7 August 2024

jess and the bandits

Spotlight: Jess And The Bandits

Can you tell us more about how Jess and the Bandits came together? What drew you to collaborate with the British members of the band?  I started working with a British music producer in 2012. He brought me over to the UK to write and record my first album, which was called ‘Permanent’. I started promoting the album in the UK and developed a great fanbase here. Later, on the release of my second album ‘Loving This Day’ I was invited to go on tour as the support for The Overtones and made friends with the musicians who played for them. We all bonded over a love of country music and before long, Jess and the Bandits was born. Between their British charm and my Texas flare, I think we found something really special!    Your music blends country, pop and rock elements. Who are some of your biggest musical influences in these genres?  As a teenager I listened to everything from Garth and Trisha, Reba and Dolly… to artists like The Bellamy Brothers and George Jones, Tammy Wynette… and on the other side of things, I listened to Pearl Jam and a lot of Nineties grunge, as well as Boyz II Men, Céline Dion and Mariah Carey! My taste was so varied and I think I bring a little bit of it all with me in my music and my live shows! (Maybe not so much of the grunge… we will leave that with 90’s Jessica!)   Congratulations on your upcoming album! Can you give us a sneak peek into the themes or stories behind it?  Thank you so much. I am so excited to finally get this collection of music out there. This time around I decided to write a bit… but also go ahead and use songs that writers in Nashville have given me over the years. It feels like a huge compliment that they would trust me with some of these songs… as they write for some of the biggest artists out there. The stories vary, from love and heartbreak to the loss of my father and the ups and downs of my musical journey so far. There’s a lot in there!    What was the creative process like for this new album?   The creative process was so much fun this time around. It has always been fun but different this time. I have spent the whole of my career from Jessica Clemmons to Jess and the Bandits trying to prove myself as a writer… this time I chose songs based on what I am going to love and what other people are going to love. I recorded the album in Texas which was new for me… I normally record in Nashville and am used to a super quick turnaround. This time it was slower, more precise, more a labour of love… and I loved it.   With the new singles and album release, what do you hope your fans take away from your music?  I called the album ‘Jessica’ because I feel that this record is almost like a rebirth for me. The last album was made before I became a wife or a mother. Now I have two children and my life looks very different. My father, who was my greatest supporter and biggest fan passed away last year after a long illness and it has all shaped me. The things that mattered before matter less. I’m not concerned about pleasing people the way I used to be or willing to make the same sacrifices. I just want to make music, and if you love it, than great!   Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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taylor swift eras tour

Event review: Taylor Swift’s Eras Tour comes to the UK

It started by making friendship bracelets on the train to Liverpool. Behind us, some young women debated whether they could bite through the elastic to tie their bracelets together. I asked them if they wanted to use the tiny safety scissors that I had packed and they thanked me profusely, after a while they gently tapped and asked to borrow them again, I, of course, smiled and obliged. It would be this easy sense of camaraderie, good mood and ultimately sisterhood that would colour the day that Taylor Swift took the stage at Anfield.   Epic, another word that could describe the entire 24 hours. An epic journey from London to Liverpool, epic numbers of fans milling around the city centre from the morning until 4pm when the doors opened, you can spot a Taylor Swift fan from afar, they are enthusiastic, excited, nearly bouncing from place to place knowing they are simply hours away from seeing the country-turned-pop-turned-everything megastar in the flesh. Epic too was the staging, performance and atmosphere at the show. But that’s for later.      The buildup  The fans were everywhere, from the packed train that we sat opposite a father, clearly accompanying his teenage daughter (who was also making bracelets) to the world’s biggest tour, to the hotel check-in, where we stood in a queue of fans, the lobby decorated with bunting showing each of her albums in sequence, the people at the front desk asked everyone if they were going to the show. Nearly every single person (barring a few tourists) was. Every café, pub, bar we walked past blasted Taylor Swift at full volume. The city of Liverpool used its status as a cultural hub to create a ‘Taylor Swift Trial’, each of her albums represented through artwork people could interact with, a black leather throne for Reputation, a moss-covered piano for Folklore. The main train station welcomed us with a rainbow mural, declaring right from arrival that THE Taylor Swift was in town, if only for three nights.   We got dressed into our outfits, one Lover-themed, one a blend between Reputation and Folklore, covered ourselves in glitter from head to toe, scooped up our friendship bracelets and hopped into a taxi. As far as we’d travelled to be here, we were running late – and being late to this particular show was inexcusable. Traffic was plentiful, so we got out about 15 minutes away from the stadium and ran. On the way, we walked alongside every excited fan, there were young girls with their fathers, adult women with their boyfriends, groups of young women all dressed up and queer people in their best Eras tour regalia. A young girl, around seven or eight, excited played with her bracelets on the road to the stadium. We asked if she had made them herself, her father said her mommy helped, we asked if she wanted to swap with us and she squealed with delight at her new, beaded jewellery celebrating Swift.   As we walked up to the press office to pick up our tickets, every single person we talked to vibrated with joy and excitement. It was a wholesome, supportive experience. Everyone smiled, everyone wanted to chat about their favourite songs, their favourite albums, what merch they were going to get and how many times they were going to see the show (jealousy hit us whenever someone told us). The stewards were in on it too, they were all happy, there was not an angry, intimidating person among them, every staff member was helpful and kind, one even walking us to the gate when we got a little lost. The older men who were doing security even talked about they were excited to go in and watch the show and how they had all taken turns to see Swift’s performance, allowing others to see it before they had the chance.    Organised and easy to navigate (despite our initial bewilderment), Anfield was an incredible venue overall. The staff were unbelievably helpful and kind, there were people walking around the arena floor with water, beer and cider available throughout the crowd. The show was, of course, sold out, but even the floor wasn’t too overpacked. It was well-thought through, safety-first – and even the toilet queues weren’t too long (if you’re a woman, you know how those pesky queues are). We exchanged more excited words with others, swapped bracelets and it was time for the show to begin.   Standing near the back (even though I am just five feet tall), I could see well. People moved out of the way and asked if I could see, the fans were all in it together, there for each other, they offered to take pictures, send over videos of us dancing and danced along with us. It was community made real.       Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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eddie witz and the most high

Spotlight: Eddie Witz and The Most High

Your debut EP, ‘I Am What I Am,’ is set to release on 5th July. Can you share what this milestone means to you personally and professionally?   Releasing my debut EP, “I Am What I Am,” on 5th July is a huge milestone for me. Personally, it represents years of hard work, growth, and passion for music. Professionally, it’s a significant step in establishing my career and sharing my voice and stories with the world. This release is a dream come true, and I’m excited to see where it takes me.      The album explores themes of resilience, forgiveness and healing. What inspired you to focus on these themes, and how do they reflect your personal journey?   The themes of resilience, forgiveness, and healing in “I Am What I Am” were inspired by my own personal struggles and triumphs. Battling Shingles and Ramsay Hunt Syndrome, which partially paralyzed my face, was a challenging experience that brought fear, pain, anxiety, and insomnia. Through this journey, I learned to confront these challenges and ultimately found a place of forgiveness, acceptance, and gratitude. These songs reflect my path to healing and my hope to inspire others facing their own battles.      Your lead single, ‘In Too Deep,’ delves into trauma, loss, and sorrow. Can you talk about the creative process behind this song and what you hope listeners take away from it?   “In Too Deep” was a deeply personal song to write. Co-writing it allowed me to channel my experiences with trauma, loss, and sorrow into something meaningful. The creative process was both cathartic and enlightening, helping me focus on the light at the end of the tunnel. I hope listeners take away a sense of hope and resilience from the song, reminding them to never give up faith and trust in the greater good and the Universe’s ultimate plan.      You’ve drawn inspiration from artists like Jack Johnson, Ben Harper, John Butler, and Jimmy Buffett. How have these influences shaped your sound and approach to music?     Their ability to blend storytelling with soulful melodies has inspired me to create music that’s both meaningful and relatable. They’ve taught me the importance of authenticity, staying true to my roots, and conveying emotions honestly. Their influence can be heard in my acoustic style, lyrical depth, and the overall vibe of my EP.      Music is often described as a healing force. How has creating this album contributed to your own healing process?   Creating this album has been a transformative and healing experience for me. Writing and recording music has allowed me to turn negatives into positives and bring light to the darkness. By channeling my trials and tribulations into my art, I’ve found it easier and more enjoyable to reach a place of authentic forgiveness, acceptance, and gratitude. This journey has taught me to live in the present moment and treat each day as if it could be my last—an invaluable lesson that has helped me accomplish my dreams.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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