23 July 2024

notheenoessband

Beyond Nashville: No Thee No Ess

Psychedelia and country aren’t often the best bedfellows, but Cardiff band No Thee No Ess have managed to create an album that highlights the best of both worlds. The band are leaders, not followers, pushing the genre of country to exciting and intriguing new places.     Perhaps intriguing is the best way to describe ‘Distant Country’. It feels like an invitation in; laid-back, easy to listen to but also sonically interesting. It’s an album every country music fan should listen to – and every musician should aspire to.     Described by Andy Fung, one half of the band’s core duo, ‘Distant Country’ is portrayed as a “journey on a wagon, a waltz through the country genre.” This album stands out with a truly singular set of sounds, featuring an array of guest musicians who join the band around the metaphorical campfire. Among these talents are Gareth Bonello (The Gentle Good) on banjo, Kate Ronconi (Lost Tuesday Society) on violin, and Rhodri Ratatosk on pedal steel, contributing to the album’s unique and immersive atmosphere.     No Thee No Ess represents a long-standing collaboration between visual artists and musicians Paul Battenbough and Andy Fung. Both have a distinguished history in the music scene, with previous projects including Derrero, Cymbient, and The Cosmic Array, showcasing their diverse artistic capabilities. Their partnership has culminated in ‘Distant Country,’ produced and collaboratively crafted with Frank Naughton.     Following their 2022 psychedelic release, ‘Dimmer Switch,’ ‘Distant Country’ marks a shift towards a more laid-back and dreamy feel, infused with country influences. The album retains the band’s signature aesthetic while introducing more traditional song structures and acoustic instruments, offering a fresh yet familiar sound for their listeners.     The album was engineered and produced by Frank Naughton and No Thee No Ess at Ty Drwg studio in Cardiff. The inclusion of exceptional guest musicians such as Frank Naughton on bass and piano, Rhodri Viney on pedal steel, Gareth Bonello on banjo, Kate Ronconi on violin, and Sarah Passmore on vocals elevates the album, reflecting the band’s enduring love for alternative country music.     Tracks like ‘All Angelic’ stand out as stoner country hits, and there’s an element of poetry to each song, a philosophy through music. It’s a body of work that could seem out of time, but thanks to the impeccable production – that easily balances light touches with skilled instrumentation – and sound design, it is unmistakably current. It’s probably No Thee No Ess’s greatest work so far, which isn’t to say their previous work was lacking. With blended-out guitar riffs that slip into tracks like ‘Don’t Try Too Hard,’ it maintains interest throughout.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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zachbryan

Zach Bryan: Modern Americana icon

Zach Bryan is just 28 years old, but he has a story to tell. Bryan joined the US Navy at 17, finishing his service in 2021. By that time, he had performed at the Grand Ole Opry and released his first album—a tribute to his late mother—DeAnn. Recorded in two months in a Florida Airbnb, it was this set of recordings that would start a career seemingly set out in the stars.     Roots      Born and raised in Oologah, Oklahoma, Zach Bryan’s upbringing was steeped in the traditions of the heartland. Oologah, a small town with a population of just over a thousand, is known for its close-knit community and rural charm. It is a place where life moves at a slower, more deliberate pace and the values of family and community are paramount. Bryan’s upbringing in such an environment played a significant role in shaping his narrative-driven songwriting. His family’s deep appreciation for storytelling and music was a cornerstone of his childhood.     Bryan was surrounded by music from an early age. His father and grandfather were particularly influential, introducing him to a wide array of musical genres, from classic country and folk to rock and blues. These early influences can be heard in the eclectic soundscapes that characterise Bryan’s music today. The family gatherings often revolved around music, fostering a deep appreciation for the art of storytelling through song. This environment instilled in Bryan a profound love for the craft of songwriting.     The Spark of Songwriting     Despite this early connection to music, it wasn’t until his teenage years that Bryan began to seriously pursue songwriting. Armed with a guitar and a notebook, he started crafting songs that reflected his experiences and emotions. His songs were raw and unpolished, but they carried a sincerity that was hard to ignore. This authenticity would become a defining feature of his music in the years to come.     After high school, Bryan made the decision to enlist in the U.S. Navy at the age of 17. This choice was driven by a desire to serve his country and honour a family tradition of military service, one that had seen his own birth in Japan, where his family were based at the time. The Navy provided structure and stability, but it also meant that Bryan had to balance his duties with his burgeoning passion for music. It was during his time in the Navy that he began to seriously consider a future in music. While stationed in various locations, Bryan found solace in songwriting. The transient nature of military life, with its constant relocations and deployments, provided ample material for his songs. He began recording his music in makeshift settings, often using a simple iPhone to capture the essence of his sound. This DIY approach underscored the authenticity that would come to define his music. Despite the less-than-ideal recording conditions, Bryan’s songs resonated with a raw, unfiltered quality that set them apart from the polished productions of mainstream music.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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