8 November 2018

Callaghan

Callaghan opens up on the concept of her song 'Broken'

Following the release of her recent self-titled album, Callaghan has shared the new video for her song, Broken, and here she gives us an exclusive break down on what the track is all about. “I wrote this song with one of my producers, Starr Parodi,” she explains. “This was the first time we’d written anything together and this song felt like a real release of emotions for us both. It was written around the time of the US elections in November 2016 and, for me, really captured some of the feelings I was experiencing at the time of confusion and that the world you thought you understood had been turned upside down.” Watch the video below with the strings orchestrated and conducted by Nicholas Dodd who has orchestrated and conducted all the James Bond themes since 1997: https://www.youtube.com/watch?v=aFSjK1jsFRU “I find this a very powerful and emotional song to sing whenever I’ve done it at live shows,” Callaghan says. “In fact, when I recorded the vocal for the demo, I felt so strongly about the exact emotion that was captured in that moment straight after writing the song that we actually ended up using that vocal take on the finished recording. So you’re hearing me singing it just a few moments after we had finished writing the song.” Broken is taken from the recent album – ‘Callaghan’, out now. She’s currently in the UK on tour performing songs from the album. The tour finishes this week, with the final show November 9 at Thornton Hough Village Club in Wirral. For the new album Callaghan has been developing her sound in California working with producers like Anthony Resta (Elton John, Duran Duran and Blondie) Starr Parodi and Jeff Fair, who have made music for some of Hollywood’s biggest films including Harry Potter, Mission Impossible and James Bond. “Working in LA has allowed me to embrace elements of modern pop and cinematic sounds into my song writing,” Callaghan describes. “Working with these producers encouraged me to dig deeper as a performer and artist and as a result, this album reflects me more than anything else I’ve ever recorded.”  ‘Callaghan’ the new album is out now, and there’s still time to catch her live: NOV 8 – THE FRINGE – BRISTOL NOV 9 – THORNTON HOUGH VILLAGE CLUB – WIRRAL For more information please visit: www.callaghansongs.com

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The Wandering Hearts

The Millport Country Music Festival Vault – The Wandering Hearts

The latest interview taken at Millport Country Music Festival is with a band who are very much on the cusp of greatness in The Wandering Hearts, and the four-piece discuss their upcoming tour, lyrical content and new music. You’ve got quite an expansive UK tour coming up soon…  Tara Wilcox: We kick off in Brighton in November, and it’s so lovely. We are going back to some of the venues that we played on the last tour we did, and we’re also hitting some cities that we didn’t get to play, including Dublin! We’ve not been to Ireland before. We’ve met people that are buying tickets, and it’s really exciting. We’ve sold out a couple of venues already. Chess Whiffin: We’ve got the amazing Ruston Kelly supporting us and our wonderful friend Fiona Bevan, so it will be a really cool evening of varied music. Your lyrics very much seem to be an outpouring of emotion, do you find that draining at all? Or is it therapeutic in a way? Tim Prottey-Jones: When we got together we didn’t really know each other very well – we were more or less strangers. And so, writing together, which we did straight off, required us to be very open and sharing with each other. A lot of personal experience went into that, and a lot of imagination as well, but it was a really good way of us getting to know each other, and it was kind of therapeutic. Chess: It’s quite cathartic, I think, the whole song writing process – I never come away feeling drained by it. Tara: You feel closer and it’s how you make friendships. In my experience, you end up making good friends. Someone has a hard time and you go ‘I relate to that, because this happened’, and it broaches some kind of common ground, and you realise you’re not the only person feeling that way. We have that as a forum and what is so lovely is that seems to connect on a wider level, because someone hears a song that we wrote, that means something to us, and they go, ‘I’ve been there, and I’ve done that’. That’s the coolest thing for us, when someone goes, ‘this helped me out of this situation’, and we’re like, ‘that’s good!’ It does seem a very big leap to do that with four strangers. AJ Dean: That’s the only way you can really do it – if you’re going to start writing, you’re going to start writing stuff that matters to you. You’ve got to discover what means what to each other, and before too long you’re having those conversations that are deeply personal, and you’re learning a lot about one another in quite a short space of time, which has been really good for us. Generally speaking, do you think there’s enough time spent on lyrics these days? Tim: Hmm…I think that really depends. Yes and no. Chess: I think in country music more so than anything else, yeah. Tara: It’s difficult though with other genres, because I listen to some really successful minimalistic pop and there’s some great stuff, but sometimes lyrics can be super poignant. It might just be one phrase repeated, so that whole thing, I think, is quite subjective. AJ: Definitely, and also there’s a skill in how they succinctly use something simple that can be very powerful. This is more the case in pop I think, as a lot of the mainstream pop that you hear can sometimes not have that much going on lyrically, but then what they do have manages to be so catchy, hooky or powerful, that you go, ‘oh my god!’ All you need is that phrase there. Tim: We are utilising that too, and that’s maybe where the more commercial stuff comes into our lyrics.  You can have really descriptive verses, or whatever, and then you just get this hook that is something that says it all. When your UK tour comes to an end, what are you doing then, heading back into the studio to record new stuff, or on the road in Europe?  Tim: Hopefully all of the above! Chess: Yeah hopefully we will get to do it all, we will try and maybe get over to Europe soon, maybe even before the end of this year. If not, definitely next year is the plan, and we’re writing a lot so we will be in the studio hopefully recording it for the New Year. Do you think you will have anything out before C2C? AJ: Ooo…maybe!

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AmericanaFest UK

Nominees announced for UK Americana Awards 2019

The nominees for the UK Americana Awards 2019 were revealed at an eventful evening at The Borderline in London, with The Wandering Hearts dropping in for a surprise set on a night where Curse of Leno and JP Harris wowed the audience. Sunny Ozell and Baylen Leonard announced the nominees to a packed crowd, but held fire on the Best Selling Americana Album category, which is set to be revealed in January. The nominees are: UK Album of the Year ‘All On Red’ – Orphan Colours ‘Bennett Wilson Poole’ – Bennett Wilson Poole ‘Shorebound’ – Ben Glover ‘Treetop Flyers’ – Treetop Flyers International Album of the Year ‘By The Way I Forgive You’ – Brandi Charlie ‘Let Your Kindness Remain’ – Courtney Marie Andrews ‘Ruins’ – First Aid Kid ‘The Tree of Forgiveness’ – John Prine UK Song of the Year Be More Kind – Frank Turner Chicago – Josienne Clarke and Ben Walker Southern Wind – Dean Owens Uh-huh – Jade Bird International Song of the Year Hold Your Head Up High – Darlingside Mockingbird – Ruston Kelly Rolling On – Israel Nash The Joke – Brandi Charlie UK Artist of the Year Bennett Wilson Poole Ethan Johns Robert Plant The Wandering Hearts International Artist of the Year John Prine Lukas Nelson & The Promise of the Real Mary Gauthier Nathaniel Ratliff & The Night Sweats UK Instrumentalist of the Year CJ Hillman Gwenifer Raymond Martin Jarley Seth Lakeman The nominees for the special awards were also announced as well, with it being revealed that Graham Nash will pick up the Lifetime Achievement Award. Speaking about the selection, Stevie Freeman – CEO of the Americana Music Association UK – declared that the timing was right for Nash to get the gong and that he will fit right in with the previous winners. “It feels absolutely right that Graham Nash will be accepting our Lifetime Achievement Award in 2019, joining past winners Richard Thompson and Robert Plant,” she said. “Like them, Graham Nash certainly isn’t slowing down and has toured both the US and the UK in 2018. “He is a wonderful icon for the trans-transatlantic collaborations, proving once again that the core values of this music travel and mix to create a unique form that we call Americana.” Joe Boyd will pick up the Trailblazer Award, while Immy Roman and Ria Tabatznik of The Green Note will be honoured with the Grass Roots Award. At this point, The Wandering Hearts took to the stage as a surprise act to perform a new song of theirs, which showcased exactly why they’re held in such high regard with tremendous harmonies and superb playing. After their performance, they revealed that Curse of Lono have been picked for the Bob Harris Emerging Artist Award. The iconic broadcaster will be hosting the event and said that he is “thrilled and honoured” to be doing so. Curse of Leno and JP Harris then took to the stage, with both being received wonderfully by an audience who seemed to enjoy every second of their performances. The UK Americana Awards 2019 will take place on January 31 at Hackney Empire, and tickets can be purchased at www.theamauk.org/tickets

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