14 March 2022

Ryman Auditorium

The Ryman Auditorium celebrates 130 years

I have attended the Ryman Auditorium, in downtown Nashville, and been witness to the music of B.B. King, Tommy Emmanuel, Victoria Justice, Dodie and the comedy of Jim Gaffigan. This year the Ryman celebrates its 130th anniversary from humble beginnings in 1892 to the Mother Church of today. Of all the incredible venues to absorb live music in Nashville nothing is better than sitting in the wooden pews of the Ryman and feeling that you are a part of this historic institution.   To mark this milestone event there will be additions to the daytime tours, community events, residencies and of course many special concerts. The Ryman Community Day will be held in May with special pre-show events and plans for the PNC plaza. Residencies are currently planned for Dwight Yoakam (Jan 19-21), Billy Strings (May 6-8) and many more to be formerly announced. Some of the major concerts will include The Beach Boys, Trace Adkins, Yola, Bonnie Raitt, Gladys Knight and the Black Pumas.    Although known for Country Music, as the former home of the Grand Ole Opry from 1943-1974, the Ryman has welcomed many different genres of music and entertainment in its long history.  The first concert was held on May 4th 1892, and since then it’s stage has seen the likes of Charlie Chaplin, Harry Houdini, Martin Luther King Jr and former US President Theodore Roosevelt. Music acts that have performed there range from Sheryl Crow, Johnny Cash, Harry Styles, Patsy Cline and Garth Brooks. Virtually every show at the Ryman sells out and it typically hosts 200 shows per year and is the Number one theater for concert ticket sales worldwide per Pollstar.    The Ryman Auditorium was built by Captain Thomas G. Ryman and was originally the Union Gospel Tabernacle. What started out as a church evolved into a symbol of music and hope and a goal where every music artist eventually hoped to perform one day. Television shows and movies have been filmed inside and around the Ryman including The Johnny Cash Show, Coal Miner’s Daughter, Nashville and American Idol.    Having stood backstage and walked on the stage to conduct interviews with artists in the past you feel a sense of reverence at the Ryman. I don’t know if it is knowing that you are standing on the same wood that legends stood and performed or of the great history that permeates the building. When I first moved to Nashville, I took my family backstage during a special Opry performance and The Riders in the Sky sang Woody’s Roundup for my daughter before they went on stage.    I highly recommend the day tours to really understand the full history of the Mother Church.  They have also taken to curating excellent historical displays with instruments in cases at the top floor. Attending a concert or entertainment show is a must at the Ryman when you visit Nashville. Inside you will see statues of Roy Acuff and Minnie Pearl on a bench in conversation. Outside there are life size statues of Little Jimmy Dickens and Bill Monroe who were both influential in the popularity of the Ryman. In 2020 a statue was erected of Country Music Legend Loretta Lynn to commemorate her debut performance there 62 years ago. And of course, you should have something to remember the original founder of the Ryman with Captain Thomas Ryman watching over your entrance.    History, music, entertainment and nostalgia are all pieces of the puzzle that make the Ryman Auditorium such an architectural icon. Come celebrate the Mother Churches 130th Birthday this year, you won’t regret it!  To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Eric Dahl Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Ruby Gaunt

Luke Combs brings on special guest as he brings the house down at C2C

Luke Combs closed out C2C with a bang as he performed one of the most energetic headline sets that I’ve ever seen at C2C and there was a surprise in store as he welcomed Ed Sheeran to the stage for a special duet! The day got off to the very best of starts as Caitlyn Smith opened the Town Square stage at 10.30am. For many, including myself, she has been one of the highlights of the whole weekend with that stunning voice and thoughtful songwriting. Callie Twisselman also really impressed me on the two occassions I saw her perform today, just happy to be up on stage, she engaged with the crowd well. Due to some back line issues Walker County had to adapt their set and their usual set-up but still managed to pull off a brilliant performance. The Indigo reached capacity crowd for Tenille Arts which was no surprise but luckily we managed to sneak in to catch her gripping performance. On the spotlight stage today, Avery Anna’s vocals impressed me and her unusual yet beautiful rendition of ‘Ring of Fire’ and ‘Forever and Ever Amen’. Seaforth made that stage into a party stage with their single ‘Good Beers’ whilst Tenille Arts once again had the crowd in the palm of her hand for her set. To the main arena and problems somewhere along the line getting artists from Ireland to London meant that none of the artists gear had shown up so things were running a tad late and they were all having to share the same instruments that C2C had acquired from somewhere. It was worth the wait though as Hailey Whitters, a songwriter I greatly admire, took to the stage to share some new songs from her album which comes out next week as well as some fan favourites and a cover or two. ‘Everything She Ain’t’ was a real highlight for me whilst ‘Heartland’ was a crowd pleaser. She also performed Trisha Yearwood’s debut single ‘She’s In Love With the Boy’. Her rendition was energetic and charming. Flatland Cavalry was the band I knew the least about coming into the weekend but the level of musicianship they displayed blew me away, perhaps the next Zac Brown Band? It’s a proper Texas country band, their brand of authentic country music slightly different to anyone else on the line up. They opened with ‘Some Things Never Change’ and my foot instantly began tapping. Lead singer Cleto Cordero invited his wife Kaitlin Butts on stage to sing ‘A Life Where We Work Out’. They had already won me over by this point but I thought this was a particular highlight. The tempo stayed high after that as they got the crowd singing along to John Denver’s ‘Take Me Home, Country Roads’. They followed this with Wesley Hall showing off his fiddle skills in their rendition of ‘Dueling Banjos’ before concluding with ‘Stompin Grounds’. Ashley McBryde followed, it’s been nice watching her progression over the years from performing acoustically on the pop-up stages to performing on the main stage the very next year and now, next to the headliner. It’s been a deserved journey though and a joy to watch. She opened with the feisty ‘Martha Divine’, introducing us to the slightly rockier show that she was about to put on. She kept the tempo high as she danced her way through ‘El Dorado’, ‘Never Will’ and ‘Living Next To Leroy’. The moment of the night was when she talked about ‘young folks (folks not old enough to drink)’ and how bringing them to concerts like that showed them they could stand where she is standing. This led nicely into ‘Girl Going Nowhere’. McBryde looked overwhelmed by the crowds reception of the song as she said “London, you’re going to make me cry!” ‘Dive Bar in Dahlonega’ was another special moment between the fans and McBryde and when she concluded on ‘One Night Standards’ the fans were begging for more. Unfortunately, time was tight though and before you knew it, it was Luke’s turn. If it was loud before, it just got louder. He made a dramatic entrance, walking out to the band playing the intro of ‘When It Rains It Pours’ but as he started singing there was no sound for us out front. Down at the front, they managed to get his attention that they couldn’t hear and he told his team who swapped out his mic all whilst the band kept on playing. He stopped proceedings to ask if we could all hear now. Ever the professional, he took it from the top again. He worked the stage as he sang ‘1, 2, Many’ and told us the story behind ‘Houston, We Got A Problem’. The whole crowd were up on their feet, belting out ‘One Number Away’ before Combs asked permission to perform a cover. Here came the big surprise as he began ‘Dive’ by Ed Sheeran before welcoming the man himself to join him on stage which judging by the gasps and screams from the audience meant they were quite surprised to see him! The pair performed it together perfectly. ‘Dive’ wasn’t the only cover he did as he sang ‘Brand New Man’ a song made famous by Brooks and Dunn, a song he sang with the duo on their ‘Rebooted’ record. The powerful one for me was ‘Beautiful, Crazy’ which saw a tear prickle my eye. Though he’d taken it down a notch for that last song he cranked things back up with ‘She Got the Best of Me’ and ‘Hurricane’ – his concluding song. But there was time for an encore and the level of noise suggested the crowd weren’t going to go anywhere until he’d come back out. He performed two more number one’s upon his return – ‘Forever After All’ – a tug of the heartstrings, romantic tune, followed by ‘Beer Never Broke My Heart’. I don’t know how much beer he must have gone through after throwing

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