbers written or co-written by Williams make this a very enjoyable listen. The ageless Petula Clark joins Williams on the beautiful ballad New Flag with Claudia Bruüken leading on Luminescent and Don’t Give Up On Me. Williams’ superb guitar and keyboard work give this collection of largely love ballads, a throbbing but haunting feel and his vocals have not suffered the ravages of time. As expected, the song writing is of the highest quality none more so than on the opening track Loud and Clear which he co-wrote with Iain Matthews. A 32 page booklet contains a self penned biography, all lyrics and a set of paintings by Tim Hobart. File under easy listening. By John Roffey To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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