March 2022

Thomas Rhett

Thomas Rhett releases new song ‘Death Row’

Thomas Rhett teams up with friends Tyler Hubbard and Russell Dickerson for his latest single off upcoming album ‘Where We Started’. Long recognised for his “songwriting brawn” (American Songwriter) and a prolific career writing about what he knows, superstar Thomas Rhett stretches his truthful storytelling even further today with the release of “Death Row.” Featuring Tyler Hubbard and Russell Dickerson, the song was penned after the three visited a men’s prison in Tennessee with their guitars. Armed with a pressure cooker of emotions, Thomas Rhett wrote the sobering track of redemption alongside Ashley Gorley and Zack Crowell. Fans can now listen to the new track off Where We Started (out April 1 via The Valory Music Co.) here and pre-order the album here. “Tyler, Russell and I went and played some songs for a men’s prison here in Tennessee,” Thomas Rhett shared. “We left with a lot of complex feelings, so I started writing as a way to process the heaviness. Our goal was for people to understand our experience by way of music – it’s basically a page directly from our journal that day.” Watch the lyric video for the song here.

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Dolly Parton

Book review: ‘Run, Rose, Run’ by Dolly Parton and James Patterson

After the songs she’s written, films she’s acted in and composed for, funding a vaccine, and putting millions of books into the smallest of hands, you may be wondering if there’s anything Dolly Parton can’t do? In short, the answer is no as her latest adventure sees her pen her first novel with best-selling author and philanthropist James Patterson. ‘Run, Rose, Run’ follows the story of AnnieLee Keyes, an aspiring country singer as she arrives in Nashville with big dreams. There she meets retired country star Ruthanna Ryder who takes her under her wing and dashing guitarist Ethan Blake who believes in her from the moment he meets her. However, AnnieLee is on the run but what is she running from? ‘Run, Rose, Run’ captivated me from the Prologue, you find yourself holding your breath as you get closer to untangling the web of secrets that each character holds. The three main characters have a lot of depth to them, they’re well developed from the start. AnnieLee Keyes in particular is an easy character to connect with, you feel like you know her like a friend yet at the same time the sense of mystery that surrounds her and her past is written so well. It grips you, you don’t want to put it down until you find out what secrets she’s hiding. Her fieriness and determination to succeed inspire and you find yourself willing her on with each turn of the page. Meanwhile, that grit she shows also sparkles in Ruthanna Ryder’s character. You can see she is like the Dolly Parton or the Reba McEntire of the country world and there is an instant admiration and likability to her. The intricate details within the story help to build the suspense and as things start to look up for a character you can feel something coming just around the corner, so you can never quite relax. However, there is humour in the dialogue, light hearted relief that punctuates the drama and darkness that surrounds the plot. Whilst Patterson undoubtedly brings that suspense and mystery, Parton sets the scene well, the landscape is so beautifully painted. Her knowledge of the music industry really brings the characters and story to life as she references real musicians, events and controversies like ‘Tomato-gate’ and publishing rights; allowing those outside of the industry to properly understand and empathise with the fight artists and writers have on their hands to own their own words. Despite the detail in the build up, the climax seems to go at ten times the speed and to me wraps up a little too quickly (or perhaps I was a little too eager to get to the bottom of the mystery!) Once the antagonist is revealed, minor details throughout the novel begin to click into place and the lyrics on the accompanying album take on a whole new meaning. The audio book is definitely worth a listen too with Parton and Kelsea Ballerini bringing the drama to their voices as they act out the dialogue. I wouldn’t be surprised to see Parton and Patterson team up again in the future and the media interpretations of Run, Rose, Run expanding in the form of a film or musical version. To summarise, it’s one of those books that plays on your mind all day if you have to put it down, wondering what will happen to the characters you’ve come to know and love and once you’ve finished reading, a pang of sadness washes over you that the story, the journey you’ve been on with these characters has drawn to a close. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Dolly Parton

Album review: ‘Run, Rose, Run’ by Dolly Parton

This is, in many ways, an unprecedented project both for James Patterson and Dolly Parton plus the entertainment and leisure industry as well. Patterson has teamed up with other celebrities to craft novel’s set in their chosen field before whilst Parton has written music for a brief like a film script. However, this is her first novel and unlike most novel’s, an accompanying album has been written by her. Although she sings each track, she is singing from the hearts of three of her characters from the novel. On the face of it, this could be another Dolly Parton album, it makes sense as a stand alone body of work and is cohesive sonically. In some ways these songs are just designed to punctuate the novel but in true Dolly fashion each song tells it’s own story, there’s a lot of weight to the lyrics as we hear in ‘Woman Up and Take It Like A Man’. It features those lyrics we keep on reading throughout the novel – ‘Is it easy, no it ain’t, can I fix it, no I cain’t, but I sure ain’t gonna take it lying down.’ There is a grit and determination in the lyric that is both relatable and inspiring. Surprisingly, much of the record feels upbeat and driven in spite of the darkness that looms over the thickening plot in the novel. Don’t underestimate the power of the production and arrangement in achieving this; the classic country sound with a shuffling drum beat and busy fiddle has the ability to lift hearts whilst of course there is an energy that is reflected within the lyrics. The fieriness and resilience of the characters she is portraying shines through in Parton’s delivery, particularly on ‘Snakes in the Grass’. It’s a stand out on the record – her vocals are powerful – she sounds her very best here as she projects that chorus. The production is well thought through, the shaker bringing images of rattle snakes to mind whilst the backing vocals take it to a whole new level. It’s a foot stomping number that pushes forward and helps sustain the suspense that runs throughout the book. Similarly, ‘Firecracker’ really helps to bring to life the personality traits of our principal character AnnieLee Keyes. Occasionally there is a more delicate song, more vulnerable. Again, it reflects the story and characters who, though you know it’s there, very rarely show their vulnerable side to the outside world. Those ballads tug on your heartstrings though, particularly the closing number ‘Love or Lust’ which sees her team up with Richard Dennison for a duet made all the more poignant by the string arrangement. It’s not the only duet on the record as ‘Demons’ opens with the sound of Ben Haggard’s voice and Joe Nichols joins her for ‘Lost and Found’. In conclusion, this is a fantastic record that beautifully accompanies and enhances the characters and story told in the novel. Lyrically and musically it is a strong record from Parton who shows there is no end to her talents with this wonderful project. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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