March 2024

mason ramsey

Review: Mason Ramsey – Here All Day

Mason Ramsey is far away from where he started. A solidified country music star is born! This track takes cues from boyfriend country, but doesn’t go too pop or creepy (as is often the case). There’s not much to say about the track sonically, the most impressive aspect is Ramsey’s voice, which is still audibly youthful. The vocals lend into the cute ballad style and it’s interesting to hear how Ramsey is finding his sound in the grand scope of country music. Overall, the song is a sweet ode to love. Not at all offensive but perhaps not the most adventurous output by Ramsey, it will be sure to delight some and fall somewhere in the middle for others.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

Review: Mason Ramsey – Here All Day Read More »

carter faith

Review: Carter Faith – Man

Taking that old adage ‘this is a man’s world’ and turning it on its head, Carter Faith smashes through country music with this. It’s an epic track, that subverts stereotypes by claiming that Faith is ‘man enough for the both of us’, it’s actually a little bit of a surprise when we realised this is a breakup track halfway through. We were so absorbed in Faith’s powerful vocal and the muted downward guitar strokes that it almost slipped by. Building into an appropriately loud and catchy chorus that isn’t without vocal difficulty, it’s impressive that Faith can go from the quiet instrumentation of the verses to the heavier backing of the chorus without any change in the quality of her voice. More straight country than her usual country/pop blend, Faith shows that she can impress with a track that focuses in on genre.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

Review: Carter Faith – Man Read More »

sierra ferrell

Review: Sierra Ferrell – I Could Drive You Crazy

There’s something really special about the title track from this EP, the way that the vocal line matches the fiddle line is pleasing to hear every time. Almost as if Ferrell is playing a game with music and lyricism as she professes the slightly annoying things in a relationship that annoy her other half, but always doing it with a cheeky smile. ‘Dollar Bill Bar’ shows that Ferrell won’t be straying far from roots music any time soon. It has a catchy hook, with a bouncy guitar backing that almost defies the listener to not click and shuffle along. The last track, ‘Fox Hunt’ explodes with energy from the off, its fiddle furiously kicking off this poetic track. A perfect mix of lyrics matching music, the subdued verses build on one another and the chorus emulates the hunt beat by beat. The entire EP is infectious, fun, mischievous and might just be Ferrell’s best release yet.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

Review: Sierra Ferrell – I Could Drive You Crazy Read More »

seven stories part two

Review: Little Lore – Seven Stories Part Two

When we reviewed the first portion of this album, we were spellbound by her Tricia Duffy’s ability to highlight unique perspectives with her songwriting and it’s no different with the second part. The stripped-down production still adds to each track, most notably ‘Little Pieces’, which magnifies every small detail to create an uncomfortable atmosphere that feels all at once too close and too far away to see. The choice to end this second part on the upbeat, ironic and funny ‘It Would Be Easier To Miss You If You’d Died’ feels like the cherry on top of a delicious Little Lore sundae. The track plays with humour and also hits emotionally, a trick that is the envy of many a writer. More like a dreamscape than a reality, ‘Seven Stories Part Two’ ticks all of our boxes and the isolated guitar parts on the tracks only makes it better.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

Review: Little Lore – Seven Stories Part Two Read More »

nm forward cover

Review: Nolan McKelvey – Forward

Twenty five years of making music shows on the record by McKelvey. An accomplished singer and songwriter, McKelvey’s flag has been firmly planted in Americana with this release. Although it can feel a little slow in places, the mastery of lyricism that McKelvey has been honing for his entire career is clear. The instrumentation is also well balanced, with violin shining through on ‘Pretending’ to lend a hand to the dark, sad story that McKelvey sets out in the lyrics. There’s fun to be found on the record, too, with ‘Tears In The Devils’ the instrumentation feels more jolly and upbeat, contrasting with McKelvey’s storied voice and the story he tells of tragedy. If you’re a fan of songs that mismatch happy backing tracks with sad lyricism, this is a song you need to listen to urgently. A touch of bluesy folk about the whole record keeps it from being too mellow and makes it an enjoyable listen the whole way through.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

Review: Nolan McKelvey – Forward Read More »

New old friends cover

Review: C. Daniel Boling – New Old Friends with Tom Paxton

On a complete album on co-writes, Boling shines as the main man in charge. If Daniel Boling tells you to ‘Get A Life’, he knows what he’s talking about. A cheeky opener to this album, the bluegrass and folk sound across this album give it an airy but still impactful feeling as its combined with the lyrics. There are slower moments on the record with the romantic ‘How Did You Know’, which encapsulates that feeling of being an awkward teenager sending anonymous Valentine’s cards (or maybe that’s just us). The line ‘I went ass over teacup’ from ‘Bear Spray And Barbwire’ might be our favourite wordplay of the year so far. The writing is really the focus of Boling’s work here, every song is crafted and designed so that the lyrics can dazzle. It’s storytelling to the max, imagery dances across the mind upon listening and the album sways from happy to sad, love to loss from track to track with certain feet.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

Review: C. Daniel Boling – New Old Friends with Tom Paxton Read More »

cmt awards 2024

CMT unveils the nominations for the 2024 CMT Awards

CMT has revealed the nominees for the CMT Awards 2024. The CMT Awards will be broadcast live from Austin, Texas on 7th April 2024. Video of the year: Ashley McBryde – “Light On In The Kitchen” Brandy Clark feat. Brandi Carlile – “Dear Insecurity” Brothers Osborne – “Nobody’s Nobody” Cody Johnson – “The Painter” Darius Rucker – “Fires Don’t Start Themselves” HARDY – “Truck Bed” Jason Aldean – “Let Your Boys Be Country” Jelly Roll – “Need A Favor” Jordan Davis – “Next Thing You Know” Kacey Musgraves – “Deeper Well” Kelsea Ballerini – “IF YOU GO DOWN (I’M GOIN’ DOWN TOO)” Lainey Wilson – “Watermelon Moonshine” Mickey Guyton feat. Kane Brown – “Nothing Compares To You” Parmalee – “Gonna Love You” Tyler Childers – “In Your Love” Zach Bryan – “Nine Ball”   Female video of the year: Ashley McBryde – “Light On In The Kitchen” Gabby Barrett – “Glory Days” Kacey Musgraves – “Deeper Well” Kelsea Ballerini –  “Penthouse” Lainey Wilson – “Watermelon Moonshine” Megan Moroney – “I’m Not Pretty” Reba McEntire – “Seven Minutes In Heaven”   Male video of the year: Bailey Zimmerman – “Religiously” Cody Johnson – “The Painter” HARDY – “Truck Bed” Jelly Roll – “Need A Favor” Jordan Davis – “Next Thing You Know” Luke Combs – “Fast Car (Official Live Video)” Morgan Wallen “Last Night (One Record At A Time Sessions)”   Duo/Group video of the year: Brothers Osborne – “Nobody’s Nobody” Dan + Shay – “Save Me The Trouble” Old Dominion – “Memory Lane” Parmalee – “Girl In Mine” The War And Treaty – “Have You A Heart” Tigirlily Gold – “Shoot Tequila”   Collaborative video of the year: Carly Pearce feat. Chris Stapleton – “We Don’t Fight Anymore” Ella Langley feat. Koe Wetzel – “That’s Why We Fight” Jon Pardi, Luke Bryan – “Cowboys And Plowboys” Justin Moore & Priscilla Block – “You, Me And Whiskey” Lukas Nelson + Promise of The Real feat. Lainey Wilson – “More Than Friends” Mickey Guyton feat. Kane Brown – “Nothing Compares To You” Old Dominion & Megan Moroney – “Can’t Break Up Now”   Breakthrough female video of the year: Anne Wilson – “Rain In The Rearview” Ashley Cooke – “your place” Brittney Spencer – “Bigger Than The Song” Tigirlily Gold – “Shoot Tequila”   Breakthrough male video of the year: Chayce Beckham – “23” Tyler Childers – “In Your Love” Warren Zeiders – “Pretty Little Poison” Zach Bryan – “Oklahoma Smokeshow”   CMT performance of the year: Amber Riley – “R.E.S.P.E.C.T.” (from CMT Smashing Glass) Bret Michaels & Chris Janson – “Nothing But a Good Time” (from CMT Crossroads) Carrie Underwood – “Hate My Heart” (from 2023 CMT Music Awards) Cody Johnson – “Human” (from 2023 CMT Music Awards) Dierks Bentley – “Drunk On A Plane” (from CMT Storytellers) Dustin Lynch feat. MacKenzie Porter – “Thinking ‘Bout You” (from CMT Campfire Sessions) Hozier & Maren Morris – “Take Me To Church” (from CMT Crossroads) Jelly Roll – “Need a Favor” (from 2023 CMT Music Awards) Kelsea Ballerini – “IF YOU GO DOWN (I’M GOIN’ DOWN TOO)” (from 2023 CMT Music Awards) The War And Treaty – “On My Own” (from CMT Smashing Glass)   CMT digital performance of the year: Chase Rice – “Goodnight Nancy” (from CMT Studio Sessions) Dylan Scott – “Don’t Close Your Eyes (Keith Whitley Cover)” (from CMT Digital Campfire Sessions) Megan Moroney – “I’m Not Pretty” (from CMT Digital Campfire Sessions) Nate Smith – “Whiskey On You” (from CMT Studio Sessions) Scotty McCreery – “It Matters To Her” (from CMT Stages) Stephen Wilson Jr. – “Year to Be Young 1994” (from CMT Studio Sessions) The Castellows – “I Know It Will Never End” (from CMT Studio Sessions)   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

CMT unveils the nominations for the 2024 CMT Awards Read More »

hank woji album

Review: Hank Woji – Highways, Gamblers, Devils and Dreams

Anyone who loves traditional music will want to hear this album by Woji. The writing feels effortlessly country, keeping to the themes laid out in the title. The opener, ‘Don’t Look Back’, draws the listener in, with apt observations accompanied by soft acoustic guitar and wailing twangs, the track feels like a breath of fresh air. Woji only builds on that sentiment as the album unfolds. The music might not be urgent, but it wasn’t trying to be. It’s comfortable, heart-warming Americana/country, like bowl of soup on a cold day, there’s something familiar but still uplifting about Woji’s voice. The sentiment is only magnified by the use of a female harmony on tracks like ‘Chasin’ My Headlights Again’. When Woji steps into blues and even gospel, the album proves itself to not be one-note but a deep swim in the waters of Americana. A highlight is ‘El Sonador (The Dreamer)’, which shows Latin influence used to it’s advantage as Woji spins a necessary tale of immigration and expectation.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

Review: Hank Woji – Highways, Gamblers, Devils and Dreams Read More »

the redhill valleys

Review: The Redhill Valleys – Steady The Wheel

With rock influences, Redhill Valleys combine roots guitar with crashing drums and perfect harmonies on this track. A little is left to be desired lyrically, as the song does fall ever so tentatively into the ‘too much repetition’ category, but overall the band comes together to create a track that stands out among the rest of the Americana and country music that’s on the radio right now. The bands typical 70s nostalgia drips off the track and makes sure that anyone who hankers for a time gone by are satisfied by the power chords and it’s easy to see why the band is so acclaimed as musicians, with each instrument falling into a place that feels comfortably skilled.      To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Review: The Redhill Valleys – Steady The Wheel Read More »

Conner Smith

Exclusive: Beyond the ‘Smoky Mountains’ with Conner Smith

Conner Smith is in his Nashville home. He’s waiting for his album ‘Smoky Mountains’ to be released into the world. “It’s really exciting,” he tells me, “I think it’s exciting and nerve-wracking and the anticipation and the mix between confidence and doubt is probably the same as any artist going through something so vulnerable as releasing an album.”. There’s a part of me that wants to reassure him that yes, doubt, confidence, and nervous excitement are all part of releasing your debut album, but I wouldn’t know. Despite voicing his anxiety, Smith is as calm and collected as ever, as if he can notice the emotion without giving it away, it’s the sign of a good performer.     Smith is used to it; he’s been performing since 13 and was a baseball prodigy from a young age too, playing in the Little League World Series. It helps that his mother, Jennifer Vickery Smith, was an entertainment editor, so Smith feels at home (although he is physically at home) during our interview, despite having just flown in from New York.  “It’s the last week of ‘This Creek Will Rise’ tour, but we conveniently booked it (the end of the tour) on the same day as the album release.” Smith smiles, knowing that these things are planned years in advance in the world of country music and that there really are no coincidences. He talks about his excitement to perform on the day of the release of ‘Smoky Mountains’ in his hometown, Nashville. “I love Nashville. I still live here, my family lives here and I don’t imagine I’ll ever move. But growing up in Nashville, you’re definitely around the creativity and beauty of this town that is so centered around country music and storytelling. When I was six years old, that was the only dream I ever had was to write country songs, tell stories and try to become the best songwriter I could be. I would go to a bunch of writers rounds all the time. When I was 16, I ended up signing a publishing deal with a guy named Ashley Gorley and Zach Crowell, who are the greatest songwriters. Then, I signed with Big Machine when I was 18.” It sounds like Smith had it all figured out from a young age, first, establish yourself as a songwriter, then (when he was old enough), pursue the recording contract.  The gap in his CV so far is that Smith didn’t go to university (yet). He calls his brand of country ‘college songs’, he uses the phrase as a catch-all for the music that revolves around the ages of 18-21, typically university age. For Smith, the nomenclature is less about going to study and more about the age you strike out alone, discover new things and really find out who you are. I ask whether he thinks that ‘Smoky Mountains’ will be a post-college album or if it’s a continuation of the theme, he answers: “I feel like I’ve been able to take my fans on a journey of my life a little bit. Now, the goal is to grow up for the music, to grow up with it. I think it [‘Smoky Mountains’] is a growing-up record. It’s a journey from that college-age thing to becoming a man a little bit and figuring out who I am and what I want to say. That was one of the goals with this album.” Smith makes it clear that the album is supposed to continue in the story of his life, as an autobiographical writer, Smith reflects on his songwriting as both a collaborative and solo experience.    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

Exclusive: Beyond the ‘Smoky Mountains’ with Conner Smith Read More »

Scroll to Top