Rebecca Morpeth-Spayne

Melodie Yvonne

Shrewsbury Folk Festival announce final lineup

Elkie Brooks, whose ‘Pearls’ album became the most successful chart album by a British female when it was released, will headline the closing day of the August Bank Holiday festival. American bluegrass hip hop band Gangstagrass will close out the festival’s Severn stage on Friday August 23rd  with Scotland’s Peatbog Faeries doing the honours on Saturday August 24th. The Celtic Social Club (France/UK), London Afrobeat Collective, Bella Hardy (trio), all female outfits HEISK, The Magpies, Lady Nade and Roswell along with Sidiki Jobarteh Trio and Mazula (South Africa) are also in the third and final wave of artists. The festival’s extensive line-up will combine folk, Americana, blues and world music across four main stages. It includes Ladysmith Black Mambazo (South Africa), Mary Black (Ireland), Eric Bibb (USA), Beth Nielsen Chapman (USA), Ward Thomas, Jacqui McShee’s Pentangle, Mànran,The Longest Johns, El Pony Pisador (Spain), Mary Gauthier (USA), Le Vent du Nord (Canada), Kathryn Tickell & The Darkening, The Wandering Hearts, Dream in Colors, The Pleasures (Australia), Suntou Susso Band, Ranagri, The Hello Darlins’ (Canada), Joshua Burnell Band, NATI, The Hunch, James Delarre & Saul Rose, Rosie Hood Band, Joli Blon, Winter Wilson, Anthony John Clarke, The 309s, The Lost Notes, Patakas and Al O’Kane   Danish band The Sentimentals, which is marking its 20th anniversary of making music together with two special gigs on Sunday August 25th and Monday August 26th,  has announced its special guests as Stephen Fearing (Blackie and The Rodeo Kings) from Canada, American singer songwriter Jonathan Byrd and Mary Gauthier. The festival’s dance line-up features 12 bands offering ceilidhs, bals and other social dances with a rare ceilidh from acclaimed folk duo Spiers & Boden. Other performers will be Abrevyn, Bagas Fellyon, Banter, Cri du Canard, Club Débris, Crowdy Kit, EFDSS Ceilidh Band, James Delarre, Saul Rose & Dave Delarre, Monster Ceilidh Band, Tom Moore & Archie Churchill-Moss, Steamchicken and The Oakstone Trio.   Director Sandra Surtees said: “We’re delighted with this year’s line-up and the sheer range and breadth of music that will be on offer. Over the years, our line-up has diversified from folk to include Americana, blues and world music which is all traditional music at source.   “Our festivalgoers know they will always discover something new among their favourite artists and we’re proud to offer an incredibly varied programme that appeals to so many musical tastes and brings top quality artists to the heart of Shrewsbury.   “There’s more than 100 hours of music but the festival’s about so much more than that. As well as the dance tent, festivals for children and young people, workshops, singarounds and music sessions, Shrewsbury is renowned for its friendly and welcoming atmosphere. It’s just a great way to spend four days or a day, listening to great music, relaxing with friends and family and soaking up the festival vibes.”   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Koe Wetzel

Koe Wetzel releases ‘9 Lives (Black Cat)’

Koe Wetzel, dubbed the “Texas native making his own rules” has released new single ‘9 Lives (Black Cat)’. “I always like hitting the listener right in the nose,” Wetzel says. “‘9 Lives’ is a straight-up rock song, man. I’m influenced by so many genres of music, but with this record, I found myself going back to the Texas country and classic rock that I grew up listening to.” Written by Wetzel alongside producer Gabe Simon and Amy Allen, ‘9 Lives’ contains a solid helping of what Wetzel calls the “rocky nasty shit” on which he’s built his career, offsetting the vulnerability of his previous release, ‘Damn Near Normal’. Wetzel is on tour for most of the rest of 2024, with shows and festivals across the US, Canada and Europe.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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the long road festival

The Long Road Festival reveals Don McLean as Saturday headliner

It’s almost time for festival season! The UK’s home for country, Americana and roots music and culture, The Long Road, announces its second wave of lineup additions for this summer. Leading the charge for this year’s lineup is the legendary American singer-songwriter Don McLean, making his only UK live appearance at the festival this year. Renowned for his enduring classics like ‘American Pie’ and ‘Vincent (Starry, Starry Night)’, as well as his cover of Roy Orbison’s ‘Crying’ which reached number one in the UK, McLean’s writing and truth resonates with listeners all around the world, particularly on our island shores. Whilst rooted in American folk music, Don’s most recent original album release ‘Botanical Gardens’ was recorded in Nashville and spans an array of old fashioned country, honky-tonk and rock ‘n’ roll styles, which led to McLean making his debut on country music’s most famous stage last month, Nashville’s Grand Ole Opry. Don McLean said: “I am delighted to return to England to perform at The Long Road Festival. Since I have decided to stop doing bus tours of distant destinations, I will still return for special performances. I love England and look forward to seeing my audience again.”   Paula Cole will be making her UK debut at The Long Road this year. The acclaimed singer-songwriter from Massachusetts is known for hits like ‘Where Have All the Cowboys Gone?’ and the Dawson’s Creek theme ‘I Don’t Want to Wait’ and also made history at the 1998 Grammy Awards when she became the first woman in Grammy history to be nominated as Producer of the Year for her work on her album ‘Amen’. The Long Road has also revealed a set from Nashville’s Ron Pope, who gained significant recognition when his song ‘A Drop in the Ocean’ went viral, propelling him to international fame and leading to millions of streams worldwide. Elsewhere indie folk leaning bands bringing lush harmonies and infectious melodies like The National Parks, Alan Power & The Take Twos and the unique duo Campbell Jensen, plus a wealth of captivating Americana artists including Liverpool’s Robert Vincent and Louisiana’s Dylan LeBlanc.   Proudly representing queer country at The Long Road is Katie Pruitt with her folk-rooted sounds and Brooke Eden, a rising country pop artist from Florida. Toby Sebastian will also take to the stage, presenting his view of modern UK country music.  The Long Road 2022 favourites Gangstagrass are back from Brooklyn this year with their unique and addictive blend of hip hop and bluegrass and representing more of the UK’s hometown sounds this year as part of The Round Up with Two Ways Home will be Dolly Mavies, Gasoline & Matches and Joe Martin. Adding these to the already stellar, previously announced lineup including Sunday Rhinestone main stage headliner Russell Dickerson, Wyatt Flores, Flatland Cavalry, Randall King, Red Clay Strays, American Aquarium, Chapel Hart, Pokey Lafarge, Drew Holcomb and The Neighbors, Colbie Caillat, Brittney Spencer, Remember Monday, Jamie Lawson and more across the festival’s five stages and creative performance spaces, plus stage takeovers hosted by Loose Music and Color Me Country with Rissi Palmer. Commenting on today’s announcement, The Long Road’s Tennessee-born Creative Director Baylen Leonard said: “You can’t think about the last 60 odd years of American music and popular culture without the work of Don McLean springing to mind, so I couldn’t be more excited to present this legendary artist as our Saturday headliner. It will be the only chance to see him live in the UK this year, and with his timeless hits and having just made his Grand Ole Opry debut, this will be a moment to remember for Long Roaders for sure. Alongside Don, we can’t wait to host even more of the acts we love so dearly at Stanford Hall in August, with some, like Paula Cole, making their first appearance in the UK with us. There really is something for everyone as we continue to celebrate all the different sounds under this big umbrella called country. It’s set to be a weekend filled with the chance to find new favourites and friends, as well as witnessing iconic moments for the ages… The countdown begins!”   In addition to the incredible line-up, The Long Road will also offer a range of activities for families of all ages and vendors selling stateside street food featuring the very best in the art of true BBQ style and campfire cooking. From the newly-added for 2024 Sounds Familiar Music Quiz, to late night entertainment at the Buck n’ Bull and Yee Haw after parties, and live Countryoke at Buddy’s Bar, this year’s festival is shaping up to be the biggest yet! Firm favourites remain during the day with The Lucky Dice Classic Car and Bike Show, Wild Swimming and Mechanical Bull Rides as well as the craft beer and liquor bar to quench the thirst. Plus there’s plenty of dog friendly activities to entertain the furry companions at The Long Road, who can join in with Tootles & Nibs Dog Show, The Country Costume Parade, talent show The Rex Factor and The Gauntlet of Temptation.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Conner Smith Hailey Whitters

Conner Smith and Hailey Whitters team up for ‘Roulette On The Heart’

Fresh off reigning the UK Country Radio Airplay Chart, ACM Awards New Male Artist of the Year nominee Conner Smith enlists the help of ACM Awards New Female Artist of the Year Hailey Whitters for new single ‘Roulette On the Heart’. Co-written by Smith with Jessi Alexander, Chase McGill and Mark Trussell, the track utilises the traditional instrumentation that Smith is quickly becoming known for. As ever with Smith, the release of new music is a family affair, with his brother Cooper Smith directing the music video. “From the moment I wrote ‘Roulette On The Heart,’ it felt like finding a new level as a songwriter and having Hailey Whitters believe in this song alongside me only took it to another level,” shared Smith. “This song feels like it could live for a long time.” Sharing her thoughts, Whitters notes, “I first heard ‘Roulette On The Heart’ while playing radio shows with Conner Smith and was so honored when he asked me to sing on the song. I love how realistically the song captures the intoxicating and sometimes toxic feelings of being in a complicated relationship.”   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Twinnie is back with ‘The Greatest Love Story’

 Twinnie is still in her ‘sad girl era’ – topping it off with the release of ‘The Greatest Love Story’.   British-born and Nashville based, Twinnie has made her Opry debut and been named as one of CMT’s Next Women Of Country. ‘The Greatest Love Story’ is the newest installment of the upcoming EP from Twinnie that will feature an array of hard-hitting pop crossover songs – the second chapter of the ‘Blue Hour (After Dark)’ EP.    It tells the story of a lost love laced with what could have been moments that replay over and over. It’s likely to strike a chord with anyone who has that person who feels like “the one that got away” and Twinnie’s vocal is strong and emotional throughout, whilst the production packs a punch making it a real standout.    Speaking about the new record, Twinnie says: “It’s inspired by a true story about my mum and stepdad, they met when they were young, due to miscommunication and a letter never being received they went their separate ways for 20 years then reunited and have been together ever since. It’s a song that lives in the world of what could have been. My mum’s story is very poetic but also comforting to know that everything works out the way it should. If they’d have gotten together all that time ago me and my siblings would have never existed and neither would this song”     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Charley Crockett

Charley Crockett unleashes new track ‘Solitary Road’

Charley Crockett has released the track ‘Solitary Road’, a third preview from his upcoming album ‘$10 Cowboy’. For ‘$10 Cowboy’, Crockett wrote freely, over a two-month period, as he wound his way across the United States on the back of a tour bus. The resulting songs—raw, personal, vivid portraits of a country in transition—ended up being connected. ‘$10 Cowboy’ was recorded at Arlyn Studios in Austin, TX, produced by Crockett and his long-time collaborator Billy Horton. It was recorded live to tape, with anywhere from 6-12 musicians on each track, giving the songs the feel of a live performance. It’s a sound Crockett has been after for years. “The reason I cut it on tape is, when you get the right folks in the room, great players rise to the occasion. When that red light is on and the tape is rolling, you get the magic of a performance.” It’s exactly what he achieved with ‘$10 Cowboy’. Regular bandmates Kullen Fox, Nathan Fleming, and Mario Valdez are joined by some of the genre’s most talented players—Rich Brotherton, Kevin Smith, Dave LeRoy Biller, Jason Lee Moeller, T. Jarrod Bonta and others, including a string quartet. Lauren Cervantes and Angela Miller sing on the album. A true collective work, ‘$10 Cowboy’ promises to be one of Crockett’s most scintillating releases thus far.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Carly Pearce releases ‘my place’ from upcoming album

Carly Pearce has released the single ‘my place’ from her upcoming fourth studio album ‘hummingbird’.  Pearce also released the song’s accompanying video today, the latest in her “through the lens” series. One of Pearce’s personal favorites on the upcoming record,  ‘my place’ describes someone reckoning with the fact that their ex has moved on and is starting to build a new life without them. Instead of feigning indifference, Pearce acknowledges her insecurities and tries to keep putting one foot in front of the other. “I wrote this song about a dream I had long before the relationship I was in ended, but I knew that it would,” said Pearce. “It’s hard to watch people move on and realize your heart can’t live there anymore, but that realisation is the beginning of the healing process.” Produced by Pearce, Shane McAnally, and Josh Osborne, ‘hummingbird’ marks Pearce’s debut as a co-producer and fully represents her new musical chapter – one of forward motion – as she fully leans into her authentic country sound encompassed by the symbolism of the hummingbird, representing the album’s themes of growth, humility, understanding, playfulness, and optimism. Discussing her inspirations for the ‘hummingbird’ album, Pearce previously shared, “I have lived a lot of life in the last few years. Entering a new decade has brought a lot of maturity, growth, heartache, and healing. I am still a work in progress, but these songs represent my honesty, playfulness, and openness to keep growing.”   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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CMA Fest announces the lineup for nighttime concerts

The Country Music Association has revealed three nights of concerts at Ascend Amphitheater from 6th June through to 8th June with Country legends and rising stars gracing the open-air venue in downtown Nashville. On Thursday, ‘Celebrating 60 Years of Curb Records’ kicks off the Ascend nightly concerts with Lee Brice, Sawyer Brown, Rodney Atkins, Dylan Scott, Hannah Ellis, Tim Dugger, Pitney Meyer, Harper Grace and Kelsey Hart. ‘Brett Young and Friends’ will take the stage Friday night, hosted by Danae Hays, with performances by Brett Young, NEEDTOBREATHE, Restless Road, Shaylen and more, plus special appearances by Colbie Caillat, Gavin DeGraw and Charles Kelley. Rounding out the nighttime concerts at Ascend Amphitheater on Saturday is ‘Tracy Lawrence and Friends’ featuring Tracy Lawrence, Riley Green, Chris Young, Maddie & Tae, Priscilla Block, RaeLynn and Charles Esten.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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billy bragg

Billy Bragg: A long-awaited retrospective

Some might say that Billy Bragg is an odd choice for our Blast From The Past section, after all, he remains an accomplished performer who continues to give audiences not just something to sing along to, but something to think about. As an artist/activist, Bragg – the so-called ‘Bard of Barking’ – has consistently been a bastion of the UK left wing political scene. Starting off in the punk scene that tore through Britain in the 1970s, Bragg keeps the anti-authoritarian, anti-fascist spirit of punk alive to this day – even if he doesn’t write in the music genre anymore. Watching a performance by Bragg (if you’re lucky enough to catch him) is an emotional experience, whether you agree with his views or not. It’s nigh impossible to mention Bragg without his impact on UK music, just take the example of his very own curated stage at Glastonbury Festival – aptly called the ‘Left Field’ stage.    In 2023, Bragg released a compilation album, ‘The Roaring Forty (1983-2023)’, which kicks off with perhaps his most well-known track, ‘A New England’. Itself released with his first album in 1983, the track wasn’t a hit for Bragg, but was for English singer-songwriter Kirsty MacColl two years later. The song only had two verses and MacColl thought it was too short, so Bragg wrote another one for her version, it would eventually reach number seven in the UK charts and number eight in Ireland. It would be the start of something long lasting, something great, something that would set Billy Bragg on track to be a British institution. After parting ways with his first band, Riff Raff with Wiggy, Bragg bleached his hair and started busking on the streets with just an electric guitar – a solo vocal with an electric guitar would become a distinct Bragg sound, instantly recognisable to any English person.   The release of Bragg’s first album is a story within itself, with many clues that give shape to who Bragg is now. At first, Bragg wanted his song ‘The Milkman Of Human Kindness’ played on radio, so when he was listening to legendary John Peel on BBC Radio One and Peel mentioned he was hungry, Bragg ran over to the studio and presented the host with a mushroom biryani in exchange for the song being spun over the airwaves. The track was played – albeit at the wrong speed – and Peel insisted that he would have played the track anyway. Later on that same year, Bragg’s label was acquired by Virgin Records and the rights to ‘Life’s A Riot with Spy vs. Spy’ (a reference to a comic strip at the time) were given to Go! Discs. The price for the CD was fixed at £2.99, a low cost even in the 1980s, so that it would be affordable. Bragg’s second album, ‘Brewing Up With Billy Bragg’ was released just a year later. As with every Bragg record, Bragg wrote every song – which now would consist of a mixture of vignettes of unrequited love and protest songs. Always the prolific artist, Bragg released another album two years later. ‘Talking With The Taxman About Poetry’ is a name taken from a poem by Russian futurist poet and playwright Vladimir Mayakovsky, who was equal parts satirical and revolutionary, much like Bragg himself and featured a more beefed up instrumental, with Bragg’s usual guitar-only backing giving way to backing vocals – provided by Kirsty MacColl, no less – piano and even some (gasp) percussion.     Bragg’s third album is best known for being Bragg’s first official recording of ‘There Is Power In A Union’. The song is a left-wing anthem, written by Joe Hill in 1913 and is sang at protests by workers all over the world. Bragg’s version differs from the original, where Hill sings to the tune of the 1899 hymn ‘There Is Power In The Blood’, staunch atheist Bragg sings it to the tune of ‘Battle Cry Of Freedom’, which itself was written by American George Frederick Root during the American Civil War. Bragg’s ability to reference, both lyrically and musically, his predecessors in protest music, poetry and art is a remarkable staple in his career. A close listen to an anthology of Bragg’s is to get an education in the class struggle and left-wing art.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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blackberry smoke interview

Blackberry Smoke: From Georgia to the world and beyond

In the heart of Georgia, amidst the sweltering heat and the rich history of the South, Blackberry Smoke emerged as a beacon of musical authenticity over two decades ago. With their upcoming album ‘Be Right Here’ set to release on February 16th, the band continues to captivate audiences worldwide, blending elements of rock, country, and Americana into a sound uniquely their own.    Originating from Atlanta in 2001, Blackberry Smoke quickly garnered attention for their soul-stirring performances and heavy guitar lines. The band’s members, Charlie Starr, Paul Jackson, Richard Turner, Brandon Still, and Brit Turner, embody the spirit of Georgia through their music. From raucous rock anthems to introspective ballads, each song tells a story deeply intertwined with the landscapes and experiences of their home state.    For now, we meet the band in Duke’s Highgate ahead of an intimate acoustic set by Starr and Jackson. It seems like nothing to them to perform, even in venues where they are almost toe-to-toe with the audience. By the end of the set, it’s clear to see why. The bar is packed, it’s almost impossible to move for the sheer amount of people, let alone get a drink. The crowd hoots at every introduction, sings along faithfully to every song they know and even the bands new releases are met with ear-bursting cheers.     “We don’t ever go out and see bands at home anymore, but we still have tonnes of friends who play in and around town [Georgia]. But it’s different than it was when we started this band, which was 24 year ago.”. Starr tells us, it’s the truth, the band are ever on tour, making music and finding time to spend at home is increasingly hard. One of the band’s greatest strengths lies in their ability to seamlessly blend genres, creating a sound that defies categorisation. “The Southern US, that’s where all music coalesced, so we’ve never given any though to what we are either as far as putting a label on it. But we play what feels good, what feels natural to us, if we played something that felt unnatural, we’d be a shitty punk band,”, Jackson jokes, “I don’t think we would be a very good punk band,”, retorts Starr. The band are still as close knit as they ever were, describing their squabbles as “fighting between brothers” and it’s easy to see how. After spending 24 years working and travelling together, Blackberry Smoke are still as strong as ever, musically and personally.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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