23 March 2023

Review: Pete Eastmure – Devil’s Taxi

Canadian singer-songwriter, Pete Eastmure, is back with another brilliant collection of songs. Starting off with the title track, with its delicate mandolin, we’re introduced to Eastmure’s style of authentic Americana. A standout track for me is ‘Lake Superior Sunset’ with it’s swooning pedal steel and organ helping to paint the picture and set the scene. ‘Always Springtime’ is another gem. Eastmure’s vocals sound stronger on this particular song, the chorus, though original, has a comforting familiarity about it. ‘Long Run’ sees a shift in the mood slightly and the arrangement is much simpler and stripped back. It’s an easy listen; the production is polished throughout, the traditional instrumentation adding to the authenticity. Eastmure’s vocals are clear as he makes sure every word lands with the listener and the songs are well crafted. Eastmure continues to impress with this latest album which captures the essence of his artistry. 

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Review: Nathan Carter – The Morning After

Nathan Carter needs no introduction, he has cemented himself as one of the most successful artists in Ireland. He has recorded six number one albums and has had a top 20 UK album release with the CD `Beautiful Life’. This latest release, ‘The Morning After’ went straight to Number One in the Irish Album Charts. The title track, which he self-penned is a gem, a toe-tappingly good upbeat tune with a catchy melody which uses a common turn of phrase for the hook line. It is clear that Carter has been honing the writing part of his artistry. There are two collaborations on this record, he teams up with up and coming Irish folk band Ceol for ‘Heave Away’ whilst Claudia Buckley joins him for ‘This Love Will Never End’. Carter and Buckley’s voices blend well together and they have a natural chemistry. The whole record is expertly arranged and produced. It is Carter at his very best, showing why he is one of Ireland’s best loved entertainers. 

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