2023

Priscilla Block makes her debut supporting Old Dominion on tour

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Priscilla Block made her name like many artists do, cutting her teeth in Nashville, a grueling schedule of playing the bars on Broadway and sitting in rounds night after night and hoping one day to take the big stage in Nashville. For years, Priscilla performed at Pete & Terry’s Tavern at Bridgestone Arena, telling her bandmates that one day they would make it inside and play that stage. On Friday 15th December, Priscilla’s dreams came true as she took the stage in support of Old Dominion during their ‘No Bad Vibes Tour’ stop at Bridgestone Arena in Nashville.   Read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Watch the making of The Rolling Stones’ ‘Stoned Cold Country’ now

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In celebration of The Rolling Stones’ 60th anniversary, country’s biggest stars came together for ‘Stoned Cold Country’, released earlier this year and a documentary of the album’s in-studio creation. The documentary, available now to rent or purchase, takes fans behind-the-scenes and into the creation of this love letter to The Rolling Stones from Nashville. Filled with reimagined versions of the legendary rock band’s catalogue, enlisting the help of country stars Brooks & Dunn, Brothers Osborne, Eric Church, Steve Earle, Elle King, Marcus King, Little Big Town, Ashley McBryde, Maren Morris, Elvie Shane, Koe Wetzel, The War and Treaty, Lainey Wilson and Zac Brown Band, to sit down with each to dive into the Stones influence on their individual careers. All of these artists share the same spirit as The Rolling Stones – rule breakers and trailblazers. Music is in these artists’ make up, fame or no fame, each of them would be playing music even if they didn’t have a record deal. ‘Stoned Cold Country’ also illustrates the recording process of each of the songs with each artist. Take a deep inside the studio and how all the tracks and vocals were recorded in the same room. The Stones created their music together and by doing so, you can feel the intimacy and connection when it’s done that way. Singers, musicians, engineers and producers are working fully together and feeding off their combined creative energy. Long fascinated by the The Rolling Stones – and specifically their country roots – Deaton, long-standing executive producer of the CMA Awards, spent the past several years on a specific mission: namely to shine a light on the Stones’ influence not only on country music at large, but more specifically on some of its most convention-busting contemporary artists.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Mickey Jupp – Hallelujah to Amen LP

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Mickey Jupp is a legend in the R&B Pub Rock ‘N’ Roll circuit in the UK. Unlike many other musicians, he has been executing his genius for almost 50 years without the need to court fame. With his new album, ‘Hallelujah to Amen’, Jupp brings together references to rock ‘n’ roll, blues and hints of psychedelia. The rip-roaring starter ‘I Should Be Loving This’ kicks the LP off with a heavy guitar rock ‘n’ roll sentiment, but by the time of ‘Out On The Edge’, Jupp has slid easily into blues and basslines. Produced in his cottage using vintage recording equipment, the sound feels true bluegrass – to the point you can imagine a smoke-filled bar with only Jupp’s blues and mysterious strangers for company. The wit, emotion and exceptional quality of Jupp’s musical abilities makes you wish you’d discovered his work earlier if you hadn’t and want to see him perform live only to get a dusting of his energetic talent.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com  

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Review: Randall King – Hang of Hangin’ On EP

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King’s new EP comes a few months before he drops his third album in January 2024. The Texas native utilises his mother tongue in this latest batch of songs, with a heavy emphasis on a sound that grows as his audiences do. This is good stadium country music, emotional songs to draw the listener into his internal world and conflicts sit comfortably alongside the rougher, rockier tracks on the EP. Due notice was taken on the slower tracks of King’s impressive use of harmony that creates some not-so-run-of-the-mill country ballads. Taking notes from 80s country twang style – think George Strait and Keith Whitley – if this is King’s taster for the upcoming album, then he’s onto a winner.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Fresh face Mikala Fredriksson releases debut single ‘End In Your Tears’

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Up and coming British country music artist Mikala Fredriksson released her debut single ‘Ends In Your Tears’, which is the first track to be lifted off of her forthcoming inaugural EP, which is coming your way in early 2024.   As the British country music scene grows, Fredriksson’s first single shows off her powerful vocals and blues-influenced country inspiration. Having been performing across the world for over 15 years the Blackpool native is an accomplished artist and performer adds a unique perspective to the genre.   Speaking about her career so far, and the inroads she’s making into country, Fredriksson says: “To share my own stories by writing songs has always been my dream, I didn’t wanna give up on my music career until I had my own songs out there. To let people in, to really get to know me and share my ups and downs, is scary yet therapeutic and also so much fun! I would love for people to enjoy my music and live and breathe country music especially, as much as I do”     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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C2C reveals the Introducing Nashville lineup for 2024

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After a huge amount of enthusiasm from audiences in 2023, CMA’s international touring series, ‘Introducing Nashville’, returns to the main stage of C2C for the third year in a row. Conner Smith, Karley Scott Collins and Lauren Watkins will take to the stage for a Nashville-style songwriters round. Launched in 2019, ‘Introducing Nashville’ provides a platform to introduce exciting current artists to international audiences. Music fans around the world have long loved the Nashville-style writer’s round with artists appearing on stage together in an acoustic lineup, introducing their songs and sharing stories about their careers and personal lives. Since its launch, ‘Introducing Nashville’ has delivered performances to fans worldwide including Amsterdam, Auckland, Berlin, Dublin, Glasgow, Hamburg, London, Oslo, Stockholm, Tokyo and additional cities in the U.K. and Australia, with lineups featuring a variety of artists including Priscilla Block, Danielle Bradbery, Tyler Braden, Brandy Clark, Devin Dawson, Travis Denning, Lindsay Ell, Caylee Hammack, Walker Hayes, Lauren Jenkins, Tiera Kennedy, Logan Mize, Alana Springsteen, Tenille Townes, Morgan Wade and Rachel Wammack. Alongside this, C2C Festival has announced that Lily Rose will complete the line-up for 2024’s Spotlight Stage, joining Carter Faith, Chapel Hart, Colbie Caillat, Fancy Hagood, Mason Ramsey, Restless Road, Tigirlily Gold and Wyatt Flores. Both Introducing Nashville and the Spotlight Stage highlight developing country music and provide an opportunity for the genre’s rising stars to perform in front of thousands. C2C 2024 will be headlined by Kane Brown, Brad Paisley and Old Dominion with Carly Pearce, Jake Owen, Brothers Osborne, Lauren Alaina, Brian Kelley, Elle King, Priscilla Block and Drake Milligan also performing on the main stage across the weekend in London, Glasgow and Belfast.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Steve Jinski – Muscle Memory Double LP

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Steve Jinski comes back with his fourth album, a double LP that revisits and remasters his debut ‘Eventually’ on the second disk. The inspiration of Giles Martin’s work remixing Beatles records is tangible throughout, with songs based around chords and refined guitar work, but also some sonic similarity to David Bowie’s early work – especially on the track ‘Putting The Boat Out’. It’s undeniable that Jinski is at his best when storytelling through his lyrics. Meandering and romantic narratives pepper the smartly-curated EP and the variance between each track ensures that the listener stays on the path Jinski has trod down for them. An album for a more reflective type of audience, there are moments to breathe and pauses that make the audience lean into the all-important lyricism. A must-listen track has to be ‘Picture Post’, which is a lush and intricate song and reaches the peak of Jinski’s storytelling through songwriting.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Little Lore – Seven Stories Part One EP

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London-based Little Lore (AKA Tricia Duffy) releases her second solo EP, Seven Stories Part One. Well-renowned in the Americana scene for her partnership, Duffy & Bird, Lore stepped out of the duo two years ago and now into this second raucous, but still well-crafted EP. Her songwriting hasn’t gone astray, with catchy lines coming thick and fast, alongside the wistful observational writing. The musicality sways in with reverberating, almost shoegaze guitar embellishments and constantly strumming acoustic guitar to ground each song with the brushed drums and light piano accompaniment. Altogether, Lore’s vocals and the instrumentation come together to make a pleasant, if often melancholy, sound. We can’t wait for Seven Stories Part Two!    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Lainey Wilson – Watermelon Moonshine

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When Lainey Wilson released her fourth album ‘Bell Bottom Country’ in 2022, it was clear ‘Watermelon Moonshine’ was destined to be a hit single. With the perfected country music tropes: young love, reckless (and underage) drinking, ‘first times’, summer. The arrangement of the track echoes the lyrics almost like a mirror, there’s twanging guitar married to an acoustic guitar that gives the track that dreamy, reminiscent sound and Wilson’s voice goes from soft and gentle to powerful in seconds – just at the right time, too. Comparisons to Deana Carter’s slightly controversial 1996 anthem ‘Strawberry Wine’ are well founded, but Wilson avoided any finger wagging by making her protagonist 18 years old, making the song unblemished.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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Review: Jessica Lynn – Not Your Woman (The Sweetwater Sessions)

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The bass drum might be the first thing you notice about this track. With a heavy beat and guitar embellishments that grow into chords driving the track towards its chorus. Lynn’s vocals have been frequently compared to Shania Twain and it’s easy to draw that parallel on this track. A reimagining of her popular 2016 song, the Sweetwater Sessions version of ‘Not Your Woman’ adds something special, a strength and grit that Lynn has curated over the years, becoming a more confident and believable performer as she hones her craft. The country/rock heart of Lynn’s hit remains, although there are points where her voice – as great as her vocals are – could have been prioritised over the instrumentation of the track. Taking the shine off the track by adding in more leading guitar and the growth in her growling makes this song even better, somehow both more country and more rock than the original.    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: editor@maverick-country.com

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