2024

ACM Awards Honors

17th ACM Honors to air on Merit Street with star-studded line-up

The prestigious 17th Academy of Country Music (ACM) Honors will premiere on Merit Street on Tuesday, 24th September, marking the first time the special event will be broadcast on this network. The event, hosted by Carly Pearce and Jordan Davis at the historic Ryman Auditorium in Nashville, will pay tribute to some of country music’s finest artists and industry professionals. This year’s honourees include Walt Aldridge, Tony Brown, Luke Bryan, Alan Jackson, Shannon Sanders, Lainey Wilson, and Trisha Yearwood. The show will also celebrate Chris Stapleton, named Artist-Songwriter of the Year, and Jessie Jo Dillon, awarded Songwriter of the Year at the 59th ACM Awards. The ceremony promises an unforgettable night, with performances from some of country music’s biggest names, including Lauren Alaina, Jason Aldean, Eric Church, Terri Clark, Vince Gill, Emmylou Harris, Keith Urban, and more. Special appearances from Post Malone, Kameron Marlowe, and Jackson Dean add an extra layer of excitement. Trisha Yearwood, recipient of the ACM Icon Award, shared her astonishment at the accolade, saying, “It’s strange. I never thought this far ahead… When you look at the names on the list of previous Icon Award winners – Emmylou Harris, Dolly Parton, Merle Haggard, Garth Brooks – it hasn’t settled in yet. I’m just trying to smile and enjoy myself, but it’s very surreal.” Lainey Wilson, who will be honoured with the ACM Triple Crown Award, reflected on the significance of the recognition, saying, “It’s hard for me to wrap my head around. Just to be recognised by the people you look up to, your peers… I just feel so honoured.” Wilson, who has earned major accolades early in her career, added, “It’s really soon to be taking home some of these titles… I’m 32 years old, and I’ve been in Nashville for 13 years. I’m not a new artist.” Carly Pearce, co-host of the event, highlighted what makes the ACM Honors so special: “This show is so special because we not only get to honour the artists that have made major impacts throughout the year, but we also get to honour the people behind the scenes… They deserve to be honoured in a big way.” The evening will also see performances in tribute to Alan Jackson, the recipient of the ACM Poet’s Award. Reflecting on his influence, Carly Pearce shared, “Alan Jackson was such a staple of my childhood, listening in the car. He was the soundtrack to so many of our lives.” Co-host Jordan Davis echoed these sentiments, saying, “Alan Jackson is Country Music… Getting to perform one of his songs is just a very small way to say, ‘thank you for everything you’ve done for me.’” Terri Clark, who will also take the stage, expressed her pride in Lainey Wilson, noting how far the young artist has come: “I’ve always wondered, ‘Is there a little girl in this audience that’s going to go on and do great things?’ And I’m so proud of Lainey. She has pole-vaulted over everything.” The event will also celebrate Chris Stapleton, with Jamey Johnson offering high praise: “Chris is one amazing writer. I’m so proud to have written a few songs with him – and just glad that I get to live in an era where we all get to hear Chris Stapleton songs.” The 17th ACM Honors is set to be a celebration of both the icons of country music and the future stars of the genre, bringing together a night of powerful performances and heartfelt tributes. Catch the event live on Tuesday, 24th September at 9:00 p.m. ET on Merit Street.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Arin Canoblat

GRAMMY Museum® appoints Arin Canbolat as Vice President of Education

The GRAMMY Museum® has announced that Arin Canbolat has joined as Vice President of Education, with his new role taking effect immediately. Canbolat will lead efforts to evaluate, enhance, and expand existing educational programmes, as well as design new, scalable curricula. His focus will be on music and music industry education for K-12 students, with the goal of broadening the Museum’s educational reach across the United States. Canbolat will oversee several key initiatives, including ‘GRAMMY Camp®’, the ‘Music Educator Award™’, mentorship programmes, community engagement, professional development, ‘GRAMMY in the Schools®’, and the Museum’s online platform, ‘Learning Hub’. He will be based in New York. Michael Sticka, President and CEO of the GRAMMY Museum, said, “The GRAMMY Museum is thrilled to welcome Arin to the leadership team. His vast experience at the intersection of education and music will better position the GRAMMY Museum to expand our educational programmes, which is the beating heart of our mission.” In his own words, Canbolat expressed his enthusiasm: “The highest purpose of what the arts do is to help people become bigger and more understanding of themselves and the world. I am overjoyed to join the amazing team at the GRAMMY Museum to continue to grow the programmes and to further music’s positive impact on society.” Canbolat joins the GRAMMY Museum from his previous role as Associate Dean for Education Outreach at Berklee College of Music, where he developed teacher training, administered planning for students, and led the Berklee City Music Network, a global consortium reaching more than 65,000 students annually. He also has experience as general manager at The School of Jazz and Contemporary Music at The New School, where he co-designed the music history course ‘Take Me To The River’ with GRAMMY® Award-winner Martin Shore. Canbolat will work alongside key figures at the Museum, including Sticka; Jasen Emmons, Chief Curator and Vice President of Curatorial Affairs; and Hilary Fahlsing, Chief Financial and Operating Officer. He is also a professional member of the Recording Academy® and a board member of the Take Me To The River Education Initiative. With a Bachelor of Fine Arts in Jazz and Contemporary Music from The New School and a Master of Music in Music Business and Entertainment Industries from the University of Miami, Canbolat brings a wealth of knowledge and passion to his new role. Additionally, he is a skilled saxophonist. This new appointment is seen as a significant step towards further strengthening the Museum’s mission to make music education accessible to young people across the United States.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Odin S Diona's Help Single

Teen blues sensation Odin S to release new single ‘Diona’s Help’

Odin Sokac, known as Odin S, is set to release his latest single, ‘Diona’s Help’, on 13th September 2024. At just 16 years old, this talented singer and guitarist is making waves in the blues scene, proving that music knows no age. Produced by Fabrizio ‘Fab’ Grossi and Matt Pascale, the track confirms Odin’s deep connection to the blues, a genre rich with emotion that transcends generations. Inspired by Diona, the Greek goddess of rain, ‘Diona’s Help’ carries a powerful and uplifting message: embracing optimism and viewing rain as a positive force. As Odin S puts it, Diona’s rain is “washing away the dirty things and feeding the soil for the grass, trees, and flowers.” The song encourages listeners to find the silver lining in life’s challenges, a message beautifully encapsulated through Odin’s soulful guitar work and poignant lyrics. Born in Zagreb, Croatia, in 2008, Odin began playing guitar at the age of eleven. By thirteen, he had already composed 26 songs, showcasing a remarkable knack for songwriting. His talent has taken him across Europe and the USA, where he’s performed on stages big and small. Notably, he participated in Little Steven’s Blues Camp in Notodden, Norway, in 2023, thanks to a scholarship from the European Blues Union. In early 2024, he represented at the International Blues Challenge in Memphis, followed by another scholarship-fuelled stint at the Pinetop Perkins Foundation Workshop in Clarksdale, Mississippi—the legendary birthplace of the blues. ‘Diona’s Help’ follows his previous acclaimed single, ‘Mannerist Blues’, and precedes his upcoming album, ‘In The Circle’. Odin’s collaboration with seasoned producers Fabrizio ‘Fab’ Grossi and guitar virtuoso Matt Pascale promises to further cement his place in the blues community as a young artist to watch.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Dolly Parton Wines

Dolly Parton’s new wine range takes the UK and US by storm

Both sides of the Atlantic are falling in love with Dolly Wines, as bottles fly off shelves and into the hearts of Dolly Parton fans and wine lovers alike. The global superstar’s newly launched Dolly Wines, produced in collaboration with Parton Family Cellars and Accolade Wines, one of the world’s largest wine companies, are winning praise. Brokered by IMG, the Dolly Wines collection features three varietals: Chardonnay, Rosé, and Prosecco. In the US, much like Dolly herself, the ‘Dolly Wines Chardonnay 2023’ is captivating wine enthusiasts and fans alike. Americans are raising their glasses to toast the end of their 9 to 5, gifting bottles to neighbours ‘Two Doors Down’, and ‘Bubblin’ Over’ with excitement for New Year celebrations. Available at major US retailers, including Kroger, Total Wine & More, Meijer, H-E-B, and Cost Plus World Market, the Chardonnay is also accessible online via Vivino at www.DollyWines.com for a suggested retail price of $14.99 USD. Whether for seasoned wine connoisseurs or those who simply enjoy a good glass of white wine, the ‘Dolly Wines Chardonnay’ offers a delightful and approachable option for all. With a crisp blend of white peach, sweet cream, and toasty oak, this Chardonnay delivers a perfectly balanced sweetness with a smooth finish. It’s an ideal companion for an autumn evening spent with friends and family. Meanwhile, in the UK, the highly anticipated Dolly Wines UK collection is set to arrive on shelves today. Featuring the ‘Dolly Wines Rosé’ (RRP: £9.50) and ‘Dolly Wines Prosecco’ (RRP: £11), these new varietals are exclusively available at Asda from today, 12th September. The ‘Dolly Wines Prosecco’ is a fresh and zingy sparkling wine, with stone fruit aromas such as peach and apricot, along with flavours of apple and pear. Its crisp, zesty finish, complemented by a touch of sweetness, makes it perfect for celebrating special occasions. The ‘Dolly Wines Rosé’ offers a delicate and romantic French Rosé experience, with a soft, round palate featuring notes of strawberry, citrus, and a touch of dried sage. It finishes with a subtle saline character and lingering white strawberry flavours. Speaking about the launch, Dolly Parton said: “Dolly Wines are a gift from me, to you. Whether you’re sharing stories around the table, simply relaxing in the garden, or gathering with loved ones for the holiday, there’s a little sparkle in every bottle that is designed to bring joy and connection to every gathering.” Accolade Wines’ Chief Marketing Officer, Sandy Mayo, added: “We are beyond excited to bring Dolly Wines to the United States and the United Kingdom. Dolly herself was involved in all aspects of each wine, and we think they capture her captivating sense of fun and sparkle perfectly. Like the lady herself, we think everyone, everywhere will love it. Go ahead, pour yourself a cup of ambition!” Dolly Wines are set to bring a touch of Dolly’s signature charm to every celebration, one bottle at a time.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Classic album cover

Jordan Fletcher to release second EP of 2024 ‘CLASSIC’ on 27th September

Country music artist Jordan Fletcher is set to release his second EP of 2024, ‘CLASSIC’, on September 27th. This new collection of original material showcases Fletcher’s ambition to bring a fresh and captivating sound to the Country genre. As an accomplished songwriter in Nashville, with credits including work for Jake Owen, Megan Moroney, and Ella Langley, Fletcher is now taking the reins of his own artistry. ‘CLASSIC’ serves as an introduction to an artist forging his own path in the world of Country music. “We started this project five years ago in Austin Nivarel’s attic,” Fletcher shared. “At the time, we had no idea that the songs we were experimenting with would come to define my sound and me as an artist. We were creating the music we wanted to hear but couldn’t find anywhere else, fusing our favourite sonic elements with stories—some ours, some from others—that we were fortunate enough to tell. ‘CLASSIC’ is a reflection of my evolution as a person, a songwriter, and an artist. It captures the sounds I grew up with and paints the story I’ve spent my entire career trying to tell. That being said, I hope it takes you back home, I hope it takes you somewhere new, I hope it makes you think, and most of all, I hope you love it as much as we do.” With ‘CLASSIC’, Fletcher continues to carve out his unique space in the genre, blending traditional influences with modern storytelling. The upcoming release promises to be a landmark in his career, offering fans a deeper insight into the music and stories that define him.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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The shires

A Journey Back to Their Roots: The Shires

The Shires have ventured into new territory with their latest album, ‘Undone Vol. 1’. This album marks their first foray into acoustic music, featuring 10 reimagined versions of their greatest hits, along with a heartfelt cover of Zane Williams’ ‘While I Was Away’. The release is not just a nostalgic trip down memory lane but a profound exploration of their musical journey and personal growth. Recorded in Ben Earle’s garden shed in Hertfordshire, the album has an intimate, raw quality that sets it apart from their previous polished productions. The stripped-back arrangements allow the emotional core of each song to shine through, highlighting the duo’s exceptional vocal harmonies and Ben’s skillful songwriting. Crissie Rhodes noted that revisiting these songs was an emotional rollercoaster, influenced by their current life stages as parents.  The live performances of these acoustic tracks have also been a highlight for fans. The ‘Two of Us’ tour, which featured intimate acoustic sets, allowed The Shires to connect with their audience on a much more personal level. The stripped-down arrangements made their concerts feel like a shared experience, where every song became a conversation between the duo and their fans. This connection was palpable at venues like the Union Chapel, where the acoustic setup brought out the best in their harmonies and musicianship, creating an unforgettable experience for everyone in attendance. The simplicity of the acoustic instruments allowed Ben and Crissie’s vocals to shine, emphasising the raw emotion in each lyric. Fans could feel the stories behind the songs, as if they were being told directly to them. This intimacy was further enhanced by the duo’s candid interactions with the audience, sharing personal anecdotes and the inspirations behind their music. It was a reminder of the power of live music to bring people together, creating a sense of community and shared experience that is truly special.  ‘Daddy’s Little Girl’  The emotional depth of ‘Undone Vol. 1’ is truly remarkable. Each track, when stripped down to its acoustic core, reveals layers of vulnerability and intimacy that were previously hidden under polished production. For instance, ‘Daddy’s Little Girl’ transforms from a touching ballad into an even more poignant tribute to paternal love. The simple arrangement of guitar and piano makes the heartfelt lyrics stand out, bringing a tear to the eye of even the most stoic listener. This song’s acoustic rendition adds a layer of tenderness and nostalgia, making it even more poignant than the original. The dream of bringing country music to the UK feels more intimate and achievable in its acoustic form. The original of their track ‘Nashville Grey Skies’ upbeat tempo and full-band sound are stripped down to a melodic acoustic guitar and soft piano, highlighting the optimism in the lyrics about creating a country music haven in the UK.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Jasonisbellandthe400unitlive

Jason Isbell and The 400 Unit to release ‘Live From The Ryman Vol. 2’ this October

On 4th October, ‘Live From The Ryman Vol. 2’, the highly anticipated new live album from six-time Grammy Award winner Jason Isbell and The 400 Unit. The album captures the magic of the band’s sold-out shows at Nashville’s iconic Ryman Auditorium, recorded over four of the last six years by longtime front-of-house engineer, Cain Hogsed. The album’s first two live singles, ‘King Of Oklahoma’ and ‘This Ain’t It’, are now available on all digital platforms, giving fans a taste of the electrifying performances that have made Isbell and his band legendary at the Ryman. Hogsed co-produced the album with Isbell and mixed the tracks with Nashville’s Todd Tidwell. ‘Live From The Ryman Vol. 2’ features 15 live versions of songs from the band’s critically acclaimed albums ‘Reunions’ (2022) and ‘Weathervanes’ (2023). It also includes a powerful rendition of ‘The Last Song I Will Write’ from Isbell’s 2009 self-titled release and a poignant cover of Tom Petty’s ‘Room at the Top’. Jason Isbell and The 400 Unit’s ‘Weathervanes’ won two 2023 Grammy Awards for Best Americana Album and Best American Roots Song (‘Cast Iron Skillet’). Produced by Isbell and released in June 2023, the album is a mature exploration of themes like adult love, change, nostalgia, cruelty, regret, and redemption. ‘Weathervanes’ received widespread critical acclaim, landing on numerous Albums of the Year lists, including MOJO, Uncut, and Classic Rock, and praised by publications such as The Times and Record Collector. Since their first performance at the Ryman in 2014, Jason Isbell and The 400 Unit have sold out over 50 shows at the venue. This October, Isbell is set to add to that tally with another eight-night residency at the Ryman, with tickets still available for those eager to experience the band’s electrifying live performances. Isbell, a native of North Alabama, has solidified his reputation as one of the most respected songwriters of his generation. Known for his deeply personal and emotionally resonant lyrics, Isbell’s songs capture the everyday human condition with a mix of thoughtful, heartfelt, and often brutally honest storytelling. He first gained widespread recognition with his 2013 album ‘Southeastern’, followed by ‘Something More Than Free’ (2015) and ‘The Nashville Sound’ (2017), both of which won Grammy Awards for Best Americana Album and Best American Roots Song. Isbell’s 2020 album, ‘Reunions’, showcased the artist and his band at their creative peak and was the subject of the documentary ‘Running With Our Eyes Closed’ by filmmaker Sam Jones. Beyond music, Isbell recently made his acting debut as Bill Smith in Martin Scorsese’s Oscar-nominated film ‘Killers of the Flower Moon’, which won the 2024 SAG Award for Cast in a Motion Picture. Isbell’s time on set with Scorsese influenced his approach to creating ‘Weathervanes’, particularly his understanding of collaboration and execution in artistic processes. Reflecting on his experience, Isbell said, “It definitely helped when I got into the studio. I had this reinvigorated sense of collaboration. You can have an idea and you can execute it and not compromise—and still listen to the other people in the room.” ‘Live From The Ryman Vol. 2’ promises to be a testament to the exceptional live performances of Jason Isbell and The 400 Unit, capturing the essence of their shows at one of the most revered venues in the world. Fans can look forward to an album that not only highlights the band’s musical prowess but also reflects Isbell’s growth as a songwriter and artist.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Josh Ross

Beyond Nashville: Josh Ross

Josh Ross brings a unique Canadian touch to country music. With roots in Ontario, Ross has made significant strides in Nashville, showcasing how Canadian artists can seamlessly integrate into and influence the traditionally American genre.  Growing up, Josh Ross was surrounded by diverse musical influences. From a young age, he was drawn to country music, inspired by artists like Steve Earle. Reflecting on his early inspirations, Ross said, “Steve Earle was one of my inspirations as a kid, so it kind of just came naturally for me.” Ross’s journey into music was not straightforward. He was an avid sports enthusiast, playing hockey and soccer before transitioning to football and motocross racing. His athletic pursuits were cut short by injuries, which ultimately led him to pick up a guitar and start songwriting. “I started playing guitar, started songwriting more, and I honestly just realised my songs weren’t great,” Ross candidly shared. This realisation propelled him to move to Nashville, a decision driven by the city’s reputation as a songwriting hub.     The Nashville Move  Moving from Canada to Nashville marked a significant turning point in Ross’s career. He embraced the city’s vibrant music scene, aiming to hone his songwriting skills. “I knew that songwriting is really, really popular in Nashville. It’s kind of the hub for, I would say, most of the world in regards to songwriting,” Ross noted. His move to Nashville wasn’t just about improving his craft; it was about finding a community where he felt he belonged. Despite the geographical shift, Ross found many similarities between his Canadian roots and the Southern culture of Nashville. “North America is really interesting… there’s actually more country north, but it’s just a different type of country,” he observed.  Ross’s career began to gain traction with his authentic storytelling and relatable lyrics. His recent release, ‘Single Again,’ has garnered significant attention, marking a pivotal moment in his rise to fame. “Single Again is… the focus song right now, which is really awesome,” Ross said. The song, inspired by real-life events, showcases his ability to connect with listeners through his personal experiences. Another notable track, ‘Truck Girl,’ resonates with fans for its unexpected twist on a common theme. “I just love the concept… when you see the title, you think it’s like a girl that’s typically into trucks, but then it means this whole other thing,” Ross explained. His knack for turning everyday stories into compelling songs is a testament to his songwriting prowess.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Megan Moroney PLT

From Honky-Tonks to High Fashion

When it comes to blending the heart of country music with the vibrant world of mainstream fashion, Megan Moroney stands out as an icon. This country music star has not only captured the hearts of fans with her soul-stirring melodies but has also made significant strides in the fashion industry. Her recent collaboration with PrettyLittleThing has brought the traditional summer country aesthetic into the limelight, melding rustic charm with contemporary style.  Megan Moroney’s rise in the country music scene is nothing short of meteoric. Her distinctive voice, genuine and often tongue-in-cheek lyrics and undeniable wit and charisma have cemented her place as a modern-day icon in the genre. But Megan isn’t just stopping at music; she’s making waves in the fashion world too. Her partnership with PrettyLittleThing is evidence of her versatility and her ability to transcend traditional boundaries.  Born in Savannah and raised in Douglasville, Georgia, Megan grew up singing covers with her dad and brother. Her musical journey took a more serious turn when a heartbreak at 16 led her father to buy her a Taylor guitar. After an unfortunate knee surgery ended her cheerleading dreams, Megan found solace in music, honing her guitar skills during recovery. At the University of Georgia, her talent shone when she won the Miss Sorority Row pageant and later performed at a campus event that caught the attention of country star Chase Rice. This pivotal moment led her to pursue music full-time, eventually moving to Nashville and diving headfirst into the country music scene.  Classic vs. modern country  Megan’s PrettyLittleThing collection is a delightful fusion of old and new. The pieces are inspired by classic country fashion but are designed to appeal to a modern audience. Imagine rocking a floral sundress at a summer barbecue or a pair of high-waisted denim shorts at a music festival. These outfits are not only stylish but also practical, perfect for the laid-back yet fashionable country lifestyle.  The collection also includes accessories that are quintessentially country but with a chic twist. Think ruffle bardot and chiffon maxi skirts, and, of course, the iconic cowboy boots. Each item reflects Megan’s personal style—bold, fun and effortlessly cool. Whether you’re a die-hard country fan or someone looking to add a touch of rustic charm to your wardrobe, this collection has something for everyone.  Megan Moroney’s influence extends beyond the stage and the runway. Her ability to blend country music and fashion has played a significant role in bringing country culture into the mainstream. By collaborating with a popular fashion brand, Megan has made country fashion accessible to a broader audience. This not only highlights the versatility of country style but also showcases its relevance in today’s fashion landscape.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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chris murphy album cover

Review: Chris Murphy – The Red Road

This was a fun listen! Admittedly, we all need some more fun in our lives, particularly when it comes to music. Murphy opens with the chugging, string focused ‘I Never Learned To Drive’, a track that emulates its topic in an imaginative way – to its merit. In fact, all the tracks on this EP are string driven. The title track jumps into life as Murphy starts to sing, with short, staccato strings pushing the track to its chorus, with fast paced lyrics kicking in and a complex rhyme scheme that is more than intriguing. The track ‘The Complete Works Of Edgar Allan Poe’ is a highlight, allowing Murphy’s voice to shine more than the other tracks here. Closing out the EP with ‘Tara McKinley’, Murphy provides a track that is transposable to any instrumental backing – it would sound great as a rock track – but Murphy’s choice to keep to his style give the EP a sense of flow and cohesion that is somewhat lacking in most other works these days.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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