2021

Cover story: Jessica Lynn, the lone wolf

Cover story: Jessica Lynn, the lone rider

Jessica Lynn has always done things differently and in her own way, but after many years of plugging away, she is now in a position to release her debut album and make a huge statement in the process.   They say that you make your own luck in life. If you keep chipping away, doing the right things and try to be a good person along the way, things will fall into place for you eventually. It may not be the next day or the next week, but it will happen in time. That has very much been the case for Jessica Lynn, who after finally getting into a position where she could put out a six-song EP, instead got to work for a debut album. The nature of lockdown saw the New York based artist hunker down and as such, she wrote some of the best songs in her career to date and is now merging them with songs from her past that were never given the studio treatment to create a 13-song album. There is also a notable guest contribution, but the whole process highlights how Lynn takes an opportunity and grabs it with both hands.  “This album was never supposed to happen,” Lynn says. “It was going to be a six song EP that went out right before we went on the tour, so we had some new stuff to push. I’m the type of person that just finds the silver lining in everything – I don’t know if it’s the hard-headed New York Italian in me, but I was like ‘alright, let’s do something great with this and fight back’. So, we chose to do a full-length album, it’s now up to 13 songs and one of which actually features one of my favourite UK musicians in Steve Marks from Gasoline & Matches. “I wanted to put songs on there that I felt never had a proper chance. For example, there’s a song on there from my first nationwide TV special in America that only had a live album to go with it. It was never a single, it was never even recorded properly and it was my favourite track on the whole thing, so we added that and some songs that I’d only performed live prior to this. I then also started writing again for the record and that’s why it ended up getting so long, because I was locked in here and just writing stuff that had to go on it!”   Not bound by genre   In addition to tracks that never got a proper chance, you will notice with Lynn’s album that she fuses and blends a number of different genres together. While she does, of course, stick largely to country and her style of rock, she doesn’t pigeon herself into boxes and stick to them – if she comes up with a song that is a bit left field but really feels it, she’ll run with it. That is something that she is hoping to push with ‘Lone Rider’, as she feels the record shows her genuine self across a few genres.  “I think that this record is going to show people really who I am. When I set up to write it and put it together, the intention was never to stick to genre. I’ve loved so many types of music and growing up in New York I didn’t have the traditional country music influences that a lot of other artists have, but I just wrote from my heart and very honestly and purely.  “It could be a kind of weird ballad but you know what? If I love it and it’s me, it’s going on. I don’t have to care about anything else and that took my writing and me as an artist to a totally new way and I think people are going to like that.”   Building up to this moment   In the early part of January, Lynn celebrated her 31st birthday and considering she has been involved with music ever since she was 13-year-old, the question was asked as to why it is only now that she is releasing a studio album. The answer to that is primarily down to the financial difficulties of being an independent artist, but Lynn also wanted to wait until she could unleash everything into a project and then go with that. Now, she has her chance as everything has fallen into place for her.  “I’ve always been an independent artist and it’s very difficult. I have dedicated my life to getting out there, shaking hands, doing social media to try and get people to understand my music, because you never have money as an independent artist. You always have to be creative and think about the most bang for your little buck that you have or how you’re going to do it.  “Putting out an album is a big undertaking and to get people to purchase an album is a bigger undertaking with streaming and Spotify, so I always try and do things the smart way, because we’ve always had very limited resources. For me, just putting out singles or live albums was always just the way to go. I never wanted to put so much of my heart and soul into something and then not be able to do something with it.  “I’ve fought hard during the pandemic and before lockdown, I was reaching 500,000 people on Facebook. I hit 15 million last month. It blows my mind, but it’s so cool to see all your hard work and your effort actually pay off in a very tangible way. It’s been making me feel very confident, so you know what? This is the perfect time to take a new step as my career has reached new heights.”   Life lessons   Things could’ve been very different for Lynn from a musical perspective but for things out of her control, as the childhood band that she fronted and wrote all

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Tom Ovans new album 'Crows In The Corn' – Available Now!

The long awaited 14th release by Texas-based artist Tom Ovans, Crows In The Corn, is now available digitally on all major platforms via Orchard Distribution. In tandem, all 13 of Ovans’ previous albums have been re-released and are available online. The 11 songs on Crows In The Corn, continue Ovans’ string of gritty, bare-bones recordings. Recorded analog to a 4 track, the songs and performances are left alone to stand on their own.  The album kicks off with the dirt-road blues of “Going Back Home” and ends with a haunted tender version of one of Ovans’ most well-known songs, “Avenue of the Americas” (6th Avenue). The new recording captures the song as it was originally written. ‘The first time I recorded it I was just in a different place musically, so I changed it up a bit. I always knew I had to get back to it, back to the way the song came to me,’ says Tom. The second song on the album “Spaghetti Blues” may seem funny on the surface, but there’s a dark undertone about the struggles of an artist sticking to his guns. “Her” is some kind of ballad, an all-nighter that wanders through a dark city. Fourth track “Rolling and Rambling” seems to be about two exes sparring with each other while the carnival of life spins on around them. The title track “Crows in the Corn” is just Ovans and his guitar, but the vision is cinematic. A tale of two lovers lost to each other, once defiant yet now mostly broken. “Apocalyptic Dawn” is a surreal crazed tale of surviving faithless love in an upside-down world. The area around Reelfoot Lake in northwest Tennessee is called “Land Of The Shakes”. The lake was created by the New Madrid earthquakes of 1811-12. In a powerful country song Ovans’ uses the title as metaphor to take us on a journey through the bear hunting days of Davy Crockett, to the pollution and degradation of the land, through the gospel of Elvis, and finally to the struggles of today’s forgotten working class. The slow-burning “Hard Road Mama” hits the road, the walls of reality, takes no prisoners and asks for no pity. “On A Greyhound” is just one of those songs that makes you get quiet and listen. Finally “The Mighty Sea” recalls the epic folk ballads of long ago telling the tale of a doomed love. Listen to “On a Greyhound” here:   “Ovans’s world all is loaded, sometimes you don’t even know with what exactly, but time suspends and the moment freezes, freighted with glower, leavened only by that lonesome shiver and spark. A sense of thrill and chill in equal measure. His singing seems in part, at least to me, to have shifted intriguingly a notch. All else is bang on the same. From Bleecker to Texas to muddy shore of mighty sea. Gaunt songs of errant haunt that still the soul and echo soft through the midnight hour. Uncomfortable but necessary.”

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The Outlaw Orchestra Premiere their Video for Single ‘Send Some Whiskey Home’

Country rebels The Outlaw Orchestra ride again and premiere the brand-new video for their single ‘Send Some Whiskey Home’: a track that is rich in country rock and sweet slide guitar that demonstrates the boys flexing a more mature direction in songwriting and performance. The song has come to serve as the band’s calling card for their country blues roots and their unrepentant tongue-in-cheek lyrics, affectionately homaging the women (and dogs) who allow them to maintain their musicians’ lifestyle. This is a heartfelt love song between man, dog and whiskey. Check out the video here: https://youtu.be/qXXf4BKX5o4 Listen to the song here: Taken from their recent, critically-acclaimed 10-track debut album ‘Pantomime Villains’,the single will be released on 22nd January 2021. Reflecting on ‘Send Some Whiskey Home’s origin and inspiration, the band admit that “The roots of this song can be traced back to Dave Roux spending yet another day watching back-to-back cartoons, with his dog (Ted) sat on the sofa.  “Dave’s good lady arrived home after a long day at work. Dave and Ted both looked at her and said ‘We’re starving: What’s for dinner?’ “She walked right on past them, sighed, looked back and said ‘I wish you loved me like that dog loves you!’ Dave looked at Ted, who was wagging his tail, and said “Pass me the guitar, boy, I feel a song coming on!” When Dave Roux (guitars/lead vocals) played the tune that he’d hit upon to Pete Briley (banjo/lap steel/vocals), it fitted so well with lap steel that it was surely a match made in Heaven! Dave toyed with the song in Long Beach California, sitting in with musician friends Trish Burke and Buzzy James of The Buzzy James Trio, Laidlaw; also the band M.O.B. (Michael Olivieri Band, whose lead singer cut his teeth in 80’s hair rockers LeatherWolf). Trish’s soulful gospel harmonies and Buzzy’s accomplished slide guitar (once revered by legendary guitarist, Eddie Van Halen, himself) “put the icing on the cake” of a song that has become a firm fan favourite. The video was filmed at 6am on a frosty autumnal New Forest morning, featuring a special cameo by Dave’s dog Ted, who sets the benchmark for love and devotion in both the original remark and the lyrics. 2020 saw the band’s debut album hit the ground running, earning praise from many respected broadcasters and reviewers. Steve Beastie (Hard Rock Hell Radio) ranked ‘Pantomime Villains’ in his Top 25 albums of 2020. Mick Birchall Reviews named it in his Top 40 Albums of 2020 (just beating Chris Stapleton, whom The Outlaw Orchestra admit they dig!) whilst Rockposer put the album in their top 3 Albums of the Year. What’s more, looking forward, Metalplanetmusic have put The Outlaw Orchestra down as Ones to Watch for 2021. “Somehow, from somewhere,” Rushonrock mused in amazement, “The Outlaw Orchestra have outshone the opposition. David Roux and his merry men have reinvented the wheel. They’ve rewritten the rock and roll rulebook.”  As MNPR Magazine observed, “To create a body of work as stylistically diverse as ‘Pantomime Villains’ takes talent, and to make it look as it if it was seemingly thrown together over a few beers, is pure genius.” Check out The Outlaw Orchestra’s latest single and video release from that excellent album. Send Some Whiskey Home is now available to download and stream on all digital platforms https://open.spotify.com/track/0WfTvMH5zuGHupA6f22Tdz?si=Uv88GoBMQPudLpzegh5D2g https://music.apple.com/gb/album/send-some-whiskey-home/1544052774?i=1544052775 Website: https://www.theoutlaworchestra.com/ Facebook: https://www.facebook.com/theoutlaworchestra/ Twitter: https://twitter.com/outlaworchestra Instragram: https://www.instagram.com/theoutlaworchestra/

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One to Watch: Tim Prottey-Jones

One to Watch: Tim Prottey-Jones

If you talk to any UK based artist on the UK country scene, there is a strong chance that Tim Prottey-Jones has written with them, produced for them or has supported them in some way. The former Wandering Heart has been keeping his finger on the pulse and has chosen now as the time to launch his solo career. Given that he has worked in bands mainly, it is a bit of a shock to the system on that front, but it is something that he is relishing as ultimately, everything he produces is for him and him only.  “I don’t know what it is about putting your name to something personally,” Prottey-Jones said. “It almost feels like you’re working behind the scenes with a band name and I quite like that.  “But I think there’s something about this year where it’s just one of those years, where you just go ‘if I can’t do it this year, then when can I?’, so I think it’s purely stems from how proud and happy I am of the music that I’m coming out with and at the end of the day, this music is just for me. It’s only me that’s got to sing it and it’s only me that’s got to perform it.”   A blend of sounds   While Prottey-Jones hasn’t yet figured out if he’ll be making the collection of singles he has at his disposal into an EP or to push on and make an album depending on how it goes, what he has figured out is his sound – even if no-one knows what to expect. By combining a number of genres together and complete with his own twist, Prottey-Jones has something going and is very keen to see how people take to it.  “When I put Bite the Bullet out, I don’t think people knew what to expect and I think that comes from being in a band, producing and writing for other artists and it being a case of knowing what my sound is. My only answer to that is wait until you hear all these songs put together, because they pretty much will sum it up.  “There will always be elements of rock due to my love of that growing up, country runs through without a doubt because that’s what I love and there’s pop stuff in there because from a production point of view, that excites me as well. I’ve tried to fuse all of those things as well as showing off parts of my voice. If I have any luck, you’ll certainly know what I’m all about.”   Never say never   While Prottey-Jones is very much a solo artist now, the heights he hit as part of The Wandering Hearts were astronomical and while he isn’t intentionally trying to make lightning strike twice in that respect, he doesn’t see the harm in trying to push himself as far as possible as you just never know what is going to happen in the music world.  “The stuff that we achieved with the band, some of it was honestly out of this world incredible. It may never be recreated. Playing at the Ryman for our first American show alongside people like Chris Stapleton – that’s a real pinch me, bucket list kind of moment. There really is no point me saying “I’ll never do that again”, because you just don’t know. I never thought that was gonna happen and I never thought I’d get a major record deal, but I did and those things happened and they happened fairly late on in my career really.  “You never know. I feel like I’ve learnt a lot over these past five or six years and probably even more so since the band. I think I know now what I need to do, what I don’t want to do and I need to trust my instincts as well I think. Those instincts were right when the band started and when I put that band together and who’s to say I can’t do that again with my own stuff?” Regardless of whether he hits those heights again or not, it’s a very safe bet to assume that Prottey-Jones will be a shining star in the UK country scene for as long as he wants to be.     

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J R Harbidge

J R Harbidge shares new track 'Wrong Side of the Fight'

J R Harbidge has given fans a taster of what is to come from his upcoming new album by releasing lead single Wrong Side of the Fight. You can listen to the song here or watch the video below. [wpdevart_youtube]ubUpfMMMTQI[/wpdevart_youtube] Harbidge’s second album ‘Long Black River’ will be released on April 30 and Wrong Side of the Fight is the first single from that, with the Cannock based artist following up on his 2018 debut ‘First Ray of Light’. Speaking about the song, Harbidge said that it has been kicking around for over 25 years, but only got finished in 2020 as the artist simply couldn’t find a melody for it until that point, while also offering some insight as to how the album went for him. “It’s a song that started life when we were 15 and got completed when I turned 41,” Harbidge said. ““I remember having that music on a four-track X28H multi-track recorder as a teenager and I have spent years trying to get a melody for it. That song waited until 2020 to disclose its undeclared magic. Songwriting is a mysterious process, isn’t it? “This album was both a joy and a chore at the same time.  I loved writing and recording the songs, I loved getting some fantastic musicians playing on the album and I loved collaborating with a new collaborator on one of the songs.  I also loved getting loads of my FB and Instagram friends to sing on the ‘yob chorus’ at the end of side-by-side: all great experiences!”  

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JP Saxe Maren Morris

JP Saxe and Maren Morris release new duet 'Line by Line'

JP Saxe has joined forces with reigning CMA Female Vocalist of the Year Maren Morris for his new single, a duet titled Line by Line. You can listen to the track here or watch the video below. [wpdevart_youtube]dgmjeMo_pDY[/wpdevart_youtube] Grammy Award nominated JP Saxe wrote the song with Morris and Jimmy Robbins, with the Canadian singer-songwriter hoping the track will hit the same highs as his previous duet – If the World Was Ending, featuring Julia Michaels. Speaking about the song, Saxe praised Morris as one of his favourite artists, while Morris opened up about the song meaning and how everything came together. “My first thought about this song is that it’s surreal I get to be sharing it with one of my favourite artists ever,” Saxe said. “Regarding what it’s about…as songwriters, we spend a lot of our lives trying to bottle up a feeling into a song, and often, the biggest feelings, the best ones… the complicated, detailed, messy, incredible ones… just aren’t going to fit. “Line by Line is our recognition of that… of how one song just isn’t enough to capture it all, but how we’re just going to keep writing, futilely and lovingly, anyway.” “I have always loved being contemplative of the artist vs. muse relationship in songs,” Morris added. “Line by Line acts as a promise that I’ll never be done writing about my muse in this life because he can’t be summed up in one song. “Writing that day with JP was the most fluid, inspiring session. He’s a lyrical faucet. He threw out the line ‘immortalising my sincerity’ and it blew my mind. I think all in all, we wrote the whole song in an hour and immediately recorded it”

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Maren Morris

Maren Morris to start recording album three "in a couple of weeks"

Maren Morris has revealed that she has pretty much written her third record and will be heading into the studio very soon to start recording it. The as for now untitled third record is greatly anticipated as it follows in the footsteps of 2019’s ‘GIRL’, which won a CMA Award for Album of the Year and also spawned the huge hit The Bones. Speaking to Zane Lowe on Apple Music, Morris explained that she is pretty much there in terms of having the album written, while also going on to say that she found the positives in having to cancel her tour due to the pandemic. “I have got, I would say, mostly a full record written,” Morris said. “And I’m leaving in a couple of weeks to start recording with Greg Kurstin. It (cancelling her tour) was definitely sad, but at the same time, I’ve never had this much time to myself to write and not have an end point or some sort of time lock on it. “With my second record, I feel like I had to write that so quickly. And I’m not trying to disparage it by any means — I just think now, I’m just so excited to have some space to write.” Maren Morris recently won Female Vocalist of the Year, Single of the Year (The Bones) and Song of the Year (also The Bones) at the 2020 CMA Awards.

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Garth Brooks

Garth Brooks to be awarded Kennedy Center Honors in 2021

Garth Brooks has started his 2021 well after it was announced that he would be a recipient of a Kennedy Center Honor, along with a number of notable musicians. Alongside Brooks will be Debbie Allen, Joan Baez, Midori and Dick Van Dyke, as the Kennedy Center seek to award those most prominent in their musical genres over many years. Speaking about the induction, Kennedy Center Chairman, David M. Rubenstein, said that given Brooks’ achievements within the genre for three and a half decades is unprecedented and that in line with how the Kennedy Center Honors work, Brooks was a certainty. “The Kennedy Center Honors serves as a moment to celebrate the remarkable artists who have spent their lives elevating the cultural history of our nation and world,” said Rubenstein. “Garth Brooks heightened country music’s profile like no other singer before him; with an international presence for over 35 years.” Garth Brooks is one of country music’s biggest names and has been consistently at the top of his game for many decades. Throughout his career, Brooks has won 22 ACM Awards, 20 CMA Awards, two Grammy Awards and has been inducted into the Country Music Hall of Fame. Last year, Brooks was also presented with the Billboard Icon Award, which was given to him by Cher.

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Morgan Wallen

Album review: ‘Dangerous: The Double Album’ – Morgan Wallen

One of our ‘Artists to Watch’ for 2020, Morgan Wallen has now released a double album titled ‘Dangerous’, which is 30 songs in length MORGAN WALLEN DANGEROUS: THE DOUBLE ALBUM Republic Records 9/10 A very bold step, but one that very much works for Wallen Double albums are always very contentious subjects. For every ‘Physical Graffiti’ by Led Zeppelin, there are countless others that didn’t work. Albums that should’ve stayed as one side and suffered as a result. It is very possible to have too much of a good thing and it’s very easy for what would be decent album cuts to be completely buried by other songs of a similar standard. Therefore, getting the balance right is crucial. The only thing is, there’s no real exact science or art to that. However, it would appear that Morgan Wallen has largely found a way with his most daring step to date – a 30 song behemoth in ‘Dangerous: The Double Album’ – to the point where the quality just shines through. Some will say it’s easy for quality to shine through when you have supremely gifted special guests – and indeed, Outlaw ft. Ben Burgess and Only Thing That’s Gone ft Chris Stapleton do shine – but they are the only two features on the record. What we do get though is an expertly crafted album, that flows perfectly – it is a listening expedition to get through 30 songs in one sitting, but you’re rewarded for doing so. Wallen spoke before the album was released that there are no songs on here that he would like to skip and its very easy to see what he means by that – Somebody’s Problem, Warning, Your Bartender, Blame It On Me…it’s just good song after good song after good song, with enough variety to keep it spread enough to individually identify the standout songs. There is absolutely no doubting Wallen’s talent and the Whiskey Glasses star was always bound for huge things, but getting to grips with something like this may be his finest achievement for a fair while, purely because of the complexity of it. Nashville’s current king is Luke Combs – with a record like this from Wallen though, he’ll be looking over his shoulder.  Rob Ramsey www.morganwallen.com

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Dougie Burns

Album Review: 'Martha' by Dougie Burns

Looking back at one of our summer issues from 2020, here is a review of ‘Martha’ by Dougie Burns, which featured in the May/June edition DOUGIE BURNS MARTHA Self-released 7/10 Journalist turned musician delivers with aplomb  It’s likely that no-one could win an argument with Dougie Burns in a way – if he were to ever critique someone’s work and they didn’t like what he said, to the point they went, ‘well why don’t you try?’, he can point at this! For the last 15 years, Burns has been touring around and playing his songs, supporting the likes of Seasick Steve, while he also puts on a monthly exhibition for singer/songwriters from the Velocity Café in Inverness, Scotland. To say music runs through him would be an understatement and that is hugely evident on his latest record ‘Martha’, which is dedicated to his mother. The Americana infused collection has a number of top tunes on, such as Keep Your Mad Hat On, Silver Dollar and Shrine, with Burns merging in classic honky tonk, elements of classic country and of course, that Americana influence as well. All things taken into consideration here, Burns has released a very, very good album that further magnifies the talent that is at his disposal. Not everyone can do it, of course, but Burns has found a way to do it and sound very good in the process. Fred Underhill www.dougieburns.com

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