Rochelle Mills

Rochelle Mills

Review: ‘Down At The Crossroads’ – Steve Bonham and the Long Road

I reviewed one of the band’s previous records last year, it was my first time listening to them and I was pleasantly surprised by their all round artistry. The band really showcase their musicianship on their latest four song EP, opening with the dramatic instrumental that becomes the title track. It has a cinematic feel to it and the intensity remains, even when the slightly laid back vocals come in. ‘Something’s Gotta Change’ is a toe-tappingly good track, upbeat, yet there’s an urgency and determination in it’s delivery. They are a band that doesn’t follow the mainstream and that’s exhibited in their songwriting with the structures and arrangements pushing the boundaries to create an original sound. I have commented before about the chemistry exhibited by Steve Bonham and The Long Road, they are a tight knit group and once again it’s a well produced, cohesive record.  

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Review: ‘The Friday Night Club’ – Anna Howie

Anna Howie is a homegrown talent who’s debut 11 track album seeks to solidify her status as one of the fastest rising stars of the scene. Howie penned some of the album in Nashville and reflects upon her time there whilst she also takes influence from family and friends and the trials and tribulations we all faced in the last couple of years. The stand out track comes in the form of ‘In The Morning’ which features a brass section, which is unusual for the genre. Meanwhile, ‘A Bird Sings In Nashville’ Howie wrote on a porch swing out in Nashville where she had planned to record the album but she made the most of the travel ban by instead recording and producing this track in the UK with Lukas Drinkwater who has kept things simple but has done a great job. Howie captured the hearts of fans with a livestream every Friday night which garnered nearly two million views and inspired the name of the album. It’s a very well written and produced record that is most certainly worth a listen. 

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Review: ‘Blue in the Sky’ – Dustin Lynch

Dustin Lynch has never quite got the respect and the attention that he deserves over the past few years. In his own words he says how excited he is to go on his headline ‘Party Mode’ tour because he’s always had to be an opener. His duet ‘Thinking Bout You’ with Mackenzie Porter was a game changer for both parties as it blew up last year and rightly so. That track, that topped the airplay charts for six weeks, features on Lynch’s latest record which is a fun loving celebration of life, inspired by the great outdoors lifestyle that he leads when he isn’t in the studio. He teams up with Riley Green on ‘Huntin Land’ a more traditional sounding country song that boasts a bit of humour when it comes to love. Meanwhile, Chris Lane joins him for the laid back, fun loving ‘Tequila on a Boat’. Arena-ready ‘Stars Like Confetti’ is a real highlight on the record. Lynch co-wrote five of the 12 songs whilst out in the country on writing retreats with friends. The end product is a superb collection of songs which is bound to be the soundtrack of the summer with a nice blend of ballads and upbeat, party numbers. In my opinion, it’s Lynch’s best album to date, I just hope he decides to bring his tour over here to the UK so we can all join in the fun! 

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Review: ‘Somethin in the Water’ – American Blonde

For those of you who remember the group Southern Halo, you’re bound to enjoy American Blonde as the two older Morris sisters return to the spotlight to form the duo. The songs are grittier and edgier than Southern Halo’s but with a new producer on board the pair feel they have found their true sound. Their vocals still soar though and the songwriting is still gripping. ‘Blackwater Creek’ is a stand out as it discusses the themes of reckless hearts set to a mysterious and eerie production reminiscent of some of the Civil Wars music. The quietness of the verse is juxtaposed when the chorus hits allowing their vocals to become explosive and powerful. The rockier ‘Hurricane’ keeps the energy high whilst the emotionally charged ‘Dust On my Wings’ tugs on the heartstrings as the pair pay tribute to their grandfather in this beautiful song. Their harmonies throughout are what set this duo apart from the rest of the field. I loved Southern Halo but American Blonde have rediscovered themselves and have gone from strength to strength with their beautiful vocals and well written, authentic songwriting. 

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Review: ‘Givin’ a Damn (Don’t Go with My Outfit)’ – Pamela Hopkins

Pamela Hopkins’ has had a successful career in law enforcement and as an English teacher, the latter of which has no doubt helped her when it comes to crafting lyrics. For this latest EP, Hopkins tries to establish music as her full time job and why not? Her voice is unique, a slight southern twang to it reminiscent of Jennifer Nettles country drawl, giving the music an authentic tone from the off. In the opening track ‘Crankin Up The Crazy’ we hear a lot of personality flowing through the lyrics and melody and you find yourself tapping along on first listen. One of the highlights for me is her duet with Matt Dame, ‘Little Things’. The love ballad is uplifting and features a really strong production whilst the pair’s voices really work together. ‘Givin a Damn (Don’t Go with My Outfit)’ the title track is more of a country rock track and we see a whole new side to Hopkins vocals as she belts out that chorus. Packed with power, we see a fiery side to Hopkins and this is the side I want to hear more of! The guitar solo is also a welcome sound in a song like this. It’s a great collection from the Arkansas native. 

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Review: ‘Tumbling Down’ – The Nashvillains

I love a good concept album, although they don’t pass my desk too regularly in the country music scene and certainly not as a debut album. However, The Nashvillains seem to be a group that goes against the grain and defies the norm. The nine track album was written completely by the members of The Nashvillains and aims to take you on a journey. The record tells the story of a man trying to get his life back on track after a series of bad decisions. It opens with the eerie ‘Devil Don’t Sleep’ the long sustained notes are well executed in the verses whilst the production perfectly compliments the story. It is a strong opener that introduces us to the group. The stand out track is the title track, with it’s sombre tone it speaks to us all especially after the last few years. Melodically it’s beautifully crafted as that chorus becomes memorable but it’s the lyrics that truly shine ‘Memories in your head you can’t forget’. The trio have all had prolific careers writing and composing music for artists such as Keith Urban, The Chicks and Travis Tritt to name a few but have united as one to bring this outlaw-country flavour back to the genre. It’s a really strong record for the trio and I look forward to where they can go from here if they stay true to their sound.  

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Review: ‘Until The Sun Comes Back Around’ – Hannah Bethel

A trained hypnotherapist and Reiki master, there are many different levels to Hannah Bethel’s personality. But above all, she is a master storyteller, transporting you to a singular, detailed moment in her music and with this record she takes things one step further. Bethel’s voice is reminiscent of Ashley Monroe mixed with early Taylor Swift, she has a sweetness to her tone and I love the falsetto as she reaches for those notes in album opener ‘Bad News Baby’. The lyrics are vivid, you can see the scene and smell the scene in those opening lines ‘I always loved the smell of a cigarette, ever since I was a kid, always wanted to taste it on my lips.’ In the production, she uses the pedal steel/slide guitar to great affect. ‘Godspeed, Los Angeles’ has an energy about it, it’s upbeat and the melodic hooks get stuck in your head. Meanwhile, the stripped back melancholy album closer ‘On The Way Down’ leaves space in the production for the emotion to really pour out of her voice as she trades snippets of a conversation that occurred during a break up. Lyrically she doesn’t hold back or craft it into some poetic rhyme, it is true, honest, real and to the point. To summarise, I think it’s a brilliant EP from Bethel who is certainly going somewhere with songwriting as good as this! 

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Review: ‘Hard Truth’ – Paul J Bolger

Paul J Bolger has been keeping himself busy since his 2020 self titled album and has released a collection of ten songs in tribute to his Uncle who Paul says was a great singer and sportsman and  a huge inspiration to him when he was a kid. The record opens fittingly with ‘The Start Of It’, his voice is full of soul and has a unique tone to it whilst the song itself has a rock n roll element to it. Bolger has pushed the boundaries of his sound with this record, recorded in Ireland, he has used less musicians than his previous release yet expanded sonically. There are a number of stand out tracks from the stripped back nature of the opening of ‘Hard Truth’ with Bolgers’ soft vocals accompanied by acoustic guitar and percussion to the rousing nature of ‘See Love Shine’ with it’s positivity and bright guitars bringing the track to life. To summarise, it’s a really strong album from Bolger and beautiful tribute to his Uncle. The lyrics take you on a journey through the emotions and there is a good balance of upbeat and sombre tracks. I look forward to hearing more from Bolger. 

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Ryman Auditorium

The Ryman Auditorium celebrates 130 years

I have attended the Ryman Auditorium, in downtown Nashville, and been witness to the music of B.B. King, Tommy Emmanuel, Victoria Justice, Dodie and the comedy of Jim Gaffigan. This year the Ryman celebrates its 130th anniversary from humble beginnings in 1892 to the Mother Church of today. Of all the incredible venues to absorb live music in Nashville nothing is better than sitting in the wooden pews of the Ryman and feeling that you are a part of this historic institution.   To mark this milestone event there will be additions to the daytime tours, community events, residencies and of course many special concerts. The Ryman Community Day will be held in May with special pre-show events and plans for the PNC plaza. Residencies are currently planned for Dwight Yoakam (Jan 19-21), Billy Strings (May 6-8) and many more to be formerly announced. Some of the major concerts will include The Beach Boys, Trace Adkins, Yola, Bonnie Raitt, Gladys Knight and the Black Pumas.    Although known for Country Music, as the former home of the Grand Ole Opry from 1943-1974, the Ryman has welcomed many different genres of music and entertainment in its long history.  The first concert was held on May 4th 1892, and since then it’s stage has seen the likes of Charlie Chaplin, Harry Houdini, Martin Luther King Jr and former US President Theodore Roosevelt. Music acts that have performed there range from Sheryl Crow, Johnny Cash, Harry Styles, Patsy Cline and Garth Brooks. Virtually every show at the Ryman sells out and it typically hosts 200 shows per year and is the Number one theater for concert ticket sales worldwide per Pollstar.    The Ryman Auditorium was built by Captain Thomas G. Ryman and was originally the Union Gospel Tabernacle. What started out as a church evolved into a symbol of music and hope and a goal where every music artist eventually hoped to perform one day. Television shows and movies have been filmed inside and around the Ryman including The Johnny Cash Show, Coal Miner’s Daughter, Nashville and American Idol.    Having stood backstage and walked on the stage to conduct interviews with artists in the past you feel a sense of reverence at the Ryman. I don’t know if it is knowing that you are standing on the same wood that legends stood and performed or of the great history that permeates the building. When I first moved to Nashville, I took my family backstage during a special Opry performance and The Riders in the Sky sang Woody’s Roundup for my daughter before they went on stage.    I highly recommend the day tours to really understand the full history of the Mother Church.  They have also taken to curating excellent historical displays with instruments in cases at the top floor. Attending a concert or entertainment show is a must at the Ryman when you visit Nashville. Inside you will see statues of Roy Acuff and Minnie Pearl on a bench in conversation. Outside there are life size statues of Little Jimmy Dickens and Bill Monroe who were both influential in the popularity of the Ryman. In 2020 a statue was erected of Country Music Legend Loretta Lynn to commemorate her debut performance there 62 years ago. And of course, you should have something to remember the original founder of the Ryman with Captain Thomas Ryman watching over your entrance.    History, music, entertainment and nostalgia are all pieces of the puzzle that make the Ryman Auditorium such an architectural icon. Come celebrate the Mother Churches 130th Birthday this year, you won’t regret it!  To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Eric Dahl Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Ruby Gaunt

Luke Combs brings on special guest as he brings the house down at C2C

Luke Combs closed out C2C with a bang as he performed one of the most energetic headline sets that I’ve ever seen at C2C and there was a surprise in store as he welcomed Ed Sheeran to the stage for a special duet! The day got off to the very best of starts as Caitlyn Smith opened the Town Square stage at 10.30am. For many, including myself, she has been one of the highlights of the whole weekend with that stunning voice and thoughtful songwriting. Callie Twisselman also really impressed me on the two occassions I saw her perform today, just happy to be up on stage, she engaged with the crowd well. Due to some back line issues Walker County had to adapt their set and their usual set-up but still managed to pull off a brilliant performance. The Indigo reached capacity crowd for Tenille Arts which was no surprise but luckily we managed to sneak in to catch her gripping performance. On the spotlight stage today, Avery Anna’s vocals impressed me and her unusual yet beautiful rendition of ‘Ring of Fire’ and ‘Forever and Ever Amen’. Seaforth made that stage into a party stage with their single ‘Good Beers’ whilst Tenille Arts once again had the crowd in the palm of her hand for her set. To the main arena and problems somewhere along the line getting artists from Ireland to London meant that none of the artists gear had shown up so things were running a tad late and they were all having to share the same instruments that C2C had acquired from somewhere. It was worth the wait though as Hailey Whitters, a songwriter I greatly admire, took to the stage to share some new songs from her album which comes out next week as well as some fan favourites and a cover or two. ‘Everything She Ain’t’ was a real highlight for me whilst ‘Heartland’ was a crowd pleaser. She also performed Trisha Yearwood’s debut single ‘She’s In Love With the Boy’. Her rendition was energetic and charming. Flatland Cavalry was the band I knew the least about coming into the weekend but the level of musicianship they displayed blew me away, perhaps the next Zac Brown Band? It’s a proper Texas country band, their brand of authentic country music slightly different to anyone else on the line up. They opened with ‘Some Things Never Change’ and my foot instantly began tapping. Lead singer Cleto Cordero invited his wife Kaitlin Butts on stage to sing ‘A Life Where We Work Out’. They had already won me over by this point but I thought this was a particular highlight. The tempo stayed high after that as they got the crowd singing along to John Denver’s ‘Take Me Home, Country Roads’. They followed this with Wesley Hall showing off his fiddle skills in their rendition of ‘Dueling Banjos’ before concluding with ‘Stompin Grounds’. Ashley McBryde followed, it’s been nice watching her progression over the years from performing acoustically on the pop-up stages to performing on the main stage the very next year and now, next to the headliner. It’s been a deserved journey though and a joy to watch. She opened with the feisty ‘Martha Divine’, introducing us to the slightly rockier show that she was about to put on. She kept the tempo high as she danced her way through ‘El Dorado’, ‘Never Will’ and ‘Living Next To Leroy’. The moment of the night was when she talked about ‘young folks (folks not old enough to drink)’ and how bringing them to concerts like that showed them they could stand where she is standing. This led nicely into ‘Girl Going Nowhere’. McBryde looked overwhelmed by the crowds reception of the song as she said “London, you’re going to make me cry!” ‘Dive Bar in Dahlonega’ was another special moment between the fans and McBryde and when she concluded on ‘One Night Standards’ the fans were begging for more. Unfortunately, time was tight though and before you knew it, it was Luke’s turn. If it was loud before, it just got louder. He made a dramatic entrance, walking out to the band playing the intro of ‘When It Rains It Pours’ but as he started singing there was no sound for us out front. Down at the front, they managed to get his attention that they couldn’t hear and he told his team who swapped out his mic all whilst the band kept on playing. He stopped proceedings to ask if we could all hear now. Ever the professional, he took it from the top again. He worked the stage as he sang ‘1, 2, Many’ and told us the story behind ‘Houston, We Got A Problem’. The whole crowd were up on their feet, belting out ‘One Number Away’ before Combs asked permission to perform a cover. Here came the big surprise as he began ‘Dive’ by Ed Sheeran before welcoming the man himself to join him on stage which judging by the gasps and screams from the audience meant they were quite surprised to see him! The pair performed it together perfectly. ‘Dive’ wasn’t the only cover he did as he sang ‘Brand New Man’ a song made famous by Brooks and Dunn, a song he sang with the duo on their ‘Rebooted’ record. The powerful one for me was ‘Beautiful, Crazy’ which saw a tear prickle my eye. Though he’d taken it down a notch for that last song he cranked things back up with ‘She Got the Best of Me’ and ‘Hurricane’ – his concluding song. But there was time for an encore and the level of noise suggested the crowd weren’t going to go anywhere until he’d come back out. He performed two more number one’s upon his return – ‘Forever After All’ – a tug of the heartstrings, romantic tune, followed by ‘Beer Never Broke My Heart’. I don’t know how much beer he must have gone through after throwing

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