August 2024

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Spotlight: Janet Devlin

‘Country Singer’ marks a bold statement against compromising oneself. Can you share the inspiration behind this track and what message you were looking to get across?   I wanted to reiterate a lesson that I learned a few years ago. The whole notion of not settling for anything less than I deserve when it comes to love. Now I’m not talking about putting the people I date through the wringer. More not making myself suffer for a love that was merely lukewarm. In my past I would bend and break myself to fit the mould of the person I was dating. But I refuse to do that anymore. As my mother says “take me as you find me, or don’t take me at all”. She’s right. Though the song is about someone, it took that someone to send that message home to me.     Your upcoming album ‘Emotional Rodeo’ promises a blend of your Irish charm with country rock influences. What was the creative process like for this album, and how does it differ from your previous work?    A lot of things were different in the writing/making of this album. Especially in comparison to my older works. After essentially trauma dumping in my last album – I was finally in a place to write more in tune to my personality. So there’s a lot more lighthearted and jokey songs on this album. One simple thing that’s different is I used to carry a massive bag filled with journals to every writing session.    You recorded ‘Emotional Rodeo’ in Nashville and Grammy-award-winning producer Vance Powell has mixed a lot of the songs. How did this experience influence the final sound of the album?   Recording in Nashville is a whole new world to me. In the best way possible! The energy you get from having a band play live together is truly something else. It brought so much life and personality to the songs that I don’t think I could recreate otherwise. I’ve never done an album this way but I’m so glad I did! The Nashville players are talented beyond belief. Getting Vance to mix was honestly surreal. I couldn’t believe he said yes! Haha. He was the perfect man for the job considering his back catalogue of my favourite artists of all time. Plus his sensibilities with preserving the live nature of the recording and the human elements to the tracks.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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Dawn Landes brings ‘The Liberated Woman’s Songbook’ to the Barbican

On 7th September, the acclaimed singer-songwriter Dawn Landes will grace the Barbican in London with a live performance of her widely praised album, ‘The Liberated Woman’s Songbook’. This special event will feature esteemed guests, including folk legend Peggy Seeger, US indie-rock songwriter Skylar Gudasz, folk singer Lail Arad, Roots/R&B singer and actress Bridgette Amofah, violinist MaGuire and jazz-influenced singer-songwriter Sylvie Lewis. In an effort to amplify women’s voices, Landes released ‘The Liberated Woman’s Songbook’ in March during Women’s History Month. The album reimagines music from the women’s liberation movement, featuring songs originally published in ‘The Liberated Woman’s Songbook’ in 1971. Landes, alongside producer Josh Kaufman, has highlighted 11 musical stories from the canon of women’s activism spanning from 1830 to 1970. These narratives remain as pertinent today as ever, reflecting centuries of women’s struggle for their voices to be heard. “The project began while I was grounded at home during the pandemic and came across this intriguing book at a thrift shop,” said Landes. “With the overturn of Roe v. Wade rolling back women’s autonomy by 50 years, I turned to the songbook for inspiration. We’re suddenly back in 1971 all over again. I know we’re in for a long fight, and it helps to find solidarity where you can.” Josh Kaufman added, “Working with my old friend, Dawn Landes, on this collection of tunes was a real creative and collaborative gift. Many of these songs were already powerful in message but musically were never meant to travel beyond the picket line. I hope our work helps to amplify their message of freedom and equity anew.” ‘The Liberated Woman’s Songbook’ was recorded in Upstate New York at Little Pink and The Garage in Chapel Hill, NC, with Landes leading on vocals, guitar, and organ, and Kaufman steering guitars, keys, drums, bass, mandolin, and percussion. Landes enlisted an array of powerful voices to accentuate the album’s vital messages, including Emily Frantz of Watchhouse, Kanene Pipkin of The Lone Bellow, Rissi Palmer, Charly Lowry, Annie Nero, and Lizzy Ross of Violet Bell. In July 2023, Landes and Kaufman captivated audiences with a live performance of ‘The Liberated Woman’s Songbook’ at the Newport Folk Festival. Landes has established herself as one of music’s premier independent singer-songwriters, exploring a wide variety of styles from indie pop and folk to the French-language album “Mal Habillée.” She has collaborated with artists such as Justin Townes Earle, Will Oldham, and Norah Jones, and has shared the stage with Ray LaMontagne, Feist, Andrew Bird, Sufjan Stevens, Suzanne Vega, and other notable artists. Her work also includes numerous film and TV credits. Landes is currently based in Chapel Hill, NC.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Folk Music Legends Headline Folk On The Coast Festival

World-renowned artists and rising stars from the Folk Music scene are set to perform at a new weekend-long festival at Floral Pavilion in Wirral from 13th to 15th September. The event promises to bring performances, workshops, exhibitions, and special talks, offering an immersive experience for attendees. The lineup includes an eclectic mix of performances from folk legends such as Martin Carthy, Martyn Joseph, Martin Simpson, The Bar-Steward Sons of Val Doonican, Jackie Oates, and John Spiers. Other notable artists include Jon Wilks, Mikey Kenney, Gilmore & Roberts, Joe Topping, Maddie Morris, James Delarre & Saul Rose, and Jack Rutter. Folk music pioneer Martyn Joseph is set to host a songwriting talk alongside Q&As with Cole Stacey and Keith Wilson. Attendees will also have the chance to enjoy a performance by Mind The Step Appalachian Dancers and participate in DADGAD and poetry workshops. The inaugural festival will utilise the Floral Pavilion’s multiple performance spaces as well as local music venues such as Future Yard in Birkenhead. This approach aims to create a dynamic and engaging atmosphere throughout the event. Floral Pavilion’s Venue Manager, Pauline Campbell, expressed her excitement, saying, “We are so excited to see the venue come alive with Folk music. We’re proud to launch a festival that celebrates the genre and provides a welcome and immersive space. With a beautiful coastal backdrop and world-renowned artists, it is going to be a weekend to remember.” Programme manager, Tom Forth, added, “This September we’re thrilled to welcome some of the world’s finest artists to the first Folk On The Coast festival. Expect diversity from right across the genre; from the contemporary to the traditional, electrifying performances to intimate storytelling and Folk royalty to some of Merseyside’s most promising folk purveyors.” FULL WEEKEND LINE-UP Friday: Ceilidh – The Final Nails, Split Level (Phil Chisnall & Lynne Strange), John Walsh, Gerry Murphy, Keith Wilson, The Skylarks, Raphael Callaghan, Bread Hotel Workshop: An Introduction to DADGAD with Phil Chisnall Workshop: Sea Themed Poetry with Alison Schultz Special Event: Mind The Step Appalachian Dancers Saturday: Martin Carthy, Martyn Joseph, Cole Stacey, James Delarre & Saul Rose, Mikey Kenney, Katie Nicholas, Keith Wilson, The Far North Q&A: Keith Wilson Q&A: Cole Stacey Special Event: Martyn Joseph Songwriting Talk Sunday: Martin Simpson, Jackie Oates and John Spiers, Jon Wilks, Maddie Morris, The Bar-Steward Sons of Val Doonican, Gilmore & Roberts, Joe Topping, Jack Rutter, Douglas and Moss, Mark Pountney, Danny Bradley   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Jackson Dean unveils new single and announces album

Jackson Dean has delighted fans today with the release of his latest single, the studio version of his live show favourite, ‘Heavens To Betsy’. Alongside this release, Dean has announced his much-anticipated sophomore album, ‘On The Back of My Dreams’, which is set to hit the shelves on 6th September. The 13-track album promises to be a thought-provoking body of work, leaving listeners with much to ponder. Already recognised as one of Nashville’s most intriguing artists, Dean’s new project marks a bold new chapter in his career. Embracing his gritty, rambling highwayman spirit, Dean elevates his signature style with turn of phrases, biblical references, soaring guitars, and subliminal messages. The result is a collection of big, wide-open songs that demand bone-shaking vocals. Each track on the album paints a vivid picture, collectively revealing Dean as a man intent on truly living—and living his dream to the fullest. Across the 46-minute set, listeners will find a man relentlessly pursuing every experience life has to offer, facing each sight and feeling head-on. Collaborating with his bandmates, some of Nashville’s finest musicians, and producer Luke Dick, Dean tackles themes of freedom, solace, pain, youth, mortality, and the subconscious. Dean explained the album’s title, saying, “The title can be interpreted from a few different angles, but the face value of that phrase is that in-between state, when you’re in the process of waking up, but reality hasn’t quite set in. Each song on this project has a little bit of that magical surreal feeling. It’s drawn from a lyric in the song ‘Jane,’ this kind of otherworldly, misty tune that immediately embedded into my brain. I’ve lived a lot of life and have watched a lot of life be lived, and each of these songs were written from a single frame of life, almost as vignettes, drawn from daydreams, nightmares, and everything in between.” The single ‘Heavens To Betsy’ stands out as a poignant track, placing Dean in the shoes of a regret-filled man attempting to send a message from beyond to right the wrongs of his past and seek redemption with his daughter. The song has resonated deeply with listeners of all ages, offering a cathartic connection through its characters and soul-stirring plea for atonement. Dean reflected on the song’s journey, saying, ‘Heavens to Betsy’ is like the little song that could. We wrote it and never thought it’d see the light of day, but I started playing it on radio tours to get it out of my head and kill time. I saw a grown man break down and cry to it. That image will hit you like a ton of bricks. So, we started incorporating a bigger version of it into our live shows, and I thought the Live At The Ryman version would be the only place it lived. But once again, this song exceeded my expectations. Night after night, people tell me how it’s helping them through their grief—which is such a beautiful thing. Just the other day, someone told me that their father died 11 years ago, and hearing ‘Betsy’ gave them the closure they’ve been seeking. That’s the reason we do this.” From hearing the expression “heavens to Betsy!” for the first time as a 19-year-old and imagining a man sitting on the outskirts of heaven, trying to communicate with his daughter via a CB radio, to becoming his third radio single due to fierce fan reaction, the unexpected journey of “Heavens To Betsy” encapsulates the surreal aura of ‘On The Back Of My Dreams’. The song’s emotional journey, co-written with Benjy Davis and Driver Williams, begins with a sincere but reserved tone backed by light acoustic guitar. By the chorus, as the man’s comfort grows, the words flow more freely, and the song swells with a piercing electric guitar until its final breath.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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Review: Amanda Anne Platt & The Honeycutters – Pocket Song

Sometimes a slower track comes by and makes you feel wistful for a time that never happened – that’s how this track came to us. Part Joni Mitchell, part Father John Misty and a sprinkling of country with Amanda Anne Platt’s familiar twang, this song is quieter, more acoustic and would be best enjoyed outdoors on a sunny day, surrounded by people you love lying in grass. It’s a dreamy track that benefits from being stripped back, just the gentle drums, stepping bass and acoustic guitar. The sound of steel guitar comes into play and it’s very nearly perfection. As the bridge introduces a tinkling piano, this song is calmness personified, with the correct amount of longing and heartfelt lyricism to make it summer playlist worthy.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: The Mavericks – The Years Will Not Be Kind

There’s a South American feel to this track. It’s not surprising from The Mavericks, their Latin influence often shines through, but it adds to the storytelling of this track in particular. Half a lament, half an unfilled, pessimistic dream of the future. The bands experience comes through immediately, it feels like you’re in a safe pair of hands. The added accordion in the second verse onwards gives the track an even more Latin feel. Combine that with the fiddle playing and ‘The Years Will Not Be Kind’ takes on the feel of an Argentinian tango – get your dancing shoes on, but make it melancholy. Always great to hear a new song from The Mavericks and this is no exception.    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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