2024 - Page 9 of 26 - STAGING Maverick

South Carolina’s Taylor McCall releases ‘The Porch Sessions EP’

Leave a Comment / News / Rebecca Morpeth-Spayne

Today, South Carolina’s rising star, Taylor McCall, has unveiled his latest project, The Porch Sessions EP, offering a stripped-back, tender, and intimate rendition of four songs from his critically acclaimed album, Mellow War. Speaking about the new release, McCall shared, “The Porch Sessions are an intimate batch of outdoor recordings done with myself and Sean McConnell. The tracks are alternate versions from my second LP, Mellow War. I wanted to break down the artificial veils of the studio and bring the listeners onto my porch.” In conjunction with the EP’s release, McCall has also launched a new video for ‘Rolling Stoned Again’, which provides a behind-the-scenes glimpse into the making of The Porch Sessions. Following a successful UK debut at the renowned Cambridge Folk Festival, McCall is gearing up for his first headlining US tour, which kicks off this weekend and runs throughout September. The Mellow War Tour will begin in Mobile, Alabama, and continue through major cities including Dallas, Denver, Nashville, and New York. A full list of tour dates is available below, with more information provided here. The Mellow War album, co-produced by McCall and Sean McConnell (known for his work with Michael Franti and Wade Bowen), is deeply personal, drawing inspiration from McCall’s late grandfather, who also graces the album cover as a young man in Vietnam. Reflecting on the album, McCall said, “Mellow War pays homage to my late grandpa. The album cover is him in Vietnam. These are songs that are sort of letters to home that I imagined he might have sent. My grandpa was a life inspiration for me; it was bigger than just music. The songs are a tribute to everything he stood for and everything he taught me.” The album features standout tracks such as the swampy ‘Tide Of Love’, the heartfelt tribute ‘Rest On Easy’, and the title track ‘Mellow War’, which McCall describes as the original piece that set the tone for the album. These songs showcase McCall’s unique blend of blues-infused Americana, with the video for ‘Mellow War’, directed by McCall himself, available to watch here. McCall first made waves in the UK when he supported Robert Plant presents Saving Grace in 2023. He was subsequently invited back as a special guest for a second run of dates in March this year, which included a performance at London’s Palladium. Since discovering his voice in his late teens, McCall has built a loyal fanbase. At just 17, his debut EPs, featuring tracks like ‘Jericho Rose’, ‘Quartermaster’, ‘Waccamaw Drive’, and ‘The Devil Wants To Dance Again’, garnered 26 million plays, solidifying his reputation as a talented musician and songwriter. As an avid outdoorsman and fisherman, McCall’s music reflects his deep connection to nature and his Southern roots. The Porch Sessions EP adds another poignant chapter to his musical journey, highlighting the depth of character and soulful wisdom that belie his years. With his powerful voice and distinctive sound, Taylor McCall continues to captivate audiences, proving that he is a force to be reckoned with in the Americana scene. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Beyond Nashville: Alan Fletcher takes to the stage

Leave a Comment / Exclusives / Rebecca Morpeth-Spayne

Alan Fletcher, an Australian actor renowned for his role as Dr. Karl Kennedy in the long-running TV soap Neighbours, has successfully ventured into country music, showcasing his versatility. His latest single, ‘For The Love of Lager’, highlights his comedic talent and affinity for lager, a beloved drink among Australians and Brits. As Fletcher gears up for his tour across the UK and Ireland, fans can look forward to a blend of humor and music. Born and raised in Australia, Fletcher’s career has spanned several decades, with his role in Neighbours making him a household name. Recently, his foray into music has unveiled another layer of his artistic abilities. His debut solo album, ‘The Point’, released last year, garnered critical acclaim, establishing him as a serious contender in the music industry. Fletcher’s music, rooted in Americana and country traditions, resonates with fans of the genre. Country music in Australia blends American influences with the unique experiences and landscapes of the Australian outback. Fletcher’s music draws from this rich tradition, bridging his Australian roots with the broader country music scene. His songs often feature humor, heartfelt storytelling, and a genuine connection with his audience, hallmarks of great country music. ‘For The Love of Lager’ is a playful ode to a beverage cherished by both Australians and Brits. The song’s catchy tune and witty lyrics highlight Fletcher’s knack for engaging and entertaining music. This single is set to be a standout in his upcoming tour, which begins on July 11 at The Bedford in London and concludes at the Kendal Calling festival on August 3. Fletcher will share the stage with notable acts like Noel Gallagher’s High Flying Birds, Paolo Nutini, and Craig Charles, promising a memorable festival performance. Riley Catherall will support Fletcher on his tour, adding another layer of talent to the lineup. Fans attending the 19-date tour can expect a mix of Fletcher’s original songs, select country covers, and the crowd-pleasing ‘For The Love of Lager’. The tour offers an intimate setting where fans can enjoy music, laughter, and camaraderie, reflecting the communal spirit of country music and pub culture. Fletcher’s crossover from acting to music isn’t entirely surprising. His portrayal of Dr. Karl Kennedy often included musical performances, hinting at his passion for music. This transition has allowed him to connect with fans on a different level, bringing his storytelling abilities to his songwriting and performances. Fletcher shared his enthusiasm for his new single and the upcoming tour: “My 2023 tour of the UK was a sensational success. Fans of Neighbours have become fans of my music as well, and the 2024 tour is selling heavily in some parts of the country and selling out in others. I premiered ‘For The Love of Lager’ last year and it killed with audiences. Can’t wait to get it out in the world.” Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Remember Monday get into their groove

Leave a Comment / Exclusives / Rebecca Morpeth-Spayne

In the world of country music, the rise of Remember Monday, a captivating trio from the UK, has been nothing short of phenomenal. Their seamless harmonies, infectious energy and genuine camaraderie have carved a unique space for them in the music industry – and that space is for everyone. As they gear up for their November tour, the band, consisting of Holly-Anne Hull, Lauren Byrne and Charlotte Steele, reflect on their journey, inspirations and the evolution of their music. From Sixth Form to stardom Remember Monday’s origin story is reminiscent of a modern-day fairy tale. “We were literally the real-life Glee,” Holly recounts. “We kind of started singing together for a bit of fun and then it got really serious.” The trio met at sixth form (for those readers who are not UK-based, that is full-time education between the ages of 16 and 18), where they spent countless hours in the music room, often skipping classes to perfect their harmonies and dream big. Their teachers, far from being disapproving, were supportive, encouraging them to pursue their musical passions. This bond, formed over shared love for rearranging songs and harmonising, laid the foundation for their future success. “We started doing original music a few years into it,” Lauren explains, “and in September last year, we decided to quit our jobs and go full-time with the band.” The band’s rise to prominence has been significantly boosted by social media, particularly TikTok. “We posted [‘Hand in My Pocket’] on an absolute whim on TikTok and it went so viral,” Lauren shares. The video amassed millions of views and led to an invitation to perform on the Jennifer Hudson Show. ‘Fat Bottom Girls’ followed a similar trajectory, further solidifying their online presence and drawing in a diverse audience. One of their most touching covers, ‘Brown Eyed Girl’, holds a special place in their hearts. “My brother asked us to sing it at his wedding,” Holly reveals. “We recorded it because we knew we’d be too emotional to sing it live. It was supposed to be a private gift, but it ended up being for the world.” This personal connection strengthens the connection they have with their fans, people share their stories with the track all over the band’s social media. It’s a moment of coming together, establishing community and a space for people to share their lives. Country music is experiencing a surge in popularity in the UK and Remember Monday is riding the wave. “At first we were a little bit like, ‘oh no, are people going to try to swoop in and take the genre?’” Lauren admits. “But actually, it is so exciting. Artists that we love are now showing an interest in country music.” This broadening appeal of country music is a positive development for the trio. “It kind of shows that there is such a fan base here in the UK,” Holly observes. The genre, traditionally seen as niche across the pond, is now reaching a wider audience, much to the band’s delight. Performing at shows at C2C, Highways Festival and even their upcoming tour across the UK, give Remember Monday an opportunity to present their case to the people, the chance to show their nation that country music is here to stay. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Julian Taylor kicks off UK headline tour tomorrow

Leave a Comment / News / Rebecca Morpeth-Spayne

Award-winning Canadian singer-songwriter Julian Taylor is set to begin his highly anticipated UK headline tour tomorrow (22 August) in Shoreham-by-Sea. The eight-date tour will see Taylor performing at two festivals and six headline venues across the country. Fans can find full details and purchase tickets on his official website. “UK friends, I am looking forward to seeing you,” Taylor shared ahead of the tour. “Every time I visit, I feel invigorated, and I’m excited to perform with my amazing band, which includes Michelle Stodart, Raevennen Husbands, and Sian Monaghan.” The tour coincides with the release of Taylor’s brand-new single, ‘Pathways’, which dropped today (21 August). The track, which features GRAMMY award-winning artist Allison Russell, serves as the title track for Taylor’s forthcoming album, Pathways, slated for release on 27 September 2024 under his label Howling Turtle, Inc. Co-written by Taylor alongside Robert Priest and Rosanne Baker, ‘Pathways’ aims to offer listeners a message of hope and resilience. “I hope this song brings you hope,” Taylor says. “The journey of life puts us all on our own respective pathways to find out who we are, and how we can strive to overcome any struggles we experience. Pathways is meant to be a letter from a person who’s gone through many experiences and is trying to be there for someone else.” The album Pathways, co-produced by Taylor and Colin Linden (noted for his work with Emmylou Harris, Bruce Cockburn, and Blackie and The Rodeo Kings), is a reflective exploration of life’s challenges and the pursuit of inner peace. Taylor describes the album in three words: “righteousness, acceptance, and enlightenment,” adding, “On this record, I’m sharing in the struggles we all face, and I’m trying to make it better through these songs.” Full UK Tour Dates: 22nd August – Shoreham-by-Sea (Ropetackle Arts Centre) 24th August – Lutterworth (The Long Road Festival) 25th August – London (Water Rats) 28th August – Liverpool (The Music Room) 29th August – Shrewsbury (Shrewsbury Abbey) 30th August – Blackpool (The British Country Music Festival) 31st August – Gainsborough (Kirton in Lindsey Diamond Jubilee Town Hall) 1st September – Barnoldswick (Barnoldswick Music & Arts Centre) To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Morgan Wade releases acclaimed third album ‘Obsessed’

Leave a Comment / News / Rebecca Morpeth-Spayne

Country music sensation Morgan Wade has unveiled her highly anticipated third studio album, ‘Obsessed’, to widespread critical acclaim. This 14-track collection, entirely penned by Wade herself, strips back the layers to reveal the raw essence of her identity as a musician, storyteller, and human being. The album, produced by her touring guitarist Clint Wells, showcases Wade’s ability to connect deeply with her audience through her poignant lyrics and distinctive voice. Wade’s songwriting on ‘Obsessed’ delves into themes of longing for home, the emotional weight of reuniting with loved ones, and the complexities of relationships that challenge societal norms. Her introspective lyrics provide an unflinching look at her personal journey, laying bare the moments when she has faltered, all while showcasing the resilience that has made her a standout in the world of country music. The album also marks a significant milestone in Wade’s career with her first-ever collaboration, featuring pop icon Kesha on the haunting ballad ‘Walked on Water’. The track highlights the duo’s vocal chemistry as they explore the theme of costly mistakes and the painful process of self-realisation. The chorus resonates with Wade’s trademark authenticity: “People like me, we don’t do well at sea, because I thought I walked on water.” ‘Obsessed’ has been met with praise from critics, who have hailed Wade’s honest songwriting and powerful vocal delivery. As Wade continues to solidify her place as one of country music’s most compelling voices, ‘Obsessed’ stands as a testament to her growth as an artist and her fearless approach to storytelling. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Koe Wetzel announces UK and European tour

Leave a Comment / News / Rebecca Morpeth-Spayne

Platinum-selling Texan singer-songwriter Koe Wetzel is set to make his much-anticipated debut in the UK and Europe this year. The acclaimed artist will bring his ‘Damn Near Normal World Tour’ to major cities across the region, including London, Manchester, Glasgow, Birmingham, and Leeds, as well as Amsterdam, Hamburg, Berlin, and Cologne. Reflecting on his journey from humble beginnings, Wetzel shared, “We started out nearly 10 years ago playing bars in Texas for tips and a case of beer, and have slowly seen that grow to sold-out venues across the U.S. as fans share the music. Bringing our tour to Europe is honestly hard to wrap my head around — we can’t wait to party with you all.” This string of UK and European shows comes hot on the heels of Wetzel’s latest album, 9 Lives, released last month to widespread acclaim. The album debuted at No. 15 on the all-genre Billboard 200 and No. 5 on the Billboard Top Country Albums chart, making it his fourth Top 10 entry. Notably, it ranked No. 2 among new releases, trailing only the soundtrack for the film Twisters. 9 Lives has been making waves with fans, particularly through its standout tracks ‘High Road’, featuring Jessie Murph, and the rising chart favourite ‘Sweet Dreams’. Wetzel, reflecting on the album’s success, noted, “We’ve been honing and growing a certain sound, and we’re hitting it: it’s what the people have been expecting from me, but we hadn’t gotten there yet.” Wetzel’s excitement about the connection with his audience is palpable: “This weekend we saw thousands of people singing the lyrics to every single song from the time we get onto that stage until we were done. When you see that, you realise what you’re saying means something to people – and that’s more important than anything.” Fans across the UK and Europe will soon have the chance to experience Wetzel’s dynamic live performances firsthand as he kicks off his tour in Manchester on 26th October, concluding in Cologne on 7th November. Full UK & Europe tour dates: 26th October – Manchester, UK – Manchester Academy 3 27th October – London, UK – The Garage 30th October – Glasgow, UK – Oran Mor 31st October – Birmingham, UK – O2 Academy Birmingham 1st November – Leeds, UK – Brudenell Social Club 3rd November – Amsterdam, NL – Melkweg 5th November – Hamburg, DE – Bahnhof Pauli 6th November – Berlin, DE – Frannz Club 7th November – Cologne, DE – Club Volta To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Mitski goes country for All Points East festival

Leave a Comment / News / Rebecca Morpeth-Spayne

The All Points East festival in east London showcased a day rich with country influences and Americana sounds, offering a lineup that captivated audiences with its depth and diversity. Mitski’s country-inspired tunes were the undisputed highlight as the first weekend of the festival wrapped up. Making her debut as a festival headliner in London, the acclaimed singer-songwriter delivered a deeply moving set that spanned over a decade of her celebrated career. Her performance was enhanced by the inclusion of instruments like the pedal steel, accordion, and organ, which brought a warm and colourful dimension to her music. Mitski expertly balanced different tempos and moods, moving from the introspective ‘I Don’t Like My Mind’ to the rhythmic energy of ‘Happy’. The delicate acoustic vibes of ‘The Frost’ contrasted beautifully with the brooding atmosphere of ‘I Bet on Losing Dogs’, where Mitski’s theatrical stage presence, including a moment where she mimicked a dog on all fours, left the audience spellbound. The evening was a testament to the power of country and Americana in modern music, with Mitski’s set being a standout example of how these genres can captivate and resonate with a contemporary audience. TV Girl brought their unique brand of indie pop to the festival, showcasing the quirky charm that has won them a devoted following online. Their set was a lively journey through their four-album catalogue, filled with infectious melodies and witty banter. Songs like ‘Blue Hair’, ‘Not Allowed’, and ‘Cigarettes Out the Window’ sparked loud reactions from a crowd that knew them well, proving that TV Girl is far more than just a viral sensation. By the time they closed with ‘Lover’s Rock’, the band had left a lasting impression, solidifying their place in the festival’s lineup. Arlo Parks, a London native, took to the Cupra North Stage, offering a soulful performance that highlighted the depth of her songwriting and the power of her live band. Her poetic lyrics and the band’s rich sound created an intimate atmosphere, even within the confines of a festival tent. Standout moments included a rocked-up version of ‘Hurt’ and the funky grooves of ‘Too Good’. Parks dedicated her breakout single ‘Black Dog’ to the crowd, reinforcing the personal connection she shares with her audience. Her set was a masterclass in how to deliver an emotionally charged and immersive live experience. Ethel Cain brought her dark, gothic Americana to the East Stage, captivating a large and enthusiastic audience. Her performance featured tracks from her acclaimed debut album ‘Preacher’s Daughter’, including a haunting rendition of ‘Thoroughfare’ and an atmospheric cover of ‘Bette Davis Eyes’. Cain’s set was filled with dynamic and dramatic moments, leaving fans eager for her next visit to London. Other notable performances included Suki Waterhouse, who wowed the crowd with a mix of her own hits and a special cover of ‘Don’t Look Back in Anger’, and Lucius, who brought their 60s-inspired indie pop to life on the East Stage. Strawberry Guy and Good Neighbours also made their mark, delivering performances that left a lasting impression on the festival’s attendees. Overall, All Points East 2024 proved to be a celebration of country and Americana sounds, showcasing a diverse array of artists who brought these genres to life in the heart of east London. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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We are Hung Up on Ella Langley’s ‘Hungover’

Leave a Comment / Exclusives / Rebecca Morpeth-Spayne

As the release date for Ella Langley’s much-anticipated album approaches on 2nd August 2024, fans and critics alike are abuzz with excitement especially after the debut of her latest single ‘Hungover.’ This track offers a tantalising glimpse into what promises to be an album filled with soulful melodies, compelling lyrics and the distinctive voice that has firmly positioned Langley in the contemporary country music scene. A melody to remember ‘Hungover’ is an earworm in the best possible way. The song opens with a catchy, upbeat guitar riff that immediately grabs your attention. The instrumentation is quintessentially country with a modern twist. It’s clear that Langley and her producers have taken great care in crafting a sound that is both familiar and fresh. The melody is infectious, the kind that stays with you long after the song has ended. The upbeat tempo and the use of traditional country instruments like the banjo and steel guitar blended with more modern elements create a soundscape that is both nostalgic and contemporary. The chorus is particularly memorable, with a sing-along quality that is sure to make it a favourite at live performances. The melodic structure of ‘Hungover’ showcases Langley’s ability to write hooks that are both catchy and meaningful, a skill that sets her apart in the crowded country music landscape. It is this blend of the old and new, the traditional and the contemporary that gives ‘Hungover’ its unique charm. The song not only pays homage to the roots of country music but also pushes the genre forward, introducing new sounds and ideas that make it accessible to a wider audience. The production quality of the single is also noteworthy. Each instrument is meticulously placed in the mix, allowing every element of the song to shine. The production team has done an excellent job of ensuring that Langley’s voice remains front and centre, supported by a rich tapestry of sound that enhances the emotional impact of the song. This attention to detail is a testament to the high standards that Langley sets for her music and it bodes well for the quality of the upcoming album. Langley’s songwriting shines in ‘Hungover.’ The lyrics are a vivid depiction of post-party regret, a theme that is universally relatable yet delivered with a fresh perspective. Lines like ‘Woke up in last night’s clothes, head pounding like a drum,’ paint a vivid picture of the aftermath of a wild night. Langley’s ability to capture the small details of an experience gives the song a sense of authenticity and relatability. Her storytelling is both poignant and humorous, capturing the duality of emotions that come with a hangover. The chorus with its catchy refrain ‘Hungover and heartbroken, wishing I was still drunk,’ perfectly encapsulates the bittersweet nature of the song. It’s a clever play on the double meaning of being ‘hungover’—both physically from alcohol and emotionally from a relationship. This lyrical depth is a testament to Langley’s growth as a songwriter, showcasing her ability to tackle common themes with a unique twist. The song delves into the complex emotions of regret and longing, exploring how they intertwine in the aftermath of both a night of drinking and a failed relationship. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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CMT celebrates legendary band Alabama with star-studded tribute

Leave a Comment / News / Rebecca Morpeth-Spayne

In a two-hour special, ‘CMT GIANTS: ALABAMA’, the iconic country music band Alabama was honoured in a star-studded tribute that featured once-in-a-lifetime performances and heartfelt tributes from some of the biggest names in the music industry. The event, which aired on CMT, celebrated the band’s storied career, marking their indelible influence on the country music scene. The evening’s performances included renditions of Alabama’s greatest hits, with Blake Shelton teaming up with Steve Wariner and Kara Britz for a powerful version of ‘Old Flame’, while Brad Paisley delivered a rousing performance of ‘Old Alabama’. Jason Aldean’s rendition of ‘Love in the First Degree’ and Jamey Johnson’s soulful take on ‘Angels Among Us’ also captivated the audience. Other performances included Little Big Town’s version of ‘The Closer You Get’, Old Dominion’s energetic take on ‘Roll On (Eighteen Wheeler)’, and Pam Tillis and Lorrie Morgan’s duet of ‘Feels So Right’. Sam Hunt rounded off the musical tributes with his version of ‘Song of the South’. In addition to the musical performances, the special featured appearances by some of Alabama’s long-time friends and fans, including boxing legend Evander Holyfield, country stars Luke Bryan and Martina McBride, and music icons Lionel Richie and Vince Gill. The evening also included exclusive sit-down interviews with Randy Owen and Teddy Gentry, reflecting on their remarkable journey in the music industry. For those who missed the live broadcast, ‘CMT GIANTS: ALABAMA’ is available on CMT VOD starting Friday, 16th August. Fans can also catch encores on CMT, MTV Live, and CMT Music over the coming days, with scheduled airings on Saturday, 17th August, and Sunday, 18th August, among other dates. This celebration of Alabama’s legacy is not to be missed, offering a rare opportunity to see some of the biggest names in country music honour one of the genre’s most influential bands. How to Watch: 16th August: Available on CMT VOD 17th August: 12pm/11c on CMT 18th August: 6pm/5c on MTV Live 21st August: 2pm/1c on MTV Live 23rd August: 8pm/7c on MTV Live 24th August: 8pm/7c on CMT Music 25th August: 8pm/7c on CMT Music, 5pm/4c on CMT Music To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Kristian Bush of Sugarland set for UK solo tour

Leave a Comment / News / Rebecca Morpeth-Spayne

Kristian Bush, the multi-platinum selling, Grammy-winning singer and songwriter, is set to bring his solo act to the UK at the end of August, ahead of Sugarland’s much-anticipated relaunch this autumn. Bush, a founding member of the country duo, will embark on a seven-show UK tour starting on 24th August at The Long Road Festival in Leicestershire. The tour includes performances in London, Manchester and Liverpool, as well as a festival in Paisley, Scotland. Bush’s relationship with the UK music scene stretches back decades, beginning in 1994 when he opened for Melissa Etheridge at the iconic Royal Albert Hall. However, this tour marks his first UK performances since Sugarland headlined the C2C Festival in 2018. The year is proving to be one of the busiest of Bush’s career. In March, he made his Grand Ole Opry debut with his duo Billy Pilgrim. Additionally, he produced Megan Moroney’s second album, ‘Am I Okay?’, which received rave reviews upon its release. July also saw the release of an island remix of his hit single ‘Trailer Hitch’, featuring Boots Rock Reggae master Cas Haley. Following his UK stint, Bush is set to rejoin Sugarland for the co-headlining ‘Take Me Home’ arena tour with Little Big Town in the United States. The tour, named after the groups’ collaborative version of Phil Collins’ classic ‘Take Me Home’, is scheduled to launch in October in Greenville, South Carolina and conclude in December at Nashville’s Bridgestone Arena. The tour celebrates Little Big Town’s 25th anniversary as a group and marked 20 years of Sugarland, with The Castellows set to open for the shows. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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