2023

David Nail Showcases His Wedding Footage And Gives Fans An Intimate Look Into His Special Day In New Official Music Video For “Best Of Me”

David Nail recently released a new single, “Best of Me“, sharing one of the more poignant moments from his personal life, and is now giving fans an intimate look into his special day with his longtime wife, Catherine. The heartfelt video showcases Nail’s distinct vocals and emotive delivery with accompanying shots from the pair’s 2009 wedding day and current footage from a day spent at the Travellers Rest Historic House in Nashville, Tennessee. This new single finds Nail reminiscing about asking his father-in-law for his future wife’s hand in marriage and reflecting on the promise he made way back then to give her the best of him throughout the life of their relationship. Nail’s vulnerability shines throughout “Best of Me,” particularly in acknowledging that while he didn’t have much money or a ring, he knew he would love Catherine for the rest of time. Watch the “Best of Me” music video here! I don’t have much moneyAnd I don’t have a ringBut what I’ve got’s a whole lot betterThan all those fancy thingsI swear to you I’ll love herUntil my dying dayI’ll give her the best of meIf you’ll give her away “I mean, obviously this song is about (Catherine), but I really wanted it to be a tribute to my father-in-law, too, and how much I really wanted to get his approval. It was more than just wanting his blessing — I really wanted him to believe in me. I wanted him to believe in us,” Nail told Taste of Country. “People always say the best songs are ones that come from a real place or a real experience” explained Nail. “These lyrics, almost word for word, rewind time back to the afternoon I sat in Catherine’s kitchen and told her folks of my intentions — with their blessing of course”. The chart-topping singer has more new music due out this year. Stay up to date with David Nail at davidnail.com.

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Austin Jenckes talks ahead of Buckle and Boots

One of the artists I am most excited about seeing at Buckle and Boots is Austin Jenckes. We spoke to Jenckes to get to know him a little better before his appearance at the festival and what he’s most looking forward to. When did you first know that you wanted to be a musician? I knew that I wanted to be a musician the first time I saw my dad perform in front of a small crowd. I was probably nine years old. Seeing the way music brought smiles to people’s faces at a young age had an effect on me and I still feel it everytime I get to perform. What music did your family play to you growing up and what are you choosing to listen to now? My dad llistened to a lot of classic rock (Tom Petty, Eagles, Steve Miller). I also listened to a lot of singer songwriters with my mom (Shawn Mullins, Sarah McLachlan). All I have been listening to lately is Sam Fender. I actually got to go see him in Berlin when I was over last year and it was life changing! Can you tell me about your experience on The Voice and how it shaped your career? It was like being at Disneyland for two years. The lead up to the show was nerve racking. Once I got on the show it was just a big party and when I was off the show it gave me the opportunity to play music for a ton of people. I am grateful for those experiences and I still think it is crazy that I got to have them. Can you tell me the story behind your song ‘River Jordan’? River Jordan came from a picture that my friend Ryan Beaver found of Johnny Cash getting baptized. I grew up playing music in church and I got baptized when I was seven years old in a river in washington state. As I got older I stopped going to church for various reasons and I still don’t go but I think about what it felt like to worship and believe wholeheartedly as a kid and this song made me feel like someone understood my struggles with religion and spirituality. And even though I never got to meet Johnny Cash it makes think that maybe he understood too. How excited are you to play Buckle and Boots? On a scale of 1-10 probably a 13. I can’t wait to see some familiar faces and rock out with the band. Seems like there will be some people who are ready for an experience and that gets me fired up. A silly question, what’s the strangest thing you’ve ever written a song about? I think the strangest song would have to be a pest control commercial I did for US PEST. It’s called Eagle Steve and hopefully you can’t find it on youtube cuz it’s pretty silly. One of the lines is “bugs for breakfast, mice for lunch” What’s next for you? I am just trying to write better songs.. I have written a lot over the last couple years but still haven’t found the thing that I am looking for. I have a run with Everette and Stephen Wilson Jr. in Germany leading up to the Buckle and Boots that I am floored about and then I am heading back to Seattle for some hometown shows. This summer my goal is to find whatever it is I am looking for and get to work on a new project and hopefully be able to share some new music for you when I come over next year!

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Far From Saints share new single ‘Screaming Hallelujah’

A new band formed by Kelly Jones of Stereophonics with Patty Lynn and Dwight Baker from The Wind and The Wave, Far From Saints have already made a striking introduction. Their first two releases, ‘Let’s Turn This Back Around’ and ‘Take It Through The Night’, have won strong radio support from the likes of Bob Harris and Jo Whiley with a groundswell of initial critical acclaim emerging.  Far From Saints’ ride now continues as they share the new single ‘Screaming Hallelujah’. It is the opening track from their eagerly anticipated self-titled debut album which follows on June 16th and is available to pre-order or pre-save HERE.  Opening with a gentle acoustic riff from Dwight Baker, ‘Screaming Hallelujah’ begins with soulful, bittersweet call-and-response vocals from Patty Lynn and Kelly Jones before their harmonies intertwine with an audibly organic bond on the song’s soaring, dramatic hook. As the two singers explain, ‘Screaming Hallelujah’ offers a message of acceptance and grace towards a loved one who is experiencing a difficult period of transition. The song was written and produced by Far From Saints, and then mixed by the Grammy-nominated Al Clay (Blur, Pixies). Patty says, “I was thinking about how we should try to grow right along with them, because they’re still here.” Kelly adds, “It’s about change and growth, but with all the struggles that come with that. With every song I write, I try to write about the whole struggle but leave a light at the end of the tunnel.” The accompanying official video, directed by Kelly Jones, features live footage from Far From Saints’ first major show during the Teenage Cancer Trust gala at London’s Royal Albert Hall. Watch HERE. Next up for Far From Saints are two warm-up shows in Glasgow and Leeds which immediately sold-out, as did next month’s debut full headline show at London’s EartH Theatre. Their summer plans continue with festival sets at Glastonbury and Black Deer as well as large outdoor shows as special guests to Kings of Leon, Paul Weller and Hozier. Expect more summer shows to be announced soon. MAY25th – Glasgow, Oran Mor (warm-up show – SOLD-OUT)26th – Leeds, Brudenell Social Club (warm-up show – SOLD-OUT) 27th – Wrexham, Racecourse Ground (special guests to Kings of Leon)28th – Wrexham, Racecourse Ground (special guests to Kings of Leon) JUNE5th – London, EartH Theatre (headline show – SOLD-OUT)8th – Westonbirt Arboretum (special guests to Paul Weller)9th – Cannock Chase Forest (special guests to Paul Weller)16th – Black Deer Festival17th – Thetford Forest (special guests to Paul Weller)25th – Glastonbury, Avalon Stage JULY22nd – Latitude Festival 23rd – Pangbourne, Englefield (special guests to Hozier)

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LBJ Foundation Honors Texas Icon Willie Nelson With an Endowed University Initiative In His Name Benefitting Rural America

The LBJ Foundation has presented its highest honor, the LBJ Liberty & Justice for All Award, to Texas singer-songwriter and legend Willie Nelson at a gala dinner Friday night that featured musical performances by Eric Church, Sam Hunt, Elle King and Lyle Lovett. And while there have been many tributes to Nelson this year, including the announcement last week that he will be inducted into the Rock & Roll Hall of Fame, the sold-out celebration at the LBJ Presidential Library raised funds to create the Willie Nelson Endowment for Uplifting Rural Communities in honor of his longtime philanthropy and commitment to family farms and sustainable agriculture. “A lot of people don’t realize where their food comes from,” Nelson said in a conversation with Mark K. Updegrove, president and CEO of the LBJ Foundation, at the gala dinner. “You know, when you had breakfast this morning, did your food come from a farmer out here who raised his own?…Or did some trucker drive it in from 150 miles away? So, these are things that you need to think about and how you can help the local communities and help the local farmer. Because he’s trying to make it.” The Willie Nelson endowment ensures that Nelson’s advocacy will continue. It will fund research and student fellowships at the LBJ School of Public Affairs, a part of The University of Texas at Austin. The focus will be on sustainable agriculture, eliminating hunger, resilient energy, sustainable water and natural disaster recovery to benefit rural communities. A lifelong champion of farmers, alleviating food insecurity, and support of rural communities, Nelson embodies President Lyndon Baines Johnson’s belief that every citizen should share in the benefits, blessings and protections at the heart of the American dream. Perhaps Nelson’s best-known cause, Farm Aid, has raised more than $70 million in financial assistance and helped increase awareness about the plight of family farms. Capping off the evening were tributes by some of the most compelling musical artists performing today who have all been inspired by Nelson’s talents: Eric Church, Sam Hunt, Elle King and Lyle Lovett. Each musician picked a favorite Nelson song and one of their own to sing in his honor: Eric Church performed “Funny How Time Slips Away” and “A Man Who Was Gonna Die Young.” Sam Hunt performed “Women in my Life,” a new song he released on May 12, and “Mammas Don’t Let Your Babies Grow Up to be Cowboys.” Elle King performed “It’s Not Supposed to be That Way” and “Love Go By.” Lyle Lovett performed “Hello Walls” and “My Heroes Have Always Been Cowboys.” Each musician also cited Nelson for enchanting the world for over seven decades with his extraordinary talent, voice, and songwriting, touching the hearts of millions across generations and transforming lives with his humanitarianism. Also recognizing Nelson were President and Mrs. Johnson’s daughters, Lynda Johnson Robb and Luci Baines Johnson, who presented him with the LBJ Liberty & Justice for All Award. The award recognizes Nelson for exemplifying President Johnson’s belief that America is a nation where everyone has the opportunity to rise and those in need should not fail. The recognition comes at a time when this country is divided and polarized. Nelson says we can come together, “I believe in imagining what you want and then get out of the way. I think if you follow that, imagine getting up every day and say, ‘Here’s what I’d like to see happen today.’ And then get out of the way and let it happen. It’s worked for me.” Former recipients of the LBJ Liberty & Justice for All Award include President George H. W. Bush, President Jimmy Carter, Justice Ruth Bader Ginsburg, former U.S. Attorney General Eric Holder, U.S. Sen. John McCain, U.S. Sen. Carl Levin, former House Speaker Nancy Pelosi, U.S. Rep. John Lewis, U.S. Rep. John Dingell, U.S. Rep. James Clyburn, and philanthropist David M. Rubenstein.

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Interview with Gary Quinn ahead of Buckle and Boots

Buckle and Boots is just around the corner and here at Maverick we’re counting down the days to it! We had a chat with festival organiser and artist Gary Quinn about how he and his team manages to pull off this brilliant festival. Can you just briefly tell me about the history of Buckle and Boots? Buckle & Boots started as a conversation between Karl Hancock and myself back in 2015 when I attended the farm to perform at their Blackthorn Music Festival. I was taken back at how ideal the surroundings of the farm and the site would lend itself to a country music festival. We talked a little about the UK country scene and how viable a country festival near Manchester could work. Nothing happened for a few months until I received a call from Karl to meet again to discuss the possibility further. That was in October 2015 and the first Buckle & Boots Country Festival was delivered in June 2016. Every year we have seen the festival grow, what are you most proud of with the festival? The premise and ideology of the festival hasn’t changed in 8 years. We’re primarily there to promote, showcase and support UK country artists, writers and musicians as well as introduce the UK to up-and-coming artists from different parts of the globe. That’s something we’ll always strive to preserve. How do you find juggling your music career with the yearlong planning and running of the festival? It can be a little tricky but it’s something I still love to do. The two can go hand in hand at times as it can help me meet new artists, face-to face, and start positive conversations about getting them to perform at the farm. On the other hand I’m able to get into some pretty cool co-writing rooms with some great writers that have helped me develop as a writer and singer over the years. It’s easy to find the balance though as Laura, Karl and Jan Hancock are very hands on with the running of Buckle & Boots. Over the years we’ve found where our strengths (and weaknesses) lie and knowing that has helped us deliver year on year. I was talking to Pat Boone the other day about the friendly competition that is the music business. You do so much to help others particularly in the UK scene, how do you view it all? I’d agree that there is friendly competition. I believe the country music community is a wonderful group of fans who share common threads of morals and real love for those they follow. I believe the UK scene is very supportive of any artist who puts their hand up and says, “I’m country”, which is great for anyone starting out. Where we must be careful is ensuring that the threshold of quality is always high. That responsibility lies with us all. Artists to strive to improve their craft and output, Festivals to curate excellent line-ups that cater across the country spectrum, Country Radio to ensure that exciting and great artists are pushed on their stations, Booking agents to fight for UK artists to open for the bigger International artists that fly over and for fans to continue to come out and support as often as they can. What’s the best thing about Buckle and Boots? The atmosphere, many attendees talk about Buckle & Boots like it’s a family reunion with fantastic music, great food and drink and wonderful surroundings. What’s next for you and what’s next for the festival? I’ll be headed out on the road for a few dates in the summer and I’ve started writing regularly with a few new artists for some planned releases before the end of the year. I’ll be getting back to Nashville at the end of summer all being well and then a few shows in Denmark in September. As for the festival, we’ll continue to keep improving every year and growing the audience, but not too much more as we want to keep the atmosphere and attendee experience as special as it currently is.

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Luke Bryan Releases New Song, “But I Got A Beer In My Hand”

Five-time Entertainer of the Year Luke Bryan is premiering a brand-new song today across all digital platforms, “But I Got A Beer In My Hand.” The song was written by Chase McGill, Matt Dragstrem, and Geoff Warburton, and was produced by Jeff Stevens and co-produced by Jody Stevens. It will impact country radio on May 15 and is from a highly anticipated forth-coming album. “But I Got A Beer In My Hand” is available HERE. Luke will perform “But I Got A Beer In My Hand” on the Sunday, May 21 season finale of “American Idol” as he, Katy Perry and Lionel Richie wrap up their sixth season as judges on television’s original singing competition. Tune in to the live coast-to-coast, three-hour season finale (8:00-11:00 p.m. EDT/6:00-9:00 p.m. MDT/5:00-8:00 p.m. PDT) on ABC. “I knew I wanted a fun up-tempo song everyone could enjoy this summer,” said Luke. “I can’t wait to start doing it live. It’s gonna be a blast.” This song comes on the heels of Luke’s 30th #1 single “Country On” which closed out the 2022 charts as the final #1 of the year. During his career, he has spent 56 total weeks at the top of the country radio charts, sold more than 15 million albums, garnered 20 billion worldwide streams, and has more RIAA certified digital single certifications than any other Country artist of all time with 81.5 Million. Luke’s 2023 will continue with major touring plans beginning with the launch of his “Country On Tour” running June 15 to October 28, Farm Tour 2023 set for September 14-23, and his shows at Resorts World in Las Vegas dates August 30, September 2, 3, 6, 8 and 9.

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MacKenzie Porter is ‘Chasing Tornadoes’

Big Loud Records country songstress MacKenzie Porter is setting off sirens with a perfect mix of timeless country and shimmery pop, forming the F5 level summer jam, ‘Chasing Tornadoes.’ Returning with more of her “mesmerizing vocals and hook-driven songs” (Billboard), her newest adrenaline-filled offering is an addicting twist-and-turn-filled tale of a wild lifestyle and an unpredictable relationship. Written by Emily Landis, Jamie Moore, and Lainey Wilson, and produced by studio mastermind Joey Moi, the song’s electric lyrics find Porter spiraling: ‘Cause baby I’m a sidewinder Storm rider I’m going down like a telephone wire You’re a mustang runaway Two lane drifter I must have a thing for twisters Hot as Arizona Cold as Colorado Trying to catch that feeling like lightning in a bottle I’m gonna go where the wild wind blows Tearing up the road Chasing tornadoes Ignoring the tornado warnings, Porter stares into the eye of the storm, running a hundred miles an hour while slinging her lightning strike vocals around the whirlwind. Throwing caution out the window, the international triple threat embraces the fast life on the supped-up track, perfect for a summertime drive down a dirt road. “‘Chasing Tornadoes’ is the first song off of my full-length, debut album with Big Loud,” beams Porter. “We have so much new music coming, and this is the perfect intro to what the rest of the record feels like. It’s such a fun, feel-good song, and I can’t wait to play it live!”

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Chickenstock Festival

Moya & Beth Taylor started the adventure with the first Chickenstock in their back garden (close to the present site) in 2018, which grew from them hosting large garden parties ……and the immortal words from a friend saying “you should put this on for the public!”. So they did! With plenty of help from friends and family, including Simon & Sophie Giles. Both Moya & Beth had worked in the Entertainment Industry for many years, both on and off stage. Moya has been Assistant Manager of a Cabaret Club, including running the Karaoke stage, has acted in many productions, including a production that toured France, Produced & Directed and worked backstage as Prompt, Props and as a follow-spot operator. She then moved out into business and trained as a Financial Adviser before becoming a Finance Officer for a Multi-Academy School Trust in South-East London. Beth, despite a few brief appearances acting on Stage, prefers the technical aspect of the industry. She worked as Production Manager in the same Cabaret Club as Moya. She also ran her own Sound & Lighting Company in the mid 1990s which including managing bands. So between them they have a considerable amount of experience to run a business, as well as a love of music and music festivals. The first Chickenstock was really good fun, and everyone had such a great time, they decided to keep going. It was clear that their garden – a good size though it is, – would not accommodate a larger stage and facilities. Moya & Beth’s neighbour kindly offered them one of his paddocks, so in 2019 they moved the Festival to Pett Farm. The larger space meant more people could attend, increasing the number of food and other concessions, and most importantly more music! 2019 was another great event, so they knew 2020 must be planned! Unfortunately due to the Covid-19 outbreak the Festival had to postponed until 2021, but this gave the opportunity to get Simon & Sophie much more involved and to increase the amount of music even more to cover three and a half days. Moya & Beth met Simon and Sophie, through their daughter, Mila, as she and Simon were Scout leaders together and had become best friends. Sophie and Simon together with Mila and her wife Ella ran the bar for the 2018 and 2019 festivals. However, Simon & Sophie’s knowledge of production gained through their Preforming Arts degrees, meant that they were keen to help in a bigger way, and Moya & Beth were very happy that they joined the main organising team for putting on 2021 and beyond! They all hope that you will enjoy the friendly atmosphere of Kent’s BIG little festival, being suitable for all ages, and in a spectacularly picturesque location, and that it will become a regular on your festival calendar year after year. The number of tickets available are strictly limited – so get yours early to avoid disappointment! We also aim to make the festival site as accessible as possible to everyone. Having a son in a wheelchair Moya & Beth understand how limiting festivals can be, and if he is anything to go by, being abled bodied is not a requirement for a love of music. If you have any specific requirements, let us know of these in advance, and we will do what we can to the best of our ability for you, to make your festival experience as care free, easy and enjoyable as possible. Please see our Accessibility page for more details! Between the four they have all aspects of the Festival covered, along with the little army of volunteers, who without the wheels of the Festival would not turn. They looking forward to seeing you in the Paddock!

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Boy Named Banjo Shares Uplifting New Track “What Keeps Me Going”

Nashville-based band Boy Named Banjo has released their uplifting new track “What Keeps Me Going” via Mercury Records Nashville. Over tender, harmony-laced production, the quintet shares a positive anthem of gratitude that was written following what our world has experienced over the last several years.  “‘What Keeps Me Going’ is essentially our answer to the question, ‘What is important to us?’” shares banjo player Barton Davies, who penned the song with guitarist and harmonica player William Reames and Pat McLaughlin (John Prine, Loretta Lynn). “We wrote this song as we were coming out of the pandemic and reflecting on how that whole experience had shifted our focus. Like many others during that time, we found the most meaning from the simplest things – being outside, watching the sun go down, going fishing, and spending quality time with our loved ones. That’s what kept us going then and what keeps us going today.” Reames adds, “The song highlights why we do difficult things – whether that is going to a 9-to-5 every day or covering miles in a tour van, the goal is the same: To enjoy life. We work hard to enjoy life.” Davies continues, “The song sounds like it could’ve been written about 50 years ago, and I love that about it. It’s definitely got a bit of that Laurel Canyon folk-rock feeling to it, but with our contemporary BNB approach. I love the message of the song too. It just seems kinda timeless in the sense that I could look back on this song when I’m older and say, ‘Yep, I still feel that way.’”  “What Keeps Me Going” arrives on the heels of Boy Named Banjo’s Grand Ole Opry debut in March, a momentous milestone for the band that was documented over at People.com. In a time when the popular choice is to chase the double yellow line down the road to country radio, Boy Named Banjo thrives on its fringes. The Nashville-raised five-piece is a fusion of contemporary country, Americana and folk-rock stacked on a foundation of bluegrass. The band, which has been together in some iteration since its members were in their teens includes Barton Davies (banjo), Ford Garrard (bass/standing bass), Sam McCullough (drums) Willard Logan (mandolin, acoustic/electric guitar) and William Reames (acoustic guitar/harmonica). Reames and Logan played in a middle school garage rock band together, but it wasn’t until Reames met Davies in high school that Boy Named Banjo started taking shape. Garrard and McCullough joined later and together the five guys comprise the band Boy Named Banjo that we know today.  At sold-out shows marked by audiences singing along with every word, Boy Named Banjo tells their stories with an incisive, emotional and roots-driven perspective. In 2020, Boy Named Banjo signed to Mercury Records Nashville and released their debut EP, Circles, the following year. The band spent 2022 on the road playing some of country music’s largest festivals including Dierks Bentley’s Seven Peaks and Country Jam and Kip Moore’s Fire on Wheels Tour, and made their CMA Fest debut playing at the Ascend Amphitheatre Nighttime Concert as well as a sold-out hometown show at Nashville’s Brooklyn Bowl. The group most recently released the tracks “Whiskey Dreams,” “Heart In Motion” and “Heart Attack,” which earned support from Billboard, CMT, MusicRow and more. Boy Named Banjo is currently prepping their next project to be released later this year.

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Dame Olivia Newton-John’s ‘Just the Two of Us – The Duets Collection – Volume One’

Dame Olivia Newton-John’s Just The Two of Us – The Duets Collection Volume One, the first album featuring new and never-before-released recordings since her passing in 2022, is available today, May 5, 2023 (on both vinyl and CD and all streaming services) via Green Hill Productions, a subsidiary of Primary Wave. The 17-track album features Olivia’s final recording, the classic “Jolene” with Dolly Parton, and the previously unreleased (on audio CD or vinyl) “Hopelessly Devoted to You” with Mariah Carey.  Other duet artists include Barry Gibb, John Travolta, Michael McDonald, Cliff Richard, Richard Marx, Delta Goodrem, Kelly Lang, Vanessa Amorosi, Jon Secada, Newton-John’s daughter Chloe Lattanzi, and many more. “My first memory of Olivia was when her song ‘Let Me Be There’ was a hit. I have loved her ever since,” said Dolly Parton.  “We had many occasions that we got to share together, either backstage or performing on the same shows, and I loved every moment that I ever got to spend with her. I’ve always been inspired by her grit, tenderness, willingness, and determination.” “My last memory of Olivia was when I sang with her on my song ‘Jolene,’” added the country music icon. “Olivia, may you rest in peace. You left a spot that no one else will ever fill.” Five-time Grammy Award-winner Mariah Carey remembers: “I dressed up as Bad Sandy for Halloween in 5th grade and thought I was everything. Years later, THE Olivia Newton-John walked out onto my stage in Melbourne, Australia and we sang our hearts out together to ‘Hopelessly Devoted to You.’ This is a moment I will never ever forget.”When Olivia first heard “Window in the Wall,” an anthem to unify and heal during the pandemic, she knew immediately who she wanted as her duet partner: “I’ve always enjoyed singing duets more than singing on my own and when I first heard this song, I knew immediately that I wanted to sing it with my daughter Chloe. The lyrics and melody really resonated with me, and I hoped Chloe would feel the same way – and luckily, she did!”“After my mom played the song for me, I knew I wanted to record it, not only because it was with my mom but, I felt the lyrics and message might help people see things from another perspective,” said Lattanzi. “We are all part of the same human race and if we listen to each other, respect each other and love each other – for both our likenesses and our differences – we might just understand each other a lot more.”  Upon its release, “Window in the Wall” reached #1 on the Amazon A/C chart and the music video topped the iTunes Music Video chart.“When an artist has amassed a career spanning over 50 years, there are sometimes one or two memorable duets. Olivia has been an exception to that rule with almost too many too count, including hit songs with artists from all over the globe,” said Blake Davis, General Manager of Green Hill Productions. “It was a lot of fun putting together this record to include many of those songs. This was a project Olivia was excited about releasing and we think it will become an instant fan favorite.”More from some of Olivia’s duet partners:“When asked to sing with Olivia I jumped to it!  Not only because she was a dream to be with but, she brought out the best in me.” – Cliff Richard“Getting to spend time in the studio with Olivia was always a dream come true and an experience I will cherish forever.” – Delta Goodrem“I was humbled to have had the opportunity to record with Olivia, especially a song I wrote. It will forever stay as one of the highlights of my career.” – Jon Secada Order Just the Two of Us: The Duets Collection Volume One: https://lnk.to/JustTheTwoOfUs-Duets

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