2022

Review: ‘Do It Right’ – Brandi Vezina

Brandi Vezina was a new name to me, the Winnipeg native looks to branch out as she releases this summer anthem, ‘Do It Right’. Drawing influence from the likes of Johnny Cash, The Rolling Stones, Janis Joplin and Miranda Lambert, you can see where she gets her feisty side from in her music. An autobiographical track, this latest single takes Vezina back to her wilder days and takes us to a honky tonk with that upbeat production ringing in our ears. The track follows up her debut album ‘#Dontsettle’ which was released during lockdown. This time the track was written and recorded during lockdown but seeks to lift people’s spirits as we begin to open up and Vezina looks to step back out onto the stage again. The tune is toe-tappingly good, the production is well polished, whilst her vocals are powerful in their delivery. All in all, it’s a great track which serves it’s purpose well, I’m glad I discovered this young talent and look forward to hearing more of what she has to offer. 

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Review: ‘Marked Man’ – Ben Hemming

Following on from last year’s ‘Broken Road’, Ben Hemming returns with his fourth album. The album was recorded at Masterlink Productions, a studio located in rural Woking just outside of London, with producer James Welsh at the controls. Leaning more towards the rock and blues influence, ‘Marked Man’ draws upon the feelings of rejection and isolation, a relatable topic after what the world has experienced over the last few years. The album opens with the gritty ‘Lost Faith’ a heavy production lays the foundations for Hemming’s strong vocals to sit on top. Though throughout the subject matter seems deep, there is a sense of rediscovery and acceptance. There is a strong sonic identity throughout. The stand out track comes from the title track, ‘Marked Man’ which allows the focus to lie with the lyrics as the production gives space for the emotion to linger. It’s not a record that would appeal to the average country fan, but the lyricism can certainly be appreciated by any music lover and Hemming’s vocals are strong with a pleasant tone. 

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The Bros Landreth release new album today!

The acclaimed Canadian duo, The Bros. Landreth finally release their new album Come Morning, marking both a rebirth and refinement of the JUNO-winning band’s blend of North American roots music and harmony-heavy soul. Listen HERE.   With a string of single releases already this year, The Bros. Landreth have been winning acclaim from the likes of MOJO Magazine, Maverick Magazine and Americana UK and many more, plus radio support from BBC Radio 2.  To celebrate the release of the album the brothers release another new video, this time for the brilliant “Don’t Feel Like Cryin” featuring Leith Ross.   The most immersive, emotive record of the Landreths’ career, ‘Come Morning’ finds brothers Joey and Dave lacing their melody-driven songs with layers of atmospheric synth, organ, and textured guitar. The group’s previous albums shone a light on their strength as a live act, capturing the spontaneity and sonic stomp of a band of hard-touring road warriors. If those records unfolded like snapshots of The Bros. Landreth’s night-time shows, then ‘Come Morning’ sketches a markedly different picture, showcasing the introspection and clarity that comes with a long period of rest.   Forced to keep a tight circle due to Covid restrictions, Joey and Dave made ‘Come Morning’ in near-seclusion, pulling long hours in the studio and building songs one instrument at a time. They recorded, layered, stripped away, and layered again. Sounds were sampled, re-sampled, and twisted into something new. Prioritizing moody textures over fiery fretwork, Joey took an understated approach to the guitar, saving his big solos for key moments. He placed an equal emphasis on keyboards, beefing up the recordings with Hammond organ and analog synth. Slowly, steadily, the Landreths pieced together a transportive album built for the heart, the head, and the headphones. This time, the songs weren’t the only thing telling a story; the sounds told a story, too.   This record marks a new dawn for The Bros. Landreth, whilst featuring appearances from Leith Ross (whose 2020 debut was released on the Landreth’s record label, Birthday Cake) and drummers Aaron Sterling and Daniel Roy, at the album’s core are the Landreths themselves: two born-to-collaborate brothers who sing songs about hard truths and new beginnings, having been brought back together during a time of unprecedented isolation.   READ OUR REVIEW OF THE NEW RECORD HERE! CATCH THE BROS. LANDRETH IN THE UK THIS SEPTEMBER:Thurs., Sep. 1 | O2 Shepherd’s Bush Empire | LondonFri., Sep. 2 | Academy 3 | BirminghamSat., Sep. 3 | Queens Hall Narberth | WalesSun., Sep. 4 | Thekla | BristolMon., Sep. 5 | The Venue | DerbyTues., Sep. 6 | Greystones | SheffieldWed., Sep. 7 | Room 2 | GlasgowThurs., Sep. 8 | Academy 3 | ManchesterFri., Sep. 9 | Academy 2 | Oxford

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Review: ‘Come Morning’ – The Bros Landreth

Canadian outfit, The Bros Landreth, made up of Joey and Dave have returned with their latest record ‘Come Morning’. What strikes me upon first listen is the spacious and somewhat dreamy soundscapes they create with the production and arrangement which gives the brother’s melody room to breathe. It opens with the laid-back ‘Stay’ which draws upon their experiences of life on the road. The chorus melody gets stuck in your head after one listen, what sounds like a hammond B3 lays the foundations for the vocals which is a lovely addition. The stand out track comes in the form of ‘Don’t Feel Like Crying’ which features Leith Ross. The emotion is raw on this track, the organ and slide guitar helping to create a sense of loneliness and longing. As for the collaboration, it was as if Leith was made to sing with the brothers. Despite this heartbreaking addition, the overriding theme is one of positivity as the up-beat ‘Drive All Night’ shows. The level of musicianship on this track in particular is exemplary. This record is The Bros Landreth at their very best, and we’re looking forward to watching them bring these songs to life in a live setting as they tour in September. 

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Brett Eldredge

Brett Eldredge returns to Manchester in style!

Supported by Luca Fogale, Brett Eldredge embarked on his UK tour last week. He was the last show I saw before the pandemic hit in 2020 and is one of the first to return to the UK since. Fogale did an acoustic set to open the show, his songs, mainly ballads, were well written and he had a lovely tone to his voice. He was grateful for every minute that he was on stage. He’s certainly one to watch out for in future. On to Eldredge’s set and it was clear from the first note that it was going to be an energetic performance, the lighting adding to the mood. A big grin on his face he seemed fired up for the Manchester crowd that wasn’t quite full but was loud nonetheless. During his second song the room got louder still as they sang their hearts out to the early chart topper, ‘Don’t Ya’ as Eldredge paraded up and down the stage. He took it down a notch for ‘Gabrielle’ another fan favourite before playing some songs off his new record which he announced just over a week ago. His new single, the title track of his upcoming album ‘Songs About You’ was already on the lips of many Mancunians as Eldredge’s face lit up as they sung it with him. It wasn’t the only new music he played as live renditions of ‘Good Day’ and ‘Holy Water’ were mixed in amongst his more established hits. He also shared the story behind ‘Want That Back’ speaking honestly about how he struggled during lockdown. Much of his set was kept upbeat and energetic but it was refreshing when his band exited and he played an acoustic song, his 2017 hit ‘The Long Way’. Here, you could hear his voice, flawless in it’s delivery. From that point on, he invited his band back on stage and turned up the heat. Manchester was bouncing and so was Eldredge. The lights turned out as he sung ‘Mean To Me’, the crowd lighting him up with the flashlights on their phones, to great effect. He seamlessly flowed into a rendition of ‘My Girl’ from his hit song ‘The Reason’ which fans appreciated and thumped his chest at the end of ‘Lose My Mind’ as the noise rose inside the O2 Ritz. He found his second wind as he jumped around the stage, the lights increasing in intensity too. He closed on ‘Wanna Be That Song’ but the Manchester crowd didn’t want him to go just yet, for all it’s intensity, it felt too short! He returned to the stage with his band for a cover of ‘I Can’t Make You Love Me’ before concluding on fan favourite ‘Beat of the Music’. It was a fantastic night, one we wish we could have all over again!

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Keith Urban brings the house down in Manchester!

Keith Urban showed everyone why he’s been crowned Entertainer of the Year so many times as he put on a show at Manchester’s O2 Apollo. Since I’ve been going to gigs, I cannot remember seeing a show quite like that; the guitar skills, the energy, the humour – the night had everything! He opened proceedings with ‘Days Go By’ and it was immediately clear that it was going to be an energetic night and the crowd was loud as they sang their hearts out from the get-go. Three songs in and Keith addressed the crowd, he was reading the signs his fans had made for him and chatting with those he could. Summer, who was attending her first gig with her mum and dad was asked to join him on stage. As they took photos together, Keith joking told the crowd to chat amongst themselves, “I’ll give you a topic” he said, “Do penguins have knees?” Throughout, he had a strong rapport with the sell-out crowd. Later on he would involve them again to sing their guilty pleasure song, ‘In The Jungle’. Keith warned of a long night as he took us on a journey, playing hit after hit from different points in his career, from ‘Never Coming Down’ and ‘Parallel Line’ from ‘Graffiti U’ to ‘Ripcords’ ‘John Cougar, John Deer, John 3:16’ the crowd, even those still seated were dancing along. Keith’s vocals never faltered as he danced along with them. During ‘God Whispered Your Name’ Keith showed off his impressive guitar skills as he took time for a solo and to improvise. He also introduced some of the band at this point though the rest would be introduced towards the end of the night when Jerry Flowers and Nathan Barlow showcased both their playing abilities and their singing which was outstanding. The special effects and lighting added to the spectacle, particularly the scene where it looked like a girl behind a shower screen or curtain, it was 3D and very realistic. It was instrumental in the delivery of the duets, ‘One Too Many’ and ‘The Fighter’ as the screens projected P!nk and Carrie Underwood up there whilst the crowd imitated them, with big smiles upon their faces. There were a couple of special and unique moments that occurred in the show, firstly was the introduction of a group of buskers that Keith and his drummer had watched just the day before in the centre of Manchester. The Reggae outfit, named Rough Trade, were delighted to have been given the opportunity and on their second song, a cover of ‘Red, Red Wine’ Keith sang along with them. Later in the show, Keith played acoustically, just by himself and an acoustic guitar. They had had to adapt their usual set-up for the venue but it didn’t phase Keith as he still executed it perfectly. He began by paying tribute to Naomi Judd and singing ‘Love Can Build A Bridge’. He ended this short segment by going back in time to 2002 and ‘You’ll Think Of Me’. He ended the show with the upbeat, party anthem ‘Wasted Time’ with confetti cannons firing but the fans didn’t want him to go just yet. So, after briefly exiting the stage he returned for a couple more including a stripped down version of another early hit, ‘Stupid Boy’. From start to finish, Keith Urban brought a party to Manchester. Keith along with his whole band showed some of the greatest level of musicianship that I’ve ever seen, his connection with the audience was unrivalled and his vocals were on point. Moreover, it was a set full of the highest quality tunes you’ve heard this century and there were moments that made you laugh, moments that made you cry and moments that saw you up on your feet dancing along. It’s one of the best gigs I’ve ever been to!

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Jess & the Bandits Together Again – Live Tour May 2022

A planned break after the 2019 UK tour ended up significantly extended for International band Jess and the Bandits. With Jess based in Texas and the Bandits in the UK, the pandemic restrictions were felt even more acutely for this fun loving, crowd pleasing band who thrive on live performance and tour life. Frontwoman Jessica Clemmons formed her Bandits in 2012. With her big voice and warm personality, the Texas native felt an instant connection with the four Brits who made up her band and shared her love for authentic country music. Though over the years members have come and gone as they carve out their own musical journeys, Jess and the band have forged her own brand of UK country, releasing music to critical acclaim, touring extensively and growing a dedicated fan base along the way. Jess’s’ family grew from 3 to 4 in 2021 with the birth of her second son and she is looking forward to introducing both of her baby Bandits to the UK and the world of a touring artist! Jess has been delighted to spend time working on new music over the last couple of years and is excited to announce a brand-new Jess & the Bandits album set for release in 2022. She will be over in the UK in May for an exclusive collection of live shows. Announced as the headline artist for Pitlochry festival (20th May) and supported by Nashville Sounds in the Round in Birmingham(10th May), UK Country Live, promoters of dates in Glasgow (21st May) & Manchester (24th May) and Nashville Meets London (25th May), Jess will be delighting fans UK-wide. With new music set to be released imminently, this exclusive run of shows is the perfect opportunity to catch Jess & The Bandits as they perform brand new material, alongside some old favourites.

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Willie Nelson

Willie Nelson releases new album on his birthday!

Legacy Recordings, a division of Sony Music Entertainment, announces the release of Willie Nelson’s new studio album, A Beautiful Time, out today on his 89th birthday. Legacy has released A Beautiful Time–Nelson’s new studio album (and 17th for the label)–on vinyl (black vinyl as well as an exclusive orange vinyl edition for Barnes & Noble), CD and digital formats (including in spatial hi-res audio in Atmos and 360RA formats). Produced by Willie’s longtime musical collaborator Buddy Cannon (who’s cowritten six of the album’s new songs, including five with Willie), A Beautiful Time is a fully-realized new studio album. In 2021, Legacy Recordings released two new Willie Nelson albums–That’s Life and The Willie Nelson Family. That’s Life, Willie’s musical homage to the artistry of Frank Sinatra debuted at #1 on both Billboard’s Jazz Albums chart and the Traditional Jazz Albums chart and is currently in the running for the Best Traditional Pop Vocal Album Grammy. To mark the release of A Beautiful Time and his birthday, Nelson is performing in Austin, TX at the grand opening of the Moody Center tonight and tomorrow. On Sunday, May 1, he will return to his ranch in Luck, TX for the special concert event To Willie: A Birthday Celebration hosted by Bruce Robinson with performances by guest of honor Willie as well as Nathaniel Rateliff, Robert Earl Keen, Margo Price, Ray Wylie Hubbard, and Vincent Neil Emerson. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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CMA Fest

CMA Fest announces line up for Ascend Ampitheatre!

With just six weeks before music fans descend on Nashville for CMA Fest, the Country Music Association has announced another exciting lineup, this time for the CMA Fest Nighttime Concerts at Ascend Amphitheater Friday, June 10 and Saturday, June 11. The two nights of not-to-be-missed performances at the open-air venue start at 7:00 PM/CT both evenings. Night one is sure to bring the party with Chris Janson as headliner on Friday. Joining Janson will be Boy Named Banjo, LANCO, Peytan Porter and Mitchell Tenpenny. Continuing with another slate of unforgettable performances, Saturday night at Ascend Amphitheater will be presented by Warner Music Nashville. Shy Carter hosts the evening headlined by Cole Swindell, with performances from Ingrid Andress, Tyler Braden, Carter and Randall King. Tickets are required for entry. Newly added this year, fans can purchase pit access, standing room only, for $53 per night, with single-day reserved selling for $39 each night and single-day lawn selling for $24 per night. Taxes and fees included. The public on-sale begins Friday, April 29 at 10:00 AM/CT. Tickets can be purchased at CMAfest.com or Ticketmaster.com.    Additional performers, Fan Fair X activities, stage lineups inside Music City Center, and more, will be announced in the coming weeks.

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Terry Emm

Terry Emm releases velvet Americana single ‘Wish You Were Here’

‘Wish You Were Here’, the new single from Hertfordshire singer-songwriter Terry Emm is both a trip down memory lane and the start of a new era for the artist. His first release since 2018’s ‘Ornate’ EP, the poignant single sees Emm revisit a song from his second album from over ten years ago, with new collaborator Lukas Drinkwater (Emily Barker, Jacob & Drinkwater, Annie Howie) on production duties and adding new instruments. The track is now taken in a stunning new direction with a carefully crafted velveteen 70s vintage sound that tugs on the heart strings with its wide-eyed sentiments of love and loss. “The song is a reworking of a track called ‘Here’ from my 2012 ‘Petals Fallen Off The Sun’ album”, says Emm. “That album was my ‘difficult second album’ in many ways and I always felt like ‘Here’ was one of my best songs that hadn’t quite been realized yet and one day I’d revisit it. The idea stuck with me for some time, niggling away, so I felt like it must be done. So now, in a way to introduce myself back into the world of music, I thought why not touch on the past but also bring things up to date at the same time.” Like all of his previous works, the single draws lyrically on Emm’s unique take on the world and again exhibits his non-routine way of structuring and composing songs. Now wrapped in a classic Americana singer-songwriter coat, with Lukas Drinkwater’s superb Fender Rhodes & double bass flourishes, ‘Wish You Were Here’ has been enriched. “Every recording is subjective and captures a creative moment in time as it is and that’s what can make re-visiting songs years later in a new production setting really fun. When demoing material, I always end up with so many versions of songs and you almost want to release all of them with all their variations.” Emm explains. “Lately, I have also been relating to this particular song’s themes again and it has been cathartic to open up to it again. It felt like the song maybe had more to say or do somehow in the world at this time”, he adds. Emm’s three album releases to date have received praise from the likes of BBC Radio 2’s Bob Harris, BBC 6 Music’s Chris Hawkins, Gideon Coe & Tom Robinson, MOJO Magazine, Uncut Magazine, The Guardian and many more, but despite the critical acclaim, somehow Emm’s music has still remained very much under the radar. However, in 2021, Emm’s song ‘Gently’ was featured at a key moment in the narrative of award-winning Toronto based author Jacquelyn Middleton’s Amazon #1 best-selling novel ‘The Certainty Of Chance’, proving the ability of his music to travel around the globe and perhaps hinting at a change in the tide for his career. Wish You Were Here is out NOW!

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