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Picture of Niko Moon - Photo by Matthew Berinato - Maverick

Niko Moon – Built for the Good Life

Fusing feel-good energy with country soul, Niko Moon has carved out a sound all his own. With a new chapter ahead, he’s doubling down on joy—without losing depth.

Niko Moon strides onto the stage barefoot, a wide grin spreading across his face as he greets the crowd.

It’s a signature move for the Texas-born, Georgia-raised artist, embodying the laid-back, feel-good ethos that permeates his music. From his breakout hit “Good Time” to his latest projects, Moon has consistently delivered a blend of country, pop, and R&B that invites listeners to find joy in the everyday.

But beneath the sunny melodies lies a deeper narrative. Moon’s journey hasn’t been without its challenges, and he’s unafraid to share the highs and lows that have shaped his path. His commitment to positivity isn’t about ignoring life’s difficulties; it’s about choosing to focus on the light, even when the shadows loom large.

Growing up in a working-class family, Moon was surrounded by music from an early age. His father, a truck driver, and his mother, a waitress, filled their home with the sounds of John Prine and Patty Griffin. These early influences instilled in him a love for storytelling and a belief in the power of music to connect and heal.

Before stepping into the spotlight, Moon honed his craft behind the scenes, writing songs for artists like Zac Brown Band, Morgan Wallen, and Rascal Flatts. His transition to a solo career was a natural progression, allowing him to share his own voice and vision with the world.

He’s also noted that these formative experiences gave him a rare insight into what makes a song resonate. From melody structure to lyrical themes, Moon’s time as a songwriter offered a behind-the-curtain view of the music industry—experience he’s taken with him into his solo career.

His debut album, Good Time, introduced audiences to his unique sound—a fusion of country storytelling, pop hooks, and R&B rhythms. The title track became a chart-topping hit, resonating with fans seeking an escape from the stresses of daily life.

Yet, Moon’s music isn’t just about having a good time. With his follow-up projects, including the albums Better Days and the EPs “These Are the Days” and “These Are the Nights,” he delves deeper into themes of resilience, mental health, and personal growth. Songs like “Keep A Light On” pay tribute to his family’s strength during tough times, while “Head Above the Water” offers a candid look at his struggles with anxiety and the importance of seeking help.

Moon has described how songwriting became a kind of emotional compass for him—an outlet for both joy and vulnerability. He’s often reflected on how important it is to write songs that are honest about the human experience, explaining that while his upbeat sound draws listeners in, it’s the emotional transparency that makes them stay.

This depth of feeling extends to his work offstage. Moon launched the Happy Cowboy Foundation in 2024 with the aim of destigmatising mental health issues, particularly in the music industry and rural communities. His decision to start the foundation stemmed from his own battles with anxiety and depression, and a belief that joy and struggle often coexist. He wants his music and outreach to serve as a bridge for those who feel isolated.

To read the full article, see our last issue here.

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Mike Curb - Maverick-country.com

Mike Curb – The Man Behind the Music

From songwriter to record executive, Mike Curb has shaped country music history. In this candid Q&A, he reflects on his career, iconic artists, and the evolution of the genre.

From his early days as a songwriter and producer to becoming one of Nashville’s most influential record executives, Mike Curb has left an indelible mark on country music. As the founder of Curb Records, he has nurtured some of the genre’s most iconic names, while consistently championing songwriters, producers, and musicians behind the scenes.

Across decades, he has balanced tradition and innovation, supporting artists who respect country’s roots while pushing its boundaries.

In this candid Q&A, Curb reflects on his career, the artists who helped define his label’s legacy, and how the industry has evolved in an age of streaming and global audiences.

With a unique perspective shaped by personal experience in nearly every corner of the business, Curb offers insights into what makes country music resonate — and what lies ahead for the genre and his label.

You’ve been a key figure in country music for decades. Looking back, what first drew you to the genre, and what made you believe in its potential? 

I was always excited about Nashville and particularly, Music Row. In fact, the first time I came to Nashville in 1964 I had a chance meeting with Sonny James, and he invited me to a recording session at The Quonset Hut. I watched him produce “You’re The Only World I Know”. I watched how he handled the microphones for the guitar, and how he was able to sing, play the guitar and produce the record at the same time was something that amazed me. Ironically, today we own the Quonset Hut, and I had the honour of bringing Sonny James there before he died to discuss the great history of that studio.

Curb Records has supported some of the biggest names in country music. What do you look for in an artist when deciding to work with them? 

Talent. The greater the talent, the greater the singer. I look for the artist with the most talent and artists who have exceptional vocal abilities.

The label has been home to legends like Hank Williams Jr., LeAnn Rimes, and Tim McGraw. Are there any signings or projects you consider personal milestones? 

Those three would be right at the top, and we’ve been blessed to have so many other great artists along the way as well. What was very special here was that Hank Williams Jr. recorded for us for 45 years, Tim McGraw for over 20 years and LeAnn Rimes for over 20 years, and we’re excited that LeAnn Rimes is releasing a new record before the end of 2025.

To read the full article, see our last issue here.

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Noelle Toland - maverick-country.com

Encore – Noelle Toland

Noelle Toland brings retro charm and modern spirit to Nashville’s country scene. Here, she reflects on her musical roots, storytelling journey, and the songs that shaped her sound.

With a voice steeped in classic country tradition and a knack for heartfelt storytelling, Noelle Toland has crafted a style that bridges eras. Originally from Oregon, she grew up singing James Taylor and Trisha Yearwood, honing her craft before making the move to Nashville.

Known for blending a retro country feel with contemporary energy, Toland draws inspiration from childhood daydreams and the rich heritage of the genre. In this candid Q&A, she shares the songs, moments, and milestones that shaped her journey — from her earliest lullabies to her dreams of playing the Grand Ole Opry.

What was the first song you ever learned all the words to?

I think it was this little song called “Honey Bunny” that my mom would sing to me when I was a little girl to fall asleep. I believe she may have made it up herself!

A song that always makes you think of home?

“Walkaway Joe” by Trisha Yearwood always reminds me of home. I used to sing it around the house with a hairbrush microphone, performing for my mom who is also a huge fan of hers

The album that made you want to pick up a guitar?

Sweet Baby James by James Taylor. He was the first artist I ever saw in concert when I was seven years old.

A live performance that changed the way you see music?

James Taylor. The Judds. Britney Spears. I have a wide range of musical taste.

One song you could play on repeat and never get tired of?

James Taylor. The Judds. Britney Spears. I have a wide range of musical taste.

An artist you’d love to share a stage with?

Chris Stapleton!

A song that reminds you of your childhood?

“Don’t Take the Girl” by Tim McGraw

Do you prefer writing songs in the morning or late at night?

It depends. I tend to be a morning person and find I have the best ideas come to me when I first wake up, but I do love writing in the evening as well, when the inspiration strikes.

A venue you dream of playing one day?

The Grand Ole Opry!!

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Brandon Wayne Press image - Maverick

Brandon Wayne Unleashes Bold New Sound with “It’s Me Again”

Alternative country rock artist Brandon Wayne dives headfirst into a darker, more intense, rock-centric sonic territory with the release of his latest single, “It’s Me Again.”

A gritty fusion of pounding drums, eerie synth textures, and searing guitars, the track represents an expansion in Wayne’s sound, born from deep introspection and the personal transformation of newfound sobriety.

Opening with brooding vocals and a slow-burning arrangement, “It’s Me Again” pulls listeners into a space of self-reflection and inner turmoil. Brandon Wayne explores themes of regret, identity, and accountability through lyrics like, “Lately I’ve been in my head, thinking what I should have said.” It’s a vulnerable meditation on the ripple effects of addiction and the long road to healing.

“I wanted to sit in it,” Wayne explains. “To reflect on the choices that brought me here. What good have I done for others, my family, and myself? How much pain have I caused? Did the bad outweigh the good?”

Co-written and produced with Andres Alzate, the track was recorded at Alzate Records, where Wayne provided vocals, guitar, and synth, while Alzate handled bass and drums, layering the track with tension and weight. Together, they crafted a sound that is both cathartic and cinematic, standing as Wayne’s most personal work to date.

Brandon Wayne’s connection to music began at age eight when a neighbor gifted him his first acoustic guitar. Inspired by his mother’s eclectic music taste, he formed a band in high school and later joined The Redmoon Band, performing at legendary venues like The Viper Room, The Troubadour, and The Whisky a Go Go. Since launching his solo career in 2024, he’s released singles like “Bad Habits” and a rebellious, in-your-face reinterpretation of Johnny Cash in “Folsom Prison (Fuck You Brandon Wayne).”

With roots in alternative rock and country grit, Brandon Wayne crafts a thunderous and emotionally charged sound that’s entirely his own. “It’s Me Again” channels that intensity into a fearlessly honest, soul-baring anthem that marks a powerful new chapter in his artistic evolution.

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Picture of Little Big Town summer tour opening weekend - Photo by Becky Fluke - Maverick

Little Big Town Kicks Off Summer Tour with Opening Weeekend

Multi-GRAMMY winners and country music superstars Little Big Town launched their nationwide Summer Tour ‘25 with a scorching opening weekend of shows in Rogers, AR and St. Louis, MO, last week, kicking off their first full summer headline amphitheater tour since 2019 with packed houses and career-spanning performances.

Produced by Live Nation, the 19-city North American tour features a powerhouse mix of special guests throughout the run. Carly Pearce and Carter Faith helped open the tour with standout sets, each bringing their own dynamic energy and fan-favorite songs to the stage.

Across the weekend, Little Big Town delivered signature harmonies and an electrifying setlist that included chart-topping hits like “Pontoon,” “Girl Crush,” “Boondocks,” and “Better Man,” as well as selections from their 25-year career Greatest Hits album and 2022’s Mr. Sun.

The Summer Tour ‘25 continues with upcoming stops in Saratoga Springs, Toronto, Tampa, Salt Lake City and the iconic Red Rocks Amphitheater in Morrison, Colorado and more before wrapping September 13 in Charlotte, NC. Select dates will feature support from Wynonna Judd, Ashley McBryde and Shelby Lynne, with Carly Pearce and Carter Faith returning throughout as openers.

The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level.

Packages vary but include premium tickets, Meet & Greet and photo op with Little Big Town, guided backstage tour, limited edition autographed tour poster & more.

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