A Journey Back to Their Roots: The Shires
The Shires have ventured into new territory with their latest album, ‘Undone Vol. 1’. This album marks their first foray into acoustic music, featuring 10 reimagined versions of their greatest hits, along with a heartfelt cover of Zane Williams’ ‘While I Was Away’. The release is not just a nostalgic trip down memory lane but a profound exploration of their musical journey and personal growth. Recorded in Ben Earle’s garden shed in Hertfordshire, the album has an intimate, raw quality that sets it apart from their previous polished productions. The stripped-back arrangements allow the emotional core of each song to shine through, highlighting the duo’s exceptional vocal harmonies and Ben’s skillful songwriting. Crissie Rhodes noted that revisiting these songs was an emotional rollercoaster, influenced by their current life stages as parents. The live performances of these acoustic tracks have also been a highlight for fans. The ‘Two of Us’ tour, which featured intimate acoustic sets, allowed The Shires to connect with their audience on a much more personal level. The stripped-down arrangements made their concerts feel like a shared experience, where every song became a conversation between the duo and their fans. This connection was palpable at venues like the Union Chapel, where the acoustic setup brought out the best in their harmonies and musicianship, creating an unforgettable experience for everyone in attendance. The simplicity of the acoustic instruments allowed Ben and Crissie’s vocals to shine, emphasising the raw emotion in each lyric. Fans could feel the stories behind the songs, as if they were being told directly to them. This intimacy was further enhanced by the duo’s candid interactions with the audience, sharing personal anecdotes and the inspirations behind their music. It was a reminder of the power of live music to bring people together, creating a sense of community and shared experience that is truly special. ‘Daddy’s Little Girl’ The emotional depth of ‘Undone Vol. 1’ is truly remarkable. Each track, when stripped down to its acoustic core, reveals layers of vulnerability and intimacy that were previously hidden under polished production. For instance, ‘Daddy’s Little Girl’ transforms from a touching ballad into an even more poignant tribute to paternal love. The simple arrangement of guitar and piano makes the heartfelt lyrics stand out, bringing a tear to the eye of even the most stoic listener. This song’s acoustic rendition adds a layer of tenderness and nostalgia, making it even more poignant than the original. The dream of bringing country music to the UK feels more intimate and achievable in its acoustic form. The original of their track ‘Nashville Grey Skies’ upbeat tempo and full-band sound are stripped down to a melodic acoustic guitar and soft piano, highlighting the optimism in the lyrics about creating a country music haven in the UK. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com
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