2021

John Hinshelwood

Review: ‘Called Back’ – John Hinshelwood

Has there ever been a more gorgeous start to an album? I think not! The steel playing in the instrumental Let It Breathe is just beautiful. The record is book ended by two instrumentals whilst the remaining tracks draw their inspiration from the poems of Emily Dickinson, delicately arranged and set to music by Hinshelwood. It brings these poems to life, reigning them, whilst respectfully honouring the original works; the Scottish songwriters vocals, soft in their delivery. Though limited somewhat by the words, Hinshelwood has managed to reflect the themes in the arrangements and musical styles of the songs as the album incorporates country, bluegrass and even Jazz. Beauty and Truth takes on a celtic feel to it whilst stand out track The Sun gives us a touch more of that slide and acoustic guitar. Hinshelwood has done a wonderful job at interpreting these works. In what was a Brave move, he has managed to marry together two art forms and push his own boundaries whilst opening up a world of possibilities.   To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Murray McLauchlan

Review: ‘Hourglass’ – Murray McLauchlan

McLauchlan’s greatest relationship on this album is with the pedal steel – his beautiful lyrics and vocal melodies set to soaring pedal steel is what makes this album truly stand out. It is a deep record that explores current affairs such as systematic racism and economic disparity. The Juno Award winners 20th studio album is perhaps his finest. Songs such as Pandemic Blues acts as a comfort to all as it acknowledges the suffering and loneliness the pandemic has caused so many. The simplicity of the lyrics puts life into perspective and helps the message become more easily digestible. If You’re Out There Jesus addresses McLauchlan’s atheism but considers what he’d say to God if he was religious. The sparse production makes way for his raspy vocals that are filled with emotions of desperation and doubt as he tentatively explores the notion of God and Jesus. Again, the pedal steel is McLauchlan’s friend on this one. The album concludes with the bright, positive vibes of Wishes, a stand out track on the album that simply states what McLauchlan would like from the world, many of the things he lists ring true for most of us making it another relatable and thought provoking song. The album feels much like a simple request of what we need to do better as a society all set to swooning pedal steels and arpeggiated acoustic guitars.  To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Review: ‘A Sweet Relief Tribute to Joey Spampinato’

Joey Spampinato, the founding member of rock band NRBQ, is currently struggling with health issues and financial difficulties associated with those health struggles. As such a talented group of musicians have come together to raise funds by showcasing just what an incredible songwriter Spampinato is. The album features artists such as Bonnie Raitt and Los Lobos who both cite Spampinato as an inspiration within their own work. However, it’s Buddy Miller and Jim Lauderdale’s tribute to the bassist and songwriter that jumps out at me. They cover How Will I Know, originally released in 2013. Their rendition both pays homage to the original whilst making it their own and the pair’s vocals sound great together. Concluding the album is a previously unreleased song performed by Joey Spampinato himself and wife Kami Lyle called First Crush. The vocal melodies are gorgeous, both singers sing almost in a whisper and the arrangement makes it feel quite intimate. All funds from this fabulous album will go to the Sweet Relief Musicians Fund which provides financial assistance to musicians who are struggling to make ends meet due to illness or age-related issues.   To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Emily Duff

Review: ‘Razor Blade Smile’ – Emily Duff

Duff’s latest record shows off her songwriting capabilities with catchy chorus’, sung by earthy vocals, set to a high end groove driven production. Whether it’s the rockabilly shuffle of Flying Paper planes, the stripped-back, longing sound of Feelin’ Alright, or the sultry tones of Don’t Hang The Moon, Duff injects emotion into each song as the lyrics pour out. Meanwhile, the rock-leaning title track ramps up the energy and introduces us to Duff’s feisty side, there is more freedom in her gritty vocals on this track as she adapts to the urgency and emotion of the song. However the stand out for me comes in the form of Done and Done which lets the organ, a sound we often hear in classic country records, play a central role within the song. The production feels nostalgic and supports Duff’s mix of rock n roll and country-soul along with her vocal technique throughout the album so credit must be given to Eric ‘Roscoe’ Ambel, who produced the record. Concluding with the 6/8 time Nicotine and Waiting, which is lyrically one of the strongest on the album – it paints a vivid picture in the listeners mind – the album is Duff’s finest to date.  To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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The British Country Music Festival

THE BRITISH COUNTRY MUSIC FESTIVAL 3-5 SEPT 2021

There is a buzz in the air as The British Country Music festival returns to Blackpool for it’s second year! After the past 18 months, the impact it has had on the arts in particular, never has there been more of a need to celebrate and support our homegrown talent and that’s exactly what Marina and Martin Blore intend on doing for years to come at The British Country Music Festival. With headliners Nathan Carter, Wildwood Kin and Lisa McHugh all ready and raring to go, the stage is set for an incredible weekend in the North of England. I was keen to catch up with Marina to delve into the passion behind the festival and talk through the trials and tribulations of putting on an event during Covid times. The festival has been going for a few years now, where did the original idea come from? What ignited that passion to support British Country artists in particular? It’s actually only been going for one year. We are a husband and wife partnership and Martin and I launched The British Country Music Festival through our company Fit The Bill Ltd in 2019. Of course, we missed 2020 due to the pandemic, but we are back for our second year in 2021. The idea for the festival came from a previous event we used to produce in Liverpool from 2016 to 2018 called Folk On The Dock that attracted up to 80,00 people over three days. We discovered so many new artists that crossed over from folk into country, Americana and roots and we could feel the groundswell in popularity of what was a new approach from UK artists to country music. Gone were the references to American parlance and they were being replaced by beautiful lyrics that were relevant to the British Isles. We were beginning to hear our own brand of country music. That prompted us to provide a platform for homegrown, singer-songwriters to grow their audience, unite them and show the rest of the world the amazing new country sounds that are now easily identifiable as being from the UK. Back in 2016 we booked Robert Vincent to perform at a fringe venue for the Liverpool festival and two years later he headlined on the main stage. Now he is backed by the wonderful Bob Harris. Wildwood Kin were on our main stage at Royal Albert Dock in 2017 and The Luck and Pete Riley performed in 2018. All these artists are making huge waves now and time has proved that UK country music is fresh and it is making Nashville and the rest of the world sit up and take notice. When we launched The British Country Music Festival, many in the industry thought we were mad. They said we needed international artists, that British country music was not enough to stand alone and attract a festival audience. But we are delighted that we stuck to our principles and that the numbers attending the festival this year have grown by 50% with many retaining tickets for year two that they bought at the venue in 2019! Whilst our audience appreciate the headliners, above all, they are music lovers and they are very keen to discover and support new artists and that is what TBCMF delivers. How has Covid affected your plans for the festival over the last couple of years and how have you adapted to those obstacles? We were one of the first to cancel 2020’s event back in March last year and I think that was the right move, as the early notice and clarity of message was appreciated by our ticket holders. Whilst it has been an amazingly difficult time for many festival organisers, we have suffered less than most due to our commitment that 98% of our artists are from the UK. With only two international artists this year; Candi Carpenter and Juna N Joey, we have not been reliant on travel restrictions and quarantine issues, as almost our entire programme are all travelling from the UK, including our headliners Nathan Carter, Wildwood Kin and Lisa McHugh. Understandably, ticket sales over the last 18 months have reflected the mood of the nation in line with the impact of Covid-19. When restrictions were lifted sales increased and when lockdown came again, they paused. However, the mood now appears to be one of cautious optimism. The majority of UK citizens will have been offered both vaccinations by September and it looks like our festival goers are returning to the country music community, where maybe they feel safer than they would with other music genres. What impact do you think the festival has had on the homegrown talent and the country scene here?  Whilst it’s still early days, I think The British Country Music Festival has proved that we clearly have an abundance of UK country and Americana singer-songwriters capable of taking on the best of the rest of the world. Look at the success of The Shires, Ward Thomas and Yola across the pond, whilst it can only be a matter of time before Twinnie takes on Shania Twain in America. We are also providing the opportunity for homegrown artists to headline a country music festival, something that has not been prevalent at many other country events where, more often than not, American artists still dominate. We are also proud of the fact that out of six headliners over two years, five have been female led. Again, this is something not achieved at many other country festivals in either America or the UK. We signed up to PRS Keychange initiative committing to 50:50 gender balance in our programming by 2022. We achieved it in our first year, back in 2019. We have not had to shoehorn them in, they have all been there on merit and it shows what a wealth of incredible, female singer-songwriters we have in Great Britain. All the artists that performed in year one at TBCMF definitely increased their fanbase, with managers and agents confirming new fan faces they had not previously seen at other

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Brandi Carlile

Brandi Carlile announces new album with first single out now!

‘In These Silent Days’, the highly anticipated new studio album from six-time Grammy Award-winning singer, songwriter, performer, producer and New York Times Best Selling author Brandi Carlile, will be released October 1 on Atlantic Records. Ahead of the release, the album’s first single, “Right On Time,” featuring a music video directed by Courteney Cox, is premiering today. Inspired by the mining of her own history while writing this year’s #1 New York Times Best Selling memoir Broken Horses (Crown), In These Silent Days was conceived of while Carlile was quarantined at home with longtime collaborators and bandmates Tim and Phil Hanseroth. The ten songs chronicle acceptance, faith, loss and love and channel icons like David Bowie, Freddie Mercury, Elton John and Joni Mitchell—the latter two who, by some sort of cosmic alignment of the stars, have turned out to be close friends in addition to being her biggest heroes and inspirations. Recorded once again at Nashville’s historic RCA Studio A with producers Dave Cobb and Shooter Jennings, the album features Carlile (vocals, guitar, piano), Tim Hanseroth (vocals, bass), Phil Hanseroth (vocals, guitar), Cobb (guitar, percussion) and Jennings (piano, organ, synth) as well as Chris Powell (drums, percussion), Josh Neumann (strings) and special guests Jess Wolfe and Holly Laessig of Lucius on backing vocals on the track “You And Me On The Rock.” In These Silent Days follows Carlile’s 2018 breakthrough GRAMMY Award-winning album, By The Way, I Forgive You. In the years since—in addition to collaborative projects with The Highwomen, Tanya Tucker, Soundgarden, Alicia Keys, Dolly Parton, Barry Gibb, Leslie Jordan, Brandy Clark and more—she has earned six Grammy Awards recognizing her work as a performer, songwriter and producer, was awarded Billboard’s Women In Music “Trailblazer Award,” CMT’s Next Women of Country “Impact Award” and received multiple recognitions from the Americana Music Association Honors & Awards including 2020’s Album of the Year (Highwomen), Group of the Year (The Highwomen) and Song of the Year (“Crowded Table”) and 2019’s Artist of the Year. Carlile is also once again nominated for Artist of the Year and Group of the Year (The Highwomen) at the 2021 ceremony, to be held in September. In addition to their work as a band, Carlile and the Hanseroth twins remain committed to social activism and advocacy. Together they are founders of the Looking Out Foundation, which amplifies the impact of music by empowering those without a voice with varied initiatives including campaigns focused on Children in Conflict/War Child, The IF Project, Fund Racial Justice and more. To date, they have raised over $2 million for grassroots causes. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Fences

Review: ‘Wide Eyed Elk Ensemble’ – Fences

Fences Wide Eyed Elk Ensemble ENCI Records 30/04/21 Christopher Mansfield AKA Fences is popular within the indie-folk world, releasing several successful albums since 2010. However, the Seattle native has just teamed up with GRAMMY award-winning bluegrass musician Billy Strings for his latest single ‘Globe’ which boasts a more acoustic feel to it as the pair’s vocals blend well together over the sound of the soft folk guitars. Written by Mansfield and Strings and co-produced by the pair, the detailed lyrics transport you to the world they perfectly describe. This latest single follows the release of his EP ‘Wide Eyed Elk Ensemble’. The five track record opens with the soothing sound of ‘Boot Height’, one of the singles from the EP. It features an interesting production, the effected banjo and reverb on the backing vocals are a particular highlight on the percussion based track. Meanwhile, the beautiful guitar tones in ‘Shape Shifter’ really bring the song to life whilst Mansfield delivers a wonderful vocal performance, that adds strength and depth to the weight of the lyrics. The record is punctuated with the slightly darker ‘My Pale King’ and concludes with ‘Fake Snow’, a gentle laid back track which features some lush, prominent female backing vocals which echo the lead vocals. The five track EP, that many would concur is over too quickly, takes you on a journey – Fences songwriting is simple yet personable and relatable whilst his melodies are calming and have a familiarity about them. To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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A guide to the Malvern Western Motorhome and Campervan Show 2021!

Renowned as one of the most famous country & western festivals in the UK, this will be the stand out weekend in any country & western lovers’ calendar! This year will be the 16th Western Motorhome & Campervan Show, which has grown into our biggest camping event, with over 3000 motorhomes, campervans and caravans camping with us over the weekend. Revered for it’s great atmosphere, the Western Show will play host to over 20 great country and western artists over the four days. Aside from the fabulous live music there will also be line dancing tuition so whether you are an absolute beginner or a seasoned dancer, Wyvern Line Dance will be on hand giving tips throughout the weekend. Furthermore, the Lonestar Old West Re-enactment Group are an absolute must-see when visiting this show. The dedicated group provide authentic living history displays, educational workshops and live action performances based around 19th Century Western America. They shall be delivering six western shoot out shows and six American War of Independence displays throughout the weekend, alongside their authentic museum. Possibly the most picturesque setting for one of our events, our Western show takes place at the Three Counties Showground with a back drop of the stunning beautiful Malvern Hills, which divide the beautiful English countryside of Herefordshire and Worcestershire. Check out the guide below to see when your favourite artists are taking to the stage! Daytime Entertainment Friday: Mickey Page (Food court) Saturday: Lainey West (Food court) Sunday: Hope Country Gospel Band Church Service (Severn Hall) | Steve Hanks (Food court) Evening Entertainment Severn Hall: Thursday: Ray Peters Trio | Stubby Friday: Rocky Road Ramblers | Texas Tornados Saturday: Headline Ticketed Show Full Nelson | Johnny Cash Revisited | Jodie McKay Sunday: Blue Horizon Band | Freeway Avon Hall: Thursday: Jeff Gallant Band | Steve Lovett Friday: Nashville Numbers | Ryan Payling | Best Dressed Westerner Competition Saturday: 3rd Lyndsley | The Storms Sunday: The Hicksters | James ‘n’ Wood Wye Hall: Friday: Natalie | Ainsley Saturday: Rob & Nadine | Billy Curtis Show details Date: 19-22 August 2021 Location: Three Counties Showground, Malvern Price: Camping (Pre-Booked) Thursday – Monday = £70.00 Friday – Monday = £67.00 Price: Camping (Non-Booked) – Subject to availability Thursday – Monday = £80.00 Friday – Monday = £77.00 Saturday Night Headline Show Ticket (Pre-Booked) Adult: £12.00 Children: £6.00 Pack up your motorhome, camperan, caravan or tent and for just £70 you can camp for four nights, with daytime and evening entertainment included in your pitch price. Buy your tickets HERE! To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Nashville News Round-up!

Country stars Lady A, Chris Young and Luke Combs entertain Military in exclusive virtual concert  On June 29th six top country acts took to the Grand Ole Opry stage for a special live stream event to honour the American armed forces personnel currently serving abroad. Facilitated by Armed forces Entertainment, the show featured Lady A, Luke Combs, Lee Greenwood, Carly Pearce, Lauren Alaina and Chris Young. The event kicked off the Independence weekend celebrations in style and was a salute to those currently serving away from home.   2021 Nashville Songwriters Hall Of Fame Nominees  The nominees for the class of 2021 have been announced for the Nashville Songwriters Hall Of Fame. There are four nominees in the Songwriter/Artist category; Brad Paisley, Shania Twain, Toby Keith and Phil Vassar. Whilst in the Songwriters category Rhett Akins is nominated alongside Buddy Cannon, Larry Cordle, Carl Jackson, Mary Ann Kennedy, David Malloy, Frank J Myers and Tia Sillers. All the nominees experienced their first top 20 hit at least 20 years ago. Two songwriters and one artist/songwriter will be elected into the Hall Of Fame by their peers.  Lady A, Luke Combs and Loretta Lynn among ACM Honors recipients  The Academy of Country Music has announced the recipients of the ACM Honors. Among the winners are Lady A and hit songwriter Ross Copperman who both win the Lifting Lives award, Luke Combs who wins the Milestone award and Dan and Shay who win the international award. Meanwhile Hillary Lindsey takes home the prize for Songwriter of the Year whilst Loretta Lynn, Gretchen Peters and the late Curly Putman all win the Poet’s Award. The ceremony will take place on August 25th at The Ryman Auditorium.  Carly Pearce to become the newest member of the Grand Ole Opry  On June 17th Pearce thought she was filming a commercial for Dollywood, the place where she first launched her career at 16 years old. Little did she know that waiting in the wings was the one and only, Dolly Parton herself – Pearce’s idol – who came out for a little chat with Pearce. She was of course in shock at the arrival of the country legend but even more surprised when Parton casually dropped in the fact Pearce had played the Grand Ole Opry over eighty times. She said ‘They should really make you a member, what’s wrong with them?’ to which Pearce agreed before Parton said ‘well, I’m here to tell you that you’re now an official member of the Grand Ole Opry’. Pearce was very emotional at the news and will have her official induction on August 3rd.  To stay up to date on the latest country music news, please register to receive our newsletter here. Media contact Zoe Hodges, Editor, Maverick Magazine Tel: +44 (0) 1622 823920 Email: editor@maverick-country.com

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Country Music Hall of Fame

Country Music Hall of Fame Goes Virtual

Much like the rest of the world, after the Pandemic of 2020, Nashville, TN continues to open its doors more and more to the public, but certainly not to the levels of 2019 yet. Some restaurants and businesses were forced to close in the last year but fortunately institutions like the Country Music Hall of Fame have figured out ways to survive and even thrive. Recently two major exhibits were launched online, providing free access to the world with what previously required a ticket for admission to view in person. “Suiting the Sound: The Rodeo Tailors Who Made Country Stars Shine Brighter” and “Dylan, Cash and the Nashville Cats: A New Music City” are the very first multimedia exhibits to be released on the Halls website. The online exhibits were funded by a grant from the National Endowment for the Humanities (CARES) with the goal of expanding access to more people. It is another method to share incredible music history and to help spread the continued reputation of Nashville as Music City USA. The Suiting the Sound virtual exhibit pulls from the Halls exhibit galleries and permanent collection to show the true creativity and artistry of Western-wear designers. These craftsman and women were nicknamed “Rodeo Tailors” but they were the people that gave Country Music its flare and flash with beautiful stitching and rhinestones on matching costumes that made the artists standout on stage and under the performance lights. Custom Cowboy clothing first began emerging in the 1940’s and 50’s originating from Eastern European designers. Visitors to the website will learn about some of the forefathers of these clothing statements such as Nudie Cohn, Nathan Turn and Rodeo Ben Lichtenstein. The Nudie Suits, as they are frequently called, are continued in tradition by current designers like Manuel Cuevas and Jaime Castaneda. Marty Stuart and many other Country Music stars continue to custom order and wear clothing created by Manuel in his Nashville shops. The online exhibit depicts the stage clothing, tools used to create the styles, historical photographs and videos. The style and fashion of the Country Music artists wasn’t only limited to shirts, jackets, pants and dresses. It could also include boots, ties, scarves, vests and of course decked out hats. To play the Grand Ole Opry and other major Country Music venues it was a right of passage to have custom Country Music clothing created that the artists and bands would wear for the performances. This could even be seen on the TV show Hee Haw with Buck Owens and Buckaroos all decked out in matching suits and boots that drew attention to them and their performances. The clothing and its creators and tailors continue to play a role in Country Music today and “Suiting the Sound” provides an incredible overview of these styles. “Dylan, Cash, and the Nashville Cats: A New Music City” was first shown as an exhibit at the Country Music Hall of Fame back in 2015 through 2018 but has now been adapted for online viewing for those fans that couldn’t make the trip to Nashville to see it the first time or want to view it again. This exhibit reflects the impact that Bob Dylan has on Music City back in the 1960s and how Johnny Cash’s cutting-edge television program brought many non-country artists to a brand-new audience. Cash was ahead of his time by showcasing artists and bands from Rock, Pop, Country, Bluegrass and Folk on his program. Today a reflection of all genres of music is expected in Nashville but back in the 1960’s and 70’s the town was only thought of us a Country Music hub. Bob Dylan also did his part to expand this image by coming to Music City and recording in the studios here with some of the best session musicians in the industry. He even gave a young and upcoming Charlie Daniels his first shot at studio work on his Nashville Skyline album. Daniels was a fill in guitarist since the other session guitarist that was booked to play Dylan’s sessions was sick. When the other player returned to the studio Charlie started to pack up his guitar to leave but Bob requested that Daniels stay and play on his album also. The rest is music history. Items on display on the Halls virtual exhibit include a handwritten manuscript by Dylan for a song called “Wanted Man” that was later recorded by Johnny Cash. A 1949 Martin 00-17 acoustic guitar that Bob Dylan played in the 1960s. One of Lloyd Green’s Sho-Bud pedal steel guitars that was used on the Byrd’s song “Sweetheart of the Rodeo” and many other hits. A Fender Precision bass that belong to Norbert Putnam that can be heard on songs by Linda Ronstadt, Joan Baez, Kris Kristofferson, Tony Joe White and Elvis. The exhibit wouldn’t be complete without Johnny Cash’s Eaves Costume Company suit that he wore on his network TV series “The Johnny Cash Show.” This virtual exhibit at the Country Music Hall of Fame does an incredible job of reflecting the musical diversity that is modern day Nashville, but also how this trend began back in the 1960s thanks to artists like Johnny Cash and Bob Dylan. To visit these exhibits for yourself, and to share them with others, simply visit the Hall’s website below. It is free to the public and you’re sure to find other amazing videos and photographs that are curated on this treasure of a website. One of my personal favourite videos on the Country Music Hall of Fames website is “Big Night at the Museum.” This past May “Big Night” won three Telly Awards at the 42nd Annual Telly Awards event for best Online: Concert, Not-for-profit and for museums and galleries. Maverick Country magazine covered the release of this video last year. The video/documentary/fund raiser was designed as a platform to raise money for the Country Music Hall of Fame as a Coronavirus Relief Fund. The biggest names in country music were involved

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