May 2024

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Lauren Watkins makes dream country

The best way to describe Lauren Watkins is probably smooth. Every note she sings is like honey, sweet even when she’s talking about smoking Camel Blues or taking shots of tequila. Watkins takes on the neotraditional genre of country, with a twinge of Kacey Musgraves’ acoustic sound (as well as her penchant for writing wistful country tracks).      A Nashville Native  It’s not often that country stars actually come from Nashville, but Watkins is the break with the rule. In fact, Watkins isn’t the only one in her family to work in Music City in country, her sister, Caroline, is a songwriter too. Despite finding careers in music, the Watkins sisters claim that their parents were music appreciators, not creators. However, they were encouraged from a young age to pursue their dreams and both learned to play guitar and sing from early on. Making country music wasn’t always on the cards for Watkins, though. After finishing high school, she attended college at the University of Mississippi. During the pandemic, her classes went remote and Watkins began posting short videos of her singing songs she wrote and playing guitar in her university bedroom to Instagram.   Watkins’ posts caught the attention of none other than fellow Nashville songwriter Rodney Clawson, whose wife, Nicolle Gaylon had coincidentally set up the Songs & Daughters record label. It wasn’t long before Watkins was back in Nashville, meeting with Gaylon and was thrown into the world of country music songwriting. Six months later Watkins had signed a publishing deal, swiftly followed by a record deal with Songs & Daughters and Big Loud. The rest, as they say, is history.      Making ‘dream-country’   Following her record deal, Watkins got to work improving her songwriting skills. Eventually, Watkins would end up working alongside legendary country music producer Joey Moi. Moi has made a habit of working with up-and-coming Nashville stars in recent years, producing MacKenzie Porter’s latest tracks and Watkins’ Big Loud labelmate Griffen Palmer’s first releases.      By 2023, Watkins was ready with two EPs to give to the world; ‘Introducing: Lauren Watkins’ and ‘Introducing: The Heartbreak’ – and what an introduction they were. The first taste of Watkins’ particular brand of country music was April 2023’s ‘Introducing: Lauren Watkins’. The track ‘Ole Miss’ is a tribute to her college, using its nickname to delve into her college experience of heartbreak and recovery and pedal steel to set the scene that the track is a traditional take on the storytelling that makes country music so special. ‘Introducing: Lauren Watkins’ doesn’t have a lack of pedal steel throughout the EP, adding to the traditional feel, but combined with Watkins gravelly and comforting voice, the tracks aren’t an impression of days gone by, but a modern take on the traditions of country music that Watkins loves. By focusing on acoustic instrumentation, Watkins creates an EP that plays on the more dreamy, folksy side of country music. Her wordplay on tracks like ‘Camel Blues’, ‘Grain of Salt’ and ‘Shirley Temple’ is reminiscent of an early-career Kacey Musgraves, with her jangly, upbeat style and sweeping sadder tracks.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Doug Schmude – Cavalry

‘Cavalry’ by name, cavalry by nature. Schmude explodes onto this EP with ‘Tumbleweed (Roll On)’, it’s a huge track that instantly makes an impact. Where Schmude excels is in the imagery of his lyrics, they paint a picture whilst his mixture of country, rock and folk combine to create a six-song EP with gusto. ‘The Near Salvation Of Butch Cassidy’ swaggers onto the scene with an intriguing blues guitar edge, which eventually gives way to a howling electric guitar (howling in a good way!). Another bombastic tune arrives shortly after as ‘If There Ever Was A God Above’, complete with heartbeat drums as Schmude searches his own heart for the answers to the ultimate question.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Jim Patton & Sherry Brokus – Big Red Gibson

Patton and Brokus are back! This time, the Austin folk-rock duo have brought 20 songs to ‘Big Red Gibson’. Patton takes on most of the vocals on this latest album, as Brokus has been struggling with allergies. As far as the pair go, it is a more rock than folk entry into their discography, but anyone who has a distaste for overproduction will like this album. A little rough around the edges, but all the better for it. With the fun harmonies on ‘Janey Has A Locket’ being a highlight, the rock ‘n’ roll sound of ‘Big Red Gibson’ is really what we are here for – particularly the electric guitar on ‘Wild, Dumb and Unsatisfied’.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Cole & Ward – Blues And Other Truths

On their debut album, Cole & Ward introduce themselves most with ‘Deep Blood Moon’. The track features swaggering guitar, whilst maintaining a tongue-in-cheek charm that’s undeniably funky. As the bluesy piano comes in, we are completely hooked. When Cole & Ward are at their most playful, they’re also at their best. There’s something refreshing about their sound, it’s not too overproduced but tracks like ‘Ma Jolie Fille’ sound as if they were made for summer. Spanning rock, country, folk and even a waltz, this album is a strange mix of songs (not that that is a bad thing). Top that all off with the track ‘Weird Dream’ and it all becomes explicitly clear: Cole & Ward are having fun, experimenting with sound and we are loving it too.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Charley Crockett: Enigma, musician, man 

After speaking with Charley Crockett, I am in a daze. Crockett is wild, even through video call. Never to be underestimated and always unexpected, Crockett calls me from a vintage convertible in a California canyon, wearing sunglasses, a wide-brimmed hat and chewing on a toothpick. The image in itself is startling in its glamour and surrealism – and that’s before Crockett deigns to open his mouth to speak.     Make It Cinematic     “I’m always coming back to ‘Midnight Cowboy’,” Crockett confesses, the 1969 John Schlesinger film – for those who don’t know – tells the tale of a vagabond con man, travelling around the US in search of what can only be called the American Dream. A life of stability and dignity often alludes the main character, Dustin Hoffman’s Ratso. The film is now deemed historically significant and is preserved by the United States National Film Registry as a cultural artefact of American life. “I was born in a small Texas town and cut my teeth in some regards on the streets of New York City.” Crockett aligns with the central character, a man who has travelled extensively across the world, only to feel misunderstood: “I come out here to California and I love it out here, but there’s always people that are speaking to me as if I’ve never left the state of Texas in my life. They’re letting me know the world’s bigger than Texas, as if I didn’t know that. That alone will make you pretty rebellious.” The frustration in Crockett’s voice is evident, it’s completely understandable for someone who has lived and experienced more places than he can care to list in our time talking. It’s also surprising, as Crockett comes across well-rounded and considerate, not someone who you think people would be so quick to judge.     Crockett’s musical and cultural intelligence shines in his work, too, in making the video for ‘Flowers Of The Killer Moon’, Crockett worked with artist Paul Ribera to create a video that is intriguing, unusual and has the general smell of someone who collaborates with people based on talent, not namesake. “We saw some of his work by chance, I think on YouTube,” Crockett tells me, “We were really blown away. I was really amazed by his ability to tell stories visually and that unique style that he has.” Ribera certainly has that, the finger-zoom style of his videos (which are often music videos for country music songs he loves), echoes the deep mystery that Crockett embodies. It feels like a perfect match. “The cool thing about that [visual storytelling] is when somebody makes a visual, we’re talking about cinematic, visual songwriting, it can be really hard to find somebody that can take the written down words in a story and heighten them with the visuals. It’s like how they always say the book is better than the movie, but in the case of Paul, he might’ve one-upped me with his visuals. He might’ve told the story better than I did and I’m real grateful for that.”    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Maverick Magazine goes digital – and free! 

Maverick is excited to announce that our magazine will now be available digitally for free. This new bold step into a digital future enables subscribers from all corners of the world to access the latest interviews, features and reviews at the click of a button. This new venture allows Maverick to broaden its reach across the entirety of the industry in a sustainable and inclusive way. Readers will be able to sign up to gain access as soon as each issue is available through our Maverick website. We are now transitioning into a digital world, where content is crossing boundaries into a more multimedia focus, creating more engaging and tangible content. Our digital issues will begin to include video and audio content, and interactive articles brought to you by your favourite musicians, that will further our readers’ engagement in our content. For our readers who cherish our printed issues, don’t worry, you can still continue your printed subscription as normal and will be able to continue to do so. Jon Pittock, Publisher of Hand Media International, commented on the new venture: “Taking this step into a more digital future enables us to attract a wider demographic of readers who may not be able to access our printed issues. It demonstrates our commitment to being an international publication, which helps contribute to the globalisation of country music” For further information or to sign up to get your free copy now, see here: Sign-up form – maverick-country.com   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Kaitlin Butts reigns over ‘Roadrunner’

Kaitlin Butts takes the directors reins for the new video for ‘Roadrunner’, the title track from her upcoming new album Roadrunner!, out June 28 via Soundly Music. Part travelogue, part wink-wink farce, the video depicts life on the road for Butts and her band the Mules (formerly the Ass-tronauts) in adventures both real and delightfully, hilariously embellished. The endearing video plays out like a modern day mash-up of Hee Haw and The Monkees. “‘Roadrunner’” is a reflection of my journey to now, it’s the convergence of everything I’ve ever loved: theatre, music, country, and my Oklahoma roots,” explains Butts. “The version of me depicted in the video is much closer to what I’m like onstage, where there’s real emotion and truth but also humor and a tendency to poke fun. It’s all those different versions of me at once. In making this music video, I wanted to show the highs and lows and chaotic lifestyle that I love so much.” Produced by Oran Thornton (Brent Cobb, Logan Brill), Roadrunner! marks a major tonal shift from Butts’ 2022 sophomore LP what else can she do, a character-driven exploration of complex matters like addiction, domestic violence, and generational trauma. “With the last album I wanted to write about the struggles I’d seen people go through or experienced myself, so a lot of the songs had a sadness or darkness to them,” she says. “I feel like Roadrunner! is much closer to what I’m like onstage, where there’s real emotion and truth but also humor and a tendency to poke fun. It’s all those different versions of me at once.” Made with A-list musicians like multi-instrumentalists Russ Pahl (Sturgill Simpson, Kacey Musgraves) and Lex Price (Miranda Lambert, Parker McCollum), Roadrunner! ultimately matches that multidimensionality with a lush and fiery sound informed by Butts’ eclectic influences (outlaw country, strong-minded country-pop, timeless rock-and-roll, and more). As Butts reveals, the making of Roadrunner! served as an essential milestone in her journey as an artist, allowing for the fullest expression yet of the larger-than-life vision she’s long brought to her work. “Some artists get up onstage in their T-shirts and jeans and do their thing, but what comes naturally to me is the drama and going that extra mile to try to create an immersive experience,” she says. “The more I pull from my musical-theater background, the more emboldened I am. Making this album showed me that little ideas can grow and take on a life on their own, and it’s so exciting to know that sticking with my vision can lead to something bigger than I ever even imagined.” To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Lainey Wilson to be inducted to the Grand Ole Opry

GRAMMY ® Award-winning and prolific singer-songwriter Lainey Wilson was surprised by Opry member Reba McEntire tonight, live on NBC’s ‘The Voice’, with an invitation to become an official member of the Grand Ole Opry. The multi-platinum and reigning CMA and ACM Entertainer of the Year Louisiana native will be inducted into the Opry family on Friday 7th June. She made her Opry debut on Valentine’s Day 2020. Immediately following Wilson’s performance, McEntire walked to Wilson, saying, “Lainey, I am so proud of you. You did a wonderful job. I have heard that I have inspired you in what you have done so far, and I am thrilled to death if I have had anything to do with your career because you are blowing it up. I was so proud of you at the ACMs the other night and I couldn’t be more proud to be the one that helps you continue to bridge the gap between our generations. I’d like to be the person to invite you to become an official member of the Grand Ole Opry.” McEntire then presented Wilson with a gift commemorating the occasion, a custom-made belt buckle reading “Opry” and “Lainey” with “2024” emblazoned on its reverse side. “There is not a doubt in my mind that Lainey will make an impact on country music and the Grand Ole Opry for generations to come,” said Dan Rogers, Opry executive producer. “On the eve of the Opry’s 100th year, we’re so very excited to say ‘welcome home’ to one of country music’s great voices and personalities.” “I am so incredibly honored to be invited to become an official member of the Grand Ole Opry, and to have the legendary Reba McEntire surprise me during tonight’s show was such an unforgettable moment,” says Wilson. “This is something I’ve always dreamed of, ever since my first trip to the Opry when I was nine years old. I will never forget this moment!”   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com    

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Riley Green, ERNEST and Ella Langley set to support Morgan Wallen at BST Hyde Park

Morgan Wallen will be taking to the BST Hyde Park on 4th July, which promises to be his biggest UK performance to date. Today, it has been announced that he will share the stage with country superstars Riley Green, Ernest and Ella Langley – with even more artists to be announced. Riley Green will make his first UK performance on the Great Oak Stage at BST Hyde Park. Green gained popularity with his 2018 self-titled EP and hits like ‘There Was This Girl’ and ‘I Wish Grandpas Never Died’. His recent EP, Way Out Here, released in April, continues to build on his success. ERNEST, the singer/songwriter from Nashville, will also perform. Known for his unique verse style and multiple No. 1 hits, he has recently released his second album, ‘NASHVILLE, TENNESSEE’, following his acclaimed debut ‘FLOWER SHOPS (THE ALBUM)’. Ella Langley, from Alabama, brings a mix of rock and pop to her country music. Since featuring as Maverick Magazine’s One To Watch, Langley has gone from strength to strength, becoming one of the most prolific and sought after songwriters in Nashville as well as her continued chart success. With her debut EP ‘Excuse The Mess’ and upcoming debut album, Langley is set to join both Morgan Wallen and Riley Green on tour this year. Morgan Wallen expressed his excitement about returning to the UK after his visit last fall. Wallen has achieved 11 No. 1 hits and a popular world tour. His latest collaboration with Post Malone, ‘I Had Some Help’, has reached No. 2 on the UK charts. Wallen recently released the ‘Abbey Road Sessions’, featuring live recordings and a cover of Nothing But Thieves’ ‘Graveyard Whistling’. His third studio album, ‘One Thing At A Time’, dominated the Billboard 200 chart for 18 weeks and was the most-streamed album of the year on Spotify. With over 28 billion streams, hits like ‘Whiskey Glasses’, ‘More Than My Hometown’, and ‘7 Summers’ have solidified Wallen’s place in the music industry. His single ‘Last Night’ became the most-streamed song in the U.S. across Apple Music and Spotify and held the No. 1 spot on the Hot 100 for 16 weeks. BST Hyde Park promises to be a memorable event for country music fans with this impressive lineup.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Who won at the ACMs 2024?

The winners of the 59th Academy of Country Music (ACM) Awards have been announced. The event, hosted by 16-time ACM Award-winner Reba McEntire, during the live broadcast, McEntire also announced her return as host for the 60th ACM Awards in 2025. The night’s top honour, Entertainer of the Year, was awarded to Lainey Wilson. Chris Stapleton led with four awards, followed by Lainey Wilson with three and Luke Combs and Jordan Davis with two each. The show featured 18 performances from 19 artists, along with collaborations and unexpected moments that captivated fans worldwide.   Winner highlights: Lainey Wilson: First win for ACM Entertainer of the Year. Qualifies for the ACM Triple Crown Award. First woman to achieve the ACM Triple Crown Award in three years and first artist since The Chicks (1998-2000). Total ACM Awards count: 10. Chris Stapleton: Most awarded artist of the evening with four wins. Eighth win for ACM Album of the Year, making him the artist with the most wins in this category. Fourth win for ACM Male Artist of the Year. First win for ACM Artist-Songwriter of the Year. Total ACM Awards count: 20.   Old Dominion: Seventh consecutive win for ACM Group of the Year, tying with Rascal Flatts for the most consecutive wins in the category. Total ACM Awards count: 9.   New Artists: Megan Moroney, Nate Smith, and Tigirlily Gold secured their first ACM Awards in the New Artist categories. Jordan Davis won his first two ACM Awards with an artist and songwriter credit on the ACM Song of the Year, “Next Thing You Know”. Full List of Winners: Entertainer of the year: Lainey Wilson Female artist of the year: Lainey Wilson Male artist of the year: Chris Stapleton Duo of the year: Dan + Shay Group of the year: Old Dominion New female artist of the year: Megan Moroney New male artist of the year: Nate Smith New duo or group of the year: Tigirlily Gold Album of the year: ‘Higher’ – Chris Stapleton Single of the year: ‘Fast Car’ – Luke Combs Song of the year: ‘Next Thing You Know’ – Jordan Davis Visual media of the year: ‘Burn It Down’ – Parker McCollum Songwriter of the year: Jessie Jo Dillon Artist-songwriter of the year: Chris Stapleton Music event of the year: ‘Save Me’ – Jelly Roll (with Lainey Wilson)   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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