19 August 2024

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Mitski goes country for All Points East festival

The All Points East festival in east London showcased a day rich with country influences and Americana sounds, offering a lineup that captivated audiences with its depth and diversity. Mitski’s country-inspired tunes were the undisputed highlight as the first weekend of the festival wrapped up. Making her debut as a festival headliner in London, the acclaimed singer-songwriter delivered a deeply moving set that spanned over a decade of her celebrated career. Her performance was enhanced by the inclusion of instruments like the pedal steel, accordion, and organ, which brought a warm and colourful dimension to her music. Mitski expertly balanced different tempos and moods, moving from the introspective ‘I Don’t Like My Mind’ to the rhythmic energy of ‘Happy’. The delicate acoustic vibes of ‘The Frost’ contrasted beautifully with the brooding atmosphere of ‘I Bet on Losing Dogs’, where Mitski’s theatrical stage presence, including a moment where she mimicked a dog on all fours, left the audience spellbound. The evening was a testament to the power of country and Americana in modern music, with Mitski’s set being a standout example of how these genres can captivate and resonate with a contemporary audience. TV Girl brought their unique brand of indie pop to the festival, showcasing the quirky charm that has won them a devoted following online. Their set was a lively journey through their four-album catalogue, filled with infectious melodies and witty banter. Songs like ‘Blue Hair’, ‘Not Allowed’, and ‘Cigarettes Out the Window’ sparked loud reactions from a crowd that knew them well, proving that TV Girl is far more than just a viral sensation. By the time they closed with ‘Lover’s Rock’, the band had left a lasting impression, solidifying their place in the festival’s lineup. Arlo Parks, a London native, took to the Cupra North Stage, offering a soulful performance that highlighted the depth of her songwriting and the power of her live band. Her poetic lyrics and the band’s rich sound created an intimate atmosphere, even within the confines of a festival tent. Standout moments included a rocked-up version of ‘Hurt’ and the funky grooves of ‘Too Good’. Parks dedicated her breakout single ‘Black Dog’ to the crowd, reinforcing the personal connection she shares with her audience. Her set was a masterclass in how to deliver an emotionally charged and immersive live experience. Ethel Cain brought her dark, gothic Americana to the East Stage, captivating a large and enthusiastic audience. Her performance featured tracks from her acclaimed debut album ‘Preacher’s Daughter’, including a haunting rendition of ‘Thoroughfare’ and an atmospheric cover of ‘Bette Davis Eyes’. Cain’s set was filled with dynamic and dramatic moments, leaving fans eager for her next visit to London. Other notable performances included Suki Waterhouse, who wowed the crowd with a mix of her own hits and a special cover of ‘Don’t Look Back in Anger’, and Lucius, who brought their 60s-inspired indie pop to life on the East Stage. Strawberry Guy and Good Neighbours also made their mark, delivering performances that left a lasting impression on the festival’s attendees. Overall, All Points East 2024 proved to be a celebration of country and Americana sounds, showcasing a diverse array of artists who brought these genres to life in the heart of east London.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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ellalangley

We are Hung Up on Ella Langley’s ‘Hungover’

As the release date for Ella Langley’s much-anticipated album approaches on 2nd August 2024, fans and critics alike are abuzz with excitement especially after the debut of her latest single ‘Hungover.’ This track offers a tantalising glimpse into what promises to be an album filled with soulful melodies, compelling lyrics and the distinctive voice that has firmly positioned Langley in the contemporary country music scene.     A melody to remember  ‘Hungover’ is an earworm in the best possible way. The song opens with a catchy, upbeat guitar riff that immediately grabs your attention. The instrumentation is quintessentially country with a modern twist. It’s clear that Langley and her producers have taken great care in crafting a sound that is both familiar and fresh. The melody is infectious, the kind that stays with you long after the song has ended. The upbeat tempo and the use of traditional country instruments like the banjo and steel guitar blended with more modern elements create a soundscape that is both nostalgic and contemporary.  The chorus is particularly memorable, with a sing-along quality that is sure to make it a favourite at live performances. The melodic structure of ‘Hungover’ showcases Langley’s ability to write hooks that are both catchy and meaningful, a skill that sets her apart in the crowded country music landscape. It is this blend of the old and new, the traditional and the contemporary that gives ‘Hungover’ its unique charm. The song not only pays homage to the roots of country music but also pushes the genre forward, introducing new sounds and ideas that make it accessible to a wider audience. The production quality of the single is also noteworthy. Each instrument is meticulously placed in the mix, allowing every element of the song to shine. The production team has done an excellent job of ensuring that Langley’s voice remains front and centre, supported by a rich tapestry of sound that enhances the emotional impact of the song. This attention to detail is a testament to the high standards that Langley sets for her music and it bodes well for the quality of the upcoming album.      Langley’s songwriting shines in ‘Hungover.’ The lyrics are a vivid depiction of post-party regret, a theme that is universally relatable yet delivered with a fresh perspective. Lines like ‘Woke up in last night’s clothes, head pounding like a drum,’ paint a vivid picture of the aftermath of a wild night. Langley’s ability to capture the small details of an experience gives the song a sense of authenticity and relatability. Her storytelling is both poignant and humorous, capturing the duality of emotions that come with a hangover. The chorus with its catchy refrain ‘Hungover and heartbroken, wishing I was still drunk,’ perfectly encapsulates the bittersweet nature of the song. It’s a clever play on the double meaning of being ‘hungover’—both physically from alcohol and emotionally from a relationship. This lyrical depth is a testament to Langley’s growth as a songwriter, showcasing her ability to tackle common themes with a unique twist. The song delves into the complex emotions of regret and longing, exploring how they intertwine in the aftermath of both a night of drinking and a failed relationship.      Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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