Rebecca Morpeth-Spayne

thecastellows

Queens of The Castellows

The Castellows are heading out on tour. The sisters are supporting Little Big Town and Sugarland on their mammoth ‘Take Me Home’ tour. But before 2023, the three Balkcom siblings hadn’t considered that they could be country musicians – how exactly did these sisters from Georgia become one of the most exciting bands in country music?  Georgia girls  Eleanor (Ellie), Lily and Powell Balkcom hail from the small town of Dahlonega, Georgia. Dahlonega is famous for being the place where the first gold rush took place in 1829, a circumstance that spawned one of the best-known misquotes in history, from Mark Twain’s ‘The Gilded Age’: “There’s millions in it”. For The Castellows, golden-haired as if to give their fans a hint of their origins, a cattle farm would be the place they grew into the women making their names known in country music.   Growing up in a close-knit family with deep southern roots, music was always a part of their lives. Their father, a bluegrass musician, often filled their home with the sounds of banjos and fiddles, while their mother’s love for classic country provided the soundtrack to their upbringing. However, it wasn’t until their late teens that the idea of forming a band took shape. In 2022, a series of local performances started gaining attention. The sisters, who initially played music for fun, began to notice that their harmonies and unique blend of traditional and contemporary country resonated with audiences. A pivotal moment came when they uploaded a cover of a Dixie Chicks song on social media. The video went viral, garnering thousands of views and catching the attention of local radio stations and music producers.  Encouraged by the positive feedback, the sisters decided to take a leap of faith. In early 2023, they packed their bags and headed to Nashville, the heart of country music. The journey wasn’t easy; they faced scepticism and the daunting task of breaking into a highly competitive industry. However, their authentic sound and compelling stage presence quickly set them apart. Their big break came when they were invited to perform at the famed Bluebird Café, a Nashville institution known for launching the careers of many country stars. Their performance was a hit, leading to a recording contract with a major label. Their debut single, ‘Southern Nights’, a nostalgic ode to their Georgia roots, climbed the charts rapidly, solidifying their place in the country music scene. They were signed to Warner Music Nashville and Warner Records simultaneously, the rest, as they say, is history.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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From the Honky Tonk to Hyde Park: How country crossed the Atlantic

This July, the lush expanses of Hyde Park in London will transform into a veritable honky tonk haven as American Express presents BST Hyde Park welcomes two of country music’s biggest stars: Shania Twain and Morgan Wallen. It’s a first for the festival, whose previous headliners have leaned more towards rock and pop, with previous years giving us legends like Guns N’ Roses, Adele and The Rolling Stones. The two country music powerhouses headlining means only one thing: Country is taking over the UK.    Slow starters  Country music has historically been slow to gain traction in the UK. Unlike in the US, where country is a dominant genre, the British music scene has been more resistant. This resistance can be chalked down to cultural heritage: country music is an inherently American genre, particularly focusing in on the working-class people of the US South. In the US, country music has always been a reflection of its rural, Southern heritage, with themes that resonate with a lifestyle that is less familiar to the average Brit. The UK’s musical landscape has been more dominated by rock, pop and electronic music, with country music often being relegated to a niche status.  However, recent years have seen a significant shift. Darcey Jackson, AEG Festival Bookings Manager, credits events like C2C (Country to Country) for opening up the market by bringing major artists to the UK. “As soon as something becomes tangible and accessible, then it has the power to really make an impression,” she says. This sentiment is echoed by the surge in popularity of country fashion — cowboy boots, double denim and cowboy hats, with the latter seeing a 326% increase in sales in the UK year on year —thanks in no small part to mainstream artists like Beyoncé and Post Malone switching up their sounds to join in the hoedown.   Jackson’s insights highlight a crucial point: the physical presence of country music in the UK has been a game-changer. The C2C festival, which started in 2013, has been instrumental in this transformation. By featuring top-tier country artists from the US, the festival has introduced British audiences to the authentic sounds of country music. The festival’s success is evident in its rapid growth and the increasing number of attendees each year. What started as a modest event has now become a staple in the UK’s (and Europe’s) music festival calendar.    An upwards spiral (or should that be viral?)  The rise of social media, particularly TikTok, has also played a crucial role in the genre’s growth. These platforms allow for the viral spread of music, making it easier for UK audiences to discover and fall in love with country music. Jackson notes, “Platforms like TikTok can have an impact on music, no matter the genre”. TikTok, with its algorithm-driven content delivery, has been a boon for country music. Songs can gain massive popularity almost overnight, reaching audiences that traditional marketing methods might never have touched.     This digital revolution has democratised music discovery. In the past, access to new music was often mediated by radio DJs and music critics. Now, anyone with a smartphone can stumble upon a catchy country tune and share it with their followers, friends and family. This has led to some surprising hits and the emergence of new stars who might have struggled to find an audience in the pre-digital age. For instance, artists like Lil Nas X, whose ‘Old Town Road’ blended country with hip-hop, owe much of their success to platforms like TikTok and even artists who take a more traditional approach, like the UK’s Remember Monday, are feeling the benefits of virality. “It’s very female heavy, a lot of young girls and young gays. It’s really, really nice that we have that because I think before we’d been present on social media, we didn’t see that kind of audience when we’d come out and play. Now since the TikTok world has come out, we walk out and we’re like, wow, all of these young girls singing our songs. It’s really lovely. That is what our music is aimed at. It’s aimed at people who are young and girly,” they say, ahead of taking to the stage for another UK country music event that is on the rise, Highways Festival.      Moreover, the visual aspect of TikTok has helped to amplify the appeal of country music. Users donning cowboy hats and boots, line dancing to country hits and participating in challenges have all contributed to a cultural crossover. This blending of music and fashion has made country music not just a genre, but a lifestyle that resonates with younger audiences. Although country music isn’t all about aesthetic, there’s little more fun than learning a dance with friends and dressing up to play the part – after all, us Brits are fantasists at heart.       Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Morgan Wallen to debut ‘Lies Lies Lies’ at BST Hyde Park

Morgan Wallen, hailing from East Tennessee, continues to make waves in the music scene. His collaboration with Post Malone, ‘I Had Some Help,’ has topped the Billboard Hot 100 for six weeks, becoming the longest-running No. 1 of 2024. As he gears up for his headline performance at BST Hyde Park in London on 4 July, Wallen is also preparing to release his much-anticipated new single, ‘Lies Lies Lies,’ on 5th July. The track, penned by Jessie Jo Dillon, Josh Miller, Daniel Ross, and Chris Tompkins, and produced by Joey Moi, was recorded at the historic Abbey Road Studios in London on 5 December 2023, shortly after Wallen’s sold-out performance at The O2. ‘Lies Lies Lies,’ part of Wallen’s Abbey Road Sessions digital series, was initially released on 3rd March 2024 to mark the one-year anniversary of his record-breaking third studio album, ‘One Thing At A Time.’ Wallen’s release of ‘Lies Lies Lies’ coincides with his first-ever headlining set at BST Hyde Park on 4th July. The event will feature support from Riley Green, ERNEST, Ella Langley, Alana Springsteen, Zandi Holup, and others. Fans attending the Hyde Park show can also purchase exclusive merchandise, including a limited edition ‘Lies Lies Lies’ t-shirt, available online from 5th July. In addition to his musical achievements, Wallen is committed to giving back. A portion of ticket sales from his live shows supports The Morgan Wallen Foundation (MWF), which aims to provide children with opportunities to engage in sports and music. To celebrate his Hyde Park debut, MWF has pledged $20,000 to support London Youth Choirs (LYC), an organisation dedicated to improving access to music for disadvantaged young people. Wallen’s latest album, ‘One Thing At A Time,’ has recently reclaimed the top spot on Billboard’s Country Albums chart, marking 53 weeks at No. 1, the second-longest run in the chart’s history. His collaboration with Post Malone, ‘I Had Some Help,’ has also achieved remarkable success, reaching No. 1 on Billboard’s Country Airplay chart in just seven weeks, the fastest ascent since Garth Brooks’ ‘More Than a Memory’ in 2007. The track has been touted as a Song of the Summer contender by Spotify and Variety. Morgan Wallen’s momentum shows no signs of slowing as he continues to captivate audiences with his music and live performances.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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Cambridge Folk Festival lineup keeps getting better

The Cambridge Folk Festival, renowned for its rich history of showcasing Americana and country music, returns from 25th to 28th July 2024 with a diverse line-up of artists set to perform across four covered stages throughout the festival weekend. Among the highlights, Robert Plant will present Saving Grace featuring Suzi Dian. With a career spanning several decades, Plant has transitioned from legendary rock frontman with Led Zeppelin to a Grammy-winning bluegrass artist alongside Alison Krauss. Plant, who holds a Lifetime Achievement Award from the Americana Music Association UK, will perform with Saving Grace, a collective that includes Suzi Dian, Oli Jefferson, Tony Kelsey, and Matt Worley. Brighton-based singer-songwriter Bess Atwell, whose new album Light Sleeper has garnered rave reviews, will be performing on Sunday. Produced by Aaron Dessner of The National, Atwell is one of the festival’s most anticipated acts. Flamy Grant, a North Carolina native known for her powerful vocals, songwriting, and comedy drag performances, will also feature. Having topped the Billboard charts and won multiple awards, including the Kerrville Folk Festival New Folk Competition in 2023, Grant’s performance is highly anticipated. Dean Owens & The Sinners, praised by Irvine Welsh as “the pulse of all our lives,” will perform as part of the Showcase Scotland Expo partnership. The Edinburgh-based band, known for their engaging live shows, have won multiple Americana UK awards. South Carolina’s Taylor McCall, who recently toured with Robert Plant, will bring his deep-rooted music and lyrics to the Cambridge stage. McCall’s performances reflect the legacy of his grandfather, who gifted him his first guitar. Leyla McCalla, born to Haitian emigrants in New York City, draws on her heritage and diverse influences. McCalla, who excels in cello, tenor banjo, and guitar, will showcase her multilingual songwriting and distinctive sound. Darlingside, who made a memorable debut at the festival with their technical prowess and harmonious vocals, will return. The Boston-based quartet is known for their on-stage banter and captivating performances. Larkin Poe, the Grammy-nominated duo of Rebecca and Megan Lovell, will present their unique blend of Roots Blues Rock. Their self-produced work has been critically acclaimed for its gritty and soulful style. Aoife O’Donovan, co-founder of I’m With Her and Crooked Still, will perform songs from her latest album, All My Friends. O’Donovan’s music reflects the evolving landscape of women’s rights in America. Local artist Annie Dressner, known for her rich storytelling and evocative melodies, will bring her contemporary sound to the festival. Her music has been likened to artists like Phoebe Bridgers and First Aid Kit. Fourteen-time Grammy winner Jerry Douglas, celebrated for his mastery of the Dobro and lap steel guitar, will also grace the stage. Douglas, a co-director of Transatlantic Sessions, is known for his innovative contributions to music. Legendary guitarist Tommy Emmanuel CGP, renowned for his ‘finger style’ playing, will make a rare UK festival appearance. Emmanuel’s technical precision and improvisations are a must-see. Closing the festival on Sunday evening, Blue Rose Code’s Ross Wilson will lead a Caledonian Soul Cavalcade. Wilson, known for his blend of alt-folk, jazz, and blues, will perform with a five-piece band and horn section, alongside special guests Karine Polwart, Justin Currie, Steve Knightley, and Danny Thompson. Christian Raphael Prize winner Katherine Priddy, noted for her haunting vocals and distinctive guitar style, will also feature. Her second album, The Pendulum Swing, has received widespread acclaim. Rolling Stone’s “future of music,” Lizzie No, will perform songs from her album Halfsies, which explores personal and political themes through a blend of Americana and indie folk. Irish duo Lemoncello, recognised for their enchanting harmonies and dramatic soundscapes, will also take the stage. Their finger-picked guitar and cello playing have earned them a growing fanbase. Allison De Groot & Tatiana Hargreaves, winners of Instrumental Group of the Year and Traditional Album of the Year at the 2023 Canadian Folk Music Awards, will perform both individually and with Transatlantic Sessions. Manchester singer-songwriter Robbie Cavanagh, recipient of the Bob Harris Emerging Artist Award, will bring his heartfelt music to the festival. Nora Brown and Stephanie Coleman will showcase their rich musical partnership, featuring traditional southern Appalachian banjo and guitar playing alongside masterful old-time fiddling. Beyond the music, the festival offers a range of activities including children’s events, workshops, a silent disco, storytelling, and an array of food trucks and bars. Recognised as “Outstanding” by the Greener Festival Awards, the Cambridge Folk Festival promises a weekend of exceptional entertainment and community spirit.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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Leah Turner releases new single ‘American Made’

In a timely release for Independence Day, artist Leah Turner has unveiled her latest single, ‘American Made’. This semi-autobiographical mid-tempo track is characterised by the gentle strumming of an acoustic guitar and Turner’s distinctive vocals. Once again, Turner seamlessly blends her American upbringing with her Hispanic heritage, offering a song that underscores inclusivity in the definition of being truly ‘American made’. The song was co-written by Turner and Skip Black, with production by Alejandro Medina III. Turner shared her inspiration for the song, stating, “I come from two dirt roads – one from Mexico, and one from California. Being second-generation Mexican American, it’s important to me to highlight the sacrifices my grandparents made to be part of this country. We all have dreams in our hearts – they followed theirs and became American Made, pero hecho en México. We may not all look the same, and we may come from dos mundos (two different worlds), but we are Americans and American Made. I’m proud to be American and Mexicana. I’m proud to be American Made.” Known for challenging stereotypes and redefining country music with her unique blend of modern country and Hispanic roots. Her recent single ‘T-Shirt’ showcased a playful narrative about a past relationship, adding to her diverse repertoire. Additionally, her collaboration with Jerrod Niemann on ‘South of the Border’ featured a dynamic mix of drums, commanding horns, and electric guitars, earning recognition from Billboard for its intensity. All three songs, including ‘American Made’, will be featured on Turner’s forthcoming EP, slated for release later this year.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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tanneradell

Tanner Adell becomes the first female country artist to perform at the BET Awards

Tanner Adell, the trailblazing country music star, has made history by becoming the first female country artist to perform at the BET Awards. The performance marked a significant milestone in her career and in the genre, as she debuted her new single ‘Cowboy Break My Heart.’ Adell’s performance at the BET Awards was lauded by VIBE, which noted that she is “making sure Country music remains at the forefront of mainstream conversations.” The new single, now available, showcases her ability to blend traditional Country themes with contemporary vibes, creating a powerful anthem about heartbreak. “This song is simply a bop,” said Adell. “Though it is a track I want my fans to have fun with, I think it also shows how powerful heartbreak can be and how it doesn’t go away just like that.” The song, inspired by a personal experience with a Dallas Cowboys fan, is a collaboration with Akil “worldwidefresh” King, Stephen “Di Genius” McGregor, Will Weatherly, and Anthony Germaine White. It is Adell’s first release under LVRN Records. The accompanying visualizer, filmed over the weekend prior to her BET Awards appearance, adds a visual narrative to her powerful lyrics. Adell’s groundbreaking BET performance is just one of many career highlights this year. Named BET’s Amplified Artist of the Month for July, she is also set to perform on NBC’s Macy’s 4th of July Fireworks Show. Her recent cover of ‘Drunk In Love (Apple Music Sessions)’ topped the Apple Trending chart upon release. The past year has been a whirlwind for Adell, with notable achievements including her Billboard Hot 100 debut with ‘BLACKBIIRD’, a collaboration on Beyoncé’s ‘COWBOY CARTER’ album, which led to a 1,500% increase in her Spotify monthly listeners. Adell’s debut mixtape, ‘Buckle Bunny’, released last summer, features female-empowerment anthems that blend country roots with pop and hip-hop influences.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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Opry perf shot _c_ Grand Ole Opry_ photo by Rachael Black

Traditionalist Alex Miller makes his Grand Ole Opry debut

Alex Miller, a staunch traditionalist in the world of Country music, achieved a significant milestone by making his debut at the Grand Ole Opry on 27th Thursday June. Miller, clutching his vintage 1944 Martin D-18 guitar, performed a two-song set that included his well-known track ‘Puttin’ Up Hay’ and his recent single, the touching ‘My Daddy’s Dad’. Miller took full advantage of his time on stage, engaging the audience with animated conversation between songs. He expressed gratitude to fans who had travelled from various states and shared a heartfelt moment with the evening’s emcee, Bill Cody. Reflecting on the experience, Miller said, “I think everyone who plays Country music dreams of playing the Opry. For me, it’s been something my whole family hoped would come true one day. I wish my Grandpa had lived long enough to see me step into that circle, ‘cause I think I was floating in the air. It was a heck of a feeling – I know I’ll never forget it.” Miller’s Opry debut had been meticulously planned to be memorable. Eddie Montgomery, a longstanding Opry member, travelled to Miller’s home in rural Lancaster, Kentucky, to personally invite him to perform in celebration of Montgomery’s 15-year anniversary at the Opry. “This is what Country music means to me,” Montgomery explained to Miller, adding, “Helping a young musician achieve his dreams just like our heroes helped T-Roy and me.”     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Album Cover _ BK

Britnee Kellogg releases debut album ‘She’s Come A Long Way’

Emerging country artist Britnee Kellogg has announced the release of her debut album, ‘She’s Come A Long Way’. The album features 12 tracks showcasing Kellogg’s storytelling abilities and vocals. She collaborated with songwriters and producers like Jared Conrad and Autumn McEntire. Kellogg expressed her excitement, stating, “This album is such a testament to my love for country music and the path that has brought me here today.” The tracks on ‘She’s Come A Long Way ‘are autobiographical, addressing themes such as life’s moments, motherhood, and relationships, along with lighter, fun songs. Kellogg hopes listeners will connect with the personal nature of her music. The most recent single, ‘This Mess,’ released on 24 May 2024, celebrates life’s imperfections, especially in the context of parenting. The music video for the title track, ‘She’s Come A Long Way’, features women from Kellogg’s home state of Oregon, including her mother and daughter, Harlow. Kellogg’s journey in country music began at a young age, inspired by Johnny Cash and June Carter Cash. She has performed alongside notable artists such as Blake Shelton, Eric Paslay, and Keith Urban and appeared on American Idol.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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abbiemacsheaintblue

Music video for ‘She Ain’t Blue’ by Abbie Mac premieres tonight

Derry native Abbie Mac is back with her second single ‘She Ain’t Blue’, with the music video set to premiere tonight at 6pm BST. The Ireland native will support Morgan Wallen at BST Hyde Park on 4th July and is set to support Lindsay Ell, country singer-songwriter and current lead guitarist for Shania Twain’s ‘Greatest Hits’ tour on 8th July at Omera London. The video, which features Mac standing in a field of yellow wildflowers, compliments the melancholy country track with stormy skies and a lonesome Mac. As she heads to one of the biggest stages in the UK, Mac is poised to take the UK and Irish country music scene by storm.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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First Time Flyers drop brand new single ‘Jump’

UK country pioneers First Time Flyers release their new single ‘Jump’ on today and announce a trio of live shows ‘Jump On Tour Part One’ for September this year. ‘Jump’ was written by the band at their North London studio last year. “It’s about fearlessly jumping into love heart first” explains Poppy from the band, “knowing you’ll either fall in love, or fall alone but being prepared to risk it either way”. The band unapologetically encourage people to love who they love and jump straight in with a full heart. The specifics of the song came from personal experience and band member Vicki opened up about her journey to finding love. “I was in a heterosexual relationship for many years,” she says. “I was engaged but deeply unhappy. Eventually I was honest with my feelings and had the courage to end the relationship. I then met somebody else who is now my fiancé but at the time my family urged me not to jump straight back into a relationship. They were shocked that I felt so strongly but also shocked that my fiancé is a woman”. Vicki continues “She is the best thing that has ever happened to me and we are due to be married next year. Needless to say, I’m glad I ignored the advice.” Taking inspiration from Vicki’s story the band have decided to release the song in June in honour of Pride month. First Time Flyers are proud to champion and represent the LGBTQIA+ community. The video for the single was shot in a dusty barn in the grounds of the exclusive health resort Champneys. As Tim recalls “It had been raining the days prior to the shoot and to get to the barn we had to cross a muddy field. We got some strange looks from the guests at reception when we turned up to use the toilet caked in mud and dust!” Vicki still teaches at musical theatre colleges and the cast of the video is made up of students past and present who have been taught the ‘Jump’ routine to accompany the song! Produced again by band member Tim Prottey-Jones who says, “Jump is 2 minutes and 10 seconds of pure energy drawing influences from songs like Dasha’s ‘Austin’ and even ‘Texas Hold Em’”. Guitarist and vocalist Jake adds “we weren’t really hearing UK Country acts adopting this sound so we thought let’s give it a go!” As if a new single wasn’t enough the band have also announced they are treating fans to ‘Jump On Tour Part One’. Happening in September 2024 the band are playing three shows, with the ‘Part One’ suggesting that fans should keep their eyes open for a potential part two…   Sept 10th Birmingham, Hare& Hounds 2 Sept 13th London, The Lower Third Sept 18th Manchester, Deaf Institute Lodge   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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