January 2023

Gabby Barrett’s “Pick Me Up” certified Platinum

MULTI-PLATINUM star Gabby Barrett has the top streaming song total to date by a female artist currently on the Country radio charts, as her Top 5 “Pick Me Up” single is PLATINUM. Radio host Lon Helton recently surprised Barrett with the official RIAA certification news while she co-hosted Country Countdown USA for the first time. Listen here.“That’s awesome. Thank you, thank you, thank you. I have the best fanbase in the world,” shared Barrett on-air. “Country music lovers are seriously just the most loyal fanbase I’ve ever seen in my life, so I’m very grateful to be a part of this format. I love this song, so I’m glad other people do too.”As found on the extended version of her acclaimed PLATINUM debut album, GOLDMINE (DELUXE) (Warner Music Nashville), Barrett’s backroad ballad – penned by Barrett, Ross Copperman, and Jon Nite – has surpassed 225 MILLION global streams to date and is quickly approaching 5 MILLION views on the adjoining music video. With over 6.3 BILLION career airplay impressions and 2.5 BILLION global career streams to her credit, she continues to prove herself as an unstoppable force in the genre.With new music promised this year, Barrett returns to the road to support select dates with Kane Brown this spring. Click here for a complete list of upcoming shows and ticketing information.

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Review: Karen Jonas – The Restless

This dark alt-country offering showcases a new side to Jonas’ songwriting. The record explores themes of romance and ill-fated love, with many of the lyrics having a nostalgic feel to them. The album opens with ‘Paris Breeze’ and the thing that strikes me is the detailed description in the lyrics, “we’re breathing lavender and jasmine and the dust that’s fallen off of some great painting.” In fact, the whole record feels like a very visceral encounter. A highlight is the intimate piano track ‘Lay Me Down’. It explores the theme of choosing to love despite knowing it could end in heartbreak whilst ‘That’s Not My Dream Couch’ is more upbeat and has its own sense of humour and wit. ‘Forever’ definitely takes a more hopeful tone when it comes to love. The production is well thought out, complementing the mood of each track whilst remaining cohesive.  

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Spotlight: The County Affair

Tony and Kevin had a busy 2022 as they released some fantastic new tracks and gained a larger following through their presence and performances at a number of major festivals. The friends who grew up together loving music but who parted ways to pursue successful careers away from the limelight have reunited to become one of the leading forces of the UK country scene.  The duo began the year with a fabulous set at Country 2 Country – Europe’s biggest country festival before playing Black Deer and The British Country Music Festival. “It’s great to have been able to thread those festivals throughout the year especially such high caliber ones as well,” Tony begins, a smile appearing on his face as he reflects on the year they’ve had together as a duo. “We’ve loved getting to know the audience as well as them getting to know us.”  The pair have exploded onto the country scene over the last couple of years but their friendship goes back years. Tony tells the story of how they first met. “We met at school age 11. We traveled on the same bus for part of our journeys home and it came up in conversation that we were both musicians. At the age of 14 we were playing in Kev’s dad’s Irish Country band. We as youngsters had the opportunity to play live so that’s where it began.” When they were 17 or 18, before they left for Uni, the pair were driving themselves to gigs, playing two or three nights a week. They played over two hundred shows together. “We were listening to Gram Parsons and Emmylou Harris during that time,” Kevin says, “and that wasn’t the norm for a couple of 16 or 17 year old school boys in Nottingham. That love stayed with us all these years so it’s no surprise that’s what we’ve come back to.”  The UK country scene is still very much a growing market and Kevin and Tony are delighted that The County Affair are a part of that growth. “I think one of the things that excites us about what we’re doing is the rapid growth of country and Americana as a genre in the UK. There’s been a growing number of good high caliber, British artists coming through.” One of their songs off their debut album ‘Every Ghost’ captured the hearts of fans in the UK as it showcased their compelling storytelling lyrics. Kevin, the main writer of the pair divulged the story behind the thought-provoking track that put the duo on the map.  “The general idea of my songwriting is to be a storyteller, which is a great American tradition. That can be drawn upon snippets of things I’ve seen in life. The inspiration for that song was really passing somebody sleeping on the street near to where I lived, and my wife stopping and we gave the person some money and was chatting to him. Afterwards she said she had met him before and just basically explained that you know, two or three years earlier, he had a house and a family. He lost his job, found out a few mental health issues and the next thing, he is a guy sleeping on the street and people are just ignoring him. Nobody chooses to sleep on the street and have people just wander past them all day. That was the inspiration of the song. You might realise it could happen to any of us in reality, it’s not a life choice for sure.”  The duo began their recording career at one of the most famous studios in the world – Abbey Road. “Imagine how we felt the first time we had that invitation!” Tony begins. “It came from a producer who randomly discovered our music and contacted Kevin and said, I like what you’re doing, I think I can take you to that level beyond what you’re doing by yourselves. Do you fancy coming and working with me out of Abbey Road Studios? You can imagine how many milliseconds it took for us to say yes to that. That was a terrific experience, it’s a very special place with its history and meaning to the UK music world – global legends of music, have recorded there. You can sort of sense it in the walls of the place, I suppose.”  Though it started off as a happy coincidence that they began recording at Abbey Road, they have returned time and time again and one of the reasons for that is due to the general consensus that the British country scene doesn’t thrive as much as it should not because of the quality of the songs but because of the quality of the production. “Speaking to people in the industry, from an AirPlay point of view, there is a challenge about production quality of some of the music out of the UK versus our US competitors. So one of the things we’re making sure is to have a high caliber of production, not just good songs, but they’re really well produced so they’ve got the best chance of radio play.”  If 2022 was a good year for The County Affair, 2023 is looking even better. The release of their latest single, ‘Weekend Cowboy’ is sure to whet fans appetite for their upcoming second album due out in March. “We’re very fortunate to have been signed to a small record label called Lassman records,” Kevin says as he begins to introduce us to the music they’ve been working on. “They’ve worked with us on making album number two which is now complete. It’s been great fun and we’re really proud of it. Our single ‘Weekend Cowboy’ comes out on the sixth of January and the album which is called ‘Two Days Drive’ will be out in March. We were shooting a video for ‘Weekend Cowboy’ and we put a note out to see if anybody wanted to come along.”  Tony adds further to the inspiration

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Review: Vic Allen – Some Place I’d Rather Be

Vic Allen is one of our brightest homegrown talents and I truly believe 2023 will be her year! The tone of her voice is quite simply beautiful, she exhibits such control and delivers each line with perfectly weighted emotion. ‘Pictures of Us’ is the standout track for me, the lyrics are so cleverly written, the harmonies add a depth to the song and the melody tugs on the heartstrings. Inspired by her travels and those she met whilst exploring the world, the album very much feels like it takes you on a journey with songs such as ‘Drive’ and ‘Barcelona’ the perfect soundtrack for a road trip. The dreamy soundscapes she creates in the arrangement and production further solidify the themes of the record. New single ‘Suitcase’ with an accompanying video shot in California with the help of her brother is a flagship song for the record which showcases her strong songwriting ability alongside her brilliant voice. I can’t wait to see Allen go from strength to strength over the next year! 

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Review: Ben Walker – Banish Air From Air

The musicianship on this record is outstanding. Walker is famed for his award-winning finger style guitar picking brings to life tales of ghost stories, philosophy, alchemy and science on this record which showcases him at his very best as he presents a collection of instrumentals, traditional material and reimagined poems as well as his first attempts at songwriting. Opening the record with the title track we hear a simple stripped back production build with orchestral strings framing Sophie Jamieson’s vocals and harmonies. A haunting synth adds to the atmospheric soundscape Walker has created. Instrumental ‘Starlings’ paints the picture of birds in flight, capturing their elegance in his classical guitar style and delicate arrangement. Meanwhile, ‘King Storm’ shows a whole new side Walker particularly with the slightly heavier production. It’s a far cry from the country music that I usually listen to and write about, but good music is good music and Walker’s album deserves to be heard by the masses.  

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Review: Jessie G – Martyr

With Jessie G working under the guidance of her idol Gretchen Wilson at Redneck Records, it is no surprise that this latest single packs a punch. Leaning heavily towards rock opposed to her usual country sound, ‘Martyr’ showcases Jessie G’s epic vocal ability as she belts out that chorus. The production is tight and complements the song perfectly with its heavy drums and distorted guitars. I like the heavily EQ’d guitars as the production drops between sections in the song. It is the next single taken from the record that Jessie G has been working on for the past five years and which is set to be released later this year. Jessie said it would draw influence from across genres and this song certainly shows us the feisty, rock edge that can be injected into her music. 

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Review: Arielle Eden – Signs and Signals

New York based singer-songwriter, Arielle Eden, has drawn comparisons to Taylor Swift and LeAnn Rimes with her mix of country-pop songwriting. The debut EP has seen her work with the likes of hit songwriter Forest Glen Whitehead who has worked with Kelsey Ballerini and Brandy Clark and you can see why he’d want to work with someone like Eden. As she explores the typical themes of an ill-fated love on this record, she does so in an unusual way with quirky and clever lyrics telling the stories. Her vocals are unique – soothing with a lovely tone to them. The EP opens with the title track which has a lovely melody and dreamy backing vocals. ‘One Way’ starts with the warm sound of a pedal steel, it’s an insightful track touching on the theme of self-discovery. It’s a really well written EP, I’m excited to hear more from Arielle Eden and see how her career blossoms. 

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Review: MaRynn Taylor – Something I Would Do

The 21-year-old has had a whirlwind couple of years, impressing Black River Entertainment and being surprised with a recording and publishing contract live on air during a radio interview. She released her debut EP with them in the summer of last year and it’s a belter. Her blend of country-pop is upbeat and relatable, and her voice is both powerful and sweet. The production blends traditional country instrumentation like the banjo and fiddle with a drum machine whilst lyrically she refers to typical country themes, referencing Johnny Cash in EP opener ‘Sounds Like Something’. Melodically the whole record is riddled with catchy hooks that get stuck in your head. My favourite track on the record is ‘Slow Dance in Headlights’, it’s a beautifully written tune and her vocals really shine. I expect 2023 to be even bigger for this fast-rising star! 

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Review: Thomas Deed – New Star Rising

This is the first time Thomas Deed’s music is crossing my desk but I’m glad it has now. His charismatic voice on this bluesy, rock track is what really captures my attention. It’s backed by a really unique and quirky production, there are some small additions to the instrumentation and little effects that really bring character to the song. It is delivered with a passionate and emotive vocal from Deed who sings with a sense of freedom as he talks of taking a road trip in his Mustang. With humour also prevalent throughout the lyrics, this is a great start for Thomas Deed who will no doubt be on my radar from now on.  

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Review: Wolf Moon – How Do You See Yourself

Drawing influence from the likes of John Mayer, Carole King and Prince, Wolf Moon’s second record is full of carefully crafted songs that were mainly written in lockdown. It’s not an album that would appeal to a typical country fan but the songwriting and vocal harmonies can be appreciated by all music lovers. The production, built upon the acoustic foundations of the tracks, is purposeful and effective. The album opens with ‘Variations On A Feeling’, the chorus, with those dreamy vocals intertwining and blending so beautifully to create a lovely soundscape, really adds character to the song. The standout track for me is ‘Tell Me What I Don’t Know’ with its skillful finger style guitar, the foundation of the song and it’s eerie vocal melodies is a unique addition to the collection. 

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