May 2022

Review: ‘Marked Man’ – Ben Hemming

Following on from last year’s ‘Broken Road’, Ben Hemming returns with his fourth album. The album was recorded at Masterlink Productions, a studio located in rural Woking just outside of London, with producer James Welsh at the controls. Leaning more towards the rock and blues influence, ‘Marked Man’ draws upon the feelings of rejection and isolation, a relatable topic after what the world has experienced over the last few years. The album opens with the gritty ‘Lost Faith’ a heavy production lays the foundations for Hemming’s strong vocals to sit on top. Though throughout the subject matter seems deep, there is a sense of rediscovery and acceptance. There is a strong sonic identity throughout. The stand out track comes from the title track, ‘Marked Man’ which allows the focus to lie with the lyrics as the production gives space for the emotion to linger. It’s not a record that would appeal to the average country fan, but the lyricism can certainly be appreciated by any music lover and Hemming’s vocals are strong with a pleasant tone. 

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The Bros Landreth release new album today!

The acclaimed Canadian duo, The Bros. Landreth finally release their new album Come Morning, marking both a rebirth and refinement of the JUNO-winning band’s blend of North American roots music and harmony-heavy soul. Listen HERE.   With a string of single releases already this year, The Bros. Landreth have been winning acclaim from the likes of MOJO Magazine, Maverick Magazine and Americana UK and many more, plus radio support from BBC Radio 2.  To celebrate the release of the album the brothers release another new video, this time for the brilliant “Don’t Feel Like Cryin” featuring Leith Ross.   The most immersive, emotive record of the Landreths’ career, ‘Come Morning’ finds brothers Joey and Dave lacing their melody-driven songs with layers of atmospheric synth, organ, and textured guitar. The group’s previous albums shone a light on their strength as a live act, capturing the spontaneity and sonic stomp of a band of hard-touring road warriors. If those records unfolded like snapshots of The Bros. Landreth’s night-time shows, then ‘Come Morning’ sketches a markedly different picture, showcasing the introspection and clarity that comes with a long period of rest.   Forced to keep a tight circle due to Covid restrictions, Joey and Dave made ‘Come Morning’ in near-seclusion, pulling long hours in the studio and building songs one instrument at a time. They recorded, layered, stripped away, and layered again. Sounds were sampled, re-sampled, and twisted into something new. Prioritizing moody textures over fiery fretwork, Joey took an understated approach to the guitar, saving his big solos for key moments. He placed an equal emphasis on keyboards, beefing up the recordings with Hammond organ and analog synth. Slowly, steadily, the Landreths pieced together a transportive album built for the heart, the head, and the headphones. This time, the songs weren’t the only thing telling a story; the sounds told a story, too.   This record marks a new dawn for The Bros. Landreth, whilst featuring appearances from Leith Ross (whose 2020 debut was released on the Landreth’s record label, Birthday Cake) and drummers Aaron Sterling and Daniel Roy, at the album’s core are the Landreths themselves: two born-to-collaborate brothers who sing songs about hard truths and new beginnings, having been brought back together during a time of unprecedented isolation.   READ OUR REVIEW OF THE NEW RECORD HERE! CATCH THE BROS. LANDRETH IN THE UK THIS SEPTEMBER:Thurs., Sep. 1 | O2 Shepherd’s Bush Empire | LondonFri., Sep. 2 | Academy 3 | BirminghamSat., Sep. 3 | Queens Hall Narberth | WalesSun., Sep. 4 | Thekla | BristolMon., Sep. 5 | The Venue | DerbyTues., Sep. 6 | Greystones | SheffieldWed., Sep. 7 | Room 2 | GlasgowThurs., Sep. 8 | Academy 3 | ManchesterFri., Sep. 9 | Academy 2 | Oxford

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Review: ‘Come Morning’ – The Bros Landreth

Canadian outfit, The Bros Landreth, made up of Joey and Dave have returned with their latest record ‘Come Morning’. What strikes me upon first listen is the spacious and somewhat dreamy soundscapes they create with the production and arrangement which gives the brother’s melody room to breathe. It opens with the laid-back ‘Stay’ which draws upon their experiences of life on the road. The chorus melody gets stuck in your head after one listen, what sounds like a hammond B3 lays the foundations for the vocals which is a lovely addition. The stand out track comes in the form of ‘Don’t Feel Like Crying’ which features Leith Ross. The emotion is raw on this track, the organ and slide guitar helping to create a sense of loneliness and longing. As for the collaboration, it was as if Leith was made to sing with the brothers. Despite this heartbreaking addition, the overriding theme is one of positivity as the up-beat ‘Drive All Night’ shows. The level of musicianship on this track in particular is exemplary. This record is The Bros Landreth at their very best, and we’re looking forward to watching them bring these songs to life in a live setting as they tour in September. 

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Brett Eldredge

Brett Eldredge returns to Manchester in style!

Supported by Luca Fogale, Brett Eldredge embarked on his UK tour last week. He was the last show I saw before the pandemic hit in 2020 and is one of the first to return to the UK since. Fogale did an acoustic set to open the show, his songs, mainly ballads, were well written and he had a lovely tone to his voice. He was grateful for every minute that he was on stage. He’s certainly one to watch out for in future. On to Eldredge’s set and it was clear from the first note that it was going to be an energetic performance, the lighting adding to the mood. A big grin on his face he seemed fired up for the Manchester crowd that wasn’t quite full but was loud nonetheless. During his second song the room got louder still as they sang their hearts out to the early chart topper, ‘Don’t Ya’ as Eldredge paraded up and down the stage. He took it down a notch for ‘Gabrielle’ another fan favourite before playing some songs off his new record which he announced just over a week ago. His new single, the title track of his upcoming album ‘Songs About You’ was already on the lips of many Mancunians as Eldredge’s face lit up as they sung it with him. It wasn’t the only new music he played as live renditions of ‘Good Day’ and ‘Holy Water’ were mixed in amongst his more established hits. He also shared the story behind ‘Want That Back’ speaking honestly about how he struggled during lockdown. Much of his set was kept upbeat and energetic but it was refreshing when his band exited and he played an acoustic song, his 2017 hit ‘The Long Way’. Here, you could hear his voice, flawless in it’s delivery. From that point on, he invited his band back on stage and turned up the heat. Manchester was bouncing and so was Eldredge. The lights turned out as he sung ‘Mean To Me’, the crowd lighting him up with the flashlights on their phones, to great effect. He seamlessly flowed into a rendition of ‘My Girl’ from his hit song ‘The Reason’ which fans appreciated and thumped his chest at the end of ‘Lose My Mind’ as the noise rose inside the O2 Ritz. He found his second wind as he jumped around the stage, the lights increasing in intensity too. He closed on ‘Wanna Be That Song’ but the Manchester crowd didn’t want him to go just yet, for all it’s intensity, it felt too short! He returned to the stage with his band for a cover of ‘I Can’t Make You Love Me’ before concluding on fan favourite ‘Beat of the Music’. It was a fantastic night, one we wish we could have all over again!

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Keith Urban brings the house down in Manchester!

Keith Urban showed everyone why he’s been crowned Entertainer of the Year so many times as he put on a show at Manchester’s O2 Apollo. Since I’ve been going to gigs, I cannot remember seeing a show quite like that; the guitar skills, the energy, the humour – the night had everything! He opened proceedings with ‘Days Go By’ and it was immediately clear that it was going to be an energetic night and the crowd was loud as they sang their hearts out from the get-go. Three songs in and Keith addressed the crowd, he was reading the signs his fans had made for him and chatting with those he could. Summer, who was attending her first gig with her mum and dad was asked to join him on stage. As they took photos together, Keith joking told the crowd to chat amongst themselves, “I’ll give you a topic” he said, “Do penguins have knees?” Throughout, he had a strong rapport with the sell-out crowd. Later on he would involve them again to sing their guilty pleasure song, ‘In The Jungle’. Keith warned of a long night as he took us on a journey, playing hit after hit from different points in his career, from ‘Never Coming Down’ and ‘Parallel Line’ from ‘Graffiti U’ to ‘Ripcords’ ‘John Cougar, John Deer, John 3:16’ the crowd, even those still seated were dancing along. Keith’s vocals never faltered as he danced along with them. During ‘God Whispered Your Name’ Keith showed off his impressive guitar skills as he took time for a solo and to improvise. He also introduced some of the band at this point though the rest would be introduced towards the end of the night when Jerry Flowers and Nathan Barlow showcased both their playing abilities and their singing which was outstanding. The special effects and lighting added to the spectacle, particularly the scene where it looked like a girl behind a shower screen or curtain, it was 3D and very realistic. It was instrumental in the delivery of the duets, ‘One Too Many’ and ‘The Fighter’ as the screens projected P!nk and Carrie Underwood up there whilst the crowd imitated them, with big smiles upon their faces. There were a couple of special and unique moments that occurred in the show, firstly was the introduction of a group of buskers that Keith and his drummer had watched just the day before in the centre of Manchester. The Reggae outfit, named Rough Trade, were delighted to have been given the opportunity and on their second song, a cover of ‘Red, Red Wine’ Keith sang along with them. Later in the show, Keith played acoustically, just by himself and an acoustic guitar. They had had to adapt their usual set-up for the venue but it didn’t phase Keith as he still executed it perfectly. He began by paying tribute to Naomi Judd and singing ‘Love Can Build A Bridge’. He ended this short segment by going back in time to 2002 and ‘You’ll Think Of Me’. He ended the show with the upbeat, party anthem ‘Wasted Time’ with confetti cannons firing but the fans didn’t want him to go just yet. So, after briefly exiting the stage he returned for a couple more including a stripped down version of another early hit, ‘Stupid Boy’. From start to finish, Keith Urban brought a party to Manchester. Keith along with his whole band showed some of the greatest level of musicianship that I’ve ever seen, his connection with the audience was unrivalled and his vocals were on point. Moreover, it was a set full of the highest quality tunes you’ve heard this century and there were moments that made you laugh, moments that made you cry and moments that saw you up on your feet dancing along. It’s one of the best gigs I’ve ever been to!

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Jess & the Bandits Together Again – Live Tour May 2022

A planned break after the 2019 UK tour ended up significantly extended for International band Jess and the Bandits. With Jess based in Texas and the Bandits in the UK, the pandemic restrictions were felt even more acutely for this fun loving, crowd pleasing band who thrive on live performance and tour life. Frontwoman Jessica Clemmons formed her Bandits in 2012. With her big voice and warm personality, the Texas native felt an instant connection with the four Brits who made up her band and shared her love for authentic country music. Though over the years members have come and gone as they carve out their own musical journeys, Jess and the band have forged her own brand of UK country, releasing music to critical acclaim, touring extensively and growing a dedicated fan base along the way. Jess’s’ family grew from 3 to 4 in 2021 with the birth of her second son and she is looking forward to introducing both of her baby Bandits to the UK and the world of a touring artist! Jess has been delighted to spend time working on new music over the last couple of years and is excited to announce a brand-new Jess & the Bandits album set for release in 2022. She will be over in the UK in May for an exclusive collection of live shows. Announced as the headline artist for Pitlochry festival (20th May) and supported by Nashville Sounds in the Round in Birmingham(10th May), UK Country Live, promoters of dates in Glasgow (21st May) & Manchester (24th May) and Nashville Meets London (25th May), Jess will be delighting fans UK-wide. With new music set to be released imminently, this exclusive run of shows is the perfect opportunity to catch Jess & The Bandits as they perform brand new material, alongside some old favourites.

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