2024

Ward Thomas website

Spotlight: Ward Thomas

How did growing up in a musical family influence your songwriting and performance style?  We grew up with our parents both in a band performing 60s/70s rock classics like The Beatles, Fleetwood Mac, etc., all harmony-focused bands/artists. So I guess that was a big influence on the style of our singing and songwriting. We were taught to have fun on stage and to always be ourselves completely, which has definitely played a part in our performance within our shows.     What is it like to be British country musicians in Nashville?  It’s really great. Especially now, every time we go to Nashville, we meet more British artists building their careers over there, which just shows how the country genre is becoming more and more popular globally. Eleven years ago, when we started going over there, it was a different story. Nashvillians were pleasantly surprised to see two Brits attempt a British stamp on country music.     You’ve got an acoustic UK tour coming up in early 2025. What made you decide to do a more ‘intimate’ tour?  We did this set-up last year, and it worked really well with our songs. We both loved the intimate connection with the audience. It gave us a lot of freedom to show new material, tell the in-depth stories of a lot of the songs, and it was also a great challenge to build a headline show with a stripped-back set-up, which we’ve found to be a lot of fun. We’re looking forward to creating another show with new elements added to it.     You both got married over the past few years. How has that impacted your songwriting?  I guess a lot of things have changed in a small amount of time, so we both write about the stage of life we’re in, like we’ve always done. For example, at each of our weddings, we wrote a song for one another as our speech, and those two occasions were written as individuals, not together. So that was very different.     What did you learn from your ‘Quarter Life Crisis’?  That it was okay not to have it all figured out at the age of 24, haha. We look back now and enjoy the headspace we were in whilst writing that song.     How did you end up working with Kezia Gill?  As we’re both country artists, we’ve crossed paths a few times, and we thought her voice would suit this song really well, so we reached out and asked if she’d be up for singing on it. She was also joining us on tour, so it was perfect timing.       Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Cory Marks website

Spotlight: Cory Marks

Your music blends country with rock elements seamlessly. What inspired you to merge these two genres?  Whichever comes first, and it depends on how and what I’m feeling when I’m writing or coming up with a melody. I was very lucky to grow up around great music, be it country or rock, from Merle Haggard, Vince Gill, Shania, to Rush, Bryan Adams and Ozzy!     What have been the biggest lessons you’ve learned from sharing the stage with artists like Five Finger Death Punch and Brantley Gilbert?  That real success doesn’t happen overnight, especially if you want to have more than a 5-year career. It takes time and a great team who are all on the same mission to make the dream come true!     ‘Outlaws & Outsiders’ became a massive hit and even featured Mick Mars of Mötley Crüe. How did that collaboration come about, and what was it like working with such legendary musicians?   We were all on the same label at one point, and when the label showed Mick, Kevin Churko (Five Finger Death Punch producer) showed Ivan Moody, and my manager at the time got it to Travis Tritt… I was lucky they all loved the song and message but, most of all, could relate. I’m even more lucky that I’m able to call them friends!     Your lyrics often touch on themes of rebellion, freedom and resilience. How do your personal experiences influence the stories you tell through your music?   The music industry was never easy for me, especially here in Canada, trying to chart on Canadian country radio, and it’s still a challenge. I mean, I even failed music in grade 10—the only thing I failed in high school. I wasn’t the ‘cool kid’ growing up and still feel that way sometimes. I’ve always done things differently and my own way, I guess, and I’ve always felt like an outsider, even when I tried to fit in. You get to a point where you say, ‘F**k it! Do what makes you happy and write stuff that makes a legit connection with people, their lives, and stories.’ That’s all that really matters, and it’s my job to tell my story too because we all have them, but someone’s got to speak out and speak up. We’re not alone. I’m a lot like you, and you’re a lot like me.     Country music often celebrates tradition, but you bring a fresh, edgy sound to the genre. How do you see the evolution of country music, and where do you think your style fits within it?  I mean, we’ve all got to celebrate something, in some way, whether that’s a hard week’s work, a goal achieved, or simply the fact that we’re here. I’m country, I’m rock, but most of all, I just try to do great and make great music that people can relate to, listen to, reflect on, and sing along to!     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Post Malone WEBSITE

Post Malone’s ‘F-1 Trillion’: A modern country album?

Post Malone’s fifth studio album, ‘F-1 Trillion’, is perhaps one of the most ambitious projects to come out of 2024, representing an artist at the height of his creative powers and his growing ability to transcend genre boundaries. Known for effortlessly blending hip-hop, pop and rock, Post Malone’s latest album makes a striking foray into modern country music. It’s an unexpected yet natural progression in his career, as the rapper-singer has often cited his affinity for country music. With ‘F-1 Trillion’, he doesn’t just dip a toe into the genre – he jumps in headfirst, creating a genre-fluid album that speaks to the evolving landscape of contemporary country while staying true to his artistic identity.     The Album’s Themes and Concept   At its core, ‘F-1 Trillion’ is an album about identity, self-reflection and the personal toll of fame. The title itself hints at the enormity of the themes it grapples with – excessive wealth, the pursuit of success and the emotional emptiness that often accompanies it. The concept of the ‘trillion’ serves as a metaphor for something unreachable and unattainable, reflecting the never-ending chase for fulfilment in a world driven by material gain. As Post Malone navigates this terrain, he explores the inherent contradictions between fame and happiness, wealth and contentment and ultimately, country music’s themes of home, heartache and redemption.  The album seamlessly transitions from reflective ballads to more upbeat anthems, marrying country’s traditional storytelling with Malone’s signature melancholic tone. Songs such as ‘Highway to Loneliness’ and ‘Whiskey Nights’ showcase his ability to draw on the hallmarks of country – nostalgia, longing and heartbreak – while still delivering his characteristic fusion of modern beats and melodies. Post’s gruff yet melodic vocals glide effortlessly over guitar-driven instrumentals, rooted in the twangy, stripped-back style associated with classic country, yet layered with the kind of polished production that is synonymous with today’s pop music.  One of the most captivating aspects of ‘F-1 Trillion’ is the selection of high-profile features that Post Malone brings on board. Country music has always been collaborative, with duets and joint efforts often forming some of the genre’s most iconic moments. Here, Malone taps into that tradition, but with his own twist. From both country veterans and up-and-coming stars, each collaboration adds depth and richness to the album’s overall narrative. Perhaps the most talked-about track is ‘Cowboy Dreams’, featuring country legend Willie Nelson. At 91 years old, Nelson’s raspy voice is a testament to his enduring presence in the genre and his duet with Post Malone provides a beautiful contrast between the old and new. ‘Cowboy Dreams’ is a slow-burning anthem, reflecting on the mythical and fading figure of the cowboy, symbolising freedom, rebellion and solitude. The melancholic guitar riffs and soft percussion allow both artists’ voices to shine, weaving a touching narrative about the cost of living freely. Another standout track, ‘Southern Comfort’, features Kacey Musgraves, an artist whose progressive take on country aligns well with Post Malone’s genre-blending ethos. The song is a melodic ode to the simple pleasures of life – the warmth of home, the smell of fresh-cut grass and the solace of a glass of whiskey after a hard day’s work. Musgraves’ ethereal voice complements Post’s more gravelly tone and together they create a nostalgic yet modern take on the Southern ballad, a love letter to the comforts of the American South.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Chayce Beckham website

Chayce Beckham: Unfiltered country

Chayce Beckham’s rise in the country music scene isn’t just about winning the nineteenth season of ‘American Idol’. It’s about how his voice, lyrics and personality have brought a refreshing authenticity to the genre. The California native has carved a niche for himself, blending raw honesty with relatable storytelling, reaching out to listeners who may have never considered themselves country music fans before. Beckham’s music speaks to a broader audience, tapping into universal themes of struggle, resilience and self-discovery, making his work a unique and inclusive form of country music.     The Power of Vulnerability   What makes Beckham stand out is his ability to connect with listeners on a deeply personal level. His gravelly voice carries a sense of lived-in experience, each note laced with a hint of heartache, redemption and a touch of rebellious spirit. But it’s not just his voice that sets him apart—it’s the way he writes about the complexities of life without shying away from the less glamorous parts. His songs, often reflective and unvarnished, are windows into his journey from blue-collar worker to overnight sensation, capturing a reality that feels genuine and relatable.   Beckham’s debut single ‘23’ is perhaps the best example of his ability to craft songs that resonate across boundaries. The song, an autobiographical narrative of his struggles with alcohol and self-doubt, paints a raw picture of a young man grappling with his demons. With lyrics like “Now I’m 23 and there ain’t nobody who can drink like me” Beckham doesn’t romanticise his past; instead, he lays it bare, allowing listeners to see their own flaws and vulnerabilities mirrored in his words. This level of candour is rare and it’s this willingness to be vulnerable that makes Beckham’s work feel so inclusive. He’s not just singing about a personal experience; he’s singing about the collective human experience—about falling down, getting back up and trying to make sense of it all.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Connor Daly website

Connor Daly’s gentle revolution

There’s a striking similarity in the circle of Gen Z artists: they—yes, even the men—are more willing to be open, vulnerable, even emotional. It used to be a dirty word; emotional. Take the idea of hysteria, the so-called ‘over emotion’ of women, taken out of context and more often than not, criticised by the very men whose behaviour incited the incident. Recently, there’s been a shift in the dynamics of the music industry. During the Don McLean set at The Long Road, a woman in the crowd heckled the 78-year-old with a taunt usually reserved for young women, the familiar “shut up and sing!” Something has changed in music. As the world becomes more accessible and the ability to listen to whatever you want, wherever you want, whenever you want expands, audiences expect more from their artists. More music, more authenticity. The parasocial relationship between artist and fan is undergoing a revolution.  This shift is perhaps best embodied by artists like Connor Daly, who have embraced a more introspective and emotionally honest style of music. The young Virginia-born singer-songwriter has not only captured the attention of listeners with his delicate acoustic-driven sound but also with his vulnerability and willingness to reveal a deeper part of himself through his work. This emerging openness isn’t just a passing trend; it’s a reflection of how the digital age has transformed not only the consumption of music but also the relationship between artist and fan.     The Parasocial Revolution  In the digital era, the boundary between artist and audience is blurrier than ever. Social media platforms, streaming services, and direct communication channels have allowed fans to feel closer to their favourite musicians, creating parasocial relationships that have redefined the traditional artist-fan dynamic. Parasocial relationships, which were once one-sided and limited to viewing artists through mass media, have become more interactive and reciprocal, even though they still maintain a sense of distance. The blurred line between personal and professional creates a space where fans feel connected to artists on a more personal level, often creating a sense of friendship or kinship, even though the relationship remains largely one-sided.   For musicians like Connor Daly, this connection is intensified by the intimate nature of their work. Artists who perform acoustic, stripped-back songs are often seen as more accessible and genuine because their music feels raw and unfiltered. “People want more and more from their artists,” Daly explains. “I want anyone listening to my music to feel emotions, whether it be happy, sad, or nostalgic.” This direct engagement with listeners makes it easy for fans to feel like they know him, that they understand his personal struggles and joys. His acoustic style seems designed to foster this connection, giving the impression that each song is a personal letter or conversation meant for the listener alone.   This phenomenon is not exclusive to Daly. Artists across genres are finding that their audiences expect them to be more than just performers. Fans want insight into their personal lives, thoughts, and creative processes. Taylor Swift’s social media interactions, for example, have helped cultivate a highly engaged fanbase, the “Swifties”, who feel as if they are part of her journey. The intimacy conveyed through platforms like Instagram and TikTok has allowed artists to engage directly with fans, but this also creates an environment where fans may feel entitled to continuous access, often blurring the lines between personal space and public persona.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Gangstagrass Melodie Yvonne Image

Gangstagrass tops the Bluegrass charts with ‘The Blackest Thing On The Menu’

The latest album from Gangstagrass, ‘The Blackest Thing on the Menu’, debuted at #1 on the Billboard “Bluegrass Albums” chart this week, marking their second time reaching #1 on the chart as trailblazers blending bluegrass and hip-hop. Acknowledged worldwide as a “hip-hop group,” this achievement showcases how Gangstagrass is bridging genres and transcending boundaries, reinforcing The New York Times’s observation: “This Is the Music America Needs.” “We deal with plenty of skepticism about our bluegrass cred, our authenticity, whether we even count as bluegrass,” producer and vocalist Rench shares. “Having this album top the bluegrass charts is so significant for us as one of the things we can point to and show that we belong here. Not just that we are on the charts, but to get to #1 really puts us in the bluegrass community that has embraced us. Having bluegrass legend Jerry Douglas on our album was an honor, having Dan Tyminski join us on stage at the International Bluegrass Music Association was an honor, and with another #1 charting album, the skeptics have nothing left to stand on as far as whether we are bluegrass. We are, and our amazing fans and collaborators continue to prove it with all their support.” MC and vocalist Dolio the Sleuth expresses his gratitude for the fans, remarking, “This is incredible! So thankful for everyone that contributed to the project, all the folks that bought it, streamed it, told friends and family about it, came to a show, all of y’all. Thanks so much! Besure to come holler at us when we hit your area!” Last but not least, Lawrence “Boo” Mitchell who co-produced “Good at Being Bad” from the album says, “Wow! My first number one bluegrass record!! I never thought I would have a number one in this genre. This is right in line with our vision for Royal Studios when our Pops, Willie Mitchell, passed away in 2010. Royal is obviously world renowned for Al Green and soul music. But our vision was for Royal to be known for having an impact on any genre that was recorded here. This is definitely a full circle and surreal moment not just for Royal Studios but for me as well.” Released Friday, June 14, the delectable 10-track album serves up a bold mix of rhythm, soul, and spice, effortlessly fusing the deep-rooted American traditions of bluegrass and hip-hop, while exploring the core elements of both genres. As No Depression underscored: “While 2024 is the year of ‘Cowboy Carter,’ Gangstagrass has been plying the junction of country and rap since 2007. This takes the pressure of breaking new ground off ‘The Blackest Thing on the Menu’ and allows it to be what it is: a solid collection of summer jams.” The Blackest Thing on the Menu marks the band’s seventh full-length album. With over a decade of shattering barriers and touring globally, this rebellious collective has achieved unparalleled success, crafting an innovative sound deeply rooted in historically significant heritage. The ensemble has skillfully blended the traditional sounds of fiddles and banjos with contemporary hip-hop beats and bars. This distinctive fusion and artistic ingenuity have catapulted Gangstagrass to global acclaim.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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forkingandcountry

For KING + COUNTRY to perform first ever ‘A Drummer Boy Christmas Tour’ show in London

Multi-GRAMMY® Award-winning and multi-platinum-selling duo For KING + COUNTRY has announced their first-ever performances in London as part of their 2024 tour, ‘A Drummer Boy Christmas’. The much-anticipated shows will take place on 11 and 12 December at Indigo at The O2, marking the band’s debut Christmas performance outside the US. The ‘A Drummer Boy Christmas | The 2024 Tour Experience’ will deliver the energetic, high-production experience fans have come to expect from brothers Joel and Luke Smallbone. Combining spectacular festive visuals with captivating lighting and stage design, the show promises a holiday atmosphere like no other. The band’s Christmas tour has become a beloved annual tradition, and this year, it includes residencies in iconic venues across the US, such as Los Angeles’s Peacock Theater, New York’s Beacon Theatre, and multiple dates at Nashville’s famed Grand Ole Opry House. Pre-sale tickets for the London show, as well as other dates on the tour, will be available from 4 September at 10 a.m. local time using the code “DRUMMER”. Tickets for the general public will go on sale on 6 September at 10 a.m. Full list of dates for ‘A Drummer Boy Christmas | The 2024 Tour Experience’: 1/12/24 – Los Angeles, CA, USA – Peacock Theater 9/12/24 – New York, NY, USA – Beacon Theatre 11/12/24 – London, UK – Indigo at The O2 12/12/24 – London, UK – Indigo at The O2 17/12/24 – Nashville, TN, USA – Grand Ole Opry House 18/12/24 – Nashville, TN, USA – Grand Ole Opry House 19/12/24 – Nashville, TN, USA – Grand Ole Opry House 20/12/24 – Nashville, TN, USA – Grand Ole Opry House Alongside their festive tour, for KING + COUNTRY recently released the soundtrack ‘Unsung Hero: The Inspired By Soundtrack’, which coincided with their biopic, Unsung Hero. The film achieved over $20 million at the box office and is now available on streaming services. The soundtrack includes a mix of classic reimagined tracks and new collaborations such as ‘Place In This World’ featuring Michael W. Smith, ‘Checking In’ with Lee Brice, and ‘To Hell With The Devil (RISE)’ featuring Lecrae and Stryper. It also features the title track, ‘Unsung Hero’, from the Grammy-nominated album What Are We Waiting For? For KING + COUNTRY’s ‘A Drummer Boy Christmas Tour’ promises to be a highlight of the holiday season, with the London date marking a significant milestone in the duo’s career.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Blake Shelton BBR BMG

BBR Music Group/BMG Nashville signs Blake Shelton

Country music megastar and The Voice US coach Blake Shelton has signed to BBR Music Group/BMG Nashville. “Blake is one of the biggest personalities and presences in media,” says Jon Loba, President, Frontline Recordings, Americas, BMG. “America first got to know him through incredible, timeless songs and live shows and then fell in love with him and his sense of humor through TV. We are so excited he’s joining the BMG Global family and cannot wait to share his incredible new music with the world. He’s been laser-focused on delivering some of the best of his career and it shows. We have been dancing through the office, literally not just figuratively, since we heard the first couple songs he played for us!” “A huge thanks to Jon, Peter, JoJamie, Katie, and the BMG family for being as excited as me about this new chapter we will write together,” said Shelton. “I felt their passion and love for music when I met with them, and I knew I was home. I am READY TO GO!” Shelton is currently climbing the singles and streaming charts with Post Malone on the Top Five, smash hit ‘Pour Me A Drink’. His impressive resume includes 28 #1 singles, 11 Billion Global Streams, 52 million singles sold and 13 million albums sold. He has numerous awards, including CMA’s for Entertainer of the Year and five consecutive wins as Male Vocalist of the Year. A top tour year in and year out, 2025 shows include his ‘Live In Las Vegas’ Residency at The Colosseum at Caesars Palace. His ‘Friends And Heroes’ Tour will Kick off February 27 in Lexington, KY, featuring Craig Morgan, Deana Carter, Trace Adkins and Emily Ann Roberts.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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mitchelltenpenny

Mitchell Tenpenny releases ‘The 3rd’

Platinum-selling recording artist Mitchell Tenpenny released a 20-track third studio album on Friday, ‘The 3rd’. He launched his album promo with an appearance on the Today Show last week performing the album’s first radio single ‘Not Today’. ‘The 3rd’ features collaborations with Underoath (‘Demon or Ghost’) and Colbie Caillat (‘Guess We’ll Never Know’). Mitchell, a CMA Awards New Artist of the Year nominee, has seen his career explode in the past 12 months. His success as a touring artist has grown from recent guest slots on the road with Jason Aldean, Luke Combs and Jordan Davis to his own headline tours. From the Tonight Show Starring Jimmy Fallon to the Today Show, he has performed his music to an ever-growing legion of fans, reached the top of the charts with two #1 singles in the last year and added to his gold and platinum selling status. Mitchell’s career and artistry is indeed in the rise. Mitchell’s message to his fans, “I can’t even express how excited I am to finally have my new record ‘The 3rd’ coming out. I put my heart and soul into these songs and can’t wait for y’all to hear these stories. I want to say thank you to my family for naming me James Mitchell Tenpenny the III and for all of you for allowing me to make three records!! What a life and journey I get to share with you through music. I hope y’all love it and find songs that connect with your journey. Let’s get it! It’s finally out!” On Thursday, Mitchell threw out the first pitch at the Baltimore Orioles home game against the San Francisco Giants before his concert at Rams Head Live, and he took the ‘Woke Up In A Dream Tour’ to New York City on Friday. For full schedule and tickets for the tour go to Mitchell10Penny.com.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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SierraFerrellamericana

Sierra Ferrell emerges as the top winner at the Americana Honors & Awards

This week, Sierra Ferrell solidified her hold on Americana music. Having entered the Americana Honors & Awards as the season’s most-nominated musician, Sierra Ferrell emerged as the biggest winner of the night, taking home prizes for Artist of The Year and Album of The Year. During the ceremony, Ferrell also performed a rendition of her anthemic Song of The Year nominee, ‘American Dreaming’, making for both a show-stopping moment and another remarkable milestone. Produced by Eddie Spear with additional production by Gary Paczosa, ‘Trail of Flowers’ debuted at #1 on an array of Billboard charts, and is an album that shows how Sierra Ferrell’s blending of traditional country and Americana music is the future of the genre. On the heels of the record, she has brought its songs and stories to Jimmy Kimmel Live!, The Late Show, NPR Tiny Desk, CBS Mornings and far beyond, as well as fully sold-out tours across the US, festival stages, shows with Mitski, Zach Bryan and an ever-growing list of other notable fans, friends and musical family. In recent weeks, Sierra Ferrell has also collaborated with Post Malone, dueting on ‘Never Love You Again’ from his F-1 Trillion LP. Last night, she headlined the Healing Appalachia fundraiser in her home state of West Virginia, and will have much more to share as her star continues to rise even higher this autumn.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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