Rochelle Mills

Rochelle Mills
by Luke Dyson

Darius Rucker blows the roof off the O2 (again) on 2nd day of C2C

It was Darius Rucker’s turn tonight to blow the roof off the O2 and he certainly did that! Day 2 was packed full of fabulous artists both in the main arena and on the outer stages which showcased the broad spectrum of country music. There was something for every type of country fan! My day began with a beautiful Bluebird session in the O2 Blueroom featuring Luke Dick, Laci Kaye Booth, Jeff Cohen and Tony Arata. I was excited, the caliber of these writers was second to none, and it was about to be a morning full of tears and laughter. Luke Dick kicked things off with ‘Polyester’, the song he opened with on Thursday at the CMA Songwriters Series, bringing a little bit of humour from the first note of the show. He’d go on to play ‘Burning Man’ and ‘Bluebird’, talking about the different kinds of birds he’d seen since he arrived in the UK in his introduction. Laci Kaye Booth impressed with her soft, whispy vocals as she sang songs such as ‘True Love’, a tune that has seemingly got stuck in my head over the past few days! Next to her was Jeff Cohen, the man behind such songs as ‘Postcard From Paris’ by The Band Perry and ‘Take Me As I Am’ by Sugarland but today he played a song that has just been play-listed by the BBC, ‘I See Stars’ which The Shires co-wrote with him and recorded, followed by ‘In Her Eyes’ in the second round, a song which Josh Groban made famous and he told the endearing story of how this track impacted a family in Australia. In his final round he played a mash up of Paw Patrol and Crazy For This Girl, the latter of which was the first song of his that went to radio. Tony Arata was situated last in the round and his credentials alone blew me away, he’s written for the likes of Trisha Yearwood and Emmylou Harris. His voice was rich as he sang ‘Here I Am’, a song Patty Loveless took to number 4 on the charts back in the mid 90’s. he concluded the whole show with the song that changed his life and explained the story behind how Garth Brooks came to record it – ‘The Dance’. It was breathtaking to hear Tony sing such a well crafted song that has truly stood the test of time. A few weeks ago, Maverick joined forces with Sony for a competition to see Tenille Townes and Friends in an intimate fan showcase. It was a joy to host that today. Tenille Townes, Caitlyn Smith and Alex Hall all took to the stage for a songwriters round before we opened it up for the floor to ask questions. Our Canadian Queen, Tenille played some new music off her upcoming EP ‘Masquerades’ before concluding with the song that propelled her into the limelight – ‘Somebody’s Daughter’. Meanwhile, Caitlyn Smith has impressed me all weekend with that breathtaking voice whilst Alex Hall was a fairly new name to me this year but has equally captured my heart just like the two girls when I first heard them a few years ago. Their rapport on stage was entertaining in itself, like being invited into the living room of three friends. Alex and Tenille’s duet was a particular stand out performance of the whole weekend! In the main arena later Tenille performed with her full band, it was incredible to see the difference and the value in both a small acoustic songwriters session to a full band arena set. She owned the stage, those unique vocals shining with every note, her smile lighting up the room. She kicked things off with a high tempo set which included one of her latest releases ‘Girl Who Didn’t Care’ and ‘White Horse’ but knew when to strip things back with the more intimate ‘I Kept The Roses’ and the tear-jerker ‘Jersey on the Wall (I’m Just Asking)’ which sounds intense when the full band joins in after the chorus. Tenille belonged on that stage, it set the tone (and the bar) for the rest of the night! So far this year, I feel there has been more music and less talking between songs (except for in writers rounds!) and the sets seem to have a higher energy to them. This was certainly a thought that crossed my mind during Scotty McCreery’s set as he played songs such as ‘Whereever You Are’ and ‘Damn Strait’. He talked briefly of the story behind the latter, touching on what a huge inspiration George Strait was to him. He played a few cover songs as well, pulling off a fantastic version of ‘She’s Not The Cheating Kind’. He showed his softer side with songs like ‘This Is It’ a song written for his wife and ‘Five More Minutes’, a song written about his Grandfather. This song was a particular highlight of the festival, his words and delivery causing tears to stream down my face whilst the rest of the arena shone their lights in the air. Brett Young followed and the audience seemed to swoon over him – he did have a good rapport with them from the off. Again, he focused on the fun, upbeat numbers of his back catalogue for the most part. Most were up dancing by the second song in, ‘1, 2, 3, Mississippi’. ‘Ticket To LA’ had everyone singing along whilst Brett invited everyone to slow dance with whoever was sat next to them during ‘In Case You Didn’t Know’ and as I looked around, couples were taking the opportunity to enjoy a romantic dance. He took the tempo down a notch further with sad song ‘Mercy’ which received the biggest reception of the weekend upon it’s conclusion. He concluded with ‘Sleep Without You’ but the audience was begging him to stay. Though he focused on keeping the energy levels high, he had a nice mix of slower, more heartfelt

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Russell Dickerson

CMA Songwriters Series returns to London after three years

IT’S BACK!! Live music has returned, C2C has kicked off in style with the CMA Songwriters Series. It was a show that, in true songwriter fashion, took you on a journey through all the emotions and gave an insight into some of the biggest hits from recent years. The main line-up comprised Luke Dick, Caitlyn Smith, Russell Dickerson and Shy Carter whilst the fifth chair saw an array of guests join each round. This year the focus was very much on introducing the future of the genre as Everette, Morgan Wade, Tiera Kennedy and Priscilla Block joined the writers to share their latest hits and singles. Luke kicked off the night with a fun, upbeat autobiographical track called ‘Polyester’ which he originally released with Miranda Lambert back in 2020, it nicely set the tone for the night and introduced the comedy to the evening. The pinnacle of this humour came in the fourth round when Luke played a less well known song called ‘I Am Steve’ explaining the story behind it had the audience in uproar, and even funnier was the tale of how he came to play it that night after watching British television earlier in the day. In amongst the comedy, he played plenty of hits too which pleased the crowd; ‘Kill A Word’, ‘Burning Man’ and concluding on the Nashville Songwriters Association Song of the Year, ‘Bluebird’. Luke was followed by Caitlyn Smith who brought a tear to my eye with her first song and most recent single ‘High’, originally released by Miley Cyrus. Smith is the full package with incredible songs delivered by this captivating voice. When she sang the room fell silent, you could hear a pin drop. Before performing her second song, Caitlyn made an emotional speech about chasing after your dreams, something many in the room could relate to. Then she launched into ‘This Town Is Killing Me’. She channeled the emotions well, tugging on the audiences heartstrings with every soft pluck of the guitar. She also performed her first number one, ‘Like I’m Gonna Lose You’ a song inspired by a dream that co-writer and artist, Meghan Trainor had. It was another that brought a tear to the eye of those around me. Then it was the turn of our host for the evening, Russell Dickerson who began with ‘Every Little Thing’, his 2019 chart topper, in fact, almost all the songs he played were number one hits on the airplay chart; ‘Yours’, ‘Love You Like I Used To’ and ‘Blue Tacoma’. The crowd joined in with every one but particularly enjoyed his latest single ‘Home Sweet’ and the endearing story behind it. He was a great host who clearly had so much respect for his fellow writers, they had a rapport with each other whilst Shy Carter instantly built a rapport with the audience. He knew how to work the stage and his energy was infectious as he began with ‘Stuck Like Glue’ which featured on Sugarland’s ‘Incredible Machine’ album. He beatboxed and freestyled throughout. He performed ‘God Whispered Your Name’ involving the audience once again by picking out Nicola and singing her name. The writers were clearly having a whale of a time and so were the crowd. During his rendition of ‘Heaven’ I realised just what a special voice Shy has, he’s another full package artist, though you’re engrossed in him as a performer he knows how to write a fantastic tune and has a smooth voice that serenades you perfectly. This was on full display as he duetted with Caitlyn Smith on the song ‘How Did You Sleep’ a track they co-wrote together. The night was full of magical moments but none more so than at the end of Caitlyn’s second song. As the writers laughed and joked around with each other, Caitlyn invited Shy to make his Grand Ole Opry debut in April. The audience erupted into rapturous applause at the news, a well deserved invitation to a dream realised. There was no better way to welcome back live music than with the CMA Songwriters Series; the tears, the laughter, that’s what country music is all about! If tonight is anything to go by we are in for a treat over the next few days.

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Russell Dickerson

Russell Dickerson announces UK tour

Ahead of a huge show at The O2 Arena in London for C2C Festival this weekend, multi-platinum selling country star Russell Dickerson has announced he will return to the UK for a run of dates this Autumn. The tour includes a date at London’s Electric Ballroom on October 12th. Currently in the middle of his US ‘All Yours, All Night’ headline run, which included sold-out dates at New York’s Irving Plaza and Nashville’s iconic venue The Ryman, the UK tour comes in celebration of his acclaimed 2020 sophomore album Southern Symphony and follows ‘She Likes It’, Russell’s cross-genre collaboration with Jake Scott.  “It’s time to take the All Yours All Night Tour WORLDWIDE!!! I can’t wait to turn up with all my U.K. and Irish fam this fall!” Russell said of the dates. Watch the video for ‘She Likes It’ Here. Known for his energetic shows, Russell brings the party to the following dates in the UK this October. General tickets will go on-sale on Wednesday 16th March at 9am GMT from HERE. October Tues 11th – BRISTOL, Thekla Weds 12th – LONDON, Electric Ballroom Fri 14th – GLASGOW, St. Luke’s Sat 15th – MANCHESTER, Academy 2 Sun 16th – BELFAST, Empire Music Hall Tues 18th – BIRMINGHAM, O2 Institute 2 Weds 19th – NOTTINGHAM, Rescue Rooms

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ACM

The Academy of Country Music Awards lit up Las Vegas!

What a night it was in Vegas! From the moment the country music community began to congregate on the Red Carpet to the very last acceptance speech, the night was filled with smiles and celebrations as the industry came together for one of the first times since the pandemic began. Tenille Townes put on a dazzling performance at the Red Carpet show to kick things off before gushing to me how excited she is to be coming back to the UK for C2C, “I don’t know how I managed to fit everything in one suitcase, but we’re packed and ready to get on that plane tomorrow!” She also spoke of her excitement of seeing her friend Lainey Wilson perform who had already accepted the award for New Female Artist of the Year but the night got even better for Wilson as her song ‘Things A Man Oughta Know’ beat out tough competition to take home Song of the Year. The night was hosted by the legendary Dolly Parton who couldn’t have found a more dazzling outfit if she tried, she truly lit up the room in more ways than one! With her new novel co-authored with James Patterson coming on sale that day along with her new album to go with it, Parton treated us to a duet of ‘Big Dreams and Faded Jeans’ with Kelsea Ballerini. She recognised that despite the jubilant occasion there was a sombre tone to the night as the people of Ukraine would be at the forefront of everyone’s minds. Old Dominion acknowledged this too, speaking in their press conference how uncomfortable it felt to be celebrating their win for Group of the Year with Matthew Ramsay saying, “My heart hurts for those hiding in basements right now,” meanwhile, as Ramsay spoke those words backstage, the arena was reflecting on the events of 2017 at the Route 91 festival where 60 people lost their lives. Jason Aldean was on stage that day when the gunman opened fire and he, filled with emotion paid tribute to them before introducing Chris Stapleton who performed a song he had written in the aftermath. He would later go on to pick up the award for Male Artist of the Year, whilst Carly Pearce won Female Artist of the Year to accompany the earlier award she picked up for Music Event of the Year, an award she won for her duet with Ashley McBryde on ‘Never Wanted To Be That Girl’. The pair took to the stage to sing the song in what was an emotional, heart-string tugging performance. And talking of strings, Thomas Rhett’s performance of ‘Slow Down Summer’ off his upcoming album boasts a beautiful string arrangement on the record but in a live setting it really amplified the emotion. The ACM awards are known for their fantastic duets and collaborations so it was wonderful to see Breland and Rhett performing together and of course Carrie Underwood joining Jason Aldean for a rendition of Single of the Year ‘If I Didn’t Love You’, with Carrie coming down from the ceiling on a sort of hula-hoop. One of the performances of the night came from Kelly Clarkson who paid tribute to Parton with her rendition of ‘I Will Always Love You’. This was followed by the announcement that the top prize of the night, Entertainer of the Year, was won by Miranda Lambert! Earlier in the night she had picked up the award for Video of the Year alongside Elle King for ‘Drunk (And I Don’t Wanna Go Home)’ but she has had an incredible year with various projects such as The Marfa Tapes having wide success. She truly deserves this award and it has been a long time coming for the Texas native who accepted the award via video link from London where she is staying ahead of Country 2 Country festival. The Academy of Country Music put on a truly breathtaking show in Las Vegas which truly showcased the broad spectrum of what country music is today. With it being streamed on Amazon Prime it meant people from all over the world could watch the event live for the first time. The winners were deserving and the collaboration showed just what a tight-knit community we have in the genre.

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C2C

Ones to watch at C2C

C2C have confirmed the full complete line up of festival stages across The O2, London featuring over 100 performances across the weekend.  C2C provides an incredible opportunity for fans of country to discover and support new artists from all over the UK, Europe and the US.  C2C ticket holders will have access to The Town Square, The Big Entrance, BBC Radio 2 Stage (at Indigo at The O2), Country Music Week Hub and The Saloon (All Bar One), The Icon Stage and The Garden Stage.    It’s going to be a busy weekend with you feeling like you need to split yourself in two so as not to miss any of your favourite artists! However, we’ve got you covered as we highlight a couple of key, not-to-be-missed performances from each stage.  BBC RADIO 2 STAGE AT INDIGO – Alex Hall, Avery Anna, Breland, Brittney Spencer, Caitlyn Smith, Callie Twisselman, Callista Clark, Erin Kinsey, King Calaway, Matt Stell, Robyn Ottolini, Shy Carter, Tebey, Tenille Arts, Tim Hicks, Walker County, Willie Jones       Willie Jones – This is such a packed line-up that it was hard to narrow down but Willie Jones seriously impressed me in 2019 at the Music City Cares concert which featured Carly Pearce and Rodney Atkins. Right now I’m really enjoying ‘American Dream’ a song he released just over a year ago now. He’s a versatile performer and definitely one not to be missed.  Callista Clark – Our cover star from the last issue has some great songs and a phenomenal voice, she also plays eight instruments! She may be young but she will own that stage and captivate the room. The song I’m most enjoying right now is ‘Real To Me’.  THE TOWN SQUARE – Alex Hall, Avery Anna, Breland, Caitlyn Smith, Callie Twisselman, Catherine McGrath, Everette, Jaret Ray Reddick, Jess Moskaluke, Kezia Gill, Laci Kaye Booth, Laine Hardy, Laura Oakes, Morganway, Robyn Ottolini, Seaforth, Shy Carter, Tebey, Tim Hicks, Twinnie, Walker County, Willie Jones          Seaforth – These boys are so much fun and have some really catchy songs. All the way from Australia, the duo have brought their own flavour to the Nashville scene and have teamed up well with other artists and writers. The song they’ve done with Jordan Davis, ‘Good Beer’ is a standout.  Kezia Gill – Kezia is one of the fastest rising stars of the UK scene. Recently named Entertainer of the Year at the British Country Music Association awards, Kezia’s power-house vocals will reel you in on first listen and her live performance will most certainly impress. ‘Whiskey Drinkin Woman’ is my song of choice.  CMW HUB – ALL BAR ONE – Alex Hall, Catherine McGrath, Kaitlyn Baker, King Calaway, Laci Kaye Booth, Laine Hardy, Robyn Ottolini, Shy Carter, Tebey, Tim Hicks, Twinnie, Walker County   Shy Carter – There are plenty of chances to see this hitmaker throughout the weekend but take as many of those chances as you can because he is a real gem! I’m hoping and praying with all my heart that he’ll play ‘Speak to a Girl’ a song he wrote that featured on Tim McGraw and Faith Hill’s album along with ‘Stuck Like Glue’ a hit he penned for Sugarland. However, listen out for some amazing new material from Carter because his new record is brilliant!  Laci Kaye Booth – Texas native, Laci Kaye Booth rose to fame through American Idol but has since impressed the Nashville community, regularly writing with the likes of Laura Veltz and Jimmy Robbins. Her song ‘Shuffle’ is a great tune.   BIG ENTRANCE – Caitlyn Smith, Eric & Jensen, Essex County, Everette, Gary Quinn, Harleymoon Kemp, Hayley McKay, Izzie Walsh, Jaret Ray Reddick, Jess Moskaluke, Kaitlyn Baker, Katy Hurt, Kezia Gill, Laci Kaye Booth, Laine Hardy, Laura Oakes, Morganway, Ruthie Collins, The County Affair, Tim Prottey-Jones, Twinnie   Harleymoon Kemp – Daughter of Martin Kemp, music runs in the family for Harleymoon Kemp and she was always destined to excel at it. She’s bound to impress at C2C. ‘Love On The Radio’ is probably my favourite track of hers.  The County Affair – This duo have a lovely story about friends reunited and the EP that they released last year is a standout on the UK scene. I’m excited to see these songs performed live. ‘Every Ghost’ is definitely worth a listen.  ICON STAGE – Catherine McGrath, Danny McMahon, Eleri Angharad, Eric & Jensen, Essex County, Gary Quinn, Harleymoon Kemp, Izzie Walsh, Jeannine Barry, Jess Thristan, Kaitlyn Baker, Katy Hurt, Lucy Grubb, Pete Gow, The County Affair, Tim Prottey-Jones   Katy Hurt – It’s no secret that I’m a big fan of Katy Hurt, I just think she’s one of the brightest stars in the UK scene right now. ‘Sounds Good In A Bar’ was released last year and I think it’s one of the best songs she’s released.  Kaitlyn Baker – Kaitlyn Baker is a really talented artist and has opened for the likes of Craig Morgan and Jim Lauderdale. Dubbed the new coal miner’s daughter due to her family’s background, her songwriting speaks directly to the hearts of ordinary people. ‘Drinkin’ Hours’ is my go-to track of Kaitlyn’s.  GARDEN STAGE – Danny McMahon, Eleri Angharad, Eric & Jensen, Essex County, Everette, Gary Quinn, Harleymoon Kemp, Hayley McKay, Jeannine Barry, Jess Moskaluke, Jess Thristan, Katy Hurt, Kezia Gill, Laura Oakes, Lucy Grubb, Pete Gow, Ruthie Collins, The County Affair, Tim Prottey-Jones       Jess Moskaluke – Jess brought out a wonderful album last year called ‘The Demos’ which featured songs she’d co-written with some Nashville hit-makers such as Liz Rose and Corey Crowder and they deserved to be hits themselves – there was some fabulous songwriting on there. The Canadian will be one of the most talked about artists on these outer stages I am sure. Chosen song – ‘Mapdot’.  Eric & Jensen – Eric and Jensen are the new kids on the block of the UK country scene. The two brothers are just starting out on their journey but have some covers on youtube

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COMPETITION: Win tickets to Tenille Townes fan event at C2C!

Maverick has teamed up with Sony Music Nashville to deliver an intimate fan event with Candaian country star Tenille Townes! The event shall take place on Saturday 12th where Tenille will take to the stage with a series of special guests joining her. This will then be followed by a Q&A with Tenille. To enter just follow the link HERE but be quick, today is your last chance! To get you in the mood, take a listen to Tenille’s latest single ‘When’s It Gonna Happen’ below.

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Audra McLaughlin

Audra McLaughlin announces new single

The new single ‘Beautiful Pain’ from Audra McLaughlin not only showcases her phenomenal range but with magical backing vocals from iconic singer Robert Bailey, this stunning blend of voices leaves listeners feeling awe-struck. Robert Bailey is best known as the longtime backing singer of Garth Brooks and has a long list of credits to his name, including recordings for Reba McEntire, LeAnn Rimes and more recently Dan + Shay (to name a few!). The song was co-written with hit songwriter, Pete Sallis who’s songwriting credits include Ronnie Dunn’s ‘Once’ and Maddie & Tae’s ‘Shut up and fish’. Once again we hear the incredible playing from Nashville Veterans Johnny Garcia and Jimmy Mattingly as Musicians on the track. With bitter sweet lyrics that will resonate with many, big soaring vocals and a soulful sound that wouldn’t sound amiss on a Carrie Underwood record and the unmistakable polished production from Garcia and Mattingly – this single is the most ambitious one yet from Audra McLaughlin! It’s out on 31st March 2022 and is available to presave NOW! Producer, Songwriter, Publisher, and guitar player Johnny Garcia has been playing on stage with Garth Brooks since 2000 and for Trisha Yearwood since 1991 (he also serves as Trisha’s music director).  Johnny owns ‘Busy At Play Publishing’ on Music Row with a long list of publishing credits to his name. Producer, Songwriter, and award-winning fiddle player, Jimmy Mattingly,  is also a touring and recording fiddler for some of the biggest Country acts of all time, including Dolly Parton, Kenny Rogers, Brooks and Dunn, Garth Brooks,  Keith Urban,  and Trisha Yearwood. Check out the interview we did with Audra in the last issue available HERE! To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Thomas Rhett

Thomas Rhett releases new song ‘Death Row’

Thomas Rhett teams up with friends Tyler Hubbard and Russell Dickerson for his latest single off upcoming album ‘Where We Started’. Long recognised for his “songwriting brawn” (American Songwriter) and a prolific career writing about what he knows, superstar Thomas Rhett stretches his truthful storytelling even further today with the release of “Death Row.” Featuring Tyler Hubbard and Russell Dickerson, the song was penned after the three visited a men’s prison in Tennessee with their guitars. Armed with a pressure cooker of emotions, Thomas Rhett wrote the sobering track of redemption alongside Ashley Gorley and Zack Crowell. Fans can now listen to the new track off Where We Started (out April 1 via The Valory Music Co.) here and pre-order the album here. “Tyler, Russell and I went and played some songs for a men’s prison here in Tennessee,” Thomas Rhett shared. “We left with a lot of complex feelings, so I started writing as a way to process the heaviness. Our goal was for people to understand our experience by way of music – it’s basically a page directly from our journal that day.” Watch the lyric video for the song here.

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Dolly Parton

Book review: ‘Run, Rose, Run’ by Dolly Parton and James Patterson

After the songs she’s written, films she’s acted in and composed for, funding a vaccine, and putting millions of books into the smallest of hands, you may be wondering if there’s anything Dolly Parton can’t do? In short, the answer is no as her latest adventure sees her pen her first novel with best-selling author and philanthropist James Patterson. ‘Run, Rose, Run’ follows the story of AnnieLee Keyes, an aspiring country singer as she arrives in Nashville with big dreams. There she meets retired country star Ruthanna Ryder who takes her under her wing and dashing guitarist Ethan Blake who believes in her from the moment he meets her. However, AnnieLee is on the run but what is she running from? ‘Run, Rose, Run’ captivated me from the Prologue, you find yourself holding your breath as you get closer to untangling the web of secrets that each character holds. The three main characters have a lot of depth to them, they’re well developed from the start. AnnieLee Keyes in particular is an easy character to connect with, you feel like you know her like a friend yet at the same time the sense of mystery that surrounds her and her past is written so well. It grips you, you don’t want to put it down until you find out what secrets she’s hiding. Her fieriness and determination to succeed inspire and you find yourself willing her on with each turn of the page. Meanwhile, that grit she shows also sparkles in Ruthanna Ryder’s character. You can see she is like the Dolly Parton or the Reba McEntire of the country world and there is an instant admiration and likability to her. The intricate details within the story help to build the suspense and as things start to look up for a character you can feel something coming just around the corner, so you can never quite relax. However, there is humour in the dialogue, light hearted relief that punctuates the drama and darkness that surrounds the plot. Whilst Patterson undoubtedly brings that suspense and mystery, Parton sets the scene well, the landscape is so beautifully painted. Her knowledge of the music industry really brings the characters and story to life as she references real musicians, events and controversies like ‘Tomato-gate’ and publishing rights; allowing those outside of the industry to properly understand and empathise with the fight artists and writers have on their hands to own their own words. Despite the detail in the build up, the climax seems to go at ten times the speed and to me wraps up a little too quickly (or perhaps I was a little too eager to get to the bottom of the mystery!) Once the antagonist is revealed, minor details throughout the novel begin to click into place and the lyrics on the accompanying album take on a whole new meaning. The audio book is definitely worth a listen too with Parton and Kelsea Ballerini bringing the drama to their voices as they act out the dialogue. I wouldn’t be surprised to see Parton and Patterson team up again in the future and the media interpretations of Run, Rose, Run expanding in the form of a film or musical version. To summarise, it’s one of those books that plays on your mind all day if you have to put it down, wondering what will happen to the characters you’ve come to know and love and once you’ve finished reading, a pang of sadness washes over you that the story, the journey you’ve been on with these characters has drawn to a close. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Dolly Parton

Album review: ‘Run, Rose, Run’ by Dolly Parton

This is, in many ways, an unprecedented project both for James Patterson and Dolly Parton plus the entertainment and leisure industry as well. Patterson has teamed up with other celebrities to craft novel’s set in their chosen field before whilst Parton has written music for a brief like a film script. However, this is her first novel and unlike most novel’s, an accompanying album has been written by her. Although she sings each track, she is singing from the hearts of three of her characters from the novel. On the face of it, this could be another Dolly Parton album, it makes sense as a stand alone body of work and is cohesive sonically. In some ways these songs are just designed to punctuate the novel but in true Dolly fashion each song tells it’s own story, there’s a lot of weight to the lyrics as we hear in ‘Woman Up and Take It Like A Man’. It features those lyrics we keep on reading throughout the novel – ‘Is it easy, no it ain’t, can I fix it, no I cain’t, but I sure ain’t gonna take it lying down.’ There is a grit and determination in the lyric that is both relatable and inspiring. Surprisingly, much of the record feels upbeat and driven in spite of the darkness that looms over the thickening plot in the novel. Don’t underestimate the power of the production and arrangement in achieving this; the classic country sound with a shuffling drum beat and busy fiddle has the ability to lift hearts whilst of course there is an energy that is reflected within the lyrics. The fieriness and resilience of the characters she is portraying shines through in Parton’s delivery, particularly on ‘Snakes in the Grass’. It’s a stand out on the record – her vocals are powerful – she sounds her very best here as she projects that chorus. The production is well thought through, the shaker bringing images of rattle snakes to mind whilst the backing vocals take it to a whole new level. It’s a foot stomping number that pushes forward and helps sustain the suspense that runs throughout the book. Similarly, ‘Firecracker’ really helps to bring to life the personality traits of our principal character AnnieLee Keyes. Occasionally there is a more delicate song, more vulnerable. Again, it reflects the story and characters who, though you know it’s there, very rarely show their vulnerable side to the outside world. Those ballads tug on your heartstrings though, particularly the closing number ‘Love or Lust’ which sees her team up with Richard Dennison for a duet made all the more poignant by the string arrangement. It’s not the only duet on the record as ‘Demons’ opens with the sound of Ben Haggard’s voice and Joe Nichols joins her for ‘Lost and Found’. In conclusion, this is a fantastic record that beautifully accompanies and enhances the characters and story told in the novel. Lyrically and musically it is a strong record from Parton who shows there is no end to her talents with this wonderful project. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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