September 2024 - Page 2 of 3 - STAGING Maverick

A Journey Back to Their Roots: The Shires

Leave a Comment / Exclusives / Rebecca Morpeth-Spayne

The Shires have ventured into new territory with their latest album, ‘Undone Vol. 1’. This album marks their first foray into acoustic music, featuring 10 reimagined versions of their greatest hits, along with a heartfelt cover of Zane Williams’ ‘While I Was Away’. The release is not just a nostalgic trip down memory lane but a profound exploration of their musical journey and personal growth. Recorded in Ben Earle’s garden shed in Hertfordshire, the album has an intimate, raw quality that sets it apart from their previous polished productions. The stripped-back arrangements allow the emotional core of each song to shine through, highlighting the duo’s exceptional vocal harmonies and Ben’s skillful songwriting. Crissie Rhodes noted that revisiting these songs was an emotional rollercoaster, influenced by their current life stages as parents. The live performances of these acoustic tracks have also been a highlight for fans. The ‘Two of Us’ tour, which featured intimate acoustic sets, allowed The Shires to connect with their audience on a much more personal level. The stripped-down arrangements made their concerts feel like a shared experience, where every song became a conversation between the duo and their fans. This connection was palpable at venues like the Union Chapel, where the acoustic setup brought out the best in their harmonies and musicianship, creating an unforgettable experience for everyone in attendance. The simplicity of the acoustic instruments allowed Ben and Crissie’s vocals to shine, emphasising the raw emotion in each lyric. Fans could feel the stories behind the songs, as if they were being told directly to them. This intimacy was further enhanced by the duo’s candid interactions with the audience, sharing personal anecdotes and the inspirations behind their music. It was a reminder of the power of live music to bring people together, creating a sense of community and shared experience that is truly special. ‘Daddy’s Little Girl’ The emotional depth of ‘Undone Vol. 1’ is truly remarkable. Each track, when stripped down to its acoustic core, reveals layers of vulnerability and intimacy that were previously hidden under polished production. For instance, ‘Daddy’s Little Girl’ transforms from a touching ballad into an even more poignant tribute to paternal love. The simple arrangement of guitar and piano makes the heartfelt lyrics stand out, bringing a tear to the eye of even the most stoic listener. This song’s acoustic rendition adds a layer of tenderness and nostalgia, making it even more poignant than the original. The dream of bringing country music to the UK feels more intimate and achievable in its acoustic form. The original of their track ‘Nashville Grey Skies’ upbeat tempo and full-band sound are stripped down to a melodic acoustic guitar and soft piano, highlighting the optimism in the lyrics about creating a country music haven in the UK. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Jason Isbell and The 400 Unit to release ‘Live From The Ryman Vol. 2’ this October

Leave a Comment / News / Rebecca Morpeth-Spayne

On 4th October, ‘Live From The Ryman Vol. 2’, the highly anticipated new live album from six-time Grammy Award winner Jason Isbell and The 400 Unit. The album captures the magic of the band’s sold-out shows at Nashville’s iconic Ryman Auditorium, recorded over four of the last six years by longtime front-of-house engineer, Cain Hogsed. The album’s first two live singles, ‘King Of Oklahoma’ and ‘This Ain’t It’, are now available on all digital platforms, giving fans a taste of the electrifying performances that have made Isbell and his band legendary at the Ryman. Hogsed co-produced the album with Isbell and mixed the tracks with Nashville’s Todd Tidwell. ‘Live From The Ryman Vol. 2’ features 15 live versions of songs from the band’s critically acclaimed albums ‘Reunions’ (2022) and ‘Weathervanes’ (2023). It also includes a powerful rendition of ‘The Last Song I Will Write’ from Isbell’s 2009 self-titled release and a poignant cover of Tom Petty’s ‘Room at the Top’. Jason Isbell and The 400 Unit’s ‘Weathervanes’ won two 2023 Grammy Awards for Best Americana Album and Best American Roots Song (‘Cast Iron Skillet’). Produced by Isbell and released in June 2023, the album is a mature exploration of themes like adult love, change, nostalgia, cruelty, regret, and redemption. ‘Weathervanes’ received widespread critical acclaim, landing on numerous Albums of the Year lists, including MOJO, Uncut, and Classic Rock, and praised by publications such as The Times and Record Collector. Since their first performance at the Ryman in 2014, Jason Isbell and The 400 Unit have sold out over 50 shows at the venue. This October, Isbell is set to add to that tally with another eight-night residency at the Ryman, with tickets still available for those eager to experience the band’s electrifying live performances. Isbell, a native of North Alabama, has solidified his reputation as one of the most respected songwriters of his generation. Known for his deeply personal and emotionally resonant lyrics, Isbell’s songs capture the everyday human condition with a mix of thoughtful, heartfelt, and often brutally honest storytelling. He first gained widespread recognition with his 2013 album ‘Southeastern’, followed by ‘Something More Than Free’ (2015) and ‘The Nashville Sound’ (2017), both of which won Grammy Awards for Best Americana Album and Best American Roots Song. Isbell’s 2020 album, ‘Reunions’, showcased the artist and his band at their creative peak and was the subject of the documentary ‘Running With Our Eyes Closed’ by filmmaker Sam Jones. Beyond music, Isbell recently made his acting debut as Bill Smith in Martin Scorsese’s Oscar-nominated film ‘Killers of the Flower Moon’, which won the 2024 SAG Award for Cast in a Motion Picture. Isbell’s time on set with Scorsese influenced his approach to creating ‘Weathervanes’, particularly his understanding of collaboration and execution in artistic processes. Reflecting on his experience, Isbell said, “It definitely helped when I got into the studio. I had this reinvigorated sense of collaboration. You can have an idea and you can execute it and not compromise—and still listen to the other people in the room.” ‘Live From The Ryman Vol. 2’ promises to be a testament to the exceptional live performances of Jason Isbell and The 400 Unit, capturing the essence of their shows at one of the most revered venues in the world. Fans can look forward to an album that not only highlights the band’s musical prowess but also reflects Isbell’s growth as a songwriter and artist. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Beyond Nashville: Josh Ross

Leave a Comment / Exclusives / Rebecca Morpeth-Spayne

Josh Ross brings a unique Canadian touch to country music. With roots in Ontario, Ross has made significant strides in Nashville, showcasing how Canadian artists can seamlessly integrate into and influence the traditionally American genre. Growing up, Josh Ross was surrounded by diverse musical influences. From a young age, he was drawn to country music, inspired by artists like Steve Earle. Reflecting on his early inspirations, Ross said, “Steve Earle was one of my inspirations as a kid, so it kind of just came naturally for me.” Ross’s journey into music was not straightforward. He was an avid sports enthusiast, playing hockey and soccer before transitioning to football and motocross racing. His athletic pursuits were cut short by injuries, which ultimately led him to pick up a guitar and start songwriting. “I started playing guitar, started songwriting more, and I honestly just realised my songs weren’t great,” Ross candidly shared. This realisation propelled him to move to Nashville, a decision driven by the city’s reputation as a songwriting hub. The Nashville Move Moving from Canada to Nashville marked a significant turning point in Ross’s career. He embraced the city’s vibrant music scene, aiming to hone his songwriting skills. “I knew that songwriting is really, really popular in Nashville. It’s kind of the hub for, I would say, most of the world in regards to songwriting,” Ross noted. His move to Nashville wasn’t just about improving his craft; it was about finding a community where he felt he belonged. Despite the geographical shift, Ross found many similarities between his Canadian roots and the Southern culture of Nashville. “North America is really interesting… there’s actually more country north, but it’s just a different type of country,” he observed. Ross’s career began to gain traction with his authentic storytelling and relatable lyrics. His recent release, ‘Single Again,’ has garnered significant attention, marking a pivotal moment in his rise to fame. “Single Again is… the focus song right now, which is really awesome,” Ross said. The song, inspired by real-life events, showcases his ability to connect with listeners through his personal experiences. Another notable track, ‘Truck Girl,’ resonates with fans for its unexpected twist on a common theme. “I just love the concept… when you see the title, you think it’s like a girl that’s typically into trucks, but then it means this whole other thing,” Ross explained. His knack for turning everyday stories into compelling songs is a testament to his songwriting prowess. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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From Honky-Tonks to High Fashion

Leave a Comment / Exclusives / Rebecca Morpeth-Spayne

When it comes to blending the heart of country music with the vibrant world of mainstream fashion, Megan Moroney stands out as an icon. This country music star has not only captured the hearts of fans with her soul-stirring melodies but has also made significant strides in the fashion industry. Her recent collaboration with PrettyLittleThing has brought the traditional summer country aesthetic into the limelight, melding rustic charm with contemporary style. Megan Moroney’s rise in the country music scene is nothing short of meteoric. Her distinctive voice, genuine and often tongue-in-cheek lyrics and undeniable wit and charisma have cemented her place as a modern-day icon in the genre. But Megan isn’t just stopping at music; she’s making waves in the fashion world too. Her partnership with PrettyLittleThing is evidence of her versatility and her ability to transcend traditional boundaries. Born in Savannah and raised in Douglasville, Georgia, Megan grew up singing covers with her dad and brother. Her musical journey took a more serious turn when a heartbreak at 16 led her father to buy her a Taylor guitar. After an unfortunate knee surgery ended her cheerleading dreams, Megan found solace in music, honing her guitar skills during recovery. At the University of Georgia, her talent shone when she won the Miss Sorority Row pageant and later performed at a campus event that caught the attention of country star Chase Rice. This pivotal moment led her to pursue music full-time, eventually moving to Nashville and diving headfirst into the country music scene. Classic vs. modern country Megan’s PrettyLittleThing collection is a delightful fusion of old and new. The pieces are inspired by classic country fashion but are designed to appeal to a modern audience. Imagine rocking a floral sundress at a summer barbecue or a pair of high-waisted denim shorts at a music festival. These outfits are not only stylish but also practical, perfect for the laid-back yet fashionable country lifestyle. The collection also includes accessories that are quintessentially country but with a chic twist. Think ruffle bardot and chiffon maxi skirts, and, of course, the iconic cowboy boots. Each item reflects Megan’s personal style—bold, fun and effortlessly cool. Whether you’re a die-hard country fan or someone looking to add a touch of rustic charm to your wardrobe, this collection has something for everyone. Megan Moroney’s influence extends beyond the stage and the runway. Her ability to blend country music and fashion has played a significant role in bringing country culture into the mainstream. By collaborating with a popular fashion brand, Megan has made country fashion accessible to a broader audience. This not only highlights the versatility of country style but also showcases its relevance in today’s fashion landscape. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Chris Murphy – The Red Road

Leave a Comment / Top Picks / Rebecca Morpeth-Spayne

This was a fun listen! Admittedly, we all need some more fun in our lives, particularly when it comes to music. Murphy opens with the chugging, string focused ‘I Never Learned To Drive’, a track that emulates its topic in an imaginative way – to its merit. In fact, all the tracks on this EP are string driven. The title track jumps into life as Murphy starts to sing, with short, staccato strings pushing the track to its chorus, with fast paced lyrics kicking in and a complex rhyme scheme that is more than intriguing. The track ‘The Complete Works Of Edgar Allan Poe’ is a highlight, allowing Murphy’s voice to shine more than the other tracks here. Closing out the EP with ‘Tara McKinley’, Murphy provides a track that is transposable to any instrumental backing – it would sound great as a rock track – but Murphy’s choice to keep to his style give the EP a sense of flow and cohesion that is somewhat lacking in most other works these days. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Morgan Wallen tops the CMA Awards 2024 nominations

Leave a Comment / News / Rebecca Morpeth-Spayne

Morgan Wallen has topped the list of nominees for ‘The 58th Annual CMA Awards’ with seven nominations, marking another milestone in his impressive career. The awards, set to air live on Wednesday, 20 November on ABC, will see Wallen vying for top honours, including Entertainer of the Year. Other leading nominees include Cody Johnson and Chris Stapleton with five nominations each, and Post Malone and Lainey Wilson with four nominations each. The prestigious awards will also feature notable nominees such as Luke Combs, Jelly Roll, Megan Moroney, and Kacey Musgraves, each earning three nods. This year’s CMA Awards will be broadcast live from Nashville’s Bridgestone Arena and will also be available to stream the next day on Hulu. Wallen Dominates with Seven Nominations Morgan Wallen’s seven nominations include Entertainer of the Year, Single of the Year, and Song of the Year for his hit ‘I Had Some Help’. His collaboration with Post Malone has also earned him nods in the Musical Event and Music Video categories. Wallen’s success continues with his track ‘Man Made A Bar’ featuring Eric Church, which is also up for Musical Event of the Year. Top Contenders and New Faces Cody Johnson, with five nominations, is recognised in categories including Single of the Year for ‘Dirt Cheap’ and Album of the Year for ‘Leather’. Meanwhile, Chris Stapleton returns with five nominations, including Entertainer of the Year and Male Vocalist of the Year. First-time nominees include Post Malone, who picked up four nominations for his work on ‘I Had Some Help’, marking a significant crossover into country music. Lainey Wilson, the reigning Entertainer of the Year, is also nominated for four awards, including Female Vocalist of the Year. Entertainer of the Year Battle The coveted Entertainer of the Year category will see Luke Combs, Jelly Roll, Chris Stapleton, Morgan Wallen, and Lainey Wilson compete for the top prize. This year marks Combs’ fifth consecutive nomination for the award, while Jelly Roll celebrates his first nomination in this category. CMA Broadcast Awards and Voting Information The finalists for the CMA Broadcast Awards were also announced, with winners to be honoured at the CMA Awards. Voting for the awards is conducted by eligible CMA members, with the final ballot closing on 29 October. Winners will be determined by a panel of professionals and announced during the live broadcast. Entertainer of the Year: Luke Combs Jelly Roll Chris Stapleton Morgan Wallen Lainey Wilson Single of the Year (Award goes to Artist(s), Producer(s), and Mix Engineer(s)): ‘A Bar Song (Tipsy)’ – Shaboozey Producers: Sean Cook, Nevin Sastry Mix Engineer: Raul Lopez ‘Dirt Cheap’ – Cody Johnson Producer: Trent Willmon Mix Engineer: Jack Clarke ‘I Had Some Help’ – Post Malone (Feat. Morgan Wallen) Producers: Louis Bell, Charlie Handsome, Hoskins Mix Engineer: Ryan Gore ‘Watermelon Moonshine’ – Lainey Wilson Producer: Jay Joyce Mix Engineers: Jason Hall, Jay Joyce ‘White Horse’ – Chris Stapleton Producers: Dave Cobb, Chris Stapleton, Morgane Stapleton Mix Engineer: Vance Powell Album of the Year (Award goes to Artist, Producer(s), and Mix Engineer(s)): Deeper Well – Kacey Musgraves Producers: Ian Fitchuk, Kacey Musgraves, Daniel Tashian Mix Engineers: Shawn Everett, Konrad Snyder Fathers & Sons – Luke Combs Producers: Luke Combs, Chip Matthews, Jonathan Singleton Mix Engineer: Chip Matthews Higher – Chris Stapleton Producers: Dave Cobb, Chris Stapleton, Morgane Stapleton Mix Engineer: Vance Powell Leather – Cody Johnson Producer: Trent Willmon Mix Engineer: Jack Clarke Whitsitt Chapel – Jelly Roll Producers: Andrew Baylis, Brock Berryhill, Zach Crowell, Jesse Frasure, David Garcia, Kevin “Thrasher” Gruft, Austin Nivarel, David Ray Stevens Mix Engineers: Jeff Braun, Jim Cooley Song of the Year (Award goes to Songwriter(s)): ‘Burn It Down’ Songwriters: Hillary Lindsey, Parker McCollum, Lori McKenna, Liz Rose ‘Dirt Cheap’ Songwriter: Josh Phillips ‘I Had Some Help’ Songwriters: Louis Bell, Ashley Gorley, Charlie Handsome, Hoskins, Austin Post, Ernest Keith Smith, Morgan Wallen, Chandler Paul Walters ‘The Painter’ Songwriters: Benjy Davis, Kat Higgins, Ryan Larkins ‘White Horse’ Songwriters: Chris Stapleton, Dan Wilson Female Vocalist of the Year: Kelsea Ballerini Ashley McBryde Megan Moroney Kacey Musgraves Lainey Wilson Male Vocalist of the Year: Luke Combs Jelly Roll Cody Johnson Chris Stapleton Morgan Wallen Vocal Group of the Year: Lady A Little Big Town Old Dominion The Red Clay Strays Zac Brown Band Vocal Duo of the Year: Brooks & Dunn Brothers Osborne Dan + Shay Maddie & Tae The War and Treaty Musical Event of the Year (Award goes to Artists and Producer(s)): ‘Cowboys Cry Too’ – Kelsea Ballerini (with Noah Kahan) Producers: Kelsea Ballerini, Alysa Vanderheym ‘I Had Some Help’ – Post Malone (Feat. Morgan Wallen) Producers: Louis Bell, Charlie Handsome, Hoskins ‘I Remember Everything’ – Zach Bryan (ft. Kacey Musgraves) Producer: Zach Bryan ‘Man Made A Bar’ – Morgan Wallen (feat. Eric Church) Producer: Joey Moi ‘You Look Like You Love Me’ – Ella Langley (feat. Riley Green) Producer: Will Bundy Music Video of the Year (Award goes to Artist(s) and Director(s)): ‘Dirt Cheap’ – Cody Johnson Director: Dustin Haney ‘I Had Some Help’ – Post Malone (Feat. Morgan Wallen) Director: Chris Villa ‘I’m Not Pretty’ – Megan Moroney Directors: Jeff Johnson, Megan Moroney ‘The Painter’ – Cody Johnson Director: Dustin Haney ‘Wildflowers and Wild Horses’ – Lainey Wilson Director: Patrick Tracy New Artist of the Year: Megan Moroney Shaboozey Nate Smith Mitchell Tenpenny Zach Top Bailey Zimmerman These nominations highlight the incredible talent within the country music industry, celebrating both seasoned artists and rising stars. The winners will be announced during the live broadcast of ‘The 58th Annual CMA Awards’.

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Review: Preston D Barnes – Add a Little You

Leave a Comment / Top Picks / Rebecca Morpeth-Spayne

The EP delivers a fresh take on contemporary country, blending traditional sounds with a modern twist. There’s something about the way that Barnes sings that speaks to influences from Britpop in a way, an Oasis twinge perhaps. The absolute standout track is the closer here; ‘Still Believe In Crazy Love’ captures Barnes’ ability to create a country anthem, mixed with a power ballad, the track is a tribute to remaining faithful to the idea of love. The guitar embellishments add the perfect amount of distance between the chorus and verses, the slow, steady drums create that anthemic feel and the harmonies (particularly in the bridge) are absolutely perfect, just before that classic guitar solo drops to bring us back to the pre-chorus, just in time for another air-grab. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Spotlight: Nathan O’Regan

Leave a Comment / Exclusives / Rebecca Morpeth-Spayne

Nathan, your debut studio EP ‘Uncovered Vol. 1’ features a collection of covers that pay homage to Northern Irish songwriting. What drew you to focus on reinterpretations rather than original compositions for this debut? I ran a night in Belfast called Songbook for 6 years that showcased local songwriters with the backing of an incredible house band. It was an amazing experience, and I was always blown away by the talent on show. Songbook was a big part of my life for a long time, and the Cover EP felt like a fitting way to celebrate that chapter before I fully focus on my own music. I’m really excited about my debut album, which is in the final stages of mixing and will be out next year. ‘Follow You Down’ from Ciaran Lavery’s album ‘Not Nearly Dark’ seems to hold a special place in your heart. What was your approach to transforming this slow acoustic folk track into a soulful single? ‘Not Nearly Dark’ had just come out around the same time I first came to Northern Ireland and it was a hot topic of conversation with everyone on the Northern Irish music scene – for good reason. It was incredible to witness the success that the record had for Ciaran. There are so many tracks that stand out on that album, but I always loved ‘Follow You Down’ – it’s just great writing, plain and simple. I’ve always loved a song that has a catchy chorus but has a darker undertone – Ciaran does that really well. Turning it on its head happened quite organically in the studio with the boys. It’s a sign of a great song that it can be interpreted so many ways and I think ‘Follow You Down’ is a great example of that. You’ve described ‘Is That What You Wanted?’ as an earworm with meticulously crafted lyrics. How did your experience of seeing MCVEIGH perform this song live influence your decision to cover it? It’s funny – when you’re friends with so many people in music, and especially when you’re all sort of starting from the ground up together – you can forget that some folks just have ‘it’. Whatever ‘it’ is, MCVEIGH has it in spades. Socially, he’s just a normal, down-to-earth, lovely fella but I remember seeing him up on stage at Songbook years ago, singing ‘Is That What You Wanted?’ and he completely blew me away. The swagger and the effortless and flawless vocal. It’s one of those tunes I remember hearing and thinking I’ll be telling people in years to come that I heard him sing that to 100 people upstairs in a bar in Belfast and they’ll never believe me. I’ve been a huge fan of him since I became aware of him and I think his star will only continue to rise. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Spotlight: Elles Bailey

Leave a Comment / Exclusives / Rebecca Morpeth-Spayne

‘Leave the Light On’ has a compelling blend of roots and Americana. What was the core inspiration behind this track, and how did the creative process unfold? The song was inspired by a specific occasion when I missed my train home from London and had a huge wave of guilt as I had been away so much, I was expecting a frosty reception but instead the light outside our house was on and that small gesture just felt so welcoming and supportive. I went out for a run the next day and the first two verses just came to me. I had a song write with long term collaborator Will Edmunds that day and we penned half the song. It took quite a lot of rewriting, but we got it down just before going into the studio and I’m so glad we did – it’s my favourite on the record and I love playing it live! It’s autobiographical, and brutally honest but uplifting and celebrates those around you that help you support you to realise your dreams! Your new album, ‘Beneath the Neon Glow,’ is set to release soon. Can you share any stories or themes that particularly stand out in this collection? This album is my “love album” celebrating all different kinds of love in all its forms. It’s lyrically vulnerable, with very honest songwriting and there’s a large slice of heartbreak however it’s juxtaposed with beautifully uplifting melodies and instrumentation! Your music often touches on personal and profound themes. What life experiences or moments have had the most significant impact on your songwriting for this upcoming album? Despite there being no songs specifically about becoming a parent, this is the first album I’ve fully written since having Jasper. So, I don’t find it surprising that the album has a theme of love, as once you become a parent you heart tears open a way you can never imagine, and you begin to know a love like no other! Collaboration is a key part of the music industry. Are there any unique collaborations on ‘Beneath the Neon Glow’ that fans should be excited about? Oh, my goodness so many! I’m very excited to finally share ‘Let It Burn’ written with Katey Brooks… it’s a stunning number and shows me in a slightly different light to the rest of the tracks. And speaking of Katey – it was a pleasure to have her lend her vocal talents to three of the songs – ‘Let It Burn’, ‘If This Is Love’ and ‘Love Yourself’. I also have the incredible Demi Marriner and Liam Cromby who sing on the rest of the album! All three are amazing artists in their own right (go check them out) – so to collaborate with them is this way has been wonderful! I feel very blessed! You’ve received various awards for your contributions to the roots and Americana genres. How do these accolades influence your creative direction and motivation? I feel very blessed to have been supported by these beautiful scenes and to win awards in them is incredible. I wouldn’t say these awards influence my creative direction but it’s definitely nice to see the hard work that I have been put in get noticed and rewarded in this way. I love being a part of these communities, of celebrating our music together! It’s a beautiful thing. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Spotlight: Eric Devries

Leave a Comment / Exclusives / Rebecca Morpeth-Spayne

Eric, your newest single ‘Shadow of a Man’ is an upbeat track that lyrically delves into the struggles of losing yourself. Can you share the inspiration behind this track and any particular experiences that shaped its creation? To my shame, I must confess I got into a fight with my best friend at the time, our drummer, because I had an argument with our bass player, my girlfriend at the time, and he, my best mate, jumped in. The next thing I knew, we were almost at it. I remember thinking: “Whoa, this ain’t me!” That was when I was in my teens, and I’m glad to say I learned a thing or two along the way. Or at least I hope I did. But I imagine it happens in all variations in relationships as well, where we find ourselves saying things we don’t mean to say. The chorus is kind of tongue-in-cheek, saying I usually remember faces, it’s names I can’t recall. But this shadow of a man I’m facing, I don’t recognise at all. Bob Dylan sang ‘I Threw It All Away,’ so I guess we’ve all been there, right? (I was a fool, I treated her so cruel, I threw it all away. Get it?) It seems to be important for you to properly credit your band and collaborators. Why do you feel that this is an important thing to do as an artist? It’s been years since I have played with the same band doing my own songs. In the nineties, I had my own band, but since I started as a recording artist (in 2004), I’ve hardly had the opportunity to tour with a band. My 2021 release ‘Song & Dance Man’ got us so much attention that I was able to properly tour and hold a band together. Producer and multi-instrumentalist Janos Koolen brought in Lucas Beukers on upright bass, and we both knew and played with violinist Joost van Es before, and the whole thing fell together. The new album ‘Traveler’s Heart’ is a direct result of the joy of playing live together as a band. It inspired me to write a whole new batch of songs. I think it’s only fair to give credit where it’s due. Collaboration is a big part of music today. Are there any artists you’ve recently worked with or plan to work with on future projects? When I first went solo in 2004, it wasn’t long before a friend suggested we work together as four singer-songwriters and take turns singing lead and playing any instrument we’d like or would fit the song. We called ourselves Songwriters United. That was a lot of fun, especially because we all wanted to play the drums. Iain Matthews asked me to be a part of Matthews Southern Comfort in 2017. He wanted to record new material, so we all wrote and made some pretty good albums too. We toured in the UK a few times. I remember listening to the radio as a kid and hearing the song ‘Woodstock’. Now I got to sing it with him and the new stuff as well, and that was pretty inspiring. I am honoured to have him sing on the new album. For the time being, we’re all involved in new solo projects. I am obviously busy with the ‘Traveler’s Heart’ release, and we have a tour lined up starting in September. And we’re hitting the theatres in ’25. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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