2024

cma hall of fame 2024

CMA inducts James Burton, John Anderson and Toby Keith into the Country Music Hall of Fame

The Country Music Association gathered at the prestigious Hall of Fame Rotunda at the Country Music Hall of Fame® and Museum to reveal the 2024 inductees into the Country Music Hall of Fame – James Burton, John Anderson and Toby Keith.   Burton will be inducted in the Recording and/or Touring Musician category, which is awarded every third year in rotation with Songwriter and Non-Performer categories. Anderson will be inducted in the Veterans Era Artist category and Keith will be inducted in the Modern Era Artist category.   “This year’s nominees exemplify the excellence of our genre,” says Sarah Trahern, CMA Chief Executive Officer. “James, John and Toby have each made an indelible impact and brought their distinctive contributions to Country Music, enriching our format. Their influence is evident throughout the longevity of their careers, ensuring each legacy will thrive indefinitely. It is with great pride that we welcome these three remarkable individuals into the esteemed ranks of the Country Music Hall of Fame.”  “How did I find out about this amazing award? Well, I was on the phone with Keith Urban and I kind of felt that Keith was beating around the bush a bit and small talking me,” says Burton. “He then stated that he was going to hand the phone to a young lady for a minute. I thought it was a friend of Keith’s that just wanted to say hi or talk guitars. Instead, she [Sarah Trahern] introduced herself and simply said ‘Mr. Burton, you’ve been inducted into the Country Music Hall of Fame.’ I was completely shocked and couldn’t think of anything to say. All I remember was that my wife Louise started crying, I kept thinking that this couldn’t be real. In fact, when we hung up the call, I redialed the caller’s number just to make sure it wasn’t a prank phone call! I am so humbled and excited to be recognized in this way. So much of my career was spent playing for incredible Country artists and to now be going up on that wall with all those innovators and industry greats is just incredible.”    “After several days, I am still trying to grasp the reality of being inducted into the Country Music Hall of Fame,” says Anderson. “It is one of the greatest honors I could ever receive. My love and heartfelt gratitude goes out to the fans who have supported me through the years, everyone at the Country Music Hall of Fame and all of those who made this possible. I am proud and honored beyond words.”  “Toby’s passing left our hearts broken,” says the Covel family. “We miss him so much, but we take comfort that his music and legacy will live forever. Thank you, Country Music Hall of Fame, for helping keep it alive.”  “Each of the three new inductees has left a deep and distinctive stamp on our genre,” says Kyle Young, Country Music Hall of Fame and Museum Chief Executive Officer. “Florida native John Anderson helped steer Country Music back to its traditions with his bold honky-tonk style. James Burton, who hails from Louisiana, blended Country and blues to create a fiery picking style that distinguished countless hits and has inspired guitarists the world over. Toby Keith from Oklahoma brought a sly swagger and a patriotic passion to songs that made him one of the best-selling Country artists of the past 30 years. They have all profoundly shaped our music, and we are honored and delighted that their achievements will now forever be enshrined in the Country Music Hall of Fame.”    A formal induction ceremony for Burton, Anderson and Keith will take place at the Country Music Hall of Fame and Museum in the CMA Theater this October. The Museum’s Medallion Ceremony, a reunion of the Hall of Fame membership, is the official rite of induction for new members.      To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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erin duvall 1x1

Review: Erin Duvall – One By One

This track sways too into the lane of musical theatre for us. It would be a good musical theatre song! As the Texas native singer-songwriter is clearly influenced by the likes of Janis Joplin and Shania Twain, with the rock and blues sound coming together with gospel elements. Vocally, Duvall is undeniably talented, but the backing vocals on the chorus take a little shine off her edge that she could – or should – make the most of. The track has many great elements, such as the blues guitar and Duvall herself, but could have perhaps used a little more editing to make it shimmer in the way we suspect Duvall wanted it to.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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mason ramsey

Review: Mason Ramsey – Here All Day

Mason Ramsey is far away from where he started. A solidified country music star is born! This track takes cues from boyfriend country, but doesn’t go too pop or creepy (as is often the case). There’s not much to say about the track sonically, the most impressive aspect is Ramsey’s voice, which is still audibly youthful. The vocals lend into the cute ballad style and it’s interesting to hear how Ramsey is finding his sound in the grand scope of country music. Overall, the song is a sweet ode to love. Not at all offensive but perhaps not the most adventurous output by Ramsey, it will be sure to delight some and fall somewhere in the middle for others.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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carter faith

Review: Carter Faith – Man

Taking that old adage ‘this is a man’s world’ and turning it on its head, Carter Faith smashes through country music with this. It’s an epic track, that subverts stereotypes by claiming that Faith is ‘man enough for the both of us’, it’s actually a little bit of a surprise when we realised this is a breakup track halfway through. We were so absorbed in Faith’s powerful vocal and the muted downward guitar strokes that it almost slipped by. Building into an appropriately loud and catchy chorus that isn’t without vocal difficulty, it’s impressive that Faith can go from the quiet instrumentation of the verses to the heavier backing of the chorus without any change in the quality of her voice. More straight country than her usual country/pop blend, Faith shows that she can impress with a track that focuses in on genre.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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sierra ferrell

Review: Sierra Ferrell – I Could Drive You Crazy

There’s something really special about the title track from this EP, the way that the vocal line matches the fiddle line is pleasing to hear every time. Almost as if Ferrell is playing a game with music and lyricism as she professes the slightly annoying things in a relationship that annoy her other half, but always doing it with a cheeky smile. ‘Dollar Bill Bar’ shows that Ferrell won’t be straying far from roots music any time soon. It has a catchy hook, with a bouncy guitar backing that almost defies the listener to not click and shuffle along. The last track, ‘Fox Hunt’ explodes with energy from the off, its fiddle furiously kicking off this poetic track. A perfect mix of lyrics matching music, the subdued verses build on one another and the chorus emulates the hunt beat by beat. The entire EP is infectious, fun, mischievous and might just be Ferrell’s best release yet.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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seven stories part two

Review: Little Lore – Seven Stories Part Two

When we reviewed the first portion of this album, we were spellbound by her Tricia Duffy’s ability to highlight unique perspectives with her songwriting and it’s no different with the second part. The stripped-down production still adds to each track, most notably ‘Little Pieces’, which magnifies every small detail to create an uncomfortable atmosphere that feels all at once too close and too far away to see. The choice to end this second part on the upbeat, ironic and funny ‘It Would Be Easier To Miss You If You’d Died’ feels like the cherry on top of a delicious Little Lore sundae. The track plays with humour and also hits emotionally, a trick that is the envy of many a writer. More like a dreamscape than a reality, ‘Seven Stories Part Two’ ticks all of our boxes and the isolated guitar parts on the tracks only makes it better.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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nm forward cover

Review: Nolan McKelvey – Forward

Twenty five years of making music shows on the record by McKelvey. An accomplished singer and songwriter, McKelvey’s flag has been firmly planted in Americana with this release. Although it can feel a little slow in places, the mastery of lyricism that McKelvey has been honing for his entire career is clear. The instrumentation is also well balanced, with violin shining through on ‘Pretending’ to lend a hand to the dark, sad story that McKelvey sets out in the lyrics. There’s fun to be found on the record, too, with ‘Tears In The Devils’ the instrumentation feels more jolly and upbeat, contrasting with McKelvey’s storied voice and the story he tells of tragedy. If you’re a fan of songs that mismatch happy backing tracks with sad lyricism, this is a song you need to listen to urgently. A touch of bluesy folk about the whole record keeps it from being too mellow and makes it an enjoyable listen the whole way through.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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New old friends cover

Review: C. Daniel Boling – New Old Friends with Tom Paxton

On a complete album on co-writes, Boling shines as the main man in charge. If Daniel Boling tells you to ‘Get A Life’, he knows what he’s talking about. A cheeky opener to this album, the bluegrass and folk sound across this album give it an airy but still impactful feeling as its combined with the lyrics. There are slower moments on the record with the romantic ‘How Did You Know’, which encapsulates that feeling of being an awkward teenager sending anonymous Valentine’s cards (or maybe that’s just us). The line ‘I went ass over teacup’ from ‘Bear Spray And Barbwire’ might be our favourite wordplay of the year so far. The writing is really the focus of Boling’s work here, every song is crafted and designed so that the lyrics can dazzle. It’s storytelling to the max, imagery dances across the mind upon listening and the album sways from happy to sad, love to loss from track to track with certain feet.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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cmt awards 2024

CMT unveils the nominations for the 2024 CMT Awards

CMT has revealed the nominees for the CMT Awards 2024. The CMT Awards will be broadcast live from Austin, Texas on 7th April 2024. Video of the year: Ashley McBryde – “Light On In The Kitchen” Brandy Clark feat. Brandi Carlile – “Dear Insecurity” Brothers Osborne – “Nobody’s Nobody” Cody Johnson – “The Painter” Darius Rucker – “Fires Don’t Start Themselves” HARDY – “Truck Bed” Jason Aldean – “Let Your Boys Be Country” Jelly Roll – “Need A Favor” Jordan Davis – “Next Thing You Know” Kacey Musgraves – “Deeper Well” Kelsea Ballerini – “IF YOU GO DOWN (I’M GOIN’ DOWN TOO)” Lainey Wilson – “Watermelon Moonshine” Mickey Guyton feat. Kane Brown – “Nothing Compares To You” Parmalee – “Gonna Love You” Tyler Childers – “In Your Love” Zach Bryan – “Nine Ball”   Female video of the year: Ashley McBryde – “Light On In The Kitchen” Gabby Barrett – “Glory Days” Kacey Musgraves – “Deeper Well” Kelsea Ballerini –  “Penthouse” Lainey Wilson – “Watermelon Moonshine” Megan Moroney – “I’m Not Pretty” Reba McEntire – “Seven Minutes In Heaven”   Male video of the year: Bailey Zimmerman – “Religiously” Cody Johnson – “The Painter” HARDY – “Truck Bed” Jelly Roll – “Need A Favor” Jordan Davis – “Next Thing You Know” Luke Combs – “Fast Car (Official Live Video)” Morgan Wallen “Last Night (One Record At A Time Sessions)”   Duo/Group video of the year: Brothers Osborne – “Nobody’s Nobody” Dan + Shay – “Save Me The Trouble” Old Dominion – “Memory Lane” Parmalee – “Girl In Mine” The War And Treaty – “Have You A Heart” Tigirlily Gold – “Shoot Tequila”   Collaborative video of the year: Carly Pearce feat. Chris Stapleton – “We Don’t Fight Anymore” Ella Langley feat. Koe Wetzel – “That’s Why We Fight” Jon Pardi, Luke Bryan – “Cowboys And Plowboys” Justin Moore & Priscilla Block – “You, Me And Whiskey” Lukas Nelson + Promise of The Real feat. Lainey Wilson – “More Than Friends” Mickey Guyton feat. Kane Brown – “Nothing Compares To You” Old Dominion & Megan Moroney – “Can’t Break Up Now”   Breakthrough female video of the year: Anne Wilson – “Rain In The Rearview” Ashley Cooke – “your place” Brittney Spencer – “Bigger Than The Song” Tigirlily Gold – “Shoot Tequila”   Breakthrough male video of the year: Chayce Beckham – “23” Tyler Childers – “In Your Love” Warren Zeiders – “Pretty Little Poison” Zach Bryan – “Oklahoma Smokeshow”   CMT performance of the year: Amber Riley – “R.E.S.P.E.C.T.” (from CMT Smashing Glass) Bret Michaels & Chris Janson – “Nothing But a Good Time” (from CMT Crossroads) Carrie Underwood – “Hate My Heart” (from 2023 CMT Music Awards) Cody Johnson – “Human” (from 2023 CMT Music Awards) Dierks Bentley – “Drunk On A Plane” (from CMT Storytellers) Dustin Lynch feat. MacKenzie Porter – “Thinking ‘Bout You” (from CMT Campfire Sessions) Hozier & Maren Morris – “Take Me To Church” (from CMT Crossroads) Jelly Roll – “Need a Favor” (from 2023 CMT Music Awards) Kelsea Ballerini – “IF YOU GO DOWN (I’M GOIN’ DOWN TOO)” (from 2023 CMT Music Awards) The War And Treaty – “On My Own” (from CMT Smashing Glass)   CMT digital performance of the year: Chase Rice – “Goodnight Nancy” (from CMT Studio Sessions) Dylan Scott – “Don’t Close Your Eyes (Keith Whitley Cover)” (from CMT Digital Campfire Sessions) Megan Moroney – “I’m Not Pretty” (from CMT Digital Campfire Sessions) Nate Smith – “Whiskey On You” (from CMT Studio Sessions) Scotty McCreery – “It Matters To Her” (from CMT Stages) Stephen Wilson Jr. – “Year to Be Young 1994” (from CMT Studio Sessions) The Castellows – “I Know It Will Never End” (from CMT Studio Sessions)   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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hank woji album

Review: Hank Woji – Highways, Gamblers, Devils and Dreams

Anyone who loves traditional music will want to hear this album by Woji. The writing feels effortlessly country, keeping to the themes laid out in the title. The opener, ‘Don’t Look Back’, draws the listener in, with apt observations accompanied by soft acoustic guitar and wailing twangs, the track feels like a breath of fresh air. Woji only builds on that sentiment as the album unfolds. The music might not be urgent, but it wasn’t trying to be. It’s comfortable, heart-warming Americana/country, like bowl of soup on a cold day, there’s something familiar but still uplifting about Woji’s voice. The sentiment is only magnified by the use of a female harmony on tracks like ‘Chasin’ My Headlights Again’. When Woji steps into blues and even gospel, the album proves itself to not be one-note but a deep swim in the waters of Americana. A highlight is ‘El Sonador (The Dreamer)’, which shows Latin influence used to it’s advantage as Woji spins a necessary tale of immigration and expectation.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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