Afua Akoto

image provided by Alyssa Bonagura

A throwback to Alyssa Bonagura

Maverick Magazine throws back to our 2022 highlight of Alyssa Bonagura for this issue’s Blast from the Past. Alyssa grew up on the road as she joined her parents on tour from a young age, she was destined for the stage herself.  Alyssa Bonagura, now in her early thirties, has had a long and varied career which pretty much began when she was just a tot, out on the road with her parents, Michael Bonagura and Kathie Baillie. Their band, Baillie & the Boys rose to fame in the late 80’s with a string of top 20 hits on the Billboard country charts. They had originally found work as backing singers for the likes of Randy Travis whilst Michael also penned the number one hit, ‘There’s No Stopping Your Heart’ for Marie Osmond, giving themselves a taste of every side the industry had to offer. During the height of their success as a band, Michael and Kathie also welcomed Alyssa into the world and they took her everywhere with them. “My earliest childhood memory is the sound of a diesel engine on a bus,” Alyssa reflects with a grin. “My parents used to get picked up here at our house, and we live out in the countryside. So the bus would come to the end of the driveway, and my mum would come wake me up at like midnight, she’d say, let’s go the buses are here. We’d walk down the driveway, get on the bus, and then we’d be in a different city. My whole life was like that and I just loved it.” As she travelled round the country with her mum and dad she knew she wanted to be out on stage performing too. “My earliest memory of singing, I was like two years old, and my mum was playing this big festival. I ran on stage because I wanted to sing and so she let me sing ‘Take Me Out to the Ballgame’ in front of 20,000 people at this festival and so I’ve always wanted to do it.” As well as her parents, Alyssa was in good company as her parents toured with the greats of the country genre, each one welcoming Alyssa into their lives and hearts as she grew up. At the time, Alyssa didn’t realise just what a wild and crazy life she led as a child. “We were hanging out with Vince Gill or Reba McEntire, Kenny Rogers, they were on the road with George Strait. To me, they were just other people that were singers and then when you start to get older, you start going to school, and people start saying to you, your parents are famous. That’s when you start to realise who your parents actually are and what kind of business it really is. My parents, they were never the kind of people that like ever boasted or bragged about anything they did. So I was brought up in a really humble environment…” To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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image provided by Diego Dibos

Beyond Nashville: Peru

Diego Dibós  Diego Dibós is a Peruvian singer-songwriter and producer known for fusing country rock with Latin American influences. Born into a musical family, he started his career in the Peruvian pop-rock scene but has since incorporated Americana elements into his work, making him one of the country’s most interesting crossover artists in Peru.  His music features the hallmark elements of country—acoustic guitar, steel guitar, and deeply personal storytelling—while also incorporating Latin percussion and Spanish lyrics. Songs like Hasta el Final and Distinto evoke the emotional weight and melody-driven sensibilities of country ballads, making them feel right at home alongside the works of Nashville songwriters.  Diego’s ability to merge cultures has made him a standout in Peru’s independent music scene. By blending country’s melancholic yet hopeful spirit with the warmth of Latin rhythms, he has created a unique sound that resonates with both Peruvian and international audiences. His music proves that country storytelling transcends borders, adapting to different cultural landscapes while retaining its emotional core.    Lucho Quequezana  Lucho Quequezana is one of Peru’s most celebrated musicians, known for his ability to mix traditional Andean sounds with a wide range of genres, including country and folk. As a multi-instrumentalist, he has a deep understanding of world music and has often incorporated the storytelling elements of country into his compositions.  His album Kuntur features tracks with country-style guitar picking blended with charango and pan flute, instruments typical of Andean folk music. Though primarily known for his world fusion approach, Lucho’s music reflects the spirit of country music’s troubadours—wandering storytellers who sing of love, hardship, and the beauty of the land. His song Carnaval captures this essence, using vivid instrumentation and dynamic melodies to tell a story that is at once deeply Peruvian and universally relatable.  Lucho has performed worldwide, bridging cultural gaps with his music. His work demonstrates that while country music has a distinct sound, its soul—the art of storytelling—can take on many forms, adapting to different traditions and finding common ground in unexpected places.    Naïa Valdez  Naïa Valdez is one of the rising stars of Peru’s indie-folk scene, bringing a fresh, heartfelt voice to the country and Americana fusion movement. With a delicate yet powerful vocal style, her music is reminiscent of folk-country artists like Brandi Carlile and Kacey Musgraves.  Her song Revolución blends country’s acoustic warmth with Latin rhythms, featuring finger-picked guitar melodies and introspective lyrics about self-discovery and change. While her style leans more toward folk, the storytelling and emotive delivery in her music align with country music’s traditions. She often sings about personal struggles, love, and the search for meaning—universal themes that resonate deeply within the genre.  Naïa has garnered attention in Peru’s indie music circles and beyond, gaining recognition for her unique approach to blending country and folk with Latin American influences. As more artists like her emerge, Peru’s contribution to the global country music scene is likely to grow, proving that country music can find a home anywhere in the world.    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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album cover obtained from eltonjohn.com

Elton celebrates ‘extraordinary’ 10th number one album

Sir Elton John says he is “blown away” after scoring the 10th UK number one album of his career. Who Believes In Angels?, a collaboration with US country star Brandi Carlile, has topped the charts 52 years after the star’s first number one. “It seems quite extraordinary that my career has gone on so long,” Sir Elton told the BBC. “It always feels good to top a chart, no matter where it is. And with this album, I’m especially thrilled because I think it’s the finest album I’ve done for a long time.” Written and recorded over three weeks in late 2023, Who Believes In Angels? has received rave reviews from critics, who have called it “a gutsy, flamboyant tearjerker, external” and a “late-career high, external”. But the album had a difficult gestation, which was captured in a warts-and-all documentary posted on YouTube. Sir Elton was seen slamming down his headphones, shouting at his collaborators, ripping up song lyrics and threatening to quit. ‘Bad behaviour moments’ The star was “nervous” and “irritable”, partly because he was recovering from a hip replacement, he said, but also because he was working in a new way – writing live in the studio with Carlile, producer Andrew Watt and long-term lyricist Bernie Taupin. “It was an enormous challenge, getting those four people together,” he told the BBC. “And the challenge really was at my feet. “I was very nervous [because] I wanted the album to stand a certain way, but you can’t always guarantee it will. “I think my nerves and my insecurities and my doubt led to a few bad behaviour moments, which was just about frustrations within myself.” Once they had recorded the opening track, The Rose of Laura Nyro, “everything fell into place”, Sir Elton said. “In two and a half weeks, we recorded 14 songs and finished them.” The album’s release was delayed last year after an eye infection left the star with vision difficulties. Last week, he told the Times he could no longer watch his sons playing rugby. With the album finally released, there has been particular praise for the single Swing For The Fences, which Carlile conceived as rallying call for the LGBTQ community. “I’m a gay woman, Elton’s a gay man and we both have families, and our dreams have come true,” she told the NME, external. “I was thinking, wouldn’t it be cool to write an anthem for young gay kids out there that calls them into a bigger, more elegant, more fabulous life? Just like, ‘Go, go! Don’t let anything hold you back!’” “It’s a tough time out there for LGBTQ+ people,” Sir Elton told BBC News. “At the moment when Brandi wrote this lyric, she wanted to say, ‘Listen, fight for yourself. Be proud of yourself who you are, never be ashamed of who you are, and you will win through.’” In the UK, the album sold more than 15,000 copies in its first two days and was the week’s best-seller on vinyl. Sir Elton has now drawn level with Abba, Queen, Kylie Minogue and Michael Jackson on the list of artists with the most UK number one albums. The Beatles and Robbie Williams share the top spot, with 15 number ones apiece… To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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image provided by Wu Tiao Ren

Beyond Nashville-China

China  Tang Hanxiao (Terry Tang)  Tang Hanxiao, also known as Terry Tang, is one of the most recognized names in China’s emerging country music scene. A singer-songwriter with a deep appreciation for Western music, Tang seamlessly blends country, folk, and pop influences into his songwriting. His music often features acoustic guitar, harmonica, and lap steel, reminiscent of traditional American country, but his lyrics remain rooted in personal and cultural themes unique to China.  One of his most notable songs, Don’t Be Afraid, showcases his knack for emotional storytelling, a key component of country music. The song’s reflective lyrics on love and perseverance, paired with his warm, melodic voice, have drawn comparisons to John Mayer and Keith Urban. While still largely a niche artist in China, Tang has steadily built a loyal following, proving that country music has a place in the East.  Wu Tiao Ren  Wu Tiao Ren may not be a conventional country duo, but their music reflects the heart of country storytelling. Hailing from Guangdong, this folk band has carved a unique space in China’s alternative music scene, incorporating elements of country, bluegrass, and traditional Chinese ballads into their songs.  Their lyrics often depict working-class struggles, small-town life, and the hardships of everyday existence—topics deeply intertwined with country music’s storytelling traditions. Their 2015 album Canton Girl features songs with twangy acoustic guitar and harmonica, echoing the raw sincerity of Appalachian folk. Unlike mainstream Chinese pop, Wu Tiao Ren’s music is unpolished, deeply narrative, and nostalgic, much like the early country recordings from the American South.  Their ability to merge traditional Chinese sounds with Western folk influences has made them a standout act. Songs like A Tale of Lianjiang evoke the same sentimentality found in classic country music, despite being sung in Cantonese. As a result, they’ve garnered a dedicated fan base both in China and internationally, proving that country’s storytelling traditions transcend language barriers.  Liu Dongming (Liu 2)  Liu Dongming is a Beijing-based singer-songwriter who has been making waves with his unique fusion of country, folk, and rock. A gifted lyricist, Liu’s music often explores themes of nostalgia, love, and personal struggle—hallmarks of country songwriting. While not a mainstream name, he has gained recognition for his deeply emotional performances and poetic lyrics.  His song Old Town Road (not to be confused with the Lil Nas X hit) features classic country instrumentation, including a steady acoustic guitar rhythm and harmonica accents. But what sets Liu apart is his ability to blend Mandarin lyrics with the storytelling traditions of American country music. He cites Bob Dylan, Johnny Cash, and Kris Kristofferson as major influences, and his music reflects that same introspective, narrative-driven approach.  Liu Dongming has performed at major folk and indie festivals across China, bringing his blend of country-folk to audiences who may not yet be familiar with the genre. His success shows that while country music in China remains a niche market, its heartfelt storytelling resonates with listeners worldwide.  To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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image provided by Miranda Lambert

Miranda Lambert’s Mutt Nation: This is dog country!

We take a look behind the music at Miranda Lambert’s other passion: rescuing, fostering and ensuring that pooches paws are kept looking prim across America.  Miranda Lambert, a celebrated name in country music, has built an impressive career based on her passion for storytelling and her commitment to her fans. However, beyond her chart-topping hits and captivating performances, she has a deep love for animals, which led her to create the MuttNation Foundation in 2009. The foundation’s mission is simple yet powerful: to rescue, rehome, and improve the lives of homeless animals. Since its inception, MuttNation has made a remarkable impact on animal welfare by working tirelessly to reduce the number of abandoned pets and promote the importance of adopting from shelters rather than purchasing from breeders. Through this foundation, Miranda has found a way to channel her fame into a cause close to her heart, ensuring that animals in need are not forgotten. Her efforts have been monumental in advocating for animal rights and welfare, and MuttNation’s success speaks to the profound influence of celebrity-driven activism when it is rooted in genuine passion. The charity’s work spans a wide array of initiatives, including funding shelters, providing medical care for animals, and promoting the message that adoption is the best choice for those looking to add a pet to their family. As the foundation grows, its reach extends across the United States, benefiting shelters, rescue groups, and pets who might otherwise be overlooked. Miranda Lambert’s commitment to MuttNation has resulted in countless lives being saved and transformed, both for the animals and their new families. Mutts Across America and Disaster Relief At the core of MuttNation’s operations is the Mutts Across America programme, which stands as one of the foundation’s most important initiatives. Through this programme, MuttNation honours shelters and foster-based rescues across the country with a surprise $5,000 grant. Each year, MuttNation recognises one shelter in every state, Washington D.C., and a “Wildcard” shelter, helping to ensure that no corner of the country is overlooked. This programme highlights the incredible work of these organisations and provides them with vital funds to continue their life-saving efforts. In collaboration with Tractor Supply Company, a company that shares MuttNation’s passion for animal welfare, Mutts Across America has awarded over $2 million in grants since its inception. With these funds, MuttNation has been able to support more than 500 shelters, particularly those that work with the most difficult-to-adopt pets. These include senior dogs, large dogs, dogs with special needs, and pit mixes – often referred to as the “Love Harder” dogs. These animals are frequently the last to be adopted, despite their loving nature, and MuttNation’s commitment to supporting them helps to highlight their value as companions… To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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image provided by Luke Combs

Luke Combs’ ‘Fathers and Sons’: Triumph or trivial?

Luke Combs’ latest album, ‘Fathers and Sons’, delivers an intimate portrayal of fatherhood, blending heartfelt lyricism with his signature warmth, but does its singular focus limit its reach.  Oftentimes, people listen to an album and don’t stop to think “who is this for?”, but with his latest full-length release, ‘Fathers and Sons’, Luke Combs makes sure no secret of who the tracks are directed at. Beautifully written though it may be, it’s perhaps the discussion of fatherhood as a concept that keeps this album at arm’s length from enjoyment. In the US, 10.9 million families are headed up by single mothers, 25% of the US population are now living in single parent households and even in the UK, that figure sits at 2.7 million and 84% of single parents are women. It can be hard to see where exactly Combs’ point lies in releasing this album now, penning a concept album about fatherhood when the role of fathers is more a question now than ever before. Where Combs excels, as ever, is with his heartfelt lyricism and powerful vocals. It’s clear that Combs wrote this album more for his own family than to serve as a relatable, universal experience – and it benefits from that. Intensely personal and diving deeply into the worries, joys and even nostalgia of fatherhood, Combs loses none of his sensitivity in this album, in fact, he doubles down on it, wearing his emotions as a badge of pride and masculinity intertwined. In an era where the toxic elements of masculinity are becoming ever more troubling, Combs sets out his manifesto for the place of fathers. It’s one of understanding, loving your child, to quote the track from Combs himself, ‘Whoever You Turn Out To Be’. It’s a soothing balm compared to the crisis of masculinity that seems to be all anyone talks about nowadays. Combs offers an alternate route to those who are questioning a man’s place in the world: to love unconditionally, to speak about your anxieties, fears and truths without judgement. A nostalgic look at childhood and familial traditions, ‘Little Country Boys’ captures the innocence and joy of growing up under a father’s guidance. The track is rich with imagery, depicting fishing trips and muddy boots, but the lyrical themes feel overly familiar. It’s a pleasant listen, yet it struggles to stand out from similar offerings in Combs’ catalogue. Perhaps the most emotionally raw song on the album, ‘All I Ever Do Is Leave’ explores the conflict between career aspirations and family responsibilities. The track’s vulnerability is its greatest strength, with Combs delivering a poignant performance that resonates with working parents everywhere. The stripped-back instrumentation allows the lyrics to take centre stage, making it a standout moment. ‘Whoever You Turn Out to Be’ serves as the emotional core of the album, offering an open-hearted pledge of unconditional love and acceptance. Combs’ delivery is tender and full of conviction, but the song’s restrained production prevents it from reaching its full emotional potential. While touching, it feels like a missed opportunity for greater dynamic range. A tribute to generational wisdom and the values passed down through families, ‘Roots and Wings’ balances sentimentality with sincerity. Combs’ storytelling is effective, yet the song follows a predictable pattern that feels like well-trodden territory. The track would have benefitted from a fresher approach to its instrumentation. ‘Like My Daddy Did’ delves into the pressure of carrying on family traditions, with Combs reflecting on the desire to live up to the example set by his own father. It’s an earnest and relatable exploration of legacy, though the melody feels overly familiar. While the lyrics hold emotional weight, the song struggles to break new ground. A poignant exploration of the emotional tug-of-war that comes with balancing personal dreams and parental duties, ‘Between a Rock and a Hard Place’ is a highlight of the album. The track’s stripped-down production allows Combs’ heartfelt vocals to shine, offering an intimate listening experience that feels deeply personal…   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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image provided by Lainey Wilson

Lainey Wilson Releases New Song “Bell Bottoms Up”

In celebration of National Bell Bottoms Day on Saturday, April 5th, GRAMMY, CMA and ACM Award-winning artist Lainey Wilson released her brand new song “Bell Bottoms Up” on Friday. A homage to her trademark style, “Bell Bottoms Up” is a high-energy anthem and was recorded at London’s historic Abbey Road Studios. Sharing a name with her Nashville bar, the song was written by Wilson and her band and is already a fan favourite from her extensive Whirlwind World Tour. The release adds to yet another triumphant year for Wilson, who is nominated for seven awards at the upcoming 60th Annual ACM Awards: Entertainer of the Year, Female Artist of the Year, Album of the Year (Whirlwind), Song of the Year (“4x4xU,” as an artist and songwriter), Visual Media of the Year (“4x4xU”) and Artist-Songwriter of the Year. About Lainey Wilson: Country music trailblazer Lainey Wilson continues to take over the world, capturing the hearts of music fans, the excitement of the industry and the recognition of her peers, while keeping her boots firmly planted on the ground. Her monumental rise continues with major milestones, including her induction into the Grand Ole Opry, co-hosting the 58th Annual CMA Awards alongside Luke Bryan and Peyton Manning, headlining the Dallas Cowboys’ Thanksgiving Halftime Show as part of The Salvation Army’s 134th Red Kettle Campaign and her upcoming, nearly sold out Whirlwind World Tour, which will span across Europe and North America. Wilson’s latest studio album, Whirlwind, earned a Grammy nomination for Best Country Album at the 67th Annual Grammy Awards and was hailed by The Tennessean as “the best release of her career.” Whirlwind debuted at #8 on the all-genre Billboard 200 chart and #13 on the UK Official Albums Chart, marking Wilson’s first top 10 and top 15 entries, respectively. The album earned spots on several “Best Albums of 2024” lists, including Rolling Stone, Billboard and The Boston Globe. Produced by Jay Joyce, Whirlwind provides a daringly honest exploration of Wilson’s life and journey around the globe. It reveals a diverse yet sonically cohesive collection of songs, bending genres while remaining true to her Western roots. The Grammy-winning, CMA and ACM Entertainer of the Year is a prolific, sought-after songwriter who has scored seven No. 1 hits including “Watermelon Moonshine,” and the 2x Platinum Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Wilson has also become a triple threat within entertainment as a singer, songwriter and actor. She made her acting debut in season 5 of Paramount’s hit series Yellowstone and wrote and recorded “Out of Oklahoma,” an original song for Universal’s blockbuster Twisters. Beyond her artistry, Wilson’s on-stage performances triumph from sold-out tours across America, Australia and Europe to highly coveted music festivals such as Stagecoach, Lollapalooza and Watershed.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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image provided by Tanner Adell

The Future of Country Music in 2025: Artists to Watch and Emerging Trends

2025 has already become another banner year for country music. Looking ahead, we examine the upcoming artists and trends set to make country music great again this year. The country music landscape is buzzing with fresh talent and exciting new trends. The genre, known for its heartfelt storytelling and deep-rooted traditions, is undergoing a transformation driven by rising stars and evolving musical styles. From blending genres to embracing digital platforms, country music is set to captivate audiences in innovative ways. Here, we explore some of the most promising artists to watch and the key trends shaping the future of country music this year. Artists to Watch this year Tanner Adell: A Trailblazer in Genre Fusion Tanner Adell is redefining country music with her unique blend of pop, hip-hop, and traditional country storytelling. Her debut mixtape, ‘Buckle Bunny’, has garnered critical acclaim from The New York Times and Billboard, solidifying her status as a rising star. Adell’s fresh approach to country music appeals to a wide audience, making her one to watch in 2025. Her ability to seamlessly weave together different musical influences while staying true to country roots is a testament to her artistry. Gavin Adcock: From Football to Country Stardom Transitioning from a collegiate football career to the country music scene, Gavin Adcock has made a significant impact with his authentic blend of country and southern rock. His debut album, ‘Actin’ Up Again’, has racked up over 600 million streams, and his recent sold-out tours underscore his rising prominence. Adcock’s music resonates with fans due to its relatable lyrics and down-to-earth charm, positioning him as a standout artist in the genre. Mackenzie Carpenter: A Songwriting Powerhouse Mackenzie Carpenter first gained recognition for co-writing Lily Rose’s hit ‘Villain’, and she has since established herself as a compelling solo artist. Her singles ‘Can’t Nobody’ and ‘Huntin’ Season’ showcase her knack for storytelling and engaging melodies. Carpenter’s rise in the industry highlights the growing influence of female artists in country music, and her relatable themes make her music resonate deeply with audiences. Carter Faith: Emotive Storytelling with a Modern Twist With hits such as ‘Wild’ and ‘Already Crazy’, Carter Faith has captivated listeners with her emotive vocals and heartfelt narratives. Faith’s performances alongside industry legends and her inclusion in CMT’s Next Women of Country initiative demonstrate her growing influence. Her ability to craft songs that speak to universal emotions while maintaining a modern edge makes her a promising artist for 2025. Ty Myers: A Young Talent on the Rise At just 17 years old, Ty Myers is proving to be a formidable force in country music. His songs ‘Tie That Binds’ and ‘Drinkin’ Alone’ have struck a chord with audiences, amassing millions of streams and a strong social media following. Myers’ rapid rise in the industry is a testament to his storytelling prowess and his ability to connect with listeners of all ages. His fresh perspective and youthful energy are sure to make waves in the coming year. Emerging Trends in Country Music for 2025 The Rise of Genre Fusion One of the most prominent trends in country music is the blending of genres. Artists are increasingly incorporating elements of pop, hip-hop, rock, and even electronic music into their sound, creating fresh and exciting musical experiences. This trend is helping country music reach a broader audience while maintaining its core storytelling essence. Artists like CJ Wiley are leading the charge, as they blend together slacker rock and Americana seamlessly, proving that genre boundaries are becoming more fluid than ever…   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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image provided by Lainey Wilson

Lainey Wilson’s ‘Whirlwind’ rise to country music dominance

Lainey Wilson’s album, ‘Whirlwind’, captures the beauty of growth, resilience, and staying grounded. The rising country behemoth reflects on change, collaboration, and staying true to her roots.  Lainey Wilson has never been one to shy away from the winds of change. Her latest album, ‘Whirlwind’, encapsulates the very essence of transformation and resilience, weaving together heartfelt storytelling, personal reflection, and the unrelenting pursuit of dreams. As one of country music’s fastest-rising stars, Wilson’s journey to success is a testament to the hard work, determination, and authenticity that define her artistry. “I’ve always known I would do this, from when I was 9 years old and I wrote my first song and my parents took me to Nashville,” Wilson recalls. Her passion for music was clear from the start, and she has spent years honing her craft, staying true to her roots while embracing the ever-evolving landscape of the country music industry. That combination of ambition and groundedness has helped her find her voice and build a body of work that resonates deeply with audiences around the world. ‘Whirlwind’ is not just an album; it is a reflection of Wilson’s life over the past two years—a period marked by rapid change and growth. “The past two years of my life have been constantly changing, and we need to rise to the occasion,” she says. The album serves as both a personal diary and an inspirational guide, offering listeners a glimpse into Wilson’s experiences and emotions as she navigates the highs and lows of her career. Writing ‘Whirlwind’ provided Wilson with a sense of grounding amid the chaos. “Writing the record bought me a lot of comfort in a time in my life when everything was changing… It just kind of like, took my head out of the clouds for a minute,” she shares. The creative process became a refuge, allowing her to channel uncertainty into something meaningful and lasting. Each song feels like a conversation—intimate, honest, and profoundly relatable. Wilson’s journey has been filled with moments of self-discovery, learning, and adaptation. She recognises the need to evolve with the changing times while staying true to her core values. In an industry that often demands reinvention, Wilson’s ability to stay grounded while embracing change has been one of her greatest strengths. Her music speaks to those who find themselves caught in the whirlwind of life, reminding them that they are not alone in their struggles and triumphs. Wilson’s journey has never been a solo endeavour. “Chasing something together with somebody” is how she describes the collective pursuit of dreams within Nashville’s vibrant music scene. Collaboration, mentorship, and shared aspirations have played an integral role in shaping her career. The city has long been a beacon for aspiring musicians, and Wilson has embraced the camaraderie that comes with it. Nashville is more than just a location—it’s a melting pot of creativity where dreams are nurtured and brought to life. The importance of community cannot be overstated in Wilson’s journey. She has worked alongside some of the industry’s finest songwriters, producers, and musicians, each contributing to her growth as an artist. Their collective wisdom and support have helped her navigate the complexities of the music business while maintaining her artistic integrity…   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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CMA Announces 2025 Triple Play Award Recipients

The Country Music Association, the premier trade organization supporting professionals within the Country Music industry, announced recipients of the 2025 CMA Triple Play Awards, which honor the songwriters behind some of the genre’s most notable No. 1 hits. This year’s 16 CMA Triple Play Award recipients are Rocky Block, John Byron, Zach Crowell, Jessie Jo Dillon, Ashley Gorley (two-time recipient), Charlie Handsome (two-time recipient), Jelly Roll, Ben Johnson, Chase McGill, Jordan Minton, Randy Montana, Hunter Phelps, Taylor Phillips, Ernest Keith Smith, Josh Thompson and Morgan Wallen. In addition, legendary music publisher David Conrad will receive the CMA Songwriter Advocate Award. This year, CMA will also proudly honor 73 songwriters who have achieved their first No.1 Country hit since the previous ceremony. The CMA Triple Play Awards ceremony will be hosted by composer and CMA Board member, Jim Beavers, on Tuesday, April 29 in Nashville. “Songwriters are the heartbeat of Country Music, and the CMA Triple Play Awards allow us to recognize the incredible talent and dedication it takes to write not just one, but three No. 1 songs in a year,” says Sarah Trahern, CMA Chief Executive Officer. “We’re also proud to celebrate those reaching their first No. 1—a milestone that marks the beginning of many great stories. We look forward to uniting our songwriting community later this month to honor these achievements and the creative contributions that continue to shape the genre.” “Some of my favorite folks in the Nashville song business have been recognized before me so it’s twice the honor,” says Conrad. “This is as good as it gets, and I am privileged to be included.” The CMA Songwriter Advocate Award honors individuals who have significantly supported and advanced the art and careers of songwriters, leaving a lasting impact on Country Music and the songwriting community. Conrad, a music publishing veteran with over 35 years of experience, is a pioneer in establishing Nashville as a leading songwriting hub. Starting as general manager for Charley Pride’s PiGem/Chess Music in 1973, he nurtured award-winning songwriters and influenced the careers of artists such as Ronnie Milsap, Barbara Mandrell and Steve Wariner. Later, as head of Almo/Irving Music’s Nashville office, Conrad broadened the company’s influence across multiple genres, working with renowned artists and songwriters such as Jimmy Buffett, Bruce Springsteen, Emmylou Harris and Gillian Welch. His contributions have had a profound and enduring impact on the music industry. The CMA Triple Play Award is presented to songwriters who pen three No. 1 songs within a 12-month period based on the Country Aircheck, Billboard Country Airplay and Billboard Hot Country Songs charts. As part of CMA’s broader mission to honor excellence across the industry, the award underscores the vital role songwriters play in shaping the sound and success of Country Music. Through the Triple Play Awards and other awards and industry honors, CMA celebrates the individuals whose creativity and commitment continue to drive the genre forward. Celebrating their first CMA Triple Play Award this year are Block, Byron, Dillon, Minton and Phillips. Gorley remains the most decorated recipient and is set to receive his 25th and 26th CMA Triple Play Awards at this year’s ceremony…   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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