January 2023

One to watch: Kenny Foster

Kenny Foster had a busy year last year as he released his second album and went out on tour, including some festival appearances here in the UK. He is a hard-working, energetic musician who is a joy to watch and listen to. I was excited to catch up with him to delve deeper into this latest project.    Can you tell me a little bit about who you’ve been working with on the album?    I worked with Mitch Dane. He was an engineer/producer with one of my very favourite bands growing up, called Jars of Clay. They were just a really interesting group of guys that really cared about saying things. I loved that, sonically, they just kept evolving over and over again. Mitch has all this vintage gear, and he has this lovely studio called Sputnik sounds and I just kept going back there. I brought in all of my favourite songwriters. There’s two guys that are all over this record, Chris Rafetto and Brendan Cooney and the three of us have just really found this triad of mutual respect and kind of filling each other’s gaps of songwriting prowess. Sierra Hall is this amazing writer, artist and mandolin player and I had her come and play, she was a delight to have along with my friend, Josh Smith, who played dobro and there’s a really beautiful moment on the record, where the two of them interchange solos and then play on top of each other and it’s my favourite part. I also wrote with a Hall of Famer, Marcus Hummon on a track and Kirsti Manna who’s famous for Blake Shelton’s ‘Austin’. It was just a very easy, very organic way of putting together a record that I think encapsulates something that I’ve wanted to say for a long time.     Can you tell me the story behind ‘Dreams Change’?    I think that was a day where Brendan came in with an idea. Brendan is from Massachusetts. Chris is from North Carolina and I’m from Missouri, which are all very different places. So it’s interesting that the three of us were very music loving suburban kids. Where country music has been sitting for the past 10 years or so, is very, like, southern bonfire tailgate and that was none of our experience. We had wonderful midwestern American upbringings but it’s very far from southern country. Brendan had the line, ‘Dreams change and people do too.’ Many of us have these ideas growing up, we’re trying on different suits of what we might become. I think we need to remove the stigma from people who are chasing a dream and remove the stigma from those whose dream was very simple.   READ THE FULL INTERVIEW IN THE LATEST ISSUE OF MAVERICK AVAILABLE HERE! Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com  

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Friendsgiving

Rock Hall at the Ryman New Exhibit

What happens when you combine the Mother Church of Country Music with the home of Rock & Roll? You end up with an incredible new Rock & Roll Hall of Fame exhibit at the Ryman Auditorium in Nashville, TN. The multi-year partnership will see more interactive exhibits being on display at Ryman’s re-developed vestibule space. Both entities share many commonalities in their history and approach to recognizing the best artists and bands that music has to offer. The Ryman Auditorium has seen 130 years of Country Music history whilst the Rock & Roll Hall of Fame (based in Cleveland, Ohio USA) has honored over 100 Rock & Roll inductees over the years and features their instruments, memorabilia, and wardrobes. Many of these artists have a foot in each genre of music including Johnny Cash, Elvis Presley and recently Dolly Parton. The new exhibit will feature an outfit worn by the late Taylor Hawkins of the Foo Fighters, Eric Clapton’s Blackie Fender Stratocaster guitar, Elvis Presley’s sued coat and Joan Jett’s red latex halter top. Earlier in 2022 the Ryman was officially certified as a Rock & Roll Hall of Fame Landmark joining the company of eleven other locations around the country including Austin City Limits. Besides impressive exhibits the Ryman will also be featuring more Roc & Roll Hall of Fame members performances in the future. Check the events calendar to see who is playing the Ryman during your upcoming visit to town as shows frequently sellout. There is no extra fee to view the Rock Hall at the Ryman exhibit as it is included in the daytime tour admission tickets. Visitors are also allowed to attend the Soul of Nashville immersive theatre with other Star exhibits and have a souvenir photo taken on the stage of the Ryman Auditorium. Both the Rock & Roll Hall of Fame and Ryman strive to educate visitors on the importance of music and how it brings us all together as one people. As a local Nashvillian I am thrilled to see this partnership between the two institutions and hope to see even more collaborations in the future. It has not been determined how long this current Rock Hall at the Ryman exhibit will last, although I am certain they will change out the artifacts and artists featured on a regular basis. This provides another great reason to put a visit to the Ryman Auditorium on the top of your must visit list when coming to the Music City.  Nashville, and the Ryman, have become more than a Country Music mecca as they have embraced all styles and genres of music and artists. This perpetuates the melting pot of music that the city and Ryman Auditorium have consistently been known for. Rock Hall at the Ryman exhibit is open to view now at the Ryman Auditorium. www.ryman.com 

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C2C

C2C announces full line-up with just over a month to go!

The wait is almost over!  Country to Country; Europe’s biggest country music festival is back for it 10-year celebration at The O2, London. With just a few weeks to go; Country to Country is pleased to announce the final wave of incredible artists appearing at this year’s festival.  Featuring multiple performances per day by artists from all over the UK, Europe and the US, C2C once more provides an incredible opportunity for fans of country to discover and support new artists. Country to Country will officially kick off at midday on Friday when the Town Square opens, and the first artists take to the festival stages, with doors on Saturday and Sunday opening at 10.00am. The Town Square has some exciting changes for 2023, with a brand-new dedicated performance space and bar – The Barrelhouse at The Town Square. All the favourite C2C stalls will return, so fans can enjoy a variety of market traders, food stands, sponsor activations, cocktails, craft beers and more. New programming will give festival goers the chance to party in the Town Square even longer – look out for more news on that soon. All visitors to The O2 can access the free stages which are Big Entrance Stage, Icon Stage and The Wayside (formerly the Garden Stage). C2C ticket holders will also have access to BBC Radio 2 Stage (at Indigo at The O2) and The Saloon (All Bar One). The latter will be presented by Apple Music’s global live-streaming radio station Apple Music Country by day and will feature exciting interviews hosted by The Country Chart Show’s Nada and country entertainment between sets. The Bluebird Cafe returns to C2C and once again we will welcome guests to the intimate O2 Blueroom at The O2, on Saturday 11th and Sunday 12th March. This seated show takes the form of a ‘songwriter’s round’; with each artist taking it in turns to talk about their relationship with The Bluebird Cafe, their songwriting and the stories behind their music. The line up over the three shows includes Adam Doleac, Alyssa Bonagura, Amanda Shires, Catie Offerman, Drake Milligan, Hannah Ellis, Jeff Cohen, Madeline Edwards and Randall King. Tickets go on general onsale Friday 3rd February at 10am via https://c2c-countrytocountry.com. Inside the arena, C2C hosts the taste-making Spotlight Stage which sees performances in between main stage sets. This year fans will see intimate performances from Amanda Shires, Ashley Cooke, Corey Kent, Drake Milligan, Elvie Shane, Kameron Marlowe, MacKenzie Porter, Madeline Edwards and Sam Williams. These newly announced artists join world-renowned superstars Zac Brown Band, Thomas Rhett and Lady A plus Nashville’s hottest artists Midland, Jordan Davis, Old Crow Medicine Show, Lainey Wilson and Mitchell Tenpenny alongside prolific performers Lindsay Ell and Matt Stell. Also confirmed are the powerhouse artists for CMA Presents Introducing Nashville – which introduces for the first time Tyler Braden, Caylee Hammack and Alana Springsteen to UK fans. The unstoppable Breland will open C2C on the Friday night and will co-host the festival across the weekend with the legendary Bob Harris OBE.

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Chris Janson releases new single

Chris Janson serves as country music’s pulse point. Whether it’s the set-me-free feel good of “Buy Me A Boat,” a 2016 ACM Single of the Year nominee, or the cautioning sister’s-keeper ballad “Drunk Girl,” a 2018 CMA Song of the Year nominee, few artists tap into the tides that pull everyday people like the Missouri-born, hell-raising performer with a heart of gold and collaborative touch that’s co-written and played on songs for Tim McGraw, Eric Church, Cody Johnson, and Hank Williams Jr., to name a few.   Beyond the certified gold and multi-platinum #1s, Janson is a big believer in mixing things up— and pushing to new vistas. With “All I Need Is You,” the rambling single that embraces all things good ole boy but acknowledges it’s nothing compared to the woman he loves, Janson drops his Big Machine debut, out now via BMLG Records in partnership with his own Harpeth 60 Records— LISTEN HERE.   Working with Oscar-nominated and GRAMMY-winning producer Julian Raymond (Glen Campbell, Cheap Trick, Insane Clown Posse), Janson’s easy baritone sweeps through 30A, a blue clear lake, a brand-new truck, a winning lottery ticket, his kid’s ball team, and the Gulf of Mexico as he unravels what really matters in the breezy song co-written with Ashley Gorley, Brad Clawson, and Mitch Oglesby.   “There are so many things we all want,” says the harmonica-playing virtuoso. “We’ve all gotten caught up in the biggest buck of the season, the newest Chevrolet, or whatever’s caught our eye— and that’s half the fun of living. But when you strip it back, when you look at what really matters, it comes down to that one ride-or-die person who believes in you and your dream, no matter what happens. I’m blessed because my person is my wife, my manager, and my best friend.”   Executive produced by Janson and Scott Borchetta, “All I Need Is You” employs the best of Nashville’s musical community. Award-winning electric guitarist Tom Bukovac and the legendary Paul Franklin on steel populate a band that also includes Sam Hunter (electric guitar), George Doering (acoustic guitar), Jimmie Lee Sloas (bass), Tim Lauer (Keyboards), Victor Indrizzo (drums), and Blake Bollinger (vocals). Kristen Wilkinson was the string contractor; Lauer orchestrated the string parts. Noted rock engineer Chris Lord-Alge also mixed the track.   “Fun songs feel good, but that doesn’t mean there isn’t great musicianship underneath,” says the Bass Pro Shop brand ambassador. “Working with Scott and Julian, they understand how seriously I take the music and the writing, and they believe in bringing the best of the best into the studio. Recording this was a blast— and there’s so much more music coming this year!”   Beyond joining the team at the Big Machine Label Group, Janson has taken his maximum good-time live talents to United Talent Agency. Beyond his focus on conservation efforts and outdoor life, Janson will be expanding his reach as both a concert draw and an advocate for protecting the natural world for hunters, anglers, and future generations.   “I’ve been able to achieve things I never would’ve imagined,” the proud member of the Grand Ole Opry says. “To have my signature black hat raise nearly a million dollars at Bass Pro Shops and be able give those proceeds to the Harpeth Conservancy, Hunters for the Hungry, and Tennessee Riverkeeper, and tour with my heroes? It’s why I keep reaching— and why when I sing ‘All I Need Is You,’ you know I mean it!”

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UK Americana Award Winners Announced

Last night, in a glittering ceremony at Hackney Empire in London, the winners of 2023’s UK Americana Awards, powered by Sweet Home Alabama, were revealed. During a remarkable evening celebrating the best in UK and international Americana music, acclaimed US singer-songwriter Allison Russell and English roots singer-songwriter and pianist Elles Bailey received two awards each; Russell for International Artist of the Year and International Song of the Year and Bailey for UK Artist of the Year and the newly-established UK Live Act of the Year. Alison Krauss and Robert Plant won International Album of the Year for Raise The Roof (produced by T Bone Burnett) and its UK counterpart was awarded to Superhuman by Ferris and Sylvester (produced by Ryan Hadlock and Michael Rendall). London-based singer-songwriter Hannah White triumphed in the UK Song of the Year category for her self-penned “Car Crash”. Finger-style guitartist and one of the UK’s only female professional pedal steel players Holly Carter took home the award for UK Instrumentalist of the Year. The award for the best-selling Americana album of the year, in association with the Official Charts Company, was scooped by Frank Turner for FTHC. A heartfelt rendition of “Coal Miner’s Daughter” by Allison Russell, Elles Bailey and Miko Marks paid tribute to the ground-breaking contribution to the genre of the late Loretta Lynn, who was given a special Songwriter Legacy Award in honour of her life and work. Her granddaughter Emmy Rose Russell accepted the award via video from the USA. Other prestigious awards, conferred by the AMA-UK Board, were presented to: Judy Collins (International Lifetime Achievement Award), Mike Scott of The Waterboys (UK Lifetime Achievement Award), Nickel Creek (International Trailblazer Award), BBC Radio Ulster’s Ralph McLean (Grassroots Award) and The Hanging Stars (Bob Harris Emerging Artist Award). The UK Americana Music Awards show was hosted by broadcasters Baylen Leonard and Bob Harris and special guest award presenters on the night included: Martyn Joseph, Ward Thomas, Robert Elms, Shaun Keaveny, Katherine Priddy, Tim Dowling, Lauren Down and Bev Whitrick, Ben Earle, Patrick Kielty, Ricky Ross, Belinda O’Hooley & Heidi Tidow, Paul Gambaccini, Andy Facer from Sweet Home Alabama and Becca Monahan from The Official Chart Company. The audience of music industry delegates, artists and fans were treated to wonderful performances from Judy Collins, Mike Scott of The Waterboys, Frank Turner, Allison Russell, Lady Nade, Nickel Creek, The Hanging Stars, The Heavy Heavy, Ferris and Sylvester, Simeon Hammond Dallas, Elles Bailey and Miko Marks. The evening was brought to an emotional close as the assembled artists, led by Judy Collins, sang “Amazing Grace”, backed by the all female house band led by Michele Stodart (The Magic Numbers), and Hackney Empire Community Choir. The Awards ceremony rounded off an exceptional UK Americana Music Week which took place from Monday 23rd to Thursday 26th January in Hackney, London and also featured a 4 day industry conference attended by 300 delegates and 2 nights of exclusive showcases from 80 artists in 6 venues. Marking its 10th anniversary in 2023, UK Americana Music Week and Awards has gone from strength to strength since its inception with huge increases in delegate numbers, artists involved and Americana Music Association UK (AMA-UK) members. Its impact has been widespread, raising the profile of the genre, providing a platform for new and established talent, including opportunities for UK artists at festivals here and abroad, and establishing the Official UK Americana Chart in conjunction with The Official Chart Company. The Americana Music Association UK continues to focus on its PRS Foundation Keychange pledge to deliver a minimum 50:50 gender balance in female participants at 2023’s UK Americana Music Week, alongside working hard to ensure an inclusive and diverse line-up across the whole event, including showcases from indigenous Canadian artists William Prince and Digging Roots.

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Kane Brown’s successful UK tour

Kane Brown has just embarked on an energetic tour of the UK and received rave reviews up and down the country. Accompanied by opening act Restless Road anyone who went along to the shows would agree that it was an unforgettable night. Restless Road kicked off the show acoustically. Their harmonies were what stood out for me and they knew how to impress the crowd; throwing in a Lewis Capaldi cover and their medley of country hits, which included ‘Your Man’, ‘Big Green Tractor’ and ‘Shoulda Been A Cowboy’ was a particular highlight. Their new song which was released on Friday, ‘On My Way’, showcased more of the groups identity and they captivated the crowd with the track. Kane burst onto the stage with his band and set the tone for the rest of the evening as he paced the stage. ‘Be Like That’ got everyone in the room moving and singing along just a few songs in and it was an upwards trajectory from there. He addressed the crowd, telling them the stories behind the songs and many of the fans guessed ‘Hometown’ which appeared to be a favourite as they whooped and cheered before he’d finished introducing the song. ‘Like I Love Country Music’ was a highlight for me on his last record and it was also a highlight live as well and with the Manchester crowd singing along like a choir (perhaps not all in tune!) it gave me goosebumps. The band was having fun as much as Kane was and they were a tight-knit, cohesive unit as they played one his biggest hits ‘Lose it’. The live version took on it’s own personality. ‘Thank God’ brought the emotion whilst ‘Good As You’ showed both Kane’s versatility and the versatility of a song as it began stripped back before building and launching into an arena ready number with epic guitars and drums. He broke up his set with a series of covers that criss-crossed genres, again showing the entertainers versatility. All the while there was a buzz throughout the venue. He’d built up a rapport with the audience and was putting on a show. He concluded with some of his biggest songs from ‘Heaven’, the chart topping single that’s now been certified seven times platinum, to ‘Famous Friends’. He concluded his set on another smash hit which the fans knew every word to, ‘What Ifs’. All in all, it was an incredible performance from a true entertainer.

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Far From Saints release debut single!

Kelly Jones of Stereophonics has co-written an album with Austin’s Patty Lynn and Dwight Baker (aka The Wind and The Wave) resulting in the formation of a new band Far From Saints, evoking a cross-genre sound spanning country, rock, folk, and Americana. Far From Saints is a project born from a shared, unadulterated love of music and collaboration, rich with emotions, creative integrity and defined by the unique sound of Kelly and Patty’s vocal harmonies. Today sees Far From Saints share their debut track ‘Let’s Turn This Back Around’ along with the song’s official video directed by Kelly Jones. It comes as they prepare to release their debut album accompanied with live shows later this year. Listen HERE and watch the official video HERE. ‘Let’s Turn This Back Around’ encapsulates the irresistible natural magnetism that comes when two evocative voices are drawn together. In a country tinged song which ruminates on loved ones left behind, Patty and Kelly trade verses from opposing perspectives. But as the song is elevated from sparse Americana into a richer, string-laden crescendo, both their lyrics and their harmonies show the strength that comes with a partnership that surpasses that of the individual. Patty says, “It was important to us to have both perspectives in that song,” while Kelly adds, “‘Let’s Turn This Back Around’ particularly lends itself to being a duet.” As with the rest of Far From Saints’ upcoming debut album, ‘Let’s Turn This Back Around’ was written and produced by the band, with mixing from the Grammy-nominated Al Clay (Blur, Pixies). Kelly, Patty and Dwight first experimented playing together when performing a cover version of Stevie Nicks and Tom Petty’s ‘Stop Draggin’ My Heart Around’ on Kelly Jones’ solo UK tour in 2019 (Dwight and Patty were openers for Kelly each night). Very soon on that UK tour, the three found themselves jamming and co-writing songs in backstage hallways, dressing rooms, soundchecks and hotels. Each songwriter subconsciously merging their influences to nourish the alchemy between two formidable singers. They booked recording sessions, one at the end of each leg of the tour and completed the entire album in just nine days. While it was created remarkably quickly, it also took years to be unveiled after the pandemic left them an ocean apart. Still captivatingly fresh, the album is now ready to be shared with the world – details to follow soon.

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Spotlight: Jessie G

Jessie G was the talk of Millport Festival this past summer. With an indescribably powerful voice, Jessie stunned the audience as she belted out country classics such as ‘Fancy’. She built a rapport with the crowd as she came down off the stage and mingled with the audience whilst performing. Coming from a long line of fishermen, being a military wife and a mother to her baby daughter as well as being a working musician, Jessie knows about hard work. As she gears up to release her album early next year, we sit down to talk about her career so far.   Jessie has been singing and performing for as long as she can remember. “They said I was singing before I could talk,” she begins. “I would hold talent shows in my parents living room, I just loved being the entertainer. I was ten when I did my first proper talent show, I sang ‘Let ’er Rip’ by the Dixie Chicks and I won it!” After that first show, Jessie caught the bug and began to take it more seriously. Instead of it just being a hobby she started to compete regularly in talent contests.  After gaining a place in the elite choir at Middle school, Jessie found herself a mentor in the form of choir master Jerry Moffitt. He was a good piano player and great Jazz musician himself and had a big influence on Jessie’s life. “He took me under his wing and entered me in a bunch of jazz competitions. I didn’t realise the gravity of that experience going forward in my career.”   Her passion and talent for music would take her to college, allowing her to be one of the first in her family the opportunity to pursue further education. After forming a country-rock band and joining the school jazz band, Jessie G had the opportunity to play a show with Mic Gillette, during which she got a video singing Aretha Franklin’s ‘Respect’, which was the video she submitted as she applied for a scholarship. “Getting a scholarship for music was just unheard of. I was the first one to really go to college in my family, so it was something that we were really proud of. I majored in political science and music. I thought there was no way you can make a good living with music and support a family so I was thinking I’d become a lawyer in the entertainment industry and then maybe if I get my shot… so I worked as a paralegal for a while.”  READ THE FULL INTERVIEW IN THE LATEST ISSUE OF MAVERICK AVAILABLE HERE! Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com

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Spotlight: Wolf Moon

When did you first know that you wanted to be a musician?  Kelly: Around 5 years old as I loved dancing and singing along to Kylie Minogue’s music videos with a lollipop as a microphone!   Jimmy: It was also around that age as that’s when I began playing piano!   Can you remember the first song you ever wrote?  Jimmy: The first song I remember was written with Matt Gilmour as I went to school with him. It was great because that’s how I also discovered what a genius his dad was! I didn’t realise just how well respected his dad was until I learnt more about Pink Floyd and absolutely loved their music when I first heard it.   Kelly: The first song I wrote was probably in my late teens with a band. It was called ‘Somewhere I Belong’  Can you tell me a little bit about the writing and recording process of the songs on your new album ‘How Do You See Yourself?’  On this album most of the songs were written in lockdown in Ireland and are quite reflective of what was happening at the time, both for me personally and in general.   There are a few songs in the album that were written years before and were fleshed out for the album too. The main process was communicating with each other and the band over a virtual band platform called Soundtrap as we couldn’t get together in person due to lockdown.   This was a great way to add in our parts and ‘create’ and collab via a virtual music platform that allowed us to produce rough demos for the studio! When there’s a will, there’s a way!   READ THE FULL INTERVIEW IN THE LATEST ISSUE OF MAVERICK AVAILABLE HERE! Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com

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Spotlight: Jeremy Parsons

When did you first know that you wanted to be a musician?  I always loved music, but it didn’t occur to me that I could do this for a living until I was about seventeen or eighteen. I started playing guitar, writing and singing my stuff within that time frame, and shortly after, I ventured out to play a writer’s night to give it a shot. It was at Rolling Oaks Sports Bar & Grill in San Antonio, TX. The people loved it and were so nice and supportive. I came back every week, which eventually led to paid gigs, and I just got caught in the whirlwind and was off from that point. I had found what I was here to do.   What music did you listen to growing up?  Growing up, I loved older stuff and even dated back to some of the earliest country recordings by Fiddlin’ John Carson. I gravitated toward Hank Williams Sr. the most, though. You could always find some George Strait and Bob Wills around to being from Texas. I also just really loved hearing Bob Wills make noises in the background.    Can you remember the first song you ever wrote?   Oh geez! I honestly can’t. The first time I wrote, I wrote for a school English project that I was going on about not wanting to do. I went downstairs and complained to dad, and he turned to me and said, “well, you’ve been playing music a lot lately. Why don’t you try writing your paper to music.” I went upstairs and knocked out the project in no time. After that, I was off and running. Writing every song idea that I had. Which at that time was a lot.  READ THE FULL INTERVIEW IN THE LATEST ISSUE OF MAVERICK AVAILABLE HERE! Media Contact: Zoe Hodges, Editor Email: editor@maverick-country.com  

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