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Morgan Wallen - Maverick-country.com

Morgan Wallen – The Sound of Now

From small-town ballads to streaming-era behemoths, Morgan Wallen is reshaping country music with sprawling albums, lyrical duality, and a reach few in the genre have ever matched. In a genre that has long wrestled with questions of authenticity, evolution, and mass appeal, Morgan Wallen’s career is a case study in how country music is not only surviving the streaming era, but redefining itself through it. Wallen’s trajectory from a small-town Tennessee upbringing to record-breaking global success reflects not only his own adaptability, but also a growing appetite for genre fusion, narrative depth, and emotional immediacy in modern country. His earliest musical influences were rooted in gospel and classic rock, shaped by a childhood steeped in church music and a family atmosphere that encouraged performance. Originally pursuing a career in baseball, Wallen pivoted toward music following a sports injury. His appearance on The Voice in 2014, though brief, exposed him to the mechanisms of mainstream entertainment and helped forge early industry connections. But the real transformation came later, through persistence and a careful cultivation of both sound and image. Finding early traction as a songwriter before becoming a headline act, Wallen’s storytelling sensibility was clear from the start. He has often cited lyrical depth as a guiding principle, inspired as much by the detail-rich songwriting of Eric Church as by the party-starting energy of Florida Georgia Line. That duality—introspective yet rowdy, grounded yet ambitious—would become his creative signature. While Wallen’s music has consistently drawn wide acclaim, his work ethic behind the scenes has also been pivotal. He is reportedly known for long writing sessions, extensive demo tracking, and a meticulous approach to pre-production. Producers close to him have noted his commitment to vocal takes and narrative sequencing, revealing a discipline that contrasts with his freewheeling public persona. This blend of creative freedom and studio rigour has helped him maintain both quality and quantity in his prolific output. Wallen’s 2018 debut album If I Know Me laid the groundwork. With singles like “Whiskey Glasses” and “Up Down,” he married party anthems to twangy hooks, shaping a persona that was equal parts everyman and outlaw. The album spoke to a younger demographic without alienating traditionalists. While its themes were familiar—heartache, small-town nights, and longnecks lifted high—the delivery was fresher, the phrasing more conversational. Critics were initially unsure how to categorise Wallen. Was he a bro-country holdover? A pop-country crossover? What became clear, however, was his knack for building songs that worked both acoustically and algorithmically. Tracks gained traction on playlists and social media, reflecting his growing relevance in a shifting media landscape. To read the full article, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Picture of Niko Moon - Photo by Matthew Berinato - Maverick

Niko Moon – Built for the Good Life

Fusing feel-good energy with country soul, Niko Moon has carved out a sound all his own. With a new chapter ahead, he’s doubling down on joy—without losing depth. Niko Moon strides onto the stage barefoot, a wide grin spreading across his face as he greets the crowd. It’s a signature move for the Texas-born, Georgia-raised artist, embodying the laid-back, feel-good ethos that permeates his music. From his breakout hit “Good Time” to his latest projects, Moon has consistently delivered a blend of country, pop, and R&B that invites listeners to find joy in the everyday. But beneath the sunny melodies lies a deeper narrative. Moon’s journey hasn’t been without its challenges, and he’s unafraid to share the highs and lows that have shaped his path. His commitment to positivity isn’t about ignoring life’s difficulties; it’s about choosing to focus on the light, even when the shadows loom large. Growing up in a working-class family, Moon was surrounded by music from an early age. His father, a truck driver, and his mother, a waitress, filled their home with the sounds of John Prine and Patty Griffin. These early influences instilled in him a love for storytelling and a belief in the power of music to connect and heal. Before stepping into the spotlight, Moon honed his craft behind the scenes, writing songs for artists like Zac Brown Band, Morgan Wallen, and Rascal Flatts. His transition to a solo career was a natural progression, allowing him to share his own voice and vision with the world. He’s also noted that these formative experiences gave him a rare insight into what makes a song resonate. From melody structure to lyrical themes, Moon’s time as a songwriter offered a behind-the-curtain view of the music industry—experience he’s taken with him into his solo career. His debut album, Good Time, introduced audiences to his unique sound—a fusion of country storytelling, pop hooks, and R&B rhythms. The title track became a chart-topping hit, resonating with fans seeking an escape from the stresses of daily life. Yet, Moon’s music isn’t just about having a good time. With his follow-up projects, including the albums Better Days and the EPs “These Are the Days” and “These Are the Nights,” he delves deeper into themes of resilience, mental health, and personal growth. Songs like “Keep A Light On” pay tribute to his family’s strength during tough times, while “Head Above the Water” offers a candid look at his struggles with anxiety and the importance of seeking help. Moon has described how songwriting became a kind of emotional compass for him—an outlet for both joy and vulnerability. He’s often reflected on how important it is to write songs that are honest about the human experience, explaining that while his upbeat sound draws listeners in, it’s the emotional transparency that makes them stay. This depth of feeling extends to his work offstage. Moon launched the Happy Cowboy Foundation in 2024 with the aim of destigmatising mental health issues, particularly in the music industry and rural communities. His decision to start the foundation stemmed from his own battles with anxiety and depression, and a belief that joy and struggle often coexist. He wants his music and outreach to serve as a bridge for those who feel isolated. To read the full article, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Mike Curb - Maverick-country.com

Mike Curb – The Man Behind the Music

From songwriter to record executive, Mike Curb has shaped country music history. In this candid Q&A, he reflects on his career, iconic artists, and the evolution of the genre. From his early days as a songwriter and producer to becoming one of Nashville’s most influential record executives, Mike Curb has left an indelible mark on country music. As the founder of Curb Records, he has nurtured some of the genre’s most iconic names, while consistently championing songwriters, producers, and musicians behind the scenes. Across decades, he has balanced tradition and innovation, supporting artists who respect country’s roots while pushing its boundaries. In this candid Q&A, Curb reflects on his career, the artists who helped define his label’s legacy, and how the industry has evolved in an age of streaming and global audiences. With a unique perspective shaped by personal experience in nearly every corner of the business, Curb offers insights into what makes country music resonate — and what lies ahead for the genre and his label. You’ve been a key figure in country music for decades. Looking back, what first drew you to the genre, and what made you believe in its potential?  I was always excited about Nashville and particularly, Music Row. In fact, the first time I came to Nashville in 1964 I had a chance meeting with Sonny James, and he invited me to a recording session at The Quonset Hut. I watched him produce “You’re The Only World I Know”. I watched how he handled the microphones for the guitar, and how he was able to sing, play the guitar and produce the record at the same time was something that amazed me. Ironically, today we own the Quonset Hut, and I had the honour of bringing Sonny James there before he died to discuss the great history of that studio. Curb Records has supported some of the biggest names in country music. What do you look for in an artist when deciding to work with them?  Talent. The greater the talent, the greater the singer. I look for the artist with the most talent and artists who have exceptional vocal abilities. The label has been home to legends like Hank Williams Jr., LeAnn Rimes, and Tim McGraw. Are there any signings or projects you consider personal milestones?  Those three would be right at the top, and we’ve been blessed to have so many other great artists along the way as well. What was very special here was that Hank Williams Jr. recorded for us for 45 years, Tim McGraw for over 20 years and LeAnn Rimes for over 20 years, and we’re excited that LeAnn Rimes is releasing a new record before the end of 2025. To read the full article, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Noelle Toland - maverick-country.com

Encore – Noelle Toland

Noelle Toland brings retro charm and modern spirit to Nashville’s country scene. Here, she reflects on her musical roots, storytelling journey, and the songs that shaped her sound. With a voice steeped in classic country tradition and a knack for heartfelt storytelling, Noelle Toland has crafted a style that bridges eras. Originally from Oregon, she grew up singing James Taylor and Trisha Yearwood, honing her craft before making the move to Nashville. Known for blending a retro country feel with contemporary energy, Toland draws inspiration from childhood daydreams and the rich heritage of the genre. In this candid Q&A, she shares the songs, moments, and milestones that shaped her journey — from her earliest lullabies to her dreams of playing the Grand Ole Opry. What was the first song you ever learned all the words to? I think it was this little song called “Honey Bunny” that my mom would sing to me when I was a little girl to fall asleep. I believe she may have made it up herself! A song that always makes you think of home? “Walkaway Joe” by Trisha Yearwood always reminds me of home. I used to sing it around the house with a hairbrush microphone, performing for my mom who is also a huge fan of hers The album that made you want to pick up a guitar? Sweet Baby James by James Taylor. He was the first artist I ever saw in concert when I was seven years old. A live performance that changed the way you see music? James Taylor. The Judds. Britney Spears. I have a wide range of musical taste. One song you could play on repeat and never get tired of? James Taylor. The Judds. Britney Spears. I have a wide range of musical taste. An artist you’d love to share a stage with? Chris Stapleton! A song that reminds you of your childhood? “Don’t Take the Girl” by Tim McGraw Do you prefer writing songs in the morning or late at night? It depends. I tend to be a morning person and find I have the best ideas come to me when I first wake up, but I do love writing in the evening as well, when the inspiration strikes. A venue you dream of playing one day? The Grand Ole Opry!! To read the full article, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Brandon Wayne Press image - Maverick

Brandon Wayne Unleashes Bold New Sound with “It’s Me Again”

Alternative country rock artist Brandon Wayne dives headfirst into a darker, more intense, rock-centric sonic territory with the release of his latest single, “It’s Me Again.” A gritty fusion of pounding drums, eerie synth textures, and searing guitars, the track represents an expansion in Wayne’s sound, born from deep introspection and the personal transformation of newfound sobriety. Opening with brooding vocals and a slow-burning arrangement, “It’s Me Again” pulls listeners into a space of self-reflection and inner turmoil. Brandon Wayne explores themes of regret, identity, and accountability through lyrics like, “Lately I’ve been in my head, thinking what I should have said.” It’s a vulnerable meditation on the ripple effects of addiction and the long road to healing. “I wanted to sit in it,” Wayne explains. “To reflect on the choices that brought me here. What good have I done for others, my family, and myself? How much pain have I caused? Did the bad outweigh the good?” Co-written and produced with Andres Alzate, the track was recorded at Alzate Records, where Wayne provided vocals, guitar, and synth, while Alzate handled bass and drums, layering the track with tension and weight. Together, they crafted a sound that is both cathartic and cinematic, standing as Wayne’s most personal work to date. Brandon Wayne’s connection to music began at age eight when a neighbor gifted him his first acoustic guitar. Inspired by his mother’s eclectic music taste, he formed a band in high school and later joined The Redmoon Band, performing at legendary venues like The Viper Room, The Troubadour, and The Whisky a Go Go. Since launching his solo career in 2024, he’s released singles like “Bad Habits” and a rebellious, in-your-face reinterpretation of Johnny Cash in “Folsom Prison (Fuck You Brandon Wayne).” With roots in alternative rock and country grit, Brandon Wayne crafts a thunderous and emotionally charged sound that’s entirely his own. “It’s Me Again” channels that intensity into a fearlessly honest, soul-baring anthem that marks a powerful new chapter in his artistic evolution. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Picture of Little Big Town summer tour opening weekend - Photo by Becky Fluke - Maverick

Little Big Town Kicks Off Summer Tour with Opening Weeekend

Multi-GRAMMY winners and country music superstars Little Big Town launched their nationwide Summer Tour ‘25 with a scorching opening weekend of shows in Rogers, AR and St. Louis, MO, last week, kicking off their first full summer headline amphitheater tour since 2019 with packed houses and career-spanning performances. Produced by Live Nation, the 19-city North American tour features a powerhouse mix of special guests throughout the run. Carly Pearce and Carter Faith helped open the tour with standout sets, each bringing their own dynamic energy and fan-favorite songs to the stage. Across the weekend, Little Big Town delivered signature harmonies and an electrifying setlist that included chart-topping hits like “Pontoon,” “Girl Crush,” “Boondocks,” and “Better Man,” as well as selections from their 25-year career Greatest Hits album and 2022’s Mr. Sun. The Summer Tour ‘25 continues with upcoming stops in Saratoga Springs, Toronto, Tampa, Salt Lake City and the iconic Red Rocks Amphitheater in Morrison, Colorado and more before wrapping September 13 in Charlotte, NC. Select dates will feature support from Wynonna Judd, Ashley McBryde and Shelby Lynne, with Carly Pearce and Carter Faith returning throughout as openers. The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium tickets, Meet & Greet and photo op with Little Big Town, guided backstage tour, limited edition autographed tour poster & more. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Picture of Clayton Mullen new EP - Photo by Clayton Mullen - Maverick

Clayton Mullen Releases New EP ‘Varsity Blues’

Quickly emerging as one of Country music’s most exciting new voices, Clayton Mullen has cemented his status as one to watch with his brand new EP Varsity Blues. Praised for his tone, poise, and vocal chops of a seasoned country pro, Mullen’s new project is a nostalgic time capsule of the moments that shape us from young love and heartbreak to small town dreams and everything in between. Blending smooth melodies, honest lyrics and a sound built for the open road, Mullen penned four of the collection’s five tracks. Featuring standout songs like “Love On The Radio,” “Blue” and the Ryan Hurd-penned title track, Varsity Blues is full of heart and hard-hitting hooks. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Picture of Grand Ole Opry team - Photo by Chris Hollo - Maverick

Grand Ole Opry Releases 100th Year Anniversary Album

The Grand Ole Opry, the longest-running radio program in history, has partnered with Virgin Music Group, the world’s leading partner to independent artists, labels and entrepreneurs, to release OPRY 100: Country’s Greatest Songs. The exclusive one-of-a-kind album commemorates 100 years of the Opry, featuring 20 never-before-released live recordings from its iconic stage. OPRY 100: Country’s Greatest Songs is set for worldwide release on November 7th, just weeks before the institution’s 100th anniversary on November 28th. “For me, this collection of great songs truly captures the spirit of the Opry and our centennial celebration,” said Dan Rogers, Executive Vice President and Executive Producer of the Grand Ole Opry. “These songs, voted on by Opry fans, come to life through remarkable live performances pulled from our rich archives. From debuts of songs that went on to become classics, to covers of past Opry members’ standards by current members of the cast, to vocal collaborations so perfect it’s hard to believe they were recorded live just one time, I believe the project is truly historic.” The first single from the star-studded collection is “Your Cheatin’ Heart,” performed by Ashley McBryde and originally recorded by Hank Williams in 1952. “The Grand Ole Opry is the pinnacle of success and greatness in country music,” said Jacqueline Saturn, President of North America and EVP, Global Artist Relations Virgin Music Group. “To be working with the team at the Opry to put out this commemorative album is really a huge career milestone for so many of us at Virgin Music Group. We can’t wait for fans all over the world to hear this incredible collection.” The album is the latest in a series of special releases and events celebrating the Opry’s 100th year. Other highlights include Grand Ole Opry: Live in London, a highly anticipated performance at London’s Royal Albert Hall on September 26. The Opry also released 100 Years of the Grand Ole Opry, offering an intimate, behind-the-scenes look at the iconic American institution. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Picture of Verna Margaret - Photo Elizabeth Littlefield - Maverick

Verna Margaret Breaks the Mold with ‘Fair Weather Wife’ EP

Rising country artist Verna Margaret is set to release her new EP Fair Weather Wife. With two singles already out—“White Shutters, Red Door” and “Paper Cut”—the project offers a sharp, soulful look at relationships, self-awareness, and emotional independence. The third and final single, “Lookin Back,” arrives alongside the EP and flips the traditional love song on its head: it’s a tribute to lifelong love built on trust, confidence, and freedom. On Fair Weather Wife, Verna Margaret fuses traditional country instrumentation with wry, poignant storytelling, touching everything from missed connections and delusional barflies to bittersweet breakups and self-secure devotion. “Lookin Back” draws on the timeless sounds of Patsy Cline and Tom Petty to celebrate love as liberation rather than sacrifice, while “Paper Cut” and “White Shutters, Red Door” highlight the singer’s range for dry humor and heartache alike. Originally from Virginia Beach and now based in Los Angeles, Verna Margaret draws inspiration from legends like John Prine, Lucinda Williams, and Emmylou Harris while bringing a fierce, original voice to today’s Americana landscape. Tracks from her upcoming EP, Fair Weather Wife, have been featured by Rainbow Rodeo, Holler, Wide Open Country, and Americana Highways, and her writing embraces both classic country tradition and indie experimentalism. Verna is also a passionate advocate for LGBTQ+ rights and social justice, which often shapes the stories she tells in her music. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Picture of Drew Baldridge and Emoly Ann Roberts - Photo by Jamie Wendt - Maverick

Drew Baldridge Duets with Emily Ann Roberts on “Get Me Gone”

Chart-topping singer-songwriter Drew Baldridge will release his latest single, “Get Me Gone,” a stirring duet featuring rising star Emily Ann Roberts. The emotionally charged track is available on Friday, July 25 on all streaming platforms via Lyric Ridge Records/BBR Music Group/BMG Nashville. Written by Baldridge alongside acclaimed songwriters Josh Jenkins, Allison Veltz Cruz, and Trannie Anderson, and produced by Nick Schwarz, “Get Me Gone” tells the story of magnetic attraction. The pair trade verses with raw vulnerability and fiery tension in a moment that feels both fleeting and unforgettable. “As soon as I wrote this song, I knew it’d be a powerful duet,” says Baldridge. “It took me a while to find the perfect voice for it, but one day I came across Emily Ann on social media and I loved her sound. So I just hopped in her DMs and asked if she’d collab with me! It’s been amazing to work with her on this song.” Adds Roberts, “When Drew sent me the song I knew he had something special. I was honoured he wanted to include me on it. ‘Get Me Gone’ immediately makes you think of the person you love and how you don’t need anything but them to have a good time.” “Get Me Gone” showcases Baldridge’s signature heartfelt storytelling while highlighting the undeniable vocal chemistry between him and Roberts, whose breakout solo career continues to earn widespread acclaim. The duet follows Baldridge’s second consecutive Top 10 country radio hit, “Tough People” (Lyric Ridge Records/Stoney Creek Records), further building on his momentum and his partnership with BBR Music Group/BMG Nashville. In addition to a run of summer tour dates supporting Bailey Zimmerman, Baldridge was recently announced as a performer at the NSAI Songwriter Awards, taking place at the Ryman Auditorium on September 23. “Get Me Gone” also serves as the first preview of more new music from Baldridge, expected later this year. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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