2021

Emmylou Harris

Review: ‘Ramble in Music City: The Lost Concert (Live)’ – Emmylou Harris

The lost recording from Emmylou Harris and the Nash Ramblers hometown show has been unearthed and thank goodness it has! The first thing that hits you is the incredible musicianship that the Ramblers display as the concert begins with the high tempo Roses In The Snow something which is further showcased in jaw-dropping instrumental displays throughout, such as on The Price I Pay which sees Harris duet with Sam Bush when the vocals kick in. If you close your eyes, the four walls that surround you fall away and you’re transported to Nashville, to that concert as Harris’ impeccable vocals serenade you. Hit songs like Beneath Still Waters and the closing track, Boulder to Birmingham hold more weight to them in this live setting, the emotion audible in her voice. What you hear is a glimpse of a spine-tingling performance from some of the greatest musicians ever assembled, playing some of the greatest bluegrass and country songs ever written. The timeless performance, delivered as a high quality recording, is a must have in any music fans collection.   To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Review: ‘No Hope Without Love’ – The Rising

The Rising, made up of Chris Logan and Chantelle McAteer, have written and produced a brilliant EP. The DIY, homegrown musicians have stayed true to their country-rock sound and their ability to tell a good love story remains. Upon first listen I notice the tidy production and the high energy injected into the opening track You Had It All. McAteer’s vocals are at their very best throughout the record as they soar through those choruses. A stand out track for me is Bruise You Left which reflects upon the impact of a failed relationship, the vocals start off small, playing host to vulnerability as they convey the story. Highway to the Lost and Found reflects upon life as an independent touring musician, addressing the hardships and passion behind the job. It’s all set to an upbeat, intense arrangement which leans even more towards the rock side of the genre. I enjoyed the guitar solo in the middle also. To summarise, it’s a strong EP from the duo who have worked tirelessly to study the changing industry models of release and keep fans engaged throughout the pandemic. They’re certainly a band you’re willing to succeed!  To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Gregory Dwane

Review: ‘Gregory Dwane’ – Gregory Dwane

There’s no doubt about it, Gregory Dwane is a creative individual. Having worked in the music industry writing jingles and producing various artists to painting and opening a fine art gallery in Brooklyn, Dwane has done it all! Now he embarks upon a new venture exploring the world of alt-country. The lyrics throughout are an acknowledgement of life experiences both the ups and downs and tough lessons he’s learnt along the way. The honky-tonk feel of Do You Really Want Me opens the album, giving us our first introduction to Dwane’s gritty vocals. The production is tidy, he’s got a good group of musicians helping to bring this together. It’s a catchy, toe-tappingly good opening number. My favourite track is When You Say California, the relaxed, laid-back vibe at the beginning is fitting whilst the banjo is bright and sits perfectly within the production. The swirling pedal steel throughout adds a different dimension to the track. As it ramps up we hear more conviction in Dwane’s voice and we feel the intensity pick up. I am really excited by this album and this new artist on my radar, with his creative background taken into consideration as well, there is so much potential for Dwane to go off exploring his sound further – though it’s pretty good just the way it is!  To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Review: ‘Everything’s Waiting For You’ – Tom Speight

Everything’s Waiting For You is a positive, vibrant release from Tom Speight, a record we never knew we needed to hear, particularly in light of this last 18 months or so. It’s a reminder to live each day as it comes and make the most of every second. Sonically, the album reminds me of Coldplay or a band of that elk, it wouldn’t be out of place sitting on the mainstream charts here in the UK that’s for sure. A couple of highlights for me, are the title track and Hymn For Her. The former, which was released as a single, has a big, catchy chorus. The female backing vocalist, providing support to Speight’s toppling is subtle yet really effective. Meanwhile, Hymn For Her begins acapella and highlights Speights vocal style and range – the conclusion being he has a lovely, controlled falsetto. The production is stripped back throughout before opening up towards the end with epic drum hits and cymbal crashes along with a distorted electric guitar. As a country music fan I was pleasantly surprised that I enjoyed this album so much but I think Speight has an awful lot of talent and this record could do really well in a mainstream setting. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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TBCMF

Top Weekend: The British Country Music Festival

The British Country Music Festival was a weekend like no other. A celebration of live music and of homegrown talent. Marina and Martin from Fit The Bill launched the festival three years ago and despite Covid scuppering their plans last year, the festival has grown since 2019 and a community, a family friendly environment has been created. Held at the Winter Gardens in Blackpool, the three day festival featured an array of familiar faces on the British scene as well as some new talent, and showcased the various sides of what country music can be – meaning there was something for everyone. The glorious ballrooms and past theatre stages played host to fiddles and guitars, banjos and steel players. As one stage ended, another began and it was timed perfectly, with good variety. From the energy and volume of Robbie Cavanagh to the stripped back acoustic set-up of storyteller, Hayley McKay; the event flowed seamlessly. Though I had heard many of these artists before, there were some new names that popped up that impressed me, the likes of Ben Holland and Tommy Atkins to name just two. A name that I had heard before but didn’t know too much about was Jess Thristan. Her band were tight and her voice was powerful. She built a rapport with the crowd instantly and was a natural on stage. Her songwriting was exceptional – it’s easy to see why Shania Twain added her to her Spotify playlist when she’s writing such fantastic songs. Over on the main stage in the Empress Ballroom perhaps my favourite UK Country artist, Katy Hurt opened the main stage on Saturday evening. It was her first full band show after the pandemic and if there was any nerves you couldn’t tell. Hurt’s vocals have always been good but I think that’s the best I’ve ever heard her sing. Songs such as ‘Unfinished Business’ were delivered delicately with emotion packed into her voice whilst uptempo tracks such as ‘Revved Up’ had people up out of their seats dancing and swaying along. The Saturday night was all about girl power as Elles Bailey kept the energy levels high as she followed Katy Hurt and Wildwood Kin with their gorgeous harmonies captivated the audience with their unique sound as they headlined the show. The final day was tinged with a slight sadness, it was so good to finally get out and enjoy live music again in a safe manner and it felt like it was over too soon! Tim Prottey Jones opened the show. He’s an interesting artist, writer and producer who has had a varied career on stage in musicals and as a member of The Wandering Hearts. His solo work sets him apart from the rest of the field, he has the potential to crack the UK and the US scene and my only criticism is that I would have liked to have seen him a little higher up the bill. Martin Harley and his band stepped out on stage and mesmerised everyone. The level of musicianship on display was world class and his smooth, bluesy voice delivered every line elegantly.     As announcer Matt Spracklen put it, there were a few Americans who ‘slipped through the net’ and entertained the British crowd. One of the performances of the weekend was Candi Carpenter. Originally from Ohio and now residing in Nashville this was Carpenter’s first trip to the UK. She was the only true solo, acoustic performer that day and she commanded the stage with her down to earth humour in between songs, her power house vocals and captivating lyrics. She began with a song that she had collaborated on with Brandi Carlile, and moved on to perform a number of unreleased tracks that she hoped to test out on the crowd; she had them hanging off her every word. She also showed why she was a champion yodeller as a child by performing a little yodel – I’ve never heard anything like it, I was impressed! Carpenter won the hearts of the Blackpool crowd and this was evident from the standing ovation she received. Afterwards, the audience queued for a good hour or more as she took time to meet everyone of her new found fanbase. It was a real treat to see her UK debut! It was a wonderful atmosphere, the live music was of the highest standard and the performers and event organiser did the UK country scene proud by the delivery of such a fantastic weekend. Tickets are already on sale for next years event which takes place between the 2nd and 4th September.   To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Radio presenter, country music socialite and singer-songwriter Matt Spracklen releases new song

Written by Matt Spracklen over 10 years ago, Bad Dream was released by punk rock band Best Of Enemies who Matt was the guitarist for at the time. The song is an insight into what was one of the hardest times of Matt’s life and a theme of abandonment is rife throughout. Now the song is retrospective but since the world was hit by a global pandemic and thrown into lockdown, Spracklen decided it would be a good time to re-record the song again in the way it was first penned as these feelings will ring true for so many suffering with mental health and the struggles of being alone in a global pandemic. “I wrote Bad Dream one morning after waking up and realising a cliche. I hadn’t just had a bad dream. I was in one. I was reliving a misspent youth to deal with a breakup and had a hazy lack of direction. I had my band, a bus and I’d wake up to a house full of friends but after a period of abstaining from alcohol, I found it was actually helping me deal with everything. I was writing songs to process it all.” Bad Dream was recorded, produced and mixed at Summerland Studio and Big Fig Studio by Lewis Fowler, Jake Stanton and Michael Clancy. Pedal steel was provided by Joe Harvey White. It has a hauntingly honest sound, which reflects the sentiment of the lyrics. “I guess it’s a punk song but it’s country music, right? This is how I wrote it. Some may call it Americana. Maybe I’ll just call it Punktry.” To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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CMA

CMA announce international awards nominees

The Country Music Association has revealed the nominees for 2021’s CMA International Awards, which honor artists and industry executives who have supported and impacted the growth and promotion of Country Music in the International marketplace. Recognized in multiple categories and voted on by international members, nominees from Australia, Canada, Germany, The Netherlands, Norway, Sweden, the United Kingdom and the United States are honored for their continued efforts in expanding Country Music’s footprint in their local territories. In addition to the five existing CMA International Award categories, CMA has also added a new award this year, the Rob Potts International Live Music Advancement Award. Named after the late Australian promoter, this award recognizes outstanding achievements by an individual who has made important contributions to the live music industry by extending performance opportunities and building live audiences for Country Music outside of the United States. A celebrated manager, promoter, CMA Board member and advocate for Country Music, Potts’ career spanned more than 30 years, opening doors for Australian Country artists including Tommy Emmanuel, Morgan Evans and Keith Urban. Promoters, booking agents, talent buyers, festival and venue bookers, and other live music industry professionals are eligible to receive this award, which is to be presented only when it is deemed that a recipient is worthy of recognition. “We are delighted to honor those in the industry who have been instrumental in carrying Country Music forward into territories outside of the United States as this year’s CMA International Awards nominees,” says Sarah Trahern, CMA Chief Executive Officer. “And we are especially thrilled to be adding a new award to the slate this year recognizing those specifically in the live music industry cultivating and growing Country Music’s reach. A true pioneer in the genre, few people exemplified this more than Rob Potts. He was a driving force in our efforts to expand Country Music internationally, and I am excited we are able to honor those following in Rob’s footsteps.” 2021 CMA INTERNATIONAL AWARDS – NOMINEES: ROB POTTS INTERNATIONAL LIVE MUSIC ADVANCEMENT AWARD This award recognizes outstanding achievements by an individual who has made important contributions to the live music industry by extending performance opportunities and building live audiences for Country Music outside of the United States. Michael Chugg (Australia – Chugg Entertainment and Chugg Music) Sina Hall (Germany – Semmel Concerts Entertainment GmbH) Nigel Hassler (U.K. – CAA) Sigve Prestnes (Norway – Stageway Talent) Troy Vollhoffer (Canada – Premier Global Production, Country Thunder Music Festivals and Big Valley Jamboree) JO WALKER MEADOR INTERNATIONAL AWARD  This award recognizes outstanding achievement by an individual in advocating and supporting Country Music’s marketing development in territories outside the United States.   Ilse DeLange (The Netherlands – Artist, founder of Spark Records, Firefly Publishing and Tuckerville Festival) Tracy Martin (Canada – The Core Entertainment) Natalie Waller (Australia – ABC Music and Events) Chris York (U.K.– SJM Concerts, Country to Country Festival U.K.) WESLEY ROSE INTERNATIONAL MEDIA ACHIEVEMENT AWARD  This award recognizes outstanding achievements in the media as they relate to Country Music outside of the United States.   Mathias Bridfelt (Sweden – SVT) Saniel Marriner (Australia – CMT Australia) Ricky Marshall (U.K.– BBC Radio 2) Charlotte Thompson (Canada – Red Umbrella P.R.) INTERNATIONAL ARTIST ACHIEVEMENT AWARD  This award recognizes outstanding achievement by a United States-based artist who has demonstrated the most significant creative growth, development and promotion of the Country Music industry outside of the United States during the eligibility period. Brothers Osborne  Luke Combs  Dan + Shay   Maren Morris  Yola  INTERNATIONAL COUNTRY BROADCASTER AWARD  This award recognizes outstanding achievement by a radio broadcaster or syndicated radio reporter outside the United States who has made important contributions for the development of Country Music in his/her country.     Dayna Bourgoin (Canada – Pure Country Radio/Bell Media) Rita Jernquist (Sweden – Sveriges Radio P4) Baylen Leonard (U.K. – Absolute Radio Country/Bauer Radio Limited) Justin Thomson (Australia – KIX Country/Grant Broadcasters) JEFF WALKER GLOBAL COUNTRY ARTIST AWARD This award recognizes outstanding achievements by a Country Music artist signed outside of the United States. The artist must have furthered the popularity of Country Music as well as brought attention to the Country Music format in their foreign based territory.  Jill Johnson (Sweden) Brett Kissel (Canada) The Shires (U.K.) The Wolfe Brothers (Australia)  To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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David James

David James releases new single ‘Don’t Mind If I Do’

David James is back with his foot-tappingly good new single, ‘Don’t Mind If I Do’. ‘Don’t Mind If I Do’ sees him continue his pursuit of bold and euphoric aesthetics. Channelling that same rich and vibrant direction he has carved out for himself, the fun, upbeat song has a universal appeal to it. “We had an absolute blast recording this one, and it totally shines through. We’ve all got a side that’s a little wild, a little reckless and maybe even a little ridiculous at times, and this song is about being all of those things, and still being loved just as you are. It captures a refreshing feeling; an exciting and joyous energy, and is the MOST fun. I can’t wait for everyone to hear it!” James says. Following his 2014 signing with MDM Recordings Inc., David James has consistently delivered. The 2016 release of his debut EP Songs About A Girl” garnered the Manitoba native two CCMA Award nominations including a nod in the ‘Rising Star’ category, his debut performance at the highly celebrated Boots and Hearts Music Festival, and a Canadian Radio Music Award nomination for ‘Best New Group or Solo Artist: Country’. James continues to work on new music with this song being the first installment of an exciting new project! To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Suzie Ungerleider

Review: ‘My name is Suzie Ungerleider’ – Suzie Ungerleider

Suzie Ungerleider, formerly known as Oh Susanna, is back with her first album since her name change. The Juno award nominee has announced her revival with an album full of evocative vocal melodies and enchanting lyrical ideas. Sparsely produced dreamscapes were created by Suzie and producer Jim Bryson and we’re introduced to this on the opening track Mount Royal. We hear a more mature version of Ungerleider as she discusses becoming a mother on songs such as Summerbaby and the very delicate and intimate Hearts. The music at times feels like it falls away and all we notice is Suzie’s delicate yet unwavering vocals. A highlight on this record is North Star Sneakers which bolsters strong, independent women and gives a nod to those who have gone before. As Suzie Ungerleider forges a path under her new name, or should we say her own name, she is putting out music that feels much more authentic, as if she’s presenting herself, her views on the world, the things that matter most to her in the form of this record.  To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Steven Graves

Steven Graves shares family memories in video for ‘You’re The One’

‘You’re The One’ was released by Steven Graves as a single at the end of last year. The song is taken off his recently released album ‘All Alone’ which came out back in June. The video, put together by Kyle Buthman features old family footage shot by Stan Graves. The song is somewhat of an ear worm, the chorus melody getting rooted in your head all day! To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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