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The Paper Kites - maverick-country.com

Paper Kites Announce New Album for January Release

Alternative folk favourites The Paper Kites have confirmed details of their seventh studio album If You Go There, I Hope You Find It, due for release on 23 January through Nettwerk Music Group. To mark the announcement, the band have shared a new single titled “Every Town”, a tender, wistful piece built on soft melodies and gentle lyricism. The track arrives with an official video, offering a first glimpse of the record’s tone — warm, melancholic, and quietly affecting. If You Go There, I Hope You Find It follows the same reflective spirit, featuring recent single “When The Lavender Blooms”, recorded at Melbourne’s Sing Sing Studios and mixed by multi-Grammy winner Jon Low. Early notes on the album describe it as intimate and healing-minded, shaped by themes of nature, hope and simplicity, with each song unfolding like a conversation rather than a performance. There is a sense of return threaded through it — of leaving, searching, and coming home changed. The band are currently back on the road in the United States, including their own headline dates alongside support slots for The Teskey Brothers. They are also scheduled to appear at Bourbon & Beyond in Louisville before heading to Richmond for Iron Blossom Music Festival later this month. Fans in the UK and Europe will have a longer wait — but not by much. The Paper Kites have announced an extensive 2026 headline tour across the region, with tickets on sale now. London is set for a show at the Roundhouse, following previous sold-out runs at Koko, Kentish Town Forum and a major summer performance at Somerset House. Additional stops include the O2 Ritz in Manchester and 3Olympia Theatre in Dublin. The Paper Kites now count more than two billion streams worldwide, their soft-spoken sound resonating far beyond folk circles. Their breakout track Bloom has gone multi-Platinum internationally and remains one of the most recognisable modern indie-folk singles of the past decade. It has since been covered on The Kelly Clarkson Show, while the band’s music continues to soundtrack television staples such as Grey’s Anatomy, This Is Us and Virgin River. Though their influence has grown, the group remain rooted in restraint and nuance — collaborators rather than chasers, working quietly alongside artists such as Lucy Rose, Nadia Reid and Rosie Carney. Their rise has been gradual, steady and built less on spectacle than on craft. It is that patience, along with harmony-rich songwriting, that has carried them to this seventh chapter. And if the new single is any indication, If You Go There, I Hope You Find It doesn’t mark a reinvention so much as a deepening — another page in a story written gently, thoroughly, and always in service of feeling.

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Big Valley Jamboree Reveals 2026 Headliners

Big Valley Jamboree is gearing up for its 34th edition, returning to Camrose from 30 July to 2 August, and organisers have confirmed a powerhouse 2026 Chevrolet Main Stage line-up to match. This year’s festival places three major names at the top of the bill: eight-time ACM Group of the Year Old Dominion, multi-platinum hitmaker Riley Green, and four-time GRAMMY winner Keith Urban. ACM New Artist of the Year Nate Smith will open the weekend during Thursday’s Kickoff Party inside the Coors Original Saloon. “As we celebrate the incredible history of Big Valley Jamboree, this line-up feels like the perfect way to honour where we’ve been and where we’re headed,” said Troy Vollhoffer, CEO of Country Thunder. “Keith Urban, Old Dominion and Riley Green each bring something unique to the stage, and together they capture the spirit of what BVJ is all about: great music, great community and memories that last long after the weekend ends.” Urban, returning to BVJ after years away, brings more than two decades of chart success to the Alberta stage. The three-time Entertainer of the Year holds 20 number-one singles – including “Somebody Like You,” “Blue Ain’t Your Colour,” and “Long Hot Summer” – and remains one of the most recognisable live performers in modern country music. Old Dominion step into their headlining slot as one of the most decorated groups in the genre, with eight ACM Awards and seven CMA wins to their name. Their catalogue of fan favourites – “Break Up with Him,” “Written in the Sand,” “Make It Sweet” – has helped position them amongst country music’s most in-demand live acts. Riley Green will headline Big Valley Jamboree for the first time following his well-received Kickoff Party appearance in 2024. Known for hits like “There Was This Girl,” “I Wish Grandpa’s Never Died,” and “Worst Way,” Green arrives off the back of multiple ACM and CMA wins and continues to build momentum. More names join the 2026 roster, including Cameron Whitcomb, Noeline Hoffman, viral breakout Gavin Adcock and Chase Rice. The programme also features Robyn Ottolini, Sacha, Josh Stumpf, Morgan Klaiber, Travis Dolter, Sully Burrows, The Dead South, Mark Chesnutt, Billy Dean & Collin Raye and Logan Layman. Festival-goers can also expect two signature events: Thursday’s Kickoff Party led by Nate Smith, and the official BVJ After Party, complete with late-night surprise guests throughout the weekend. Further updates are expected in the months ahead. Tickets and camping packages are already on sale, with a new payment plan allowing visitors to secure their place for £20 down, followed by equal monthly instalments. A landmark summer for country fans is already on the horizon – and Big Valley Jamboree looks set to make 2026 one to remember.

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Brooks & Dunn – The Long Game

They didn’t arrive as revolutionaries. But Brooks & Dunn redrew the borderlines of country music just the same — blending honky tonk, arena rock, and emotional clarity into a sound that still echoes through the genre’s bloodstream. When Brooks & Dunn reunited in 2015 after a five-year hiatus, it wasn’t out of necessity. They had nothing left to prove. Already Country Music Hall of Famers, with more CMA Awards than any other duo in history, they could’ve stayed gone — proud, platinum, and preserved. But Kix Brooks and Ronnie Dunn were never interested in legacy as museum piece. Their return wasn’t nostalgic. It was purposeful. A reminder that the sharpest tools in country’s box were far from relics, they still had an edge. Three decades after their 1991 debut, Brooks & Dunn remain a blueprint: for duos, for crossover acts, for anyone trying to make traditional country sound contemporary without losing its roots. And for all the numbers — the chart-toppers, the tour grosses, the awards — their real achievement might be that no one’s ever done it quite like them since. Their origin story is tidy on paper, but jagged in reality. Both men had solo ambitions. Dunn was a powerhouse vocalist from Texas with a gospel background. Brooks was a sharper-edged songwriter from Louisiana with industry connections and an ear for momentum. Arista Records head Tim DuBois suggested they try working together, and they did, somewhat reluctantly. The pairing didn’t immediately make sense. Their writing styles clashed. Their personalities diverged. But the tension became fuel. In interviews, Brooks has often said the act only worked because they were so different. Dunn, more reserved and vocally dominant, brought the ache. Brooks, gregarious and guitar-forward, brought the grit. That tension gave them range. It let them pivot between floor-fillers like “Boot Scootin’ Boogie” and ballads like “Believe.” They weren’t trying to split the difference, they were doubling the spectrum. By the time their debut album Brand New Man dropped in 1991, the balance had clicked. Four No.1 hits later, Brooks & Dunn weren’t a gamble. They were the new standard. Throughout the 1990s, Brooks & Dunn became country’s most bankable act, not by chasing trends, but by setting them. Albums like Hard Workin’ Man and Waitin’ on Sundown fused dancehall energy with emotional storytelling. Their music lived on jukeboxes and in stadiums. It worked as well in boots as it did in headphones. They built an aesthetic as much as a catalogue. Cowboy hats and designer jeans, Telecasters and pyrotechnics. They didn’t play small, they scaled country up. And they did it without sacrificing the fundamentals: story, heart, and voice. Radio embraced them, but so did fans outside the usual orbit. Their sound, stitched with blues, rock, honky tonk, and even gospel, made them accessible without sanding off their roots. Dunn’s vocals soared; Brooks kept the rhythm grounded. And they just kept winning. By the end of the decade, they’d earned Entertainer of the Year, dozens of chart-toppers, and a place on the Mount Rushmore of modern country. To read the full article, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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HuneyFire Release Festive Christmas Single

Afro/Latina country duo HuneyFire are embracing the holiday season with the release of their new single, “My Christmas Wish”, a warm and romantic track celebrating love in December. The song is described as a light-hearted tribute to spending the festive period with someone special, wrapped in harmonies and seasonal glow. “My Christmas Wish is a sweet and playful holiday single about the joy of being in love at Christmas and wanting nothing more than to spend the season with the one you love,” the duo said. HuneyFire added that the track captures “the simple and tender desire to make memories together under the glow of Christmas lights.” Written and produced by Cheaza Figueroa, the song features Figueroa and daughter Marri Nevarez-Barlow sharing lead vocals and harmonies, bringing a soft, familial touch to the arrangement. The recording also features Caitlin Evanson on fiddle, Eddie Dunlap on dobro, and Hugo Castillo contributing drums, bass guitar, organ, piano and synth. The single was recorded at Mir Records USA. “My Christmas Wish” adds a festive chapter to the duo’s catalogue, blending country instrumentation with soulful, honey-toned delivery, and positions HuneyFire as emerging seasonal voices within the genre. HuneyFire continue to build momentum as a mother-daughter pairing distinctly placed within country music – blending cultural heritage, harmony-led songwriting and a modern Americana sensibility. Their work has drawn attention for its warmth, sincerity and genre-spanning influences, marking them as artists to watch as they move into the new year.

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Tim Brink & The Rising Release ‘Dark City’

Tim Brink & The Rising have unveiled their debut album Dark City, a cinematic blend of Southern gothic storytelling, Americana grit and brooding blues. The release marks a defining moment for frontman Tim Brink, the Quebec-born vocalist and multi-instrumentalist whose career to date has included international touring with Pete Möss, a finalist position on La Voix IV, and even consideration as lead singer for Stone Temple Pilots. Dark City leans into the mythology of desolate highways, ghost-town silence and hard-earned redemption. While fans of Colter Wall, Chris Stapleton and Orville Peck may find familiar textures, Brink carves his own territory – darker, more atmospheric and rooted in the tone of series such as Yellowstone, True Detective and Justified. The album, co-written by Brink and guitarist Samuel Busque, unfolds like a film. Songs move with tension and release, borrowing the grit of Johnny Cash, the intensity of Rage Against the Machine and the dramatic flair of Tarantino. Produced by Busque alongside Michel Francoeur and mixed and mastered at Red Tubes Studio, the record explores themes of vengeance, forgiveness and the moral grey spaces that sit between. Brink’s vocal performance anchors the work – raw, soulful and weathered like a road map creased at the edges. The music shifts between thunderous instrumentation and quiet reflection, offering a listening experience that feels both widescreen and intimate. Dark City is now officially released, signalling a bold entry onto the North American roots-rock stage and marking the beginning of a chapter that is wholly Brink’s own – storm-charged, cinematic, and unafraid to stare directly into the dark.

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Event Preview – Bootleggers Bonfire

Sun, salt air and stadium-sized sound come together at Bootleggers Bonfire — the ultimate country escape on Florida’s Emerald Coast. Pack your sunscreen and your favourite flannel — because Luke Combs’ Bootleggers Bonfire returns to Miramar Beach, Florida, this 23–25 October for three days of music, waves and southern soul. Tucked into the shoreline of Seascape Resort, this boutique beach festival turns the traditional country weekender on its head, trading crowded arenas for a curated, intimate fan experience. At Bootleggers Bonfire, the stage is metres from the sea, the crowd is capped at just 5,500, and every set feels personal. It’s part-concert, part-vacation — an immersive three-day retreat for die-hard country fans ready to ditch the dust and dip their boots in the Gulf. Headliner on Holiday Leading the bill is Luke Combs himself — but this isn’t your standard tour stop. Combs will deliver two unique headline sets: a Deep Cuts night on Thursday, followed by a Stadium Hits set on Saturday. It’s a rare chance to hear the full spectrum of his songbook, from crowd favourites like “Fast Car” and “Beer Never Broke My Heart” to fan treasures that don’t always make the arena setlist. He’s joined by a tight, hand-picked line-up reflecting both Combs’ roots and his future vision for the genre. The Castellows — known for their blend of Appalachian harmonies and Gen Z grit — open Thursday. David Lee Murphy, a veteran hitmaker with a honky-tonk heart, shares Friday’s bill with rising Georgia native Dylan Marlowe, while Saturday’s stage welcomes alt-country powerhouse Ella Langley, fresh off a breakthrough year. Your Cove, Your Crowd Unlike big-box festivals, Bootleggers Bonfire is designed for comfort and connection. Fans can book reserved Coves for two to six people — roped-off spaces on the beach that come with seating, direct stage views, and the option for food, drinks and merch to be delivered right to your spot. For those after a front-row thrill, Bootleggers Beach offers standing room just steps from the stage — with numbers limited to preserve the intimate atmosphere. It’s the best of both worlds: up-close access with laid-back, toes-in-the-sand vibes. Campfire Country Culture But the experience goes far beyond the main stage. Each day unfolds like a coastal carnival of country culture — from sunrise yoga sessions and fishing tournaments, to drum circles, bonfire jam nights, and a raucous Luke‑I‑Oke karaoke session where fans can perform onstage with the house band. Evenings bring golden-hour performances and spontaneous singalongs, while daytime is built for beach hangs and slow living. Whether you’re grabbing cocktails from a tiki pop-up, swapping stories at the Songwriters Bonfire, or dancing through the Wildcards 90’s Night, every detail has been crafted for connection. Close-Up and All In In an era of mega-fests and oversold arenas, Bootleggers Bonfire feels like a breath of warm, coastal air — proving that country music doesn’t need grandstands to be grand. It’s a celebration of songwriters, a treat for superfans, and a reminder that sometimes the best way to feel music… is barefoot. Whether you’re there for the setlists or the sunsets, Bootleggers Bonfire ‘25 delivers the rarest of combinations: a headliner at the top of his game, in a setting built to bring fans closer than ever before. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0)20 7139 8641 Email: editor@maverick-country.com

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Event Preview – Ridin’ Hearts

City rooftops meet country roads as Ridin’ Hearts returns to Sydney and Melbourne in October—serving up boot-stomping music, rising stars, and all-out festival fun. Get ready to dust off your boots and feel the pulse of country magic—because Ridin’ Hearts Festival is back for its third year, bigger, louder and bolder than ever. On Saturday 25 October at Sydney Showground and Sunday 26 October at Melbourne’s Caribbean Gardens, this unique city-centre festival is ready to once again bring the heart of Nashville to Australia’s east coast. Unlike any other event on the calendar, Ridin’ Hearts blends high-energy performances with streetwear cool, cowboy boot glamour, and boutique vibes. It’s where fans come to celebrate the modern face of country music—genre-fluid, emotionally rich, and undeniably fun. A Headline Act with Heart Topping the bill this year is none other than Megan Moroney. Nicknamed the “emo cowgirl” for her blend of vulnerability and sass, Moroney has fast become a country superstar. With over 2.8 billion global streams, viral tracks like “No Caller ID” and “Tennessee Orange,” and a second studio album Am I Okay? hot off the press, Moroney’s set promises to be a singalong celebration and an emotional gut-punch rolled into one. She’ll be joined by Nate Smith, whose powerhouse vocals and emotionally direct songwriting have earned him massive crossover appeal. Known for anthems like “Whiskey on You” and “Bulletproof,” Smith was crowned Billboard’s Rookie of the Year and recently took home ACM’s New Male Artist of the Year. Rising Stars and Local Favourites As ever, Ridin’ Hearts isn’t just about the biggest names—it’s a platform for tomorrow’s headliners. Avery Anna returns to Australian shores after winning over fans at CMC Rocks earlier this year. The 20-year-old viral sensation has already proven she’s more than a TikTok success story—her ballads hit with the emotional weight of someone twice her age. Then there’s Waylon Wyatt, a fresh Nashville face who’s balancing graduation with festival tours. Armed with heartland grit and youthful optimism, he’s quickly building buzz as a new voice to watch. From closer to home, Golden Guitar nominee Lane Pittman represents Australia’s own country resurgence, having recently supported Luke Combs on his national stadium tour. His blend of raw vocals and relatable lyrics are bound to resonate with hometown crowds. Additional highlights include Blake Whiten, Sara Berki, Karley Scott Collins, and Lewis Love—all artists who blur the lines between country, folk, and Americana in exciting ways. A True Country Experience But Ridin’ Hearts isn’t just about the music. This is a festival designed to delight the senses. Visitors can browse curated market stalls, grab bites from local food trucks (everything from Southern BBQ to vegan options), and sip craft cocktails at pop-up bars throughout the site. There’s also a strong fashion and lifestyle element: from glitter cowboy hats to custom denim, festivalgoers come dressed to impress. In fact, it’s not unusual to see a full runway of Western-meets-streetwear looks unfold right there on the grass. Saddle Up With both Sydney and Melbourne shows offering stacked line-ups and good vibes from morning to sundown, Ridin’ Hearts continues to carve out a unique space in the global festival calendar. It’s equal parts concert, community, and country celebration—proof that this genre is no longer confined to the American South. Whether you’re new to country or a die-hard fan, Ridin’ Hearts offers something rare: the chance to experience the sound, style, and soul of modern country music in the beating heart of Australia’s biggest cities. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Event Review – Windy City Smokeout

Windy City Smokeout 2025 delivered unforgettable musical moments, legendary BBQ, sizzling surprise guests, and vibrant Chicago spirit for four days outside the United Center. Chicago’s Windy City Smokeout returned July 10–13, 2025, transforming the United Center parking lot into a lively convergence of country music and barbecue culture. Over four days, the festival drew crowds of 20,000–25,000 daily, drawn by a curated mix of chart‑topping artists, rising talent, and a smoky swarm of pitmasters. The 2025 lineup boasted heavy-hitters like Kane Brown, Jon Pardi, Bailey Zimmerman, Old Dominion, Megan Moroney, Riley Green, Koe Wetzel, and Dylan Gossett. Supporting acts such as Ella Langley, Sam Barber, Charles Wesley Godwin, Shane Smith & the Saints, Josh Meloy, Lauren Watkins, and Maggie Antone added depth and diversity to the roster. The schedule was tightly packed but masterfully paced, offering a seamless blend of party anthems, emotional ballads, and crowd-pleasing singalongs. Between sets, festivalgoers lounged in shaded beer gardens, joined line-dancing circles, or cooled off with ice-cold lemonade while sampling regional BBQ specialties. The atmosphere remained relaxed but electric, with a crowd that skewed younger this year—suggesting the genre’s evolving appeal among Gen Z and millennial fans. Unexpected magic Weather, BBQ, and unexpected performances defined this year’s magic. Despite intense heat and storm warnings, the mood stayed electric. The festival featured over 20 esteemed pitmasters—including local favourites like Bub City, Lexington Betty, Smoque BBQ, and Soul & Smoke—plus regional stars such as Pappy’s, Little Miss BBQ, Meat Mitch, and Hoodoo Brown Barbecue. One memorable highlight featured Hoodoo Brown serving Italian sausage sandwiches and smoked beef cheese poutine fries while battling the elements after a grueling 13-hour drive. One of the weekend’s most surreal moments occurred during Old Dominion’s Friday set when Dan Aykroyd and Jim Belushi appeared as the Blues Brothers. They jammed on “Everybody Needs Somebody to Love” and later joined the band for “Hotel Key,” igniting the crowd with a Chicago twist that will be remembered for years. Stage highlights and rising stars Friday and Saturday brought more unforgettable performances. Ella Langley’s energetic set earned her a career moment when she invited Riley Green onstage for two duets, sparking speculation with the crowd. Green’s own performance closed the festival with a raw, emotional solo rendition of “I Wish Grandpas Never Died,” following surprise Dueling renditions of Toby Keith hits that had fans singing along. Headliner Jon Pardi closed out Smokeout with pyrotechnics, catwalk twirls, and singalong hits like “Beer Can’t Fix,” “Heartache Medication,” and “Head Over Boots” — capturing the heart of country fans with his trademark swagger and showmanship. City vibes, country heart What sets Windy City Smokeout apart is Chicago’s urban energy meeting festival soul. Whether tip‑toeing toward the next set with beer in hand or doing a line dance near the pits, the vibe remains an intoxicating blend of grit, community, and pure country joy. From surprise celebrity cameos to smoky flavors and unforgettable sets, Smokeout 2025 is living proof that the best festivals never play it safe—they embrace the unexpected. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Dan Ashley – Sing Me a Story, Tell Me the News

Veteran news anchor and rock singer-songwriter Dan Ashley shares how journalism, music, and philanthropy have intertwined in a truly remarkable career. You’re known both as a respected ABC7 news anchor and as a rock-fronting singer-songwriter. Can you share how your childhood experiences shaped those dual passions? I am so fortunate to be able to pursue lifelong passions professionally. As a journalist, I benefited enormously from growing up in an academic household as the son of a college professor of public health and as Dean of the school. In high school and college, I was on the debate team, which gave me invaluable experience in organising thoughts and speaking in public. That was a huge help as I began working on television and radio as a reporter. As a songwriter, my decades as a journalist gave me a unique perspective as a lyricist that has allowed me to tell stories in song. Having been around music for my entire childhood, it gave me love and appreciation for that creative art form. What inspired the pivot back to music after decades in journalism? Music has always been a part of my life but, until the last twenty years or so, mostly as a fan. Once I started taking singing lessons, with no ambition to do it professionally, a spark turned into a flame and I was overtaken by the love of, not just enjoying music, but creating and performing it. With singles like “Small Town Nights” and “What Really Matters,” you tap into nostalgia and perspective. What do these songs mean to you personally? I grew up in a small college town, Chapel Hill, NC, so I know a lot about that kind of life. For me, it was wonderful- filled with climbing trees, playing kick-the-can in the street, and spending summer days outdoors. We didn’t have computers or video games, and I am so grateful that we didn’t. “Small Town Nights” reflects that experience but, more than nostalgic, it’s aspirational. In a very complicated and distracting age that we live in, I wanted to write a song about the joy of simple pleasures absent all the technology. “What Really Matters” is chronical in many respects of my experiences as a journalist for all these years. The things I’ve seen as a reporter and an observation that, in so many instances, good people come forward to help in bad situations. You’ve opened for legends like REO Speedwagon, Melissa Etheridge, Patti LaBelle, Joan Jett, and more. Which of these experiences had the most lasting impact? I have been so fortunate to share the stage with some incredible acts over the years- it’s a privilege and a whole lot of fun. They are all memorable in their own way, but I have to say that opening for REO Speedwagon was particularly special because all the guys in the band were so nice, gracious, and supportive. I’ve never had a bad experience supporting headliners, but they were especially delightful. How does your background in journalism inform your songwriting? Great question! The parallels are truly striking. As a journalist, I am a story-teller in many respects and that is exactly my approach with songwriting. Legendary 60-Minutes creator and producer, Don Hewitt, used to always remind reporter to “tell me a story”. That is always my key focus when I am reporting on television and it’s the same core idea in my songs. Tell me, or in the case of music, sing me a story! Your band includes musicians like James Henry and Didier (Francois Bouvet). How did forming this ensemble enrich your musical vision, and what do they bring to your sound? I have the privilege of performing with some phenomenal musicians- players and singers who elevate everything we do. Whether it’s the amazing Bill Bentley- lead guitarist and my song co-writer, Billy “Shoe’s” Johnson on drums who toured with Santana, James Henry on percussion of Pablo Cruise, among others. My bandmates are amazing musicians and fantastic people. Angeline Saris on bass- she’s played with so many artists. Nate’ Soulsanger is an incredible singer in her own right, and I am so proud to have her on background along with my wonderful wife, Angela. Your music profits fund charities close to your heart. Why is philanthropy such an important part of your music career? As a television news anchor, I have been very fortunate to have a unique place in the community which give me a unique opportunity to be involved in different ways. Philanthropy has been a deeply meaningful and important part of the position I am so grateful to hold at ABC7. It was just a natural extension to use the band to support worthy causes whenever possible. What’s your songwriting process like and how do you balance honesty with narrative structure? Songwriting is such an interesting and challenging process. Sometimes a song will just hit me, and it flows out. “Lucky Stars”, for example, I wrote in maybe half an hour when I woke up in the middle of the night thinking about how lucky I am to have found my wife, Angela. Sometimes, it’s a lot more work. But it’s a really rewarding process. How it works with me varies, sometimes a subject matter comes to mind, and I work with that. Often, just the title of a song hits me and then I begin to build the story around what it’s about. Other times, it might be a riff I hear in my head that sparks an idea. One key is to try to keep the lyrical content as authentic as possible- not to do backflips trying to force a rhyme or idea into the song. Keep it as real as you can- what you really think and feel. What milestones or creative goals are you still chasing—whether it’s an album, specific venue, collaboration, or personal evolution? As a journalist and a musician, I’m always ready for the next challenge or adventure. I’ll have a second album out soon- the

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Event Review – Country Thunder Wisconsin

Country Thunder Wisconsin returned with a record-breaking edition in July, drawing over 100,000 fans for four days of music, mud, and standout performances. From July 17 to 20, Country Thunder Wisconsin once again turned Shadow Hill Ranch in Twin Lakes into a buzzing hub of boots, beer, and big-name acts. The 2025 edition welcomed more than 100,000 fans across the four-day event, many of whom braved thick mud and unpredictable weather to catch a blockbuster lineup of country music stars. The atmosphere was electric despite the rain, with spirits high and cowboy hats barely staying on as storms rolled through. Instead of deterring the crowd, the weather added a wild charm to the proceedings—giving the whole festival a gritty, homegrown vibe that felt unmistakably country. Among the many memorable moments was Friday’s set by rising artist Braxton Keith, whose throwback honky-tonk style delivered one of the most talked-about performances of the weekend. On Saturday night, Jelly Roll’s headline slot was a thunderous highlight. His genre-blending sound and heartfelt delivery resonated deeply with the soaked crowd, who sang along under clearing skies. Legends and new voices This year’s headliners—Cole Swindell, HARDY, Jelly Roll, and Dierks Bentley—each brought their own flavour to the main stage. From Swindell’s easygoing Southern charm to HARDY’s hard-hitting rock-country fusion, fans were treated to a genre-spanning showcase that spoke to country’s evolution. Bentley closed out the festival on Sunday with a high-energy set full of fan favourites and heartfelt moments. The supporting cast was just as strong. Ashley McBryde, Chayce Beckham, Tyler Hubbard, and Sara Evans delivered solid sets that proved why they continue to be among the most respected voices in modern country. Meanwhile, classic acts like Shenandoah reminded attendees of the genre’s enduring roots, offering a satisfying balance of nostalgia and innovation. A milestone moment This year marked a symbolic milestone for the festival: its one-millionth attendee. After nearly three decades of camping, tailgating, and two-stepping in Wisconsin, the milestone was a reminder of Country Thunder’s status as a cultural cornerstone in the country music world. Beyond the headliners, Country Thunder’s success rests on the strength of its community. Whether gathered around a campfire, dancing at Electric Thunder’s afterparties, or singing along to a songwriter showcase, the festival offered a space for connection, tradition, and new discoveries. Campgrounds and community The campgrounds, as ever, were where the real festival magic happened. With impromptu acoustic jams, BBQ smoke curling into the summer air, and groups of friends bonding over shared playlists and plastic cups, the weekend reminded fans that country music is as much about people as it is about sound. Country Thunder Wisconsin 2025 proved once again that the heart of the festival lies in its blend of world-class performances and small-town spirit. With each year, the mud gets deeper, the crowd gets louder, and the memories grow stronger. If this edition is anything to go by, Country Thunder isn’t slowing down any time soon. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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